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Ramanathaswamy Temple is a Hindu temple dedicated to god Shiva located on Rameswaram island in the state of Tamil Nadu, India. It is also one of the twelve Jyothirlinga temples, where Shiva is worshipped in the form of a Jyotirlingam (English: pillar of light).It is one of the 274 Paadal Petra Sthalams, where the three of the most revered Nayanars (Saivite saints), Appar, Sundarar and Tirugnana Sambandar, have glorified the temple with their songs. The temple was expanded during the 12th century by Pandya Dynasty, and its principal shrines sanctum were renovated by Jeyaveera Cinkaiariyan and his successor Gunaveera Cinkaiariyan of the Jaffna kingdom. The temple has the longest corridor among all Hindu temples in India. The temple is located in Rameswaram, an island town in South India, considered a holy pilgrimage site for Shaivites, Vaishnavites and Smarthas.
According to the Ramayana, Rama, the seventh incarnation of god Vishnu, is believed to have prayed to Shiva here to absolve sin of killing a brahmana, committed during his war against the demon king Ravana in Sri Lanka. Rama wanted to have the largest lingam to worship Shiva. He directed Hanuman, the monkey lieutenant in his army, to bring the lingam from Himalayas. Since it took longer to bring the lingam, Sita, the wife of Rama, built a small lingam out of the sand available in the sea shore, which is believed to be the lingam in the sanctum.
THE TEMPLE
The primary deity of the temple is Ramanathaswamy (Shiva) in the form of lingam. There are two lingams inside the sanctum - one built by Goddess Sita, from sand, residing as the main deity, Ramalingam and the one brought by Lord Hanuman from Kailash called Vishwalingam. Rama instructed that Vishwalingam should be worshipped first since it was brought by Lord Hanuman - the tradition continues even today.
Like all ancient temples in South India, there is a high compound wall (madil) on all four sides of the temple premises measuring about 865 feet furlong from east to west and one furlongs of 657 feet from north to south with huge towers (Gopurams) at the east and west and finished gate towers on the north and south. The temple has striking long corridors in its interior, running between huge colonnades on platforms above five feet high.
The second corridor is formed by sandstone pillars, beams and ceiling. The junction of the third corridor on the west and the paved way leading from the western gopuram to Setumadhava shrine forms a unique structure in the form of a chess board and it is popularly known as Chokkattan Madapam where the Utsva deities are adorned and kept during the Vasanthotsavam (Spring festival) and on the 6th day festival in Adi (July–August) and Masi (February–March) conducted by the Setupati of Ramnad.
The outer set of corridors is reputed to be the longest in the world being about 6.9 m height, 400 feet in each in the east and west and about 640 feet in north and south and inner corridors are about 224 feet in east and west and about 352 feet each in north and south. Their width varies from 15.5 feet to 17 feet in the east and west about 172 feet on the north and south with width varying 14.5 feet to 17 feet. The total length of those corridors is thus 3850 feet. There are about 1212 pillars in the outer corridor. Their height is about 30 feet from the floor to the center of the roof. The main tower or rajagopuram is 53 m tall. Most pillars are carved with individual composition.
SHRINES IN THE TEMPLE COMPLEX AND AROUND RAMESWARAM
There are separate shrines for God Ramanathaswami and Goddess Parvathavardhini separated by a corridor. There are separate shrines for goddess visalakshi, parvathavardhini, utsava idol, sayanagriha, perumal,and mahaganpathi. There are various halls inside the temple, namely Anuppu Mandapam, Sukravara Mandapam, Sethupathi Mandapam, Kalyana Mandapam and Nandi Mandapam.
TEMPLE TANKS
There are sixty-four Tīrthas (holy water bodies) in and around the island of Rameswaram, Tamil Nadu, India. According to Skānda Purāṇa, twenty-four of them are important. Bathing in these Tīrthas is a major aspect of the pilgrimage to Rameswaram and is considered equivalent to penance. Twenty-two of the Tīrthas are within the Rāmanāthasvāmī Temple. The number 22 indicates the 22 arrows in Rama's quiver. The first and major one is called Agni Theertham, the sea (Bay of Bengal).
SIGNIFICANCE TODAY
CHAR DHAM
The temple is one of the holiest Hindu Char Dham (four divine sites) sites comprising Badrinath, Puri and Dwarka. Though the origins are not clearly known, the Advaita school of Hinduism established by Sankaracharya, who created Hindu monastic institutions across India, attributes the origin of Char Dham to the seer. The four monasteries lie across the four corners of India and their attendant temples are Badrinath Temple at Badrinath in the North, Jagannath Temple at Puri in the East, Dwarakadheesh Temple at Dwarka in the West and Ramanathaswamy Temple at Rameswaram in the South. Though ideologically the temples are divided between the sects of Hinduism, namely Saivism and Vaishnavism, the Char Dham pilgrimage is an all Hindu affair. There are four abodes in Himalayas called Chota Char Dham (Chota meaning small): Badrinath, Kedarnath, Gangotri and Yamunotri - all of these lie at the foot hills of Himalayas. The name Chota was added during the mid of 20th century to differentiate the original Char Dhams. The journey across the four cardinal points in India is considered sacred by Hindus who aspire to visit these temples once in their lifetime. Traditionally the trip starts at the eastern end from Puri, proceeding in clockwise direction in a manner typically followed for circuambulation in Hindu temples.
JYOTIRLINGA
As per Shiv Mahapuran, once Brahma (the Hindu God of creation) and Vishnu (the Hindu God of saving) had an argument in terms of supremacy of creation. To test them, Shiva pierced the three worlds as a huge endless pillar of light, the jyotirlinga. Vishnu and Brahma split their ways to downwards and upwards respectively to find the end of the light in either directions. Brahma lied that he found out the end, while Vishnu conceded his defeat. Shiva appeared as a second pillar of light and cursed Brahma that he would have no place in ceremonies while Vishnu would be worshipped till the end of eternity. The jyotirlinga is the supreme partless reality, out of which Shiva partly appears. The jyothirlinga shrines, thus are places where Shiva appeared as a fiery column of light. Originally there were believed to be 64 jyothirlingas while 12 of them are considered to be very auspicious and holy. Each of the twelve jyothirlinga sites take the name of the presiding deity - each considered different manifestation of Shiva. At all these sites, the primary image is lingam representing the beginningless and endless Stambha pillar, symbolizing the infinite nature of Shiva. The twelve jyothirlinga are Somnath in Gujarat, Mallikarjuna at Srisailam in Andhra Pradesh, Mahakaleswar at Ujjain in Madhya Pradesh, Omkareshwar in Madhya Pradesh, Kedarnath in Himalayas, Bhimashankar in Maharashtra, Viswanath at Varanasi in Uttar Pradesh, Triambakeshwar in Maharashtra, Vaidyanath at Deoghar in Jharkhand, Nageswar at Dwarka in Gujarat, Rameshwar at Rameswaram in Tamil Nadu and Grishneshwar at Aurangabad, Maharashtra.
HISTORICAL PILGRIMAGE
The temple is one of the famous pilgrimage sites and there are historical references about it. The Maratha kings who ruled Thanjavur established chatrams or rest houses all through Mayiladuthurai and Rameswaram between 1745 and 1837 CE and donated it to the temple.
TEMPLE CONTRIBUTIONS AND DONATIONS FROM HINDU KINGS
The temple in its current shape is believed to have been built during the 17th century, while Fergusson believes the small vimana in the west corridor belonging to the 11th or 12th centuries. The temple is said to have been sanctioned for construction by King Kizhavan Sethupathi or Raghunatha Kilavan. The contribution of the Jaffna kings of the Sethupathy dynasty to the temple was considerable. King Jeyaveera Cinkaiariyan (1380 — 1410 CE) shipped stone blocks from Koneswaram temple, Trincomalee to the temple to renovate its sanctum sanctorum. Jeyaveera Cinkaiariyan's successor Gunaveera Cinkaiariyan (Pararacacekaran V), a trustee at Rameswaram who also oversaw structural development of this temple and the promotion of Saivite belief donated part of his revenue to Koneswaram. Especially to be remembered are the immense sums that were spent during the tenure of Pradani Muthirulappa Pillai towards the restoration of the Pagodas which were falling into ruins, the splendid Chockattan Mantapam or the cloistered precincts of the temple at Rameswaram that he finally completed. The rulers of Sri Lanka contributed to the temple - Parakrama Bahu (1153-1186 CE) was involved in the construction of the sanctum sanctorum of the temple.
IN NEWS
The temple priests are Mahastra Brahmins who get Diksha from Sringeri Mutt. Shortage of priests has been reported as there are 5 priests to manage the 13 shrines within the temple. The shortage is more pronounced during the 12 day Maha Shivaratri festival when the festival deities of the temple are taken in procession. The temple comes under the renovation and consecration of the 630 temples planned to be renovated by the Hindu Religious and Charitable Endowments Department of the Government of Tamil Nadu. The temple authorities have planned to renovate and widen the pathways to the 22 holy theerthams of the temple. The consecration of the temple is planned during 2013. The temple is one of the temples offering Free meal scheme of the government, which provides meals to devotees of the temple. A pilgrim house is planned by the government to extend the scheme to more pilgrims.
WIKIPEDIA
The Sri Ranganathaswamy Temple or Thiruvarangam Tamil : திருவரங்கம் is a Hindu temple dedicated to Ranganatha, a reclining form of Hindu deity, Vishnu located in Srirangam, Tiruchirapalli, Tamil Nadu, India . Constructed in the Dravidian style of architecture, this temple is glorified in the Thiviya Pirabandham, the early medieval Tamil literature canon of the Alvar saints from the 6th to 9th centuries AD and is counted among the 108 Divya Desams dedicated to Vishnu. The temple follows Thenkalai tradition of worship.
