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No coração histórico de Monterosso al Mare, uma das cinco vilas das Cinque Terre, um carrugio, ou passagem abobadada, conecta a Via Roma à Via Vittorio Emanuele. Esta viela estreita, característica da arquitetura medieval da Ligúria, oferece um atalho na densa malha urbana. As paredes com pedra exposta sob o reboco e o pavimento de lajes testemunham a história da vila, enquanto a passagem, outrora refúgio para mercadorias e peões, se mantém integrada na vida moderna. Hoje, utilizada por residentes e turistas, esta passagem liga zonas comerciais e turísticas, com a cena de uma ciclista a ilustrar a sua funcionalidade no quotidiano. Monterosso, parte do Património Mundial da UNESCO, preserva a arquitetura tradicional italiana e as paisagens costeiras que atraem visitantes à procura de produtos locais e souvenirs.
In the historic heart of Monterosso al Mare, one of the five villages of the Cinque Terre, a carrugio, or vaulted passageway, connects Via Roma to Via Vittorio Emanuele. This narrow alley, characteristic of medieval Ligurian architecture, offers a shortcut through the dense urban fabric. The walls with exposed stone beneath the plaster and the flagstone pavement bear witness to the village's history, while the passageway, once a refuge for goods and pedestrians, remains integrated into modern life. Today, used by residents and tourists alike, this passageway connects shopping and tourist areas, with the scene of a cyclist illustrating its everyday functionality. Monterosso, part of UNESCO's World Heritage, preserves traditional Italian architecture and coastal landscapes that attract visitors looking for local products and souvenirs.
A view from the west of the Grade I listed St Michael and All Angels, the parish church of the village of Urchfont near Devizes in Wiltshire (pop. 1,181).
St Michael and All Angels Church dates from the late 13th century and early 14th century and is a Grade I listed building, with a few interior survivals from an older building on the same site dating to around 1220. The transepts were added in the 14th Century, when the nave was also extended a little further to the west, while the tower was built in the late 15th Century.
Inside, the church has exceptional vaulting, much praised by Pevsner.
Vista parcial da Catedral de Santa María la Real, em Pamplona, destacando a sua robusta arquitetura gótica. Este símbolo religioso e histórico da cidade é um marco incontornável de Navarra.
Warkworth Castle in Northumberland is a stunning example of medieval architecture and history. With its impressive stone walls, dramatic keep, and picturesque riverside setting, the castle tells tales of centuries of English heritage, battles, and noble life. A must-visit for history lovers and explorers alike.
wiki - Warkworth Castle
Warkworth Castle is in the village Warkworth in Northumberland. The village and castle occupy a loop of the River Coquet, less than a mile from England's north-east coast. When the castle was founded is uncertain. Traditionally its construction has been ascribed to Prince Henry of Scotland in the mid-12th century, but it may have been built by King Henry II of England when he took control of England's northern counties.
With the outbreak of the Anglo-Scottish Wars, Edward II invested in castles including Warkworth where he funded the strengthening of the garrison in 1319. Twice in 1327 the Scots besieged the castle without success. Henry Percy, 1st Earl of Northumberland, added the imposing keep (pictured) overlooking the village of Warkworth in the late 14th century. In the mid-18th century the castle found its way into the hands of Hugh Smithson, who married the indirect Percy heiress. He adopted the name "Percy" and founded the dynasty of the Dukes of Northumberland, through whom possession of the castle descended.
In the late 19th century, the dukes refurbished Warkworth Castle and Anthony Salvin was commissioned to restore the keep. Alan Percy, 8th Duke of Northumberland, gave custody of the castle to the Office of Works in 1922. Since 1984 English Heritage has cared for the site, which is a Grade I listed building and a Scheduled Ancient Monument.
Source: Wikipedia
Vista de Riomaggiore, a mais oriental das cinco aldeias de Cinque Terre, na costa da Ligúria, Itália. As casas coloridas em tons de vermelho, amarelo e laranja erguem-se sobre os penhascos rochosos, numa arquitetura típica da região. Esta vila piscatória, fundada no século XIII, preserva a sua estrutura medieval e é Património Mundial da UNESCO desde 1997. Os promontórios rochosos e águas cristalinas que circundam a aldeia atraem visitantes por todo o mundo, sendo a aproximação por barco uma das formas mais pitorescas de aceder à região, permitindo visualizar a harmonia entre a intervenção humana e a natureza acidentada da costa italiana.
