View allAll Photos Tagged mediumformatcamera
Camera: Agfa Click 1
Film: Lomography color negative 400 (120mm)
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 50mm f4 Distagon T* chrome. Film: Kodak Portra 160. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.
This picture is from my Rolleicord III with Schneider Xenar 75mm f3.5's first test roll.
Picture of "Roy Lichtenstein on the Roof" at the Met Museum 2003 season.
Camera: 1950-1953 Rolleicord III with Schneider 75mm f3.5 Xenar. Meter: Minolta Auto Meter VF. Film: Fuji Provia 100F. Sony A700 DSLR and Sony 100mm f2.8 were used for digital conversion. Lightroom 4 for some minor adjustment to make the final as close as the original slide.
This camera was a gift from my friend Jack Lever. Jack is a retired commercial photographer, He was a Navy photographer during the Cold War on the USS Ranger, shooting landings and take offs.
Date：2008/09/30 台中-文心森林公園
Camera：Mamiya 645 PRO
Lens：MAMIYA - SEKOR C 1:3.5 F=35mm (135等校換算=21mm)
Film：Kodak Professional EKTACHROME Film E100VS
Scan：台中金霏林 NORITSU
Yup, my twins! Well, not identical because of different lens, one with Schneider Xenar and one with Zeiss Triotar.
Ensign Selfix 220. It's a dual size (6x6 and 6x4.5) medium format folding camera made in UK by Houghton-Butcher since 1930 till early 50's.
On a 120 film roll takes twelve 6x6 or sixteen 6x4.5 pictures, using internal pivoting masks.
75mm f/4.5 Ensign Ensar Anastigmat lens (f:4.5; 5.6; 8; 11; 16; 22;32). 1/100; 1/50; 1/25; B and T shutter.
Liverpool, 30th March 2013.
Kodak Sterling II camera and expired Ilford HP5+ film. I was using the Sunny 16 rule with this camera but had forgotten completely to set the shutter speed correctly and only realised once I had started shooting on it (it was set around 1/125 rather than 400 - the Sterling II can only go up to 1/200 I think anyway).
After searching & asking online I discovered I needed to pull the film in processing by two stops. I really struggle with numbers and was convinced I had ruined the film, but after developing it for 6.5 minutes in Ilfosol-3 I got these negatives which I'm really pleased with :)
Camera: 1952-1955 Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Filter: Rollei Bay III Light Yellow (#8) Film: Fomapan 100. Developer: Kodak XTOL 1:1 8mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 4.
Date：2008/10/02 台中-柳原基督長老教會
Camera：Mamiya 645 PRO
Lens：MAMIYA - SEKOR C 1:1.9 F=80mm (135等校換算≒50mm)
Film：FUJICHROME Velvia 50 Professional(RVP50)
Scan：台中金霏林 NORITSU
Woo! I made it into the photos from Vermont. These had to wait a little bit because they are medium format, E-6 (Slide) film. I decided to develop all of the medium format colour film myself, which was fine... except I've never developed colour before! :) So I had to learn. I did a test roll, figured out what I did wrong, and then tried a real roll- which, naturally, was cross process! (All I had for colour rolls were slide film. Go figure)
Anyway, this was taken while I was visiting with Sonja the day before her wedding. It was a lovely little spot out in the middle of nowhere and I had to capture it with the Hasselblad.
Camera: Agfa Click 1
Film: Lomography color negative 400 (120mm)
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
This was kind of fun... I went out yesterday to shoot some photos with the Hasselblad, which was fun because the sun was shining quite starkly, giving everything an interesting mood. (We've had rainy days for weeks on end, which means the prospect of shadows was startling!) I went to a park and played around with geometry. While shooting, this frame was my favourite. Not sure why.
When I went to develop them, I accidentally dropped the roll as I was putting it into the changing bag. Oops! I hoped really hard that the black backing on the film did its job. Unfortunately, I blew a couple of frames. I noticed that this one was blown too-- from the position in my wash basin it looked as if it was totally junk, so I didn't pay any attention to it. (Hence the water spots)
In the end, though, I've decided I kind of like it. Damaged all over- light leak on the edge, drops all over the place. It still smells like summer.