It is one of the most illustrious Vaishnava temples in South India rich in legend and history. Its location, on an island in Cauvery river, has rendered it vulnerable to natural disasters as well as the rampaging of invading armies – Muslim and European – which repeatedly commandeered the site for military encampment. The main entrance, known as the Rajagopuram (the royal temple tower), rises from the base area of around 13 cents (around 5720 sq ft) and goes up to 72 m, moving up in eleven progressively smaller tiers. The annual 21 day festival conducted during the Tamil month of Margazhi (December–January) attracts 1 million visitors. Srirangam temple is often listed as the largest functioning Hindu temple in the world, the still larger Angkor Wat being the largest existing temple. The temple occupies an area of 631,000 m² with a perimeter of 4,116m making it the largest temple in India and one of the largest religious complexes in the world.
LEGEND
Sriranga Mahathmiyam is the compilation of religious accounts of the temple which detail the origins of its greatness. According to it, Lord Rama, himself an Avatar of Vishnu, worshiped the idol for a long time, and when he returned victoriously from Sri Lanka after destroying Ravana, he gave it to King Vibhishana as a token of appreciation for the latter's support for Rama against his own brother, Ravana. When Vibhishana was going via Trichy en route to Sri Lanka, the deity wanted to stay in Srirangam. Ranganatha, captivated by the devotion of a King called Dharma Varma, who was doing penance to have Lord Ranganatha to permanently stay Srirangam, stayed put, promising to cast his benign glance eternally on Lanka. Hence it is that the deity (in a reclining posture) faces South.
HISTORY
The temple is mentioned in Tamil works of literature of the Sangam era, including the epic Silapadikaram (book 11, lines 35–40):
However, archaeological inscriptions are available only from the 10th century AD. The inscriptions in the temple belong to the Chola, Pandya, Hoysala and Vijayanagar dynasties who successively swayed the destinies of the Tiruchirapalli district. They range in date between the 9th and 16th centuries and are registered by the ephigraphical society.
The location where the Ranganathan idol was placed was later covered by an overgrowth of deep forests, due to disuse. After a very long time, a Chola king, chasing a parrot, accidentally found the idol. He then established the Ranganathaswamy temple as one of the largest temple complexes in the world.
According to historians, most dynasties that ruled the South - Cholas, Pandiyas, Hoysalas, Nayaks - assisted with renovation and in the observance of the traditional customs. Even during periods of internal conflicts amongst these dynasties, utter importance was given to the safety and maintenance of these temples. It is said that a Chola king presented the temple with a golden serpent couch. Some historians identify this king with Rajamahendra Chola, supposedly the son of Rajendra Chola II. But it is of interest to note that he never figures in the latter's inscriptions, neither in the 4th year (that shows various members of the family going on rampage in different regions) nor in the 9th year (that shows only one member of the second generation).
During the period of invasion by Malik Kafur and his forces in 1310–1311, the idol of the deity was stolen and taken to Delhi. In a daring exploit, devotees of Srirangam ventured to Delhi and enthralled the emperor with their histrionics. Moved by their talent, the emperor was pleased to gift them the presiding deity of Srirangam, which was requested by the performers. Things took a drastic turn immediately. Surathani, his daughter, had fallen in love with the deity and followed him to Srirangam. She prostrated herself to the God in front of the sanctum sanctorum and is believed to have attained the heavenly abode immediately. Even today, a painting of "Surathani" (known as Thulukha Nachiyar in Tamil) can be seen in her shrine near the Arjuna Mandap adjacent to the sanctum sanctorum for whom, chappathis (wheat bread) are made daily. The kalyana utsavam or wedding of Lord Ranganathar with Surathani is performed with great pomp every year.
Having assumed that the magical power of the deity had killed his daughter, there was a more severe second invasion to Srirangam in 1323 AD. The presiding deity was taken away before the Malik Kafur's troops reached Srirangam by a group led by the vaishnavite Acharaya (Guru), Pillai Lokacharyar, who died en route to Tirunelveli in Tamil Nadu. The Goddess Ranganayaki was taken in another separate procession. Swami Vedanta Desika, instrumental in planning the operations during the siege of the temple, closed the sanctum sanctorum of the temple with bricks, after the processions of the presiding deities had left, thereby protected the temple for generations to come. 13,000 Sri Vaishnavas, the people of Srirangam, laid down their lives in the fierce battle to ensure that the institution was protected. In the end, Devadasis, the danseuse of Srirangam, seduced the army chief, to save the temple.
After nearly six decades, the presiding deity returned to Srirangam and the same Swami Vedanta Desika, who had built a brick wall in front of the sanctum sanctorum, broke it open. The deity and the priestly wardens wandered southwards towards Madurai, then northeast towards Kerala, Mysore, Tirunarayanapuram, and finally in the hills of Tirumala Tirupati, where they remained until their reinstatement in 1371.
The Orlov diamond of 189.62 carats (37.924 g), is a large diamond that is part of the collection of the Diamond Fund of the Moscow Kremlin. The origin of this resplendent relic – described as having the shape and proportions of half a hen's egg. This diamond and a similar gem served as the eyes of the deity in the temple. Legends hold that a French soldier who had deserted during the Carnatic wars in Srirangam. Mention of the 2nd Carnatic war that was fought in Srirangam disguised himself as a Hindu convert and stole it in 1747.
ARCHITECTURE
The temple is enclosed by 7 concentric walls (termed prakarams (outer courtyard) or mathil suvar) with a total length of 32,592 feet or over six miles. This temple has 21 gopurams (towers), 39 pavilions, fifty shrines, Ayiram kaal mandapam (a hall of 1000 pillars) and several small water bodies inside. The space within the outer two prakarams (outer courtyard) is occupied by several shops, restaurants and flower stalls. Non-Hindus are allowed up to the second prakaram (outer courtyard) but not inside the gold topped sanctum sanctorum.
SHRINES
The vimanam (shrine over the sanctum sanctorum), the Ranga vimana is shaped like omkara (om symbol) and is plated with gold. Sri Ranganthar reclines on Adisesha, the coiled serpent. Images of Vibhishana, Brahma, Hanuman, Garuda, the symbols of Vishnu – conch and discuss are seen inside the sanctum. Ranganayaki shrine is in the second precinct of the temple. The common reference to the goddess is padi thaanda pathni, meaning lady who doesn't cross the boundaries of ethics. Literally, the festival deity of Ranganayaki also does not come out of the shrine and it is Ranganthar who visits Ranganayaki. There are three images of Ranganayaki within the sanctum.
The complex houses shrines of dozens of forms of Vishnu including Chakkarathazhwar, Narasimha, Rama, Hayagreeva and Gopala Krishna. There are separate shrines for Ranganayaki and the major saints in the Vaishnava tradition, including Ramanuja. The Venugopala shrine in the south-west corner of the fourth enclosure of the temple is the work of Chokkanatha Nayak. An inscription of 1674 specifies this Nayak king as the patron. The exterior of the vimana and attached mandap (hall) have finely worked pilasters with fluted shafts, double capitals and pendant lotus brackets. Sculptures are placed in the niches of three sides of the sanctuary walls; maidens enhance the walls in between. The elevation is punctuated with secondary set of pilasters that support shallow eaves at different levels to cap larger and smaller recesses. The sanctuary is crowned in the traditional fashion with a hemisphrical roof. The double-curved eaves of the entrance porch on the east side are concealed in a later columned hall. Dhanvantari, a great physician of ancient India is considered to be an incarnation of Vishnu – there is a separate shrine of Dhanvantari within the temple.
HALLS
The Hall of 1000 pillars (actually 953) is a fine example of a planned theatre-like structure and opposite to it, "Sesha Mandap", with its intricacy in sculpture, is a delight. The 1000-pillared hall made of granite was constructed in the Vijayanagara period (1336–1565) on the site of the old temple. The pillars consists of sculptures of wildly rearing horses bearing riders on their backs and trampling with their hoofs upon the heads of rampant tigers, seem only natural and congruous among such weird surroundings. The great hall is traversed by one wide aisle in the centre for the whole of its greater length, and intersected by transepts of like dimension running across at right angles. There still remain seven side aisles on each side, in which all the pillars are equally spaced out. The Garuda Madapa (hall of the legendary bird deity of Vishnu, garuda) located on the south side of the third enclosure is another Nayak addition. Courtly portrait sculptures, reused from an earlier structure, are fixed to the piers lining the central aisle. A free-standing shrine inside the hall contains a large seated figure of garuda; the eagle-headed god faces north towards the principal sanctum. The Kili mandapa (Hall of parrot) is located next to the Ranganatha shrine, in the first enclosure of the temple. Elephant balustrades skirt the access steps that ascend to a spacious open area. This is bounded by decorated piers with rearing animals and attached colonettes in the finest 17th-century manner. Four columns in the middle define a raised dais; their shafts are embellished with undulating stalks. The most artistically interesting of the halls that the Nayaks added to the complex is the Sesha Mandap on the east side of the fourth enclosure. The hall is celebrated for the leaping animals carved on to the piers at its northern end.
GOPURAMS
There are 21 gopurams (tower gateways), among which the towering 236-feet Rajagopuram (shrine of the main gateway) is the second tallest temple tower in Asia. The 73m high 13- tiered rajagopuram was built in 1987 by Ahobila Mutt and dominates the landscape for miles around, while the remaining 20 gopurams were built between the 14th and 17th centuries. The gopurams have pronounced projections in the middle of the long sides, generally with openings on each of the successive levels. The Vellai gopura (white tower) on the east side of the fourth enclosure has a steep pyramidal superstructure that reaches a height of almost 44m.
The structure of the rajagopuram remained incomplete at the base ('kalkaram', 17 meters high), for over 400 years. Started during the reign of Achyuta Deva Raya of Vijayanagar, the construction was given up after the king's death and apparently was not resumed owing to some political preoccupations or crisis. The Rajagopuram (the main gopuram) did not reach its current height of 73 m. until 1987, when the 44th Jeer of Ahobila Mutt initiated the process with the help of philanthropists and others. The whole structure was constructed in a span of eight years. The Rajagopuram was consecrated on 25 March 1987. The length and breadth at the base of the Rajagopuram is 166 feet and 97 feet, while the length and breadth at the top is 98 feet and 32 feet. Befitting the gargantuan dimensions of the structure, every one of the 13 glistening copper 'kalasams' atop the tower weighs 135 kg and measures 3.12m (height) by 1.56m (diameter).