O Batistério de Pisa, dedicado a São João Batista, situa-se na Piazza dei Miracoli, em Pisa, Itália, e é parte de um conjunto classificado como Património Mundial da UNESCO desde 1987. A sua construção, iniciada em 1152 e concluída em 1363, reflete a transição entre os estilos românico e gótico, com uma planta circular que atinge cerca de 54 metros de altura. Destaca-se pela cúpula em forma de cone truncado e pela rica decoração exterior em mármore branco de Carrara, incluindo relevos de Nicola Pisano e seu filho Giovanni. O interior é simples, mas notável pela sua acústica excecional, frequentemente demonstrada aos visitantes, com ênfase no púlpito esculpido por Nicola Pisano em 1260 e na pia batismal octogonal de Guido Bigarelli. Além do Batistério, o complexo inclui a Catedral de Pisa e a famosa Torre Inclinada, refletindo a ambição da antiga República de Pisa.
The Baptistery of Pisa, dedicated to St. John the Baptist, is located in Piazza dei Miracoli, Pisa, Italy, and is part of a UNESCO World Heritage Site since 1987. Its construction, which began in 1152 and was completed in 1363, reflects the transition between the Romanesque and Gothic styles, with a circular plan that reaches a height of around 54 meters. It is notable for its truncated cone-shaped dome and rich exterior decoration in white Carrara marble, including reliefs by Nicola Pisano and his son Giovanni. The interior is simple, but notable for its exceptional acoustics, often demonstrated to visitors, with emphasis on the pulpit sculpted by Nicola Pisano in 1260 and the octagonal baptismal font by Guido Bigarelli. In addition to the Baptistery, the complex includes Pisa Cathedral and the famous Leaning Tower, reflecting the ambition of the ancient Republic of Pisa.
One of the most iconic elements of the vista of the Danube Bend is the castle rising out of the steep mountainside above Visegrád. From within its walls we can marvel at the breathtaking view of the city below and the serpentine of the Danube in front of the lush, mountainous landscape. As one of Hungary’s largest fortifications, its size and splendor were considered exceptional even at the time of its building, in 1250.
Mont Orgueil (Jerriais for 'Mount Pride' or 'Haughty Mount') is a castle that overlooks the harbour of Gorey on the east coast of Jersey.
The site had already been fortified in the prehistoric period, but the construction of this castle was undertaken following the division of the Duchy of Normandy in 1204. The castle was first mentioned in 1212. The castle is first called 'Mont Orgeuil' in an ordinance issued by Pierre de Brézé, Lord of the Isles during the occupation by the French during the War of the Roses, in 1462.
The castle was the primary defence of Jersey until the development of gunpowder which then rendered the castle ultimately indefensible from Mont Saint Nicholas, the adjacent hill which overlooks the castle. Mont Orgueil was updated with platforms for artillery constructed in 1548 and 1549 under the direction of Henry Cornish, Lieutenant of the Earl of Hertford in Jersey. Cornish complained that earlier repairs to the donjon by Robert Raymont had left it so weak it was vulnerable to musket shot; "lyke a nadyl eye scarse abyll to byde a hagboshe." In 1543 he had asked for a "saker" cannon that would cover the sands between "Grovyll" and the castle, where the French had landed in the past.
Mont Orgueil was to be superseded by Elizabeth Castle off Saint Helier, the construction of which commenced at the end of the 16th Century. Walter Raleigh, Governor of Jersey in 1600, rejected a plan to demolish the old castle to recycle the stone for the new fortifications with the words: "'twere pity to cast it down".
The old castle continued to be used as the island's only prison until the construction of a prison in St. Helier at the end of the 17th Century. The English Government found it expedient to send troublesome agitators such as William Prynne and John Lilburne to Mont Orgueil far from the realm of England. The regicides Thomas Waite, Henry Smith, James Temple, Hardress Waller, and Gilbert Millington were transferred to Mont Orgueil in 1661.
During the English Civil War, from March 1643 the then Lieutenant Governor and Bailif of the island, Sir Philippe de Carteret held out for the Royalists in Elizabeth Castle, leaving his wife Anne de Carteret, and their son Philippe de Carteret to occupy Mont Orgueil. It was from Mont Orgueil that the Royalists under Sir George Carteret retook the island from Parliament in November 1643. In December 1651 the island was invaded by Parliament; however, faced with the prospect of modern artillery being deployed on the adjacent hill Mont St. Nicholas, the fortress was surrendered with generous terms allowing those inside to go to Elizabeth Castle.
