View allAll Photos Tagged mediumformatcamera
29th November 2014 (a Saturday afternoon).
Kodak Sterling II camera and expired Ilford HP5+ film (respooled to 620). I was using the Sunny 16 rule with this camera but had forgotten completely to set the shutter speed correctly and only realised once I had started shooting on it (it was set around 1/125 rather than 400 - the Sterling II can only go up to 1/200 I think anyway).
After searching & asking online I discovered I needed to pull the film in processing by two stops. I really struggle with numbers and was convinced I had ruined the film, but after developing it for 6.5 minutes in Ilfosol-3 I got these negatives which I'm really pleased with :)
This picture is from my Rolleicord III with Schneider Xenar 75mm f3.5's first test roll.
Picture of "Roy Lichtenstein on the Roof" at the Met Museum 2003 season. That's me talking with the lady, I think she asked me about the camera.
Camera: 1950-1953 Rolleicord III with Schneider 75mm f3.5 Xenar. Meter: Minolta Auto Meter VF. Film: Fuji Provia 100F. Sony A700 DSLR and Sony 100mm f2.8 were used for digital conversion. Lightroom 4 for some minor adjustment to make the final as close as the original slide.
Date：2008/11/19 東海大學
Camera：Zeiss Ikon IKONTA PRONTOR-SV
Lens：Novar-Anastigmat 105mm F4.5 (135等校換算≒40mm)
Film：KODAK PROFESSIONAL PORTRA 400VC
Scan：花蓮彩韻
Camera - Mamiya 645 Pro TL
Film - Fujifilm Pro 400C 120mm
.
Taken at Gray Manor Hotel in Cholderton, England
Flying paper bag kites at Devil's Dyke
Some behind the scenes shots of a Tall & Small shoot which resulted in these shots:
Date：2008/10/02 台中-柳原基督長老教會
Camera：Mamiya 645 PRO
Lens："MAMIYA - SEKOR C 1:1.9 F=80mm (135等校換算≒50mm)
Film：FUJICHROME Provia 100F Professional(RDPIII)
Scan：台中金霏林 NORITSU
Date：2008/09/30 台中-豐樂雕塑公園
Camera：Mamiya 645 PRO
Lens：MAMIYA A 1:2.8 F=150mm (135等校換算=90mm)
Film：FUJICHROME Provia 100F Professional(RDPIII)
Scan：台中金霏林 NORITSU
Camera: Agfa Isola 1
Film: Kodak T-MAX 100 (120 mm)
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Traveller Chinese (Hong Kong) plastic pseudo TLR camera or a TLR wannabe : )
Lens: Super Plastic Lens
Shutter speed: B, 1/25 and 1/50
Aperture: f/11, f/16, f/22
Copyright 2019 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Find me online:
Bencini Koroll 24, with Walmart 35mm film, "drawn on" with a laser pointer before loading. Re-scanned to get the sprockets in and curves pushed to the max in Photoshop.
That little boat took to the Videy Island and back.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 150mm f4 Sonnar chrome. Film: Kodak Portra 160. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.
Date：2008/09/30 台中-文心森林公園
Camera：Mamiya 645 PRO
Lens：MAMIYA - SEKOR C 1:1.9 F=80mm (135等校換算≒50mm)
Film：FUJICHROME Provia 100F Professional(RDPIII)
Scan：台中金霏林 NORITSU
Date：2008/11/19 新社 - 波斯菊
Camera：Zeiss Ikon IKONTA PRONTOR-SV
Lens：Novar-Anastigmat 105mm F4.5 (135等校換算≒40mm)
Film：Kodak Professional EKTACHROME Film E100VS
Scan：台中金霏林 NORITSU
Camera: Agfa Click 1
Film: Kodak Ektar 100 (120mm)
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Pentax 6x7 loaded with Kodak Portra 400 shot at box speed. Colorado Road Trip June 2022. St Elmo, Colorado
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome with Hasselbald (Y) yellow filter. Film: Kodak Tri-X 400. Meter: Minolta Auto Meter VF. Developer: Kodak D76 1:1 9.75 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* Meter: Minolta Auto Meter VF. Film: Ultrafine Extreme 400. Developer: Kodak D76 1:1 14mins. Digital conversion: Epson V550 scanner and Lightroom 6.
Camera: Agfa Click 1
Film: Lomography color negative 400 (120 mm)
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Pentax 6x7 loaded with FujiFilm Provia 100F processed at Box Speed medium format film. September 2019. Road trip from Tulsa, OK to Los Angeles, CA.