ADMINISTRATION AND VISIT
The temple is maintained and administered by the Hindu Religious and Endowment Board of the Government of Tamil Nadu. An Executive officer appointed by the Board manages the temple along with Sri Azhagiya Manavala Perumal Temple, Pundarikakshan Perumal Temple at Thiruvellarai, Sri Vadivazhagiya Nambi Perumal Temple and Mariamman Temple at Anbil. There are three trustees and a chairman for the board of trustees. Annadhanam scheme, which provides free food to devotees, is implemented in the temple by the Board. Under the scheme, free food is offered to two hundred devotees every day in the temple and the expenditure is fully funded by the contributions from devotees.
FESTIVALS
The temple celebrates annual festival for almost 250 days a calendar year and Srirangam translates to cosmic stage or cosmic arena during the utsavam (festivals).
VAIKUNTA EKADESHI
Pagal Pathu (10 day time) and Ra Pathu (10 day night time) festival is celebrated in the month of Margazhi (December–January) for twenty days. The first ten days are referred as Pagal-Pathu (10 day day time festival) and the second half as Ra Pathu (10 day night-time festival). The first day of Ra pathu is Vaikunta Ekadashi. The eleventh day of each fortnight in Tamil calendar is called ekadesi and the holiest of all ekadesis as per vaishnavite tradition is the Vaikunta Ekadashi. Nammazhwar, one of the 12 azhwars, is believed to have ascended to vaikuntam (the heavenly abode of Vishnu) on this day. The devotion of the 9th-century poet, Nammazhwar, and his perceived ascent to heaven are enacted annually. During the festival, through song and dance, this place is affirmed to be Bhoologa Vaikunta(heaven on earth). Araiyar Sevai is a divine colloquim of araiyars, who recite and enact Nalayara Divya Prabanda, the 4000 verses of azhwars (Vaishnavite poets of the 7th–10th century). Araiyars are born to Araiyar tradition most prevalent in Sri Vaishnava families in Srirangam, Alwar Thirunagari and Srivilliputhur. The tradition of Araiyar Sevai was started by Nathamuni, a 10th-century Vaishnavite who compiled the works of azhwars. It is believed as per Hindu mythology that 33 crores of gods come down to witness the event. The festival deity is brought to the 1000-pillared hall on the morning of Vaikunta Ekadashi through the Paramapada Vasal (gate to paradise). Lakhs of pilgrims rush to enter it after the gate is opened and the deity passes through it as it is believed that one who enters here will reach vaikuntam (heaven) after death. The gate is open only during the ten days of Pagal Pathu (10 day day-time festival). On the last day of the festival, the poet Nammazhwar is said to be given salvation. The performance is enacted by priests and images in the temple depicts Nammazhwar as reaching heaven and getting liberation from the cycle of life and death. At that point, a member from the crowd of devotees, who are witnessing this passion play, goes up to the centre stage and requests Vishnu to return Nammazhwar to humanity, so that his words and form in the temple will continue to inspire and save the devotees. Following this performance of the salvation of Nammazhwar, the cantors are taken in procession round the temple.
JYESTABISHEKA
The annual gold ornament cleaning festival is called Jyestabisheka (first of anointing) and is celebrated during the Tamil month of aani (June–July). The idols of all deities are abluted with water brought in large vessels of gold and silver.
Brahmotsavam
Brahmotsavam (Prime festival) is held during the Tamil month of Panguni (March–April). The preliminaries like ankurapuranam, rakshabandanam, bherira thanam, dhrajarohanam and the sacrificial offerings in the yagasala are gone through as usual. The processions go round the Chitrai street in the evenings. On the second day, the deity is taken to a garden inside the temple. The deity is taken in a palanquin through the river Cauvery to a village on the opposite shore namely Jiyarpuram on the third day.
OTHER FESTIVALS
The annual temple chariot festival, called Rathothsavam is celebrated during the Tamil month of thai (January–February) and the processional deity, utsavar is taken round the temple in the temple car. Chitra Poornima is a festival based on the mythological incident of Gaj-graha (elephant crocodile). The elephant suffered in the jaws of crocodile and god rescued the elephant. Vasanthothsavam is celebrated during the Tamil month of vaikasi (May–June) which according to inscriptions is celebrated from 1444 AD.
COMPOSERS
Ranganathaswamy temple is the only one out of the 108 temples that was sung in praise by all the Azhwars(Divine saints of Tamil Bhakthi movement), having a total of 247 pasurams (divine hymns) against its name. Acharyas (guru) of all schools of thought – Advaita, Vishistadvaita and Dvaita recognise the immense significance the temple, regardless of their affiliation.
Nalayira Divya Prabhandam is a collection of 4000 hymns sung by twelve azhwars saints spread over 300 years (from the late 6th to 9th century AD) and collected by Nathamuni (910–990 AD). Divya Desams refer to 108 Vishnu temples that are mentioned in Nalayira Divya Prabandham. 105 of these are located in India, 1 in Nepal, while 2 are located outside of the Earthly realms. Divya in Tamil language indicates premium and Desam indicates place or temple. Periyalvar begins the decad on Srirangam with two puranic stories according to which Krishna restored to life the son of his guru Santipini and the children of a brahmin. Thondaradippodi Alvar and Thiruppaana Alvar have sung exclusively on Ranganatha. Andal attained Sri Ranganatha on completion of her Thiruppavai (a composition of 30 verses) in Srirangam. In total there are 247 hymns of the 4000 Pasurams dedicated to Ranganthar deity of this temple. Except Madhurakavi Alvar, all the other eleven azhwars have created Mangalasasanam (praise) about the Ranganathar in Srirangam. Out of 247, 35 are by Periyalvar, 10 by Aandaal, 31 by Kulasekara Alvar, 14 by Thirumalisai Alvar, 55 by Thondaradippodi Alvar, 10 by Thiruppaan Alvar, 73 by Thirumangai Alvar, one by Poigai Alvar,4 by Bhoothathalvar, two by Peyalvar and twelve by Nammalvar.
Kambar is a 12th-century Tamil poet who composed Kamba Ramayanam, a work inspired from the epic, Valmiki Ramayana. He is believed to have come to the temple to get the approval of his work from scholars. The Jain scholar Tirunarungundam honoured the work and it resulted in Tamil and Sanskrit scholars approving the work. The open hall where he recited his verse lies close to the Ranganayaki shrine within the temple.
Some of the religious works like Sri Bhashyam by Ramanuja, Sriranga Gadhyam by Vaikunta Gadhyam and Saranagadhi Gadhyam (Gadhyathrayam) by Ramanuja, Sri Renganathashtakam by Adi Shankaracharya, Paduka Sahasram by Swami Vedanta Desika, Rengaraja Stavam and Gunaratnakosham by Sri Parasar bhattar, Rengaraja Sthothram by Kurathazhwar, Bhagavaddhyana Sopnam and Abheethi Stavam by Swami Vedanta Desika are works that were exclusively composed in praise of Srirangam temple.
RELIGIOUS SIGNIFICANCE
The term Kovil is generally used in Tamil to signify any temple, for many Vaishnavas the term Kovil exclusively refers to this temple, indicating its extreme importance for them (for saivas and all other Tamil people the term kovil refers to Thillai Natarajar Golden Shrine (Chidambaram Temple)). The presiding deity Ranganathar is praised in many names by his devotees, including Nam Perumal (our god in Tamil), Azhagiya Manavaalan (beautiful groom in Tamil).
The temple is considered in the Alwar traditions as one of the eight Sywayambu Kshetras of Vishnu where presiding deity is believed to have manifested on its own. Seven other temples in the line are Bhu Varaha Swamy temple, Tirumala Venkateswara Temple, and Vanamamalai Perumal Temple in South India and Saligrama, Naimisaranya, Pushkar and Badrinath Temple in North India.
Ramanuja was a theologian, philosopher, and scriptural exegete. He is seen by Śrīvaiṣṇavas as the third and most important teacher (ācārya) of their tradition (after Nathamuni and Yamunacharya), and by Hindus in general as the leading expounder of Viśiṣṭādvaita, one of the classical interpretations of the dominant Vedanta school of Hindu philosophy. Ramanuja renounced his family life and went to Srirangam to occupy the pontificate – Srirangam became the stronghold of him and his disciples. The doctrine of Vishishtadvaita philosophy, Sri Bhashyam was written and later compiled by him over a period of time. During his stay in Srirangam, he is said of have written "Gadhya Thrayam", which is recited in the temple during the ninth day (Panguni Uttaram) of the festival of Adi brahmotsavam. The temple is a center for the Vishishtadvaita school where Sanskrit Vedas and Tamil works are preached and taught with great reverence. He attained divinity in Srirangam. His Thaan-ana Thirumeni (the symbolic body) is preserved and offered prayers even today after eight centuries. The disciples of Ramanuja got his permission to install three metallic images, one each at Sriperumpudur, Melkote and the third, at Srirangam. The shrine is found in the fourth prakaram (outer courtyard) of the temple and the idol is preserved in the temple by applying saffron and camphor every six months in a ritualistic style. He is found seated in the Padmasana (yogic sitting posture), depicting the Gnyana-Mudrai (symbol of knowledge) with his right palm. "Kovil Ozhugu" is a codification of all temple practices, religious and administrative, shaped and institutionalised by Sri Ramanuja after receiving the due rights from Sri Thiruvarangathamudanar. A stone inscription to this effect is installed in the Arya patal vasal (main gate before the first precinct).