A report for the States of Jersey in 1691 declared that the barracks accommodation was so dilapidated that it was impossible to quarter troops there. Two years later, the castle was stated to be in a ruinous condition and subsequently was abandoned as a prison, because Elizabeth Castle had been built and the castle was neglected and not needed any more.
Repairs were carried out 1730–1734 and for the rest of the century, parts of the castle were adapted for garrison accommodation. Given full access to the castle from 1795, Admiral Philippe d'Auvergne who was working for the British secret service, to destabilise the French Revolutionary government through an organisation he was running in Brittany and mainland Normandy including the smuggling of people with forged documents and materiel into France together with forged French Assignat notes, which were being mass-produced in London with the successful result of causing hyperinflation which raged in France until 1802. In 1800, the Corbelled Tower was fitted out for use by d'Auvergne as his headquarters.
In 1846, the castle was visited by Queen Victoria and Prince Albert. The castle has also hosted subsequent royal ceremonies to welcome George V in 1921 and Elizabeth II; inscriptions mark the occasions.
Until the second half of the 19th Century, the castle was open to the public on one day a year, Easter Monday, and crowds used to flock from all over the island. This is believed to be a survival of the pre-Reformation custom of visiting St. George's Chapel inside the castle on St. George's Day.
In a generally ruinous state at the time of its handover to the people of Jersey by the Crown on 28 June 1907, Mont Orgueil has been managed as a museum site since 1929, although during the Second World War German occupation (1940–1945), the occupying forces garrisoned the castle and added modern fortifications camouflaged to blend in with existing structures. The heritage site has been managed by the Jersey Heritage Trust since 1994.
A long building programme, which had the castle closed to the public for a lengthy period, was completed in 2006. Restoration work has opened up previously inaccessible areas of the castle to the public.
This description incorporates text from the English Wikipedia.
Rochester Castle was originally built between 1087 and 1089 by the newly conquering Normans at a strategic location on the River Medway and Watling Street. Castles were introduced to England by the Normans in the 11th century and their construction, in the wake of the conquest of 1066, helped the Normans secure their new territory.
Some of Gundulf’s castle still survives, but the most outstanding feature is the slightly later “keep” or stone tower which dominates the castle today, begun in 1127 and completed no later than 1141. It is one of the best preserved in England or France.
After three sieges in the 13th Century, the castle saw military action for the last time in 1381 when it was captured and ransacked during the Peasants' Revolt. As Rochester Castle fell out of use its materials were reused elsewhere and custodianship relinquished by the Crown. The castle and its grounds were opened to the public in the 1870s as a park. At various points during the 19th and 20th centuries repairs were carried out. The castle is protected as a Grade I listed building and Scheduled Monument. Today the ruins are in the guardianship of English Heritage and open to the public.
This description incorporates text from the English Wikipedia.
Behold the grandeur of Nuremberg Castle as captured in this awe-inspiring photo of the majestic watchtower. Rising tall within the castle walls, this guardian of history offers a commanding view of the city below. Immerse yourself in the timeless allure of medieval architecture and imagine the tales whispered by stone walls. Let this image transport you to an era where the watchtower stood sentinel, witnessing the passage of time and preserving the secrets of Nuremberg's storied past.
Marwell Hall in Colden Common near Winchester Hampshire is a stately home built in 1320 on the site of a former house. It once belonged to the Seymour family and Henry VIII married Jane Seymour there in 1536. Marwell Hall is now the centre of Marwell Zoological Park
Imagem panorâmica da cidade histórica de Santiago de Compostela, captada a partir do Parque da Alameda, revela a majestosa Catedral, um dos principais destinos de peregrinação cristã na Europa e ponto final do Caminho de Santiago. Construída entre os séculos XI e XVIII sobre o local onde se encontram, segundo a tradição, os restos do apóstolo Santiago Maior, a catedral apresenta uma rica mistura de estilos arquitetónicos românico, gótico e barroco, com destaque para a fachada do Obradoiro. O Parque da Alameda, um dos maiores espaços verdes da cidade, é conhecido pelas suas vistas magníficas sobre o centro histórico, que inclui as construções graníticas típicas da Galiza e os telhados das casas da zona antiga, classificada como Património Mundial pela UNESCO desde 1985.