Bencini Koroll 24, with Walmart 35mm film, "drawn on" with a laser pointer before loading. Re-scanned to get the sprockets in and curves pushed to the max in Photoshop.
The Diana F+ is a medium format camera that shoots soft-focused photos and boasts pinhole and panorama functions.
Camera Diana — scale medium-format camera made almost entirely of plastic. The lens is a meniscus that contains a single plastic lens. The camera shoots on film type 120 frames 6×6 cm (12 pieces) or 4×4 cm (16 pieces) (in this case, most of the film remains unused) and the film type 35 mm (streamlined modification).
The first "Diana" was made in the 1960-ies in Hong Kong factory "Great Wall Plastic Factory" and sold under various trademarks (e.g., "Conforama"). Often this was expressed only in the change of label, although technically the camera model has not changed. In total there are about 50 options of clones similar to the original camera, some of which were produced by other factories.
Since 2007, the current distributor — Lomographic community returned to the life of the camera by means of reissuing a new slightly improved model «Diana F+».
Technical parameters:
Shutter speed: 1/60 + B (manual)
Aperture: Sunny f/22; partly cloudy - f/16; Cloudy - f/11; Pinhole f/150
Focusing: zone focusing
Focus distance: 1-2m; 2-4m; 4m - infinity
Note: a Distinctive feature is significant vignetting, soft focus (or rather weak in terms of image sharpness), manual, no fixed film rewinding, allowing you to easily make multiple exposure and panoramic shots. Also the function of the pinhole allows you to capture these amazing shots with super-long exposures.
Camera: Agfa Isola 1
Film: Kodak T-MAX 100 (120 mm)
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Date：2008/11/27 高雄 - 橋頭糖廠
Camera：Zeiss Ikon IKONTA PRONTOR-SV
Lens：Novar-Anastigmat 105mm F4.5 (135等校換算≒40mm)
Film：Agfa Agfacolor Optima 100
Scan：台中金霏林 NORITSU
Camera - Mamiya 645 Pro TL
Film - Fujifilm Pro 400C 120mm
.
Taken at Gray Manor Hotel in Cholderton, England
Date：2008/11/27 高雄 - 橋頭糖廠
Camera：Zeiss Ikon IKONTA PRONTOR-SV
Lens：Novar-Anastigmat 105mm F4.5 (135等校換算≒40mm)
Film：KODAK PROFESSIONAL PPN 160 (過期)
Scan：台中金霏林 NORITSU
Public art on the High Line.
Camera: Rolleicord III 75mm f3.5 Schneider Xenar. Meter: Minolta Auto Meter VF. Film: Kodak Ektar 100. Digital conversion: Epson V550 scanner and Lightroom 4
Camera: Agfa Isola 1
Film: Kodak Ektar 100
Copyright 2016 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Date：2008/11/27 高雄 - 橋頭糖廠
Camera：Zeiss Ikon IKONTA PRONTOR-SV
Lens：Novar-Anastigmat 105mm F4.5 (135等校換算≒40mm)
Film：Agfa Agfacolor Optima 100
Scan：台中金霏林 NORITSU
Date：2008/09/30 台中-豐樂雕塑公園
Camera：Mamiya 645 PRO
Lens：MAMIYA - SEKOR C 1:3.5 F=35mm (135等校換算=21mm)
Film：Kodak Professional EKTACHROME Film E100VS
Scan：台中金霏林 NORITSU
I just got a label maker and I've been going nuts. You could say I've labeled my life, well, at least the record of it. These are all my moleskines. I like the squared poket versions for my journals.
You all saw my excitement over the Lubitel arriving- so it is no surprise that today I took it out and shot some film! :)
This one is a double exposure, too, because I totally spaced on winding it. I even remember when I did it, I was trying to be certain if I had taken the frame yet or not. I opted to risk a double exposure in favour of no exposure.
I really love this camera! The images have such a neat feel to them. Also the looks the camera gets you are pretty exciting. Most people aren't really sure what it is.
It's pretty easy to develop too, though I've noticed most recipes I find for the 120 film that I have use a really diluted solution and take a long time. (The one I did last night was 26 minutes. Quite a jump from the time for this film, which was less than six minutes!)
For now the Lubitel is going to remain black-and-white only. It's just expensive to justify sending colour out and I'm not ready to develop colour film myself. (I think I will be in a few months, when I can control the temperature of the water better)
I think on the self-portrait bingo board I did pretty good today! Medium Format + Russian Camera + Black and White + Double Exposure + Mirror Shot. Ha!