Pancharanga Kshetrams (also called Pancharangams, meaning the "five Rangams or Ranganathas") is a group of five sacred Hindu temples, dedicated to Ranganatha, a form of the god Vishnu, on the banks of the Kaveri River. The five Pancharanga Kshetrams in the order of their successive locations, on the banks of the Kaveri River are: The Srirangapatnam called the Adi Ranga, the first temple on the banks of the Kaveri River from the upstream side; the Sri Ranganathaswamy Temple at Srirangam known as Adya Ranga (the last temple), Appalarangam or Koviladi at Tiurppernagar in Tamil Nadu, Parimala Ranganatha Perumal Temple or Mayuram at Indalur, Mayiladuthurai and Vatarangam at Sirkazhi. The Sarangapani temple at Kumbakonam is mentioned in place of Vatarangam in some references.
WIKIPEDIA
Sarangapani Temple is a Hindu temple dedicated to Vishnu, located in Kumbakonam, Tamil Nadu, India. It is one of the Divya Desams, the 108 temples of Vishnu revered in Nalayira Divya Prabandham by the 12 poet saints, or Alwars. This temple is along Kaveri and is one of the Pancharanga Kshetrams.
The temple is believed to be of significant antiquity with contributions at different times from Medieval Cholas, Vijayanagar Empire and Madurai Nayaks. The temple is enshrined within a huge granite wall and the complex contains all the shrines and the water bodies of the temple. The rajagopuram (the main gateway) has eleven tiers and has a height of 53 m. The Potramarai tank, the temple tank, is located opposite to the western entrance of the temple.
Sarangapani is believed to have appeared for sage Hemarishi. The temple has six daily rituals at various times from 5:30 a.m. to 9 p.m., and twelve yearly festivals on its calendar. The temple chariot festival is the most prominent festival of the temple, celebrated during the Tamil month of Chittirai (March–April). The twin temple chariots are the third largest in Tamil Nadu, each weighing 300 t.
LEGEND
As per Hindu legend, the Vaishnava deity, Sarangapani, an incarnation of Hindu god Vishnu, appeared for a sage Hema Rishi, who performed penance in the bank of Potramarai tank. The penance was performed to obtain Lakshmi, the consort of Vishnu, as his daughter. Vishnu was pleased by the penance and he wished the sage to get Lakshmi as his daughter. Lakshmi emerged from the Potramarai tank among thousand lotuses and was thus named Komalavalli (the one who emerged from lotus). Vishnu descended to earth as Aravamudhan in a chariot drawn by horses and elephants from his abode Vaikuntam. He stayed in the nearby Someswaran Temple to woo Lakshmi to marry him and the couple eventually got married. The name Sarangapani derives from the Tamil word Sarangam meaning bow and pani meaning hand - the one holding bow in his hand is Sarangapani.
THE TEMPLE
Sarangapani is the largest Vishnu temple in Kumbakonam and has the tallest temple tower in the town. The temple is enshrined within a huge wall and the complex enshrines all the water bodies of the temple except the Potramarai tank. The rajagopuram (the main gateway) has eleven tiers and has a height of 53 m. There are five other smaller gopurams in the temple. The rajagopuram has figures depicting various religious stories. The temple faces east and the Potramarai tank is located outside the western entrance. The central shrine of the temple is in the form of a chariot drawn by horses and elephants, with openings on either side, showing the descent of Sarangapani from heaven in the chariot. There is a sculptural representation of the sage Hemarishi in the western part of the temple. The central shrine of the temple houses the image of Sarangapani in pallikonda posture, with his head resting on his right hand. The are other images of sage Hemarishi, Lakshmi and festival images enshrined within the sanctum. There are two stepped entrances to the sanctum named as Utharayana Vaasal and Dhakshanayana Vaasal, each open for a six month period. From the 15th of January to 15th of July, Utharayanya Vaasal is opened while Dhakshanaya Vaasal is opened during the other half of the year. The Potramarai tank has a central hall called Hemarishi Mandapam. The temple has two processional chariots carved out of wood stationed outside the rajagopuram.
In Bharatanatyam, a South Indian dance form, 108 karanas form the basic movements. Some of these karanas are sculpted around the walls of the temple. Similar sculptures are found in the Brihadeeswarar Temple in Thanjavur and Nataraja Temple in Chidambaram.
RELIGIOUS SIGNIFICANCE
Sarangapani temple is considered third in the line of Srirangam and Tirupathi temples. The temple is revered in Nalayira Divya Prabandham, the 7th–9th century Vaishnava canon, by Aandaal in one, Periyalvar in three, Bhoothathalvar in two, Thirumalisai Alvar in seven, Peialvar in two, Nammalvar in eleven and Thirumangai Alvar in 25 versesl. The temple is classified as a divyadesam, the 108 Vishnu temples that are reverred in the Vaishnava canon. As per a Hindu legend, Nathamuni, who compiled Divya Prabandham by the twelve azhwars, found only the first ten verses sung on Aravamudhan. Nammazhwar recited the remaining 3990 verses unconsciously while he was in deep meditation and Nathamuni compiled all of them.
Pancharanga Kshetrams (also called Pancharangams, meaning the "five Rangams or Ranganathas") is a group of five sacred Hindu temples, dedicated to Ranganatha, a form of the god Vishnu, on the banks of the Kaveri River. The five Pancharanga Kshetrams in the order of their successive locations, on the banks of the Kaveri River are: The Srirangapatnam called the Adi Ranga, the first temple on the banks of the Kaveri River from the upstream side; the Srirangam (island in Tiruchirappalli) in Tamil Nadu known as Adya Ranga (the last temple), Appalarangam or Koviladi at Tiurppernagar in Tamil Nadu, Parimala Ranganatha Perumal Temple or Mayuram at Indalur, Mayiladuthurai and Vatarangam at Sirkazhi. The Sarangapani temple at Kumbakonam is mentioned in place of Vatarangam in some references.
WORSHIP & FESTIVALS
The temple follows Pancharatra Agama and Vadakalai tradition. The temple priests perform the pooja (rituals) during festivals and on a daily basis. Like other Vishnu temples of Tamil Nadu, the priests belong to the Vaishnavite community, a Brahmin sub-caste. The temple rituals are performed six times a day; Tiruvanandal at 8:00 a.m., Kala santhi at 9:00 a.m., Uchikalam at 12:30 p.m., Ntiyanusandhanam at 6:00 p.m., Irandamkalam at 7:30 p.m. and Ardha Jamam at 9:00 p.m. Each ritual comprises three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Sarangapani and Thayar. The food offering during the six times are curd rice, Ven pongal, spiced rice, dosa, Ven pongal and sugar pongal respectively. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred text) read by priests and prostration by worshippers in front of the temple mast. There are weekly, fortnightly and monthly rituals.
Akshaya Tritiyai - 12 Garuda Sevai Chaitra Brahma Utsavam celebrated during the Tamil month of Chittirai (April - May), Vasantotsavam during Vaikasi (May - June), Pavitrotsavam - Ekadasi Jyeshotsavam during Adi(July - August), Sri Jayanthi - Uriyadi Utsavam during Avani (August - September), Navaratri Utsavam - Saraswathi Puja - Vijayadasami during Purattasi (September - October), Deepavali - Shraddha of Sri Lakshmi Narayanaswami during Aippasi (October - November), Deepa Utsavam - Unjal Utsavam during Karthigai (November - December), Pakal Pattu - Ira Pattu Pongal Sankaramana Utsavam during Margazhi (December - January), Kanu Utsavam - Amavasya - Ratasaptami during Thai (January - February), Masi Magaham - Float Festival during Masi (February - March) and Brahmmotsavam - Tirukkalyanotsavam during Panguni (March - April) are the festivals celebrated in the temple.
The twin temple chariots weigh 300 t each and has been renovated in 2007. The chariots were not drawn for some years during the preceding period. The chariots are next only in size to the ones in Thygaraja temple in Thiruvarur and Andal Temple in Srivilliputhur. The chariots are pulled by hundreds of devotees across the streets around the temple twice a year, once during the Brahma Utsavam during April-May and other during Ratasaptami in January-February. The festival idols of Sarangapani and Kamalvalli are brought to the thermutti (chariot station) after elaborate religious rituals.
As per a temple legend, once a staunch Brahmin devotee of Aravamudhan spent most of his life to the service of the deity. At the end of his life, he felt his loneliness and prayed for his karma to be performed. Aravamudhan descended himself to perform the last rites on a Deepavali day. The ritual is performed annually by the priests and is one of its kind where death rituals are performed in the precincts of a Vishnu temple.
WIKIPEDIA
Ramanathaswamy Temple is a Hindu temple dedicated to god Shiva located on Rameswaram island in the state of Tamil Nadu, India. It is also one of the twelve Jyothirlinga temples, where Shiva is worshipped in the form of a Jyotirlingam (English: pillar of light).It is one of the 274 Paadal Petra Sthalams, where the three of the most revered Nayanars (Saivite saints), Appar, Sundarar and Tirugnana Sambandar, have glorified the temple with their songs. The temple was expanded during the 12th century by Pandya Dynasty, and its principal shrines sanctum were renovated by Jeyaveera Cinkaiariyan and his successor Gunaveera Cinkaiariyan of the Jaffna kingdom. The temple has the longest corridor among all Hindu temples in India. The temple is located in Rameswaram, an island town in South India, considered a holy pilgrimage site for Shaivites, Vaishnavites and Smarthas.
According to the Ramayana, Rama, the seventh incarnation of god Vishnu, is believed to have prayed to Shiva here to absolve sin of killing a brahmana, committed during his war against the demon king Ravana in Sri Lanka. Rama wanted to have the largest lingam to worship Shiva. He directed Hanuman, the monkey lieutenant in his army, to bring the lingam from Himalayas. Since it took longer to bring the lingam, Sita, the wife of Rama, built a small lingam out of the sand available in the sea shore, which is believed to be the lingam in the sanctum.
THE TEMPLE
The primary deity of the temple is Ramanathaswamy (Shiva) in the form of lingam. There are two lingams inside the sanctum - one built by Goddess Sita, from sand, residing as the main deity, Ramalingam and the one brought by Lord Hanuman from Kailash called Vishwalingam. Rama instructed that Vishwalingam should be worshipped first since it was brought by Lord Hanuman - the tradition continues even today.