Panoramic image of the historic city of Santiago de Compostela, captured from the Alameda Park, reveals the majestic Cathedral, one of the main Christian pilgrimage destinations in Europe and the final point of the Way of St. James. Built between the 11th and 18th centuries on the site where, according to tradition, the remains of the apostle Santiago Maior are found, the cathedral presents a rich mixture of Romanesque, Gothic and Baroque architectural styles, with emphasis on the Obradoiro façade. Alameda Park, one of the largest green spaces in the city, is known for its magnificent views over the historic center, which includes the typical granite constructions of Galicia and the rooftops of the houses of the old town, classified as a World Heritage Site by UNESCO since 1985.
Vista da rua Redín, em Pamplona, onde um passadiço medieval em madeira e pedra une edifícios históricos. Esta passagem, típica de antigas cidades fortificadas, preserva a essência medieval da capital de Navarra. Ao fundo, detalhes arquitetónicos remetem ao encanto intemporal do centro histórico.
View of Tower of Homage (La torre del Homenaje) - a tower of octagonal shape which is situated in the Northeast corner of the castle.
The National Churches Trust describes St Mary's in Potterne as a “an Early English church of exceptional purity and austerity.”
A priest, and land held by the Bishop of Salisbury, was recorded at Potterne in Domesday Book of 1086, and in Victorian times, a 10th Century font was found on the site of the present day Church of England parish church of St Mary. It was built in the 13th century and has survived with little change, beyond work to the tower in the 15th century and restoration by Ewan Christian. Pevsner describes it as, “An Early English parish church of exceptional purity and indeed classicity” and linked this to the Bishops’ ownership of the manor.
The church is cruciform, with a substantial tower over the crossing, and original lancet windows. It is built of rubble stone, with ashlar to the upper tower. The south porch was added in the 14th century, and in the 15th the tower was made higher and given an elaborate battlement. Restoration in 1870–2 included re-roofing and the removal of galleries, and the stained glass is from various dates in that century.
From the 11th century, the church had been linked to All Saints at West Lavington as tithes from both churches endowed a prebendary at Salisbury Cathedral. From 1967 the benefice was held in plurality with Worton and since 2017 the parish has been part of the Wellsprings benefice, which extends to Seend, Bulkington and Poulshot.
Potterne is a village with a population of 1,544 (2021), 2 miles/3 km south of the Wiltshire market town of Devizes.
This description incorporates text from the English Wikipedia.
Bryggen is a historic harbour district in Bergen, one of North Europe’s oldest port cities on the west coast of Norway which was established as a centre for trade by the 12th century.
In 1350 the Hanseatic League established a “Hanseatic Office” in Bergen. They gradually acquired ownership of Bryggen and controlled the trade in stockfish from Northern Norway through privileges granted by the Crown. The Hanseatic League established a total of four overseas Hanseatic Offices, Bryggen being the only one preserved today.
A 1930s statue of the Madonna and Child forms the centrepiece of the much older, spectacular, stonework on the upper parts of the south porch of St Mary Redcliffe. A date of 1340 seems likely for the south porch, and it may have been executed by a team led by William Joy who was master mason at Wells in the 1330s and 1340s.
The Church of St Mary the Virgin, widely known as St Mary Redcliffe, is the main Church of England parish church for the Redcliffe district of Bristol. The first reference to a church on the site appears in 1158, with the present building dating from 1185 to 1872. The church is considered one of the country’s finest and largest parish churches as well as an outstanding example of English Gothic architecture. The church is so large it is sometimes mistaken for Bristol Cathedral by tourists. It, unsurprisingly, enjoys Grade I listed status.
The church is notable for its many large stained glass windows, decorative stone vaults, flying buttresses, rare hexagonal porch and massive Gothic spire. With a height of 84 metres to the top of the weathervane, St Mary Redcliffe is the second-tallest structure in Bristol and the sixth-tallest parish church in the country. The church spire is a major Bristol landmark, visible from across the city and until the completion of Castle Park View in 2020, was the tallest structure ever to have been erected in Bristol.
St Mary Redcliffe has received widespread critical acclaim from various architects, historians, poets, writers and monarchs. Queen Elizabeth I, on a visit to the church in 1574, described St Mary Redcliffe as “The fairest, goodliest and most famous parish church in England”; Simon Jenkins gives St Mary Redcliffe the maximum five-star rating in his book ‘England’s Thousand Best Churches’, one of only eighteen to receive such a rating, describing it as a “masterpiece of English Gothic”; and Nikolaus Pevsner says that “St Mary Redcliffe need not fear comparison with any other English parish church”.
This description incorporates text from the English Wikipedia and the church’s website.
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iPhone shot of Peterborough Cathedral, superb fan-vaulted ceiling of The Eastern (New) Building, dated circa 1500. No additional lens, handheld, Shoulderpod S1, remote, battered in Snapseed, as you do!!!