Date：2008/11/19 東海大學
Camera：Zeiss Ikon IKONTA PRONTOR-SV
Lens：Novar-Anastigmat 105mm F4.5 (135等校換算≒40mm)
Film：KODAK PROFESSIONAL PORTRA 400VC
Scan：花蓮彩韻
I took this at work, using a parkbench as a tripod at about six forty five in the morning. Then I worked ten hours driving a little bobcat thing, driving a dumptruck, jackhammers, the whole works, all the while my camera sits under a bench, then I drove home, and at about seven pm I realized I left my Mamiya 7 under the bench. I drove back to the city, obeying all speed limits vigorously, and had to hop the fence, sneak in like a vandal, and lo and behold my camera was still there, and hundreds of people had walked right on by during the parks closure.
I was beyond thankful.
Camera: Agfa Click 1
Film: Fujifilm - Fujicolor Superia 100
Expired in: 2007 or 2009, I can't actually remember, but a good while ago in any case :)
Copyright 2017 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Flying paper bag kites at Devil's Dyke
Some behind the scenes shots of a Tall & Small shoot which resulted in these shots:
Date：2008/10/02 台中-柳原基督長老教會
Camera：Mamiya 645 PRO
Lens：MAMIYA - SEKOR C 1:1.9 F=80mm (135等校換算≒50mm)
Film：FUJICHROME Velvia 50 Professional(RVP50)
Scan：台中金霏林 NORITSU
More about this photo here on my blog.
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Colton (Daiku_San) gave me a roll of old Verichrome that I shot with Colton using my medium format Yashica 124 MatG. Actually I love the way this old film turned out. This shot is at Emigrant Lake near Ashland Oregon
This picture is from my Rolleicord III with Schneider Xenar 75mm f3.5's first test roll.
Picture of "Roy Lichtenstein on the Roof" at the Met Museum 2003 season. That's me talking with the lady, I think she asked me about the camera.
Camera: 1950-1953 Rolleicord III with Schneider 75mm f3.5 Xenar. Meter: Minolta Auto Meter VF. Film: Fuji Provia 100F. Sony A700 DSLR and Sony 100mm f2.8 were used for digital conversion. Lightroom 4 for some minor adjustment to make the final as close as the original slide.
Traveller Chinese (Hong Kong) plastic pseudo TLR camera or a TLR wannabe : )
Lens: Super Plastic Lens
Shutter speed: B, 1/25 and 1/50
Aperture: f/11, f/16, f/22
Camera: Agfa Isola 1
Film: Kodak Ektar 100
Copyright 2016 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
The first Brownie was a very significant camera in the history of photography. It changes the way people take picture. Also, the No.2 was introduced with a new type of roll film, the 120 film of which still being made today and now know as medium format film.
I have soft spot for the Kodak Brownie box cameras after I picked up my first Brownie about 10 years ago, a No.2 Model E. Every since then I kept an eye out for nice Brownie and other box cameras.
And here is the first test roll from my new "old" Kodak Brownie No.2 Model F (1924-1933) all 8 frames from it (it is 6X9 format and you only get 8 shots per roll) After I did some restoration on it, cleaning, glued back the mirror in one of the view finder and etc the camera still work fine after all these years. (Picture of the camera coming soon)
Camera: 1924-1933 Kodak Brownie No.2 Model F. Film: Fomapan 100. Developer: Kodak D76 1:1 10mins @ 20*C. Digital Conversion: Epson V550 scanner and Lightroom 6.
Pentax 6x7 loaded with Kodak Portra 800 medium format film, shot and developed at Box speed. December 2019
Camera: Agfa Isola 1
Film: Kodak T-MAX 400 (which is too much ISO for this camera, but hey, shoot and learn).
Copyright 2016 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Camera: Agfa Click 1
Film: Lomography color negative 400 (120mm)
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.