Like all ancient temples in South India, there is a high compound wall (madil) on all four sides of the temple premises measuring about 865 feet furlong from east to west and one furlongs of 657 feet from north to south with huge towers (Gopurams) at the east and west and finished gate towers on the north and south. The temple has striking long corridors in its interior, running between huge colonnades on platforms above five feet high.
The second corridor is formed by sandstone pillars, beams and ceiling. The junction of the third corridor on the west and the paved way leading from the western gopuram to Setumadhava shrine forms a unique structure in the form of a chess board and it is popularly known as Chokkattan Madapam where the Utsva deities are adorned and kept during the Vasanthotsavam (Spring festival) and on the 6th day festival in Adi (July–August) and Masi (February–March) conducted by the Setupati of Ramnad.
The outer set of corridors is reputed to be the longest in the world being about 6.9 m height, 400 feet in each in the east and west and about 640 feet in north and south and inner corridors are about 224 feet in east and west and about 352 feet each in north and south. Their width varies from 15.5 feet to 17 feet in the east and west about 172 feet on the north and south with width varying 14.5 feet to 17 feet. The total length of those corridors is thus 3850 feet. There are about 1212 pillars in the outer corridor. Their height is about 30 feet from the floor to the center of the roof. The main tower or rajagopuram is 53 m tall. Most pillars are carved with individual composition.
SHRINES IN THE TEMPLE COMPLEX AND AROUND RAMESWARAM
There are separate shrines for God Ramanathaswami and Goddess Parvathavardhini separated by a corridor. There are separate shrines for goddess visalakshi, parvathavardhini, utsava idol, sayanagriha, perumal,and mahaganpathi. There are various halls inside the temple, namely Anuppu Mandapam, Sukravara Mandapam, Sethupathi Mandapam, Kalyana Mandapam and Nandi Mandapam.
TEMPLE TANKS
There are sixty-four Tīrthas (holy water bodies) in and around the island of Rameswaram, Tamil Nadu, India. According to Skānda Purāṇa, twenty-four of them are important. Bathing in these Tīrthas is a major aspect of the pilgrimage to Rameswaram and is considered equivalent to penance. Twenty-two of the Tīrthas are within the Rāmanāthasvāmī Temple. The number 22 indicates the 22 arrows in Rama's quiver. The first and major one is called Agni Theertham, the sea (Bay of Bengal).
SIGNIFICANCE TODAY
CHAR DHAM
The temple is one of the holiest Hindu Char Dham (four divine sites) sites comprising Badrinath, Puri and Dwarka. Though the origins are not clearly known, the Advaita school of Hinduism established by Sankaracharya, who created Hindu monastic institutions across India, attributes the origin of Char Dham to the seer. The four monasteries lie across the four corners of India and their attendant temples are Badrinath Temple at Badrinath in the North, Jagannath Temple at Puri in the East, Dwarakadheesh Temple at Dwarka in the West and Ramanathaswamy Temple at Rameswaram in the South. Though ideologically the temples are divided between the sects of Hinduism, namely Saivism and Vaishnavism, the Char Dham pilgrimage is an all Hindu affair. There are four abodes in Himalayas called Chota Char Dham (Chota meaning small): Badrinath, Kedarnath, Gangotri and Yamunotri - all of these lie at the foot hills of Himalayas. The name Chota was added during the mid of 20th century to differentiate the original Char Dhams. The journey across the four cardinal points in India is considered sacred by Hindus who aspire to visit these temples once in their lifetime. Traditionally the trip starts at the eastern end from Puri, proceeding in clockwise direction in a manner typically followed for circuambulation in Hindu temples.
JYOTIRLINGA
As per Shiv Mahapuran, once Brahma (the Hindu God of creation) and Vishnu (the Hindu God of saving) had an argument in terms of supremacy of creation. To test them, Shiva pierced the three worlds as a huge endless pillar of light, the jyotirlinga. Vishnu and Brahma split their ways to downwards and upwards respectively to find the end of the light in either directions. Brahma lied that he found out the end, while Vishnu conceded his defeat. Shiva appeared as a second pillar of light and cursed Brahma that he would have no place in ceremonies while Vishnu would be worshipped till the end of eternity. The jyotirlinga is the supreme partless reality, out of which Shiva partly appears. The jyothirlinga shrines, thus are places where Shiva appeared as a fiery column of light. Originally there were believed to be 64 jyothirlingas while 12 of them are considered to be very auspicious and holy. Each of the twelve jyothirlinga sites take the name of the presiding deity - each considered different manifestation of Shiva. At all these sites, the primary image is lingam representing the beginningless and endless Stambha pillar, symbolizing the infinite nature of Shiva. The twelve jyothirlinga are Somnath in Gujarat, Mallikarjuna at Srisailam in Andhra Pradesh, Mahakaleswar at Ujjain in Madhya Pradesh, Omkareshwar in Madhya Pradesh, Kedarnath in Himalayas, Bhimashankar in Maharashtra, Viswanath at Varanasi in Uttar Pradesh, Triambakeshwar in Maharashtra, Vaidyanath at Deoghar in Jharkhand, Nageswar at Dwarka in Gujarat, Rameshwar at Rameswaram in Tamil Nadu and Grishneshwar at Aurangabad, Maharashtra.
HISTORICAL PILGRIMAGE
The temple is one of the famous pilgrimage sites and there are historical references about it. The Maratha kings who ruled Thanjavur established chatrams or rest houses all through Mayiladuthurai and Rameswaram between 1745 and 1837 CE and donated it to the temple.
TEMPLE CONTRIBUTIONS AND DONATIONS FROM HINDU KINGS
The temple in its current shape is believed to have been built during the 17th century, while Fergusson believes the small vimana in the west corridor belonging to the 11th or 12th centuries. The temple is said to have been sanctioned for construction by King Kizhavan Sethupathi or Raghunatha Kilavan. The contribution of the Jaffna kings of the Sethupathy dynasty to the temple was considerable. King Jeyaveera Cinkaiariyan (1380 — 1410 CE) shipped stone blocks from Koneswaram temple, Trincomalee to the temple to renovate its sanctum sanctorum. Jeyaveera Cinkaiariyan's successor Gunaveera Cinkaiariyan (Pararacacekaran V), a trustee at Rameswaram who also oversaw structural development of this temple and the promotion of Saivite belief donated part of his revenue to Koneswaram. Especially to be remembered are the immense sums that were spent during the tenure of Pradani Muthirulappa Pillai towards the restoration of the Pagodas which were falling into ruins, the splendid Chockattan Mantapam or the cloistered precincts of the temple at Rameswaram that he finally completed. The rulers of Sri Lanka contributed to the temple - Parakrama Bahu (1153-1186 CE) was involved in the construction of the sanctum sanctorum of the temple.
IN NEWS
The temple priests are Mahastra Brahmins who get Diksha from Sringeri Mutt. Shortage of priests has been reported as there are 5 priests to manage the 13 shrines within the temple. The shortage is more pronounced during the 12 day Maha Shivaratri festival when the festival deities of the temple are taken in procession. The temple comes under the renovation and consecration of the 630 temples planned to be renovated by the Hindu Religious and Charitable Endowments Department of the Government of Tamil Nadu. The temple authorities have planned to renovate and widen the pathways to the 22 holy theerthams of the temple. The consecration of the temple is planned during 2013. The temple is one of the temples offering Free meal scheme of the government, which provides meals to devotees of the temple. A pilgrim house is planned by the government to extend the scheme to more pilgrims.
WIKIPEDIA
Sarangapani Temple is a Hindu temple dedicated to Vishnu, located in Kumbakonam, Tamil Nadu, India. It is one of the Divya Desams, the 108 temples of Vishnu revered in Nalayira Divya Prabandham by the 12 poet saints, or Alwars. This temple is along Kaveri and is one of the Pancharanga Kshetrams.
The temple is believed to be of significant antiquity with contributions at different times from Medieval Cholas, Vijayanagar Empire and Madurai Nayaks. The temple is enshrined within a huge granite wall and the complex contains all the shrines and the water bodies of the temple. The rajagopuram (the main gateway) has eleven tiers and has a height of 53 m. The Potramarai tank, the temple tank, is located opposite to the western entrance of the temple.
Sarangapani is believed to have appeared for sage Hemarishi. The temple has six daily rituals at various times from 5:30 a.m. to 9 p.m., and twelve yearly festivals on its calendar. The temple chariot festival is the most prominent festival of the temple, celebrated during the Tamil month of Chittirai (March–April). The twin temple chariots are the third largest in Tamil Nadu, each weighing 300 t.
LEGEND
As per Hindu legend, the Vaishnava deity, Sarangapani, an incarnation of Hindu god Vishnu, appeared for a sage Hema Rishi, who performed penance in the bank of Potramarai tank. The penance was performed to obtain Lakshmi, the consort of Vishnu, as his daughter. Vishnu was pleased by the penance and he wished the sage to get Lakshmi as his daughter. Lakshmi emerged from the Potramarai tank among thousand lotuses and was thus named Komalavalli (the one who emerged from lotus). Vishnu descended to earth as Aravamudhan in a chariot drawn by horses and elephants from his abode Vaikuntam. He stayed in the nearby Someswaran Temple to woo Lakshmi to marry him and the couple eventually got married. The name Sarangapani derives from the Tamil word Sarangam meaning bow and pani meaning hand - the one holding bow in his hand is Sarangapani.
THE TEMPLE
Sarangapani is the largest Vishnu temple in Kumbakonam and has the tallest temple tower in the town. The temple is enshrined within a huge wall and the complex enshrines all the water bodies of the temple except the Potramarai tank. The rajagopuram (the main gateway) has eleven tiers and has a height of 53 m. There are five other smaller gopurams in the temple. The rajagopuram has figures depicting various religious stories. The temple faces east and the Potramarai tank is located outside the western entrance. The central shrine of the temple is in the form of a chariot drawn by horses and elephants, with openings on either side, showing the descent of Sarangapani from heaven in the chariot. There is a sculptural representation of the sage Hemarishi in the western part of the temple. The central shrine of the temple houses the image of Sarangapani in pallikonda posture, with his head resting on his right hand. The are other images of sage Hemarishi, Lakshmi and festival images enshrined within the sanctum. There are two stepped entrances to the sanctum named as Utharayana Vaasal and Dhakshanayana Vaasal, each open for a six month period. From the 15th of January to 15th of July, Utharayanya Vaasal is opened while Dhakshanaya Vaasal is opened during the other half of the year. The Potramarai tank has a central hall called Hemarishi Mandapam. The temple has two processional chariots carved out of wood stationed outside the rajagopuram.