Organ and Quire Screen at Rochester Cathedral.
The quire screen is relatively modern, having been executed in memory of Robert Scott (sometime Dean) with its current statues by J. Loughborough Pearson in or around the late 1880s.
Rochester Cathedral's current pipe organ originates from the 1905 instrument built by J. W. Walker & Sons Ltd. It was later rebuilt by Mander Organs in 1989, who installed a new choir organ and pipework under the advice of Paul Hale.
Rochester Cathedral in the English county of Kent, formally the Cathedral Church of Christ and the Blessed Virgin Mary, is the seat of the Diocese of Rochester, the second oldest bishopric in England after that of the Archbishop of Canterbury. The edifice is a Grade I listed building
There has been a cathedral on this site since 604, but after the Norman Conquest, the by now decayed building was replaced by a new Rochester Cathedral, constructed beginning in 1080 by Bishop Gundulf.
The building was dedicated in either 1130 or 1133, but was badly damaged by fire almost immediately, and then again in 1137 and 1179, with the east end almost complete destroyed. This was replaced around the turn of the 13th Century. There was a significant period of extension in the late 13th and early 14th Centuries, which added much Decorated work while leaving the Norman-Romanesque superstructure largely intact.
The cathedral suffered a steep decline after the Dissolution of the Monasteries in the 16th century, during which time its estates were confiscated by the Crown, and it became dilapidated and fell into disrepute. Samuel Pepys, the diarist, would later dismiss it as a "shabby place". After William Laud, Archbishop of Canterbury, visited the cathedral in 1633 and complained about its general state, there seems to have been a significant programme of repairs, only to fall into disrepair again under Oliver Cromwell’s Commonwealth, although remedial work began as early as 1664 after the Restoration. Almost inevitably, the Cathedral was “restored” by George Gilbert Scott in the 1870s.
This description incorporates text from the English Wikipedia.
Wells Cathedral is an Anglican cathedral in Wells, Somerset, England, dedicated to St Andrew the Apostle and seat of the Bishop of Bath and Wells, whose cathedral it holds as mother church of the Diocese of Bath and Wells. Built in 1176–1450 to replace an earlier church on the site since 705, it is moderately sized for an English cathedral. Its broad west front and large central tower are dominant features. It has been called "unquestionably one of the most beautiful" and "most poetic" of English cathedrals.
Aerial view of The Minster Church of St Nicholas, Great Yarmouth, Norfolk
Founded by Herbert de Losinga, the first Bishop of Norwich, in 1101 and completed in 1119, St Nicholas is England’s largest parish church. Built to serve the growing medieval town and its herring industry, the church originally stood within a walled graveyard, part of which remains visible in the image.
Severely damaged during bombing raids in the Second World War, the Minster was almost completely rebuilt in the 1950s under architect Stephen Dykes Bower. Its copper-clad roof—now a defining feature of the Great Yarmouth skyline—was added during the post-war restoration. The church was granted Minster status in 2011.
Visible in the image are the surviving sections of the medieval town wall in the foreground and the compact urban grid of central Great Yarmouth beyond.
The last stop on our road trip to the Baltic States was Bremen. To break up the long drive from Copenhagen, we decided to visit another Hanseatic city along the way. Bremen was once a key member of the Hanseatic League, a powerful trading network in Northern Europe during the Middle Ages. As a free imperial city, Bremen thrived on trade, especially in wool, grain, and beer. It's still known today as the home of Beck’s beer! The city’s medieval architecture, like the UNESCO-listed Town Hall and the Roland statue, reflects this prosperous past.The historic center, or "Altstadt," with its charming streets and squares, truly impressed us. Although parts of Bremen’s Old Town were heavily damaged during World War II, the City Hall and the Roland statue fortunately survived with minimal damage. I got up early to capture this postcard-like shot, taking advantage of the quiet, undisturbed streets - Bremen, Free Hanseatic City of Bremen, Germany
photo rights reserved by B℮n
Narikala Fortress is an ancient fortress overlooking Tbilisi, the capital of Georgia, and is one of the city’s most iconic landmarks. The fortress dates back to the 4th century, when it was originally built as a Persian citadel. Over the centuries, it was expanded and fortified by various rulers, including the Arabs, Mongols, and Georgians, reflecting the region’s complex history. The fortress is perched on a steep hill and offers breathtaking panoramic views of Tbilisi, including the Kura River and the Old Town. Although part of the walls and towers were destroyed by an earthquake in 1827, they remain a powerful symbol of the city’s ancient past. Visitors can explore the historic walls and enjoy the tranquility that contrasts with the bustling city below. In addition to its historical significance, Narikala is also a popular destination for tourists and pilgrims. At the foot of the fortress lies the Church of St. Nicholas, a modern reconstruction of a medieval church that originally stood within the fortress walls. The walk to the fortress is an adventure in itself, rewarding visitors with impressive views and a deeper connection to Tbilisi’s rich history. In the evening, when the city lights up, Narikala offers a magical view of the illuminated streets and monuments of the Georgian capital.