In Bharatanatyam, a South Indian dance form, 108 karanas form the basic movements. Some of these karanas are sculpted around the walls of the temple. Similar sculptures are found in the Brihadeeswarar Temple in Thanjavur and Nataraja Temple in Chidambaram.
RELIGIOUS SIGNIFICANCE
Sarangapani temple is considered third in the line of Srirangam and Tirupathi temples. The temple is revered in Nalayira Divya Prabandham, the 7th–9th century Vaishnava canon, by Aandaal in one, Periyalvar in three, Bhoothathalvar in two, Thirumalisai Alvar in seven, Peialvar in two, Nammalvar in eleven and Thirumangai Alvar in 25 versesl. The temple is classified as a divyadesam, the 108 Vishnu temples that are reverred in the Vaishnava canon. As per a Hindu legend, Nathamuni, who compiled Divya Prabandham by the twelve azhwars, found only the first ten verses sung on Aravamudhan. Nammazhwar recited the remaining 3990 verses unconsciously while he was in deep meditation and Nathamuni compiled all of them.
Pancharanga Kshetrams (also called Pancharangams, meaning the "five Rangams or Ranganathas") is a group of five sacred Hindu temples, dedicated to Ranganatha, a form of the god Vishnu, on the banks of the Kaveri River. The five Pancharanga Kshetrams in the order of their successive locations, on the banks of the Kaveri River are: The Srirangapatnam called the Adi Ranga, the first temple on the banks of the Kaveri River from the upstream side; the Srirangam (island in Tiruchirappalli) in Tamil Nadu known as Adya Ranga (the last temple), Appalarangam or Koviladi at Tiurppernagar in Tamil Nadu, Parimala Ranganatha Perumal Temple or Mayuram at Indalur, Mayiladuthurai and Vatarangam at Sirkazhi. The Sarangapani temple at Kumbakonam is mentioned in place of Vatarangam in some references.
WORSHIP & FESTIVALS
The temple follows Pancharatra Agama and Vadakalai tradition. The temple priests perform the pooja (rituals) during festivals and on a daily basis. Like other Vishnu temples of Tamil Nadu, the priests belong to the Vaishnavite community, a Brahmin sub-caste. The temple rituals are performed six times a day; Tiruvanandal at 8:00 a.m., Kala santhi at 9:00 a.m., Uchikalam at 12:30 p.m., Ntiyanusandhanam at 6:00 p.m., Irandamkalam at 7:30 p.m. and Ardha Jamam at 9:00 p.m. Each ritual comprises three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Sarangapani and Thayar. The food offering during the six times are curd rice, Ven pongal, spiced rice, dosa, Ven pongal and sugar pongal respectively. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred text) read by priests and prostration by worshippers in front of the temple mast. There are weekly, fortnightly and monthly rituals.
Akshaya Tritiyai - 12 Garuda Sevai Chaitra Brahma Utsavam celebrated during the Tamil month of Chittirai (April - May), Vasantotsavam during Vaikasi (May - June), Pavitrotsavam - Ekadasi Jyeshotsavam during Adi(July - August), Sri Jayanthi - Uriyadi Utsavam during Avani (August - September), Navaratri Utsavam - Saraswathi Puja - Vijayadasami during Purattasi (September - October), Deepavali - Shraddha of Sri Lakshmi Narayanaswami during Aippasi (October - November), Deepa Utsavam - Unjal Utsavam during Karthigai (November - December), Pakal Pattu - Ira Pattu Pongal Sankaramana Utsavam during Margazhi (December - January), Kanu Utsavam - Amavasya - Ratasaptami during Thai (January - February), Masi Magaham - Float Festival during Masi (February - March) and Brahmmotsavam - Tirukkalyanotsavam during Panguni (March - April) are the festivals celebrated in the temple.
The twin temple chariots weigh 300 t each and has been renovated in 2007. The chariots were not drawn for some years during the preceding period. The chariots are next only in size to the ones in Thygaraja temple in Thiruvarur and Andal Temple in Srivilliputhur. The chariots are pulled by hundreds of devotees across the streets around the temple twice a year, once during the Brahma Utsavam during April-May and other during Ratasaptami in January-February. The festival idols of Sarangapani and Kamalvalli are brought to the thermutti (chariot station) after elaborate religious rituals.
As per a temple legend, once a staunch Brahmin devotee of Aravamudhan spent most of his life to the service of the deity. At the end of his life, he felt his loneliness and prayed for his karma to be performed. Aravamudhan descended himself to perform the last rites on a Deepavali day. The ritual is performed annually by the priests and is one of its kind where death rituals are performed in the precincts of a Vishnu temple.
WIKIPEDIA
Chola Bronze.
This is the largest bronze Nataraja in the world approx. 8ft high, bigger than the Chidambaram Nataraja.
Konerirajapuram is about half hour drive from Kumbakonam, in Mayiladithurai taluka of Nagapattinam district in Tamil Nadu. The priest Gnanaskandam is happy to show interested visitors around.
www.indiantemples.com/Tamilnadu/s157.html
www.travelpod.com/travel-blog-entries/indianature/7/12163...
Sarangapani Temple is a Hindu temple dedicated to Vishnu, located in Kumbakonam, Tamil Nadu, India. It is one of the Divya Desams, the 108 temples of Vishnu revered in Nalayira Divya Prabandham by the 12 poet saints, or Alwars. This temple is along Kaveri and is one of the Pancharanga Kshetrams.
The temple is believed to be of significant antiquity with contributions at different times from Medieval Cholas, Vijayanagar Empire and Madurai Nayaks. The temple is enshrined within a huge granite wall and the complex contains all the shrines and the water bodies of the temple. The rajagopuram (the main gateway) has eleven tiers and has a height of 53 m. The Potramarai tank, the temple tank, is located opposite to the western entrance of the temple.
Sarangapani is believed to have appeared for sage Hemarishi. The temple has six daily rituals at various times from 5:30 a.m. to 9 p.m., and twelve yearly festivals on its calendar. The temple chariot festival is the most prominent festival of the temple, celebrated during the Tamil month of Chittirai (March–April). The twin temple chariots are the third largest in Tamil Nadu, each weighing 300 t.
LEGEND
As per Hindu legend, the Vaishnava deity, Sarangapani, an incarnation of Hindu god Vishnu, appeared for a sage Hema Rishi, who performed penance in the bank of Potramarai tank. The penance was performed to obtain Lakshmi, the consort of Vishnu, as his daughter. Vishnu was pleased by the penance and he wished the sage to get Lakshmi as his daughter. Lakshmi emerged from the Potramarai tank among thousand lotuses and was thus named Komalavalli (the one who emerged from lotus). Vishnu descended to earth as Aravamudhan in a chariot drawn by horses and elephants from his abode Vaikuntam. He stayed in the nearby Someswaran Temple to woo Lakshmi to marry him and the couple eventually got married. The name Sarangapani derives from the Tamil word Sarangam meaning bow and pani meaning hand - the one holding bow in his hand is Sarangapani.
THE TEMPLE
Sarangapani is the largest Vishnu temple in Kumbakonam and has the tallest temple tower in the town. The temple is enshrined within a huge wall and the complex enshrines all the water bodies of the temple except the Potramarai tank. The rajagopuram (the main gateway) has eleven tiers and has a height of 53 m. There are five other smaller gopurams in the temple. The rajagopuram has figures depicting various religious stories. The temple faces east and the Potramarai tank is located outside the western entrance. The central shrine of the temple is in the form of a chariot drawn by horses and elephants, with openings on either side, showing the descent of Sarangapani from heaven in the chariot. There is a sculptural representation of the sage Hemarishi in the western part of the temple. The central shrine of the temple houses the image of Sarangapani in pallikonda posture, with his head resting on his right hand. The are other images of sage Hemarishi, Lakshmi and festival images enshrined within the sanctum. There are two stepped entrances to the sanctum named as Utharayana Vaasal and Dhakshanayana Vaasal, each open for a six month period. From the 15th of January to 15th of July, Utharayanya Vaasal is opened while Dhakshanaya Vaasal is opened during the other half of the year. The Potramarai tank has a central hall called Hemarishi Mandapam. The temple has two processional chariots carved out of wood stationed outside the rajagopuram.
In Bharatanatyam, a South Indian dance form, 108 karanas form the basic movements. Some of these karanas are sculpted around the walls of the temple. Similar sculptures are found in the Brihadeeswarar Temple in Thanjavur and Nataraja Temple in Chidambaram.
RELIGIOUS SIGNIFICANCE
Sarangapani temple is considered third in the line of Srirangam and Tirupathi temples. The temple is revered in Nalayira Divya Prabandham, the 7th–9th century Vaishnava canon, by Aandaal in one, Periyalvar in three, Bhoothathalvar in two, Thirumalisai Alvar in seven, Peialvar in two, Nammalvar in eleven and Thirumangai Alvar in 25 versesl. The temple is classified as a divyadesam, the 108 Vishnu temples that are reverred in the Vaishnava canon. As per a Hindu legend, Nathamuni, who compiled Divya Prabandham by the twelve azhwars, found only the first ten verses sung on Aravamudhan. Nammazhwar recited the remaining 3990 verses unconsciously while he was in deep meditation and Nathamuni compiled all of them.
Pancharanga Kshetrams (also called Pancharangams, meaning the "five Rangams or Ranganathas") is a group of five sacred Hindu temples, dedicated to Ranganatha, a form of the god Vishnu, on the banks of the Kaveri River. The five Pancharanga Kshetrams in the order of their successive locations, on the banks of the Kaveri River are: The Srirangapatnam called the Adi Ranga, the first temple on the banks of the Kaveri River from the upstream side; the Srirangam (island in Tiruchirappalli) in Tamil Nadu known as Adya Ranga (the last temple), Appalarangam or Koviladi at Tiurppernagar in Tamil Nadu, Parimala Ranganatha Perumal Temple or Mayuram at Indalur, Mayiladuthurai and Vatarangam at Sirkazhi. The Sarangapani temple at Kumbakonam is mentioned in place of Vatarangam in some references.
WORSHIP & FESTIVALS
The temple follows Pancharatra Agama and Vadakalai tradition. The temple priests perform the pooja (rituals) during festivals and on a daily basis. Like other Vishnu temples of Tamil Nadu, the priests belong to the Vaishnavite community, a Brahmin sub-caste. The temple rituals are performed six times a day; Tiruvanandal at 8:00 a.m., Kala santhi at 9:00 a.m., Uchikalam at 12:30 p.m., Ntiyanusandhanam at 6:00 p.m., Irandamkalam at 7:30 p.m. and Ardha Jamam at 9:00 p.m. Each ritual comprises three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Sarangapani and Thayar. The food offering during the six times are curd rice, Ven pongal, spiced rice, dosa, Ven pongal and sugar pongal respectively. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred text) read by priests and prostration by worshippers in front of the temple mast. There are weekly, fortnightly and monthly rituals.
Akshaya Tritiyai - 12 Garuda Sevai Chaitra Brahma Utsavam celebrated during the Tamil month of Chittirai (April - May), Vasantotsavam during Vaikasi (May - June), Pavitrotsavam - Ekadasi Jyeshotsavam during Adi(July - August), Sri Jayanthi - Uriyadi Utsavam during Avani (August - September), Navaratri Utsavam - Saraswathi Puja - Vijayadasami during Purattasi (September - October), Deepavali - Shraddha of Sri Lakshmi Narayanaswami during Aippasi (October - November), Deepa Utsavam - Unjal Utsavam during Karthigai (November - December), Pakal Pattu - Ira Pattu Pongal Sankaramana Utsavam during Margazhi (December - January), Kanu Utsavam - Amavasya - Ratasaptami during Thai (January - February), Masi Magaham - Float Festival during Masi (February - March) and Brahmmotsavam - Tirukkalyanotsavam during Panguni (March - April) are the festivals celebrated in the temple.
The twin temple chariots weigh 300 t each and has been renovated in 2007. The chariots were not drawn for some years during the preceding period. The chariots are next only in size to the ones in Thygaraja temple in Thiruvarur and Andal Temple in Srivilliputhur. The chariots are pulled by hundreds of devotees across the streets around the temple twice a year, once during the Brahma Utsavam during April-May and other during Ratasaptami in January-February. The festival idols of Sarangapani and Kamalvalli are brought to the thermutti (chariot station) after elaborate religious rituals.
As per a temple legend, once a staunch Brahmin devotee of Aravamudhan spent most of his life to the service of the deity. At the end of his life, he felt his loneliness and prayed for his karma to be performed. Aravamudhan descended himself to perform the last rites on a Deepavali day. The ritual is performed annually by the priests and is one of its kind where death rituals are performed in the precincts of a Vishnu temple.
WIKIPEDIA
Sarangapani Temple is a Hindu temple dedicated to Vishnu, located in Kumbakonam, Tamil Nadu, India. It is one of the Divya Desams, the 108 temples of Vishnu revered in Nalayira Divya Prabandham by the 12 poet saints, or Alwars. This temple is along Kaveri and is one of the Pancharanga Kshetrams.
The temple is believed to be of significant antiquity with contributions at different times from Medieval Cholas, Vijayanagar Empire and Madurai Nayaks. The temple is enshrined within a huge granite wall and the complex contains all the shrines and the water bodies of the temple. The rajagopuram (the main gateway) has eleven tiers and has a height of 53 m. The Potramarai tank, the temple tank, is located opposite to the western entrance of the temple.
Sarangapani is believed to have appeared for sage Hemarishi. The temple has six daily rituals at various times from 5:30 a.m. to 9 p.m., and twelve yearly festivals on its calendar. The temple chariot festival is the most prominent festival of the temple, celebrated during the Tamil month of Chittirai (March–April). The twin temple chariots are the third largest in Tamil Nadu, each weighing 300 t.
LEGEND
As per Hindu legend, the Vaishnava deity, Sarangapani, an incarnation of Hindu god Vishnu, appeared for a sage Hema Rishi, who performed penance in the bank of Potramarai tank. The penance was performed to obtain Lakshmi, the consort of Vishnu, as his daughter. Vishnu was pleased by the penance and he wished the sage to get Lakshmi as his daughter. Lakshmi emerged from the Potramarai tank among thousand lotuses and was thus named Komalavalli (the one who emerged from lotus). Vishnu descended to earth as Aravamudhan in a chariot drawn by horses and elephants from his abode Vaikuntam. He stayed in the nearby Someswaran Temple to woo Lakshmi to marry him and the couple eventually got married. The name Sarangapani derives from the Tamil word Sarangam meaning bow and pani meaning hand - the one holding bow in his hand is Sarangapani.
THE TEMPLE
Sarangapani is the largest Vishnu temple in Kumbakonam and has the tallest temple tower in the town. The temple is enshrined within a huge wall and the complex enshrines all the water bodies of the temple except the Potramarai tank. The rajagopuram (the main gateway) has eleven tiers and has a height of 53 m. There are five other smaller gopurams in the temple. The rajagopuram has figures depicting various religious stories. The temple faces east and the Potramarai tank is located outside the western entrance. The central shrine of the temple is in the form of a chariot drawn by horses and elephants, with openings on either side, showing the descent of Sarangapani from heaven in the chariot. There is a sculptural representation of the sage Hemarishi in the western part of the temple. The central shrine of the temple houses the image of Sarangapani in pallikonda posture, with his head resting on his right hand. The are other images of sage Hemarishi, Lakshmi and festival images enshrined within the sanctum. There are two stepped entrances to the sanctum named as Utharayana Vaasal and Dhakshanayana Vaasal, each open for a six month period. From the 15th of January to 15th of July, Utharayanya Vaasal is opened while Dhakshanaya Vaasal is opened during the other half of the year. The Potramarai tank has a central hall called Hemarishi Mandapam. The temple has two processional chariots carved out of wood stationed outside the rajagopuram.
In Bharatanatyam, a South Indian dance form, 108 karanas form the basic movements. Some of these karanas are sculpted around the walls of the temple. Similar sculptures are found in the Brihadeeswarar Temple in Thanjavur and Nataraja Temple in Chidambaram.
RELIGIOUS SIGNIFICANCE
Sarangapani temple is considered third in the line of Srirangam and Tirupathi temples. The temple is revered in Nalayira Divya Prabandham, the 7th–9th century Vaishnava canon, by Aandaal in one, Periyalvar in three, Bhoothathalvar in two, Thirumalisai Alvar in seven, Peialvar in two, Nammalvar in eleven and Thirumangai Alvar in 25 versesl. The temple is classified as a divyadesam, the 108 Vishnu temples that are reverred in the Vaishnava canon. As per a Hindu legend, Nathamuni, who compiled Divya Prabandham by the twelve azhwars, found only the first ten verses sung on Aravamudhan. Nammazhwar recited the remaining 3990 verses unconsciously while he was in deep meditation and Nathamuni compiled all of them.
Pancharanga Kshetrams (also called Pancharangams, meaning the "five Rangams or Ranganathas") is a group of five sacred Hindu temples, dedicated to Ranganatha, a form of the god Vishnu, on the banks of the Kaveri River. The five Pancharanga Kshetrams in the order of their successive locations, on the banks of the Kaveri River are: The Srirangapatnam called the Adi Ranga, the first temple on the banks of the Kaveri River from the upstream side; the Srirangam (island in Tiruchirappalli) in Tamil Nadu known as Adya Ranga (the last temple), Appalarangam or Koviladi at Tiurppernagar in Tamil Nadu, Parimala Ranganatha Perumal Temple or Mayuram at Indalur, Mayiladuthurai and Vatarangam at Sirkazhi. The Sarangapani temple at Kumbakonam is mentioned in place of Vatarangam in some references.
WORSHIP & FESTIVALS
The temple follows Pancharatra Agama and Vadakalai tradition. The temple priests perform the pooja (rituals) during festivals and on a daily basis. Like other Vishnu temples of Tamil Nadu, the priests belong to the Vaishnavite community, a Brahmin sub-caste. The temple rituals are performed six times a day; Tiruvanandal at 8:00 a.m., Kala santhi at 9:00 a.m., Uchikalam at 12:30 p.m., Ntiyanusandhanam at 6:00 p.m., Irandamkalam at 7:30 p.m. and Ardha Jamam at 9:00 p.m. Each ritual comprises three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Sarangapani and Thayar. The food offering during the six times are curd rice, Ven pongal, spiced rice, dosa, Ven pongal and sugar pongal respectively. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred text) read by priests and prostration by worshippers in front of the temple mast. There are weekly, fortnightly and monthly rituals.
Akshaya Tritiyai - 12 Garuda Sevai Chaitra Brahma Utsavam celebrated during the Tamil month of Chittirai (April - May), Vasantotsavam during Vaikasi (May - June), Pavitrotsavam - Ekadasi Jyeshotsavam during Adi(July - August), Sri Jayanthi - Uriyadi Utsavam during Avani (August - September), Navaratri Utsavam - Saraswathi Puja - Vijayadasami during Purattasi (September - October), Deepavali - Shraddha of Sri Lakshmi Narayanaswami during Aippasi (October - November), Deepa Utsavam - Unjal Utsavam during Karthigai (November - December), Pakal Pattu - Ira Pattu Pongal Sankaramana Utsavam during Margazhi (December - January), Kanu Utsavam - Amavasya - Ratasaptami during Thai (January - February), Masi Magaham - Float Festival during Masi (February - March) and Brahmmotsavam - Tirukkalyanotsavam during Panguni (March - April) are the festivals celebrated in the temple.