Narikala Fortress, perched high above Tbilisi, offers breathtaking views of the city and surrounding hills. This ancient stronghold, dating back to the 4th century, symbolizes Tbilisi's long and complex history. From the fortress's old towers, you can also enjoy a stunning view of the Tabor Monastery, which stands majestically on a nearby hill. The combination of the historic fortress and the serene monastery in the background creates a striking panorama, where history and spirituality intertwine. This makes Narikala a popular destination for both tourists and pilgrims alike. Photo of young people gather at Narikala's ancient towers.
Narikala Fort is een eeuwenoud fort dat uitkijkt over Tbilisi, de hoofdstad van Georgië, en is een van de meest iconische bezienswaardigheden van de stad. Het fort dateert uit de 4e eeuw, toen het oorspronkelijk werd gebouwd als een Perzische citadel. In de loop der eeuwen werd het uitgebreid en versterkt door verschillende heersers, waaronder de Arabieren, Mongolen en Georgiërs, wat de complexe geschiedenis van de regio weerspiegelt. Het fort ligt op een steile heuvel en biedt adembenemende panoramische uitzichten over Tbilisi, waaronder de Kura-rivier en de oude stad. Hoewel een deel van de muren en torens werd verwoest door een aardbeving in 1827, blijven ze een krachtig symbool van het oude verleden van de stad. Bezoekers kunnen de historische muren verkennen en genieten van de rust die in schril contrast staat met de levendige stad beneden. Naast zijn historische betekenis is Narikala ook een populaire bestemming voor toeristen en pelgrims. Aan de voet van het fort ligt de Sint-Nicolaaskerk, een moderne reconstructie van een middeleeuwse kerk die oorspronkelijk binnen de vestingmuren stond. De wandeling naar het fort is een avontuur op zich, waarbij bezoekers worden beloond met een indrukwekkend uitzicht en een diepere connectie met de rijke geschiedenis van Tbilisi. Vanaf de oude torens van Narikala heb je ook een prachtig zicht op het Tabor-klooster, dat majestueus op een naburige heuvel staat. De combinatie van het historische fort en het serene klooster op de achtergrond creëert een indrukwekkend panorama, waarin verleden en spiritualiteit samenkomen. s Avonds, wanneer de stad oplicht, biedt Narikala een magisch uitzicht over de verlichte straten en monumenten van de Georgische hoofdstad.
Looking west along the roof of St Mary Redcliffe from the Lady Chapel at the east end of the building.
The Church of St Mary the Virgin, widely known as St Mary Redcliffe, is the main Church of England parish church for the Redcliffe district of Bristol. The first reference to a church on the site appears in 1158, with the present building dating from 1185 to 1872. The church is considered one of the country’s finest and largest parish churches as well as an outstanding example of English Gothic architecture. The church is so large it is sometimes mistaken for Bristol Cathedral by tourists. It is, unsurprisingly of Grade I listed status.
The church is notable for its many large stained glass windows, decorative stone vaults, flying buttresses, rare hexagonal porch and massive Gothic spire. With a height of 84 metres to the top of the weathervane, St Mary Redcliffe is the second-tallest structure in Bristol and the sixth-tallest parish church in the country. The church spire is a major Bristol landmark, visible from across the city and until the completion of Castle Park View in 2020, was the tallest structure ever to have been erected in Bristol.
St Mary Redcliffe has received widespread critical acclaim from various architects, historians, poets, writers and monarchs. Queen Elizabeth I, on a visit to the church in 1574, described St Mary Redcliffe as “The fairest, goodliest and most famous parish church in England”; Simon Jenkins gives St Mary Redcliffe the maximum five-star rating in his book ‘England’s Thousand Best Churches’, one of only eighteen to receive such a rating, describing it as a “masterpiece of English Gothic”; and Nikolaus Pevsner says that “St Mary Redcliffe need not fear comparison with any other English parish church”.
This description incorporates text from the English Wikipedia.