The twin temple chariots weigh 300 t each and has been renovated in 2007. The chariots were not drawn for some years during the preceding period. The chariots are next only in size to the ones in Thygaraja temple in Thiruvarur and Andal Temple in Srivilliputhur. The chariots are pulled by hundreds of devotees across the streets around the temple twice a year, once during the Brahma Utsavam during April-May and other during Ratasaptami in January-February. The festival idols of Sarangapani and Kamalvalli are brought to the thermutti (chariot station) after elaborate religious rituals.
As per a temple legend, once a staunch Brahmin devotee of Aravamudhan spent most of his life to the service of the deity. At the end of his life, he felt his loneliness and prayed for his karma to be performed. Aravamudhan descended himself to perform the last rites on a Deepavali day. The ritual is performed annually by the priests and is one of its kind where death rituals are performed in the precincts of a Vishnu temple.
WIKIPEDIA
Ramanathaswamy Temple is a Hindu temple dedicated to god Shiva located on Rameswaram island in the state of Tamil Nadu, India. It is also one of the twelve Jyothirlinga temples, where Shiva is worshipped in the form of a Jyotirlingam (English: pillar of light).It is one of the 274 Paadal Petra Sthalams, where the three of the most revered Nayanars (Saivite saints), Appar, Sundarar and Tirugnana Sambandar, have glorified the temple with their songs. The temple was expanded during the 12th century by Pandya Dynasty, and its principal shrines sanctum were renovated by Jeyaveera Cinkaiariyan and his successor Gunaveera Cinkaiariyan of the Jaffna kingdom. The temple has the longest corridor among all Hindu temples in India. The temple is located in Rameswaram, an island town in South India, considered a holy pilgrimage site for Shaivites, Vaishnavites and Smarthas.
According to the Ramayana, Rama, the seventh incarnation of god Vishnu, is believed to have prayed to Shiva here to absolve sin of killing a brahmana, committed during his war against the demon king Ravana in Sri Lanka. Rama wanted to have the largest lingam to worship Shiva. He directed Hanuman, the monkey lieutenant in his army, to bring the lingam from Himalayas. Since it took longer to bring the lingam, Sita, the wife of Rama, built a small lingam out of the sand available in the sea shore, which is believed to be the lingam in the sanctum.
THE TEMPLE
The primary deity of the temple is Ramanathaswamy (Shiva) in the form of lingam. There are two lingams inside the sanctum - one built by Goddess Sita, from sand, residing as the main deity, Ramalingam and the one brought by Lord Hanuman from Kailash called Vishwalingam. Rama instructed that Vishwalingam should be worshipped first since it was brought by Lord Hanuman - the tradition continues even today.
Like all ancient temples in South India, there is a high compound wall (madil) on all four sides of the temple premises measuring about 865 feet furlong from east to west and one furlongs of 657 feet from north to south with huge towers (Gopurams) at the east and west and finished gate towers on the north and south. The temple has striking long corridors in its interior, running between huge colonnades on platforms above five feet high.
The second corridor is formed by sandstone pillars, beams and ceiling. The junction of the third corridor on the west and the paved way leading from the western gopuram to Setumadhava shrine forms a unique structure in the form of a chess board and it is popularly known as Chokkattan Madapam where the Utsva deities are adorned and kept during the Vasanthotsavam (Spring festival) and on the 6th day festival in Adi (July–August) and Masi (February–March) conducted by the Setupati of Ramnad.
The outer set of corridors is reputed to be the longest in the world being about 6.9 m height, 400 feet in each in the east and west and about 640 feet in north and south and inner corridors are about 224 feet in east and west and about 352 feet each in north and south. Their width varies from 15.5 feet to 17 feet in the east and west about 172 feet on the north and south with width varying 14.5 feet to 17 feet. The total length of those corridors is thus 3850 feet. There are about 1212 pillars in the outer corridor. Their height is about 30 feet from the floor to the center of the roof. The main tower or rajagopuram is 53 m tall. Most pillars are carved with individual composition.
SHRINES IN THE TEMPLE COMPLEX AND AROUND RAMESWARAM
There are separate shrines for God Ramanathaswami and Goddess Parvathavardhini separated by a corridor. There are separate shrines for goddess visalakshi, parvathavardhini, utsava idol, sayanagriha, perumal,and mahaganpathi. There are various halls inside the temple, namely Anuppu Mandapam, Sukravara Mandapam, Sethupathi Mandapam, Kalyana Mandapam and Nandi Mandapam.
TEMPLE TANKS
There are sixty-four Tīrthas (holy water bodies) in and around the island of Rameswaram, Tamil Nadu, India. According to Skānda Purāṇa, twenty-four of them are important. Bathing in these Tīrthas is a major aspect of the pilgrimage to Rameswaram and is considered equivalent to penance. Twenty-two of the Tīrthas are within the Rāmanāthasvāmī Temple. The number 22 indicates the 22 arrows in Rama's quiver. The first and major one is called Agni Theertham, the sea (Bay of Bengal).
SIGNIFICANCE TODAY
CHAR DHAM
The temple is one of the holiest Hindu Char Dham (four divine sites) sites comprising Badrinath, Puri and Dwarka. Though the origins are not clearly known, the Advaita school of Hinduism established by Sankaracharya, who created Hindu monastic institutions across India, attributes the origin of Char Dham to the seer. The four monasteries lie across the four corners of India and their attendant temples are Badrinath Temple at Badrinath in the North, Jagannath Temple at Puri in the East, Dwarakadheesh Temple at Dwarka in the West and Ramanathaswamy Temple at Rameswaram in the South. Though ideologically the temples are divided between the sects of Hinduism, namely Saivism and Vaishnavism, the Char Dham pilgrimage is an all Hindu affair. There are four abodes in Himalayas called Chota Char Dham (Chota meaning small): Badrinath, Kedarnath, Gangotri and Yamunotri - all of these lie at the foot hills of Himalayas. The name Chota was added during the mid of 20th century to differentiate the original Char Dhams. The journey across the four cardinal points in India is considered sacred by Hindus who aspire to visit these temples once in their lifetime. Traditionally the trip starts at the eastern end from Puri, proceeding in clockwise direction in a manner typically followed for circuambulation in Hindu temples.
JYOTIRLINGA
As per Shiv Mahapuran, once Brahma (the Hindu God of creation) and Vishnu (the Hindu God of saving) had an argument in terms of supremacy of creation. To test them, Shiva pierced the three worlds as a huge endless pillar of light, the jyotirlinga. Vishnu and Brahma split their ways to downwards and upwards respectively to find the end of the light in either directions. Brahma lied that he found out the end, while Vishnu conceded his defeat. Shiva appeared as a second pillar of light and cursed Brahma that he would have no place in ceremonies while Vishnu would be worshipped till the end of eternity. The jyotirlinga is the supreme partless reality, out of which Shiva partly appears. The jyothirlinga shrines, thus are places where Shiva appeared as a fiery column of light. Originally there were believed to be 64 jyothirlingas while 12 of them are considered to be very auspicious and holy. Each of the twelve jyothirlinga sites take the name of the presiding deity - each considered different manifestation of Shiva. At all these sites, the primary image is lingam representing the beginningless and endless Stambha pillar, symbolizing the infinite nature of Shiva. The twelve jyothirlinga are Somnath in Gujarat, Mallikarjuna at Srisailam in Andhra Pradesh, Mahakaleswar at Ujjain in Madhya Pradesh, Omkareshwar in Madhya Pradesh, Kedarnath in Himalayas, Bhimashankar in Maharashtra, Viswanath at Varanasi in Uttar Pradesh, Triambakeshwar in Maharashtra, Vaidyanath at Deoghar in Jharkhand, Nageswar at Dwarka in Gujarat, Rameshwar at Rameswaram in Tamil Nadu and Grishneshwar at Aurangabad, Maharashtra.
HISTORICAL PILGRIMAGE
The temple is one of the famous pilgrimage sites and there are historical references about it. The Maratha kings who ruled Thanjavur established chatrams or rest houses all through Mayiladuthurai and Rameswaram between 1745 and 1837 CE and donated it to the temple.
TEMPLE CONTRIBUTIONS AND DONATIONS FROM HINDU KINGS
The temple in its current shape is believed to have been built during the 17th century, while Fergusson believes the small vimana in the west corridor belonging to the 11th or 12th centuries. The temple is said to have been sanctioned for construction by King Kizhavan Sethupathi or Raghunatha Kilavan. The contribution of the Jaffna kings of the Sethupathy dynasty to the temple was considerable. King Jeyaveera Cinkaiariyan (1380 — 1410 CE) shipped stone blocks from Koneswaram temple, Trincomalee to the temple to renovate its sanctum sanctorum. Jeyaveera Cinkaiariyan's successor Gunaveera Cinkaiariyan (Pararacacekaran V), a trustee at Rameswaram who also oversaw structural development of this temple and the promotion of Saivite belief donated part of his revenue to Koneswaram. Especially to be remembered are the immense sums that were spent during the tenure of Pradani Muthirulappa Pillai towards the restoration of the Pagodas which were falling into ruins, the splendid Chockattan Mantapam or the cloistered precincts of the temple at Rameswaram that he finally completed. The rulers of Sri Lanka contributed to the temple - Parakrama Bahu (1153-1186 CE) was involved in the construction of the sanctum sanctorum of the temple.
IN NEWS
The temple priests are Mahastra Brahmins who get Diksha from Sringeri Mutt. Shortage of priests has been reported as there are 5 priests to manage the 13 shrines within the temple. The shortage is more pronounced during the 12 day Maha Shivaratri festival when the festival deities of the temple are taken in procession. The temple comes under the renovation and consecration of the 630 temples planned to be renovated by the Hindu Religious and Charitable Endowments Department of the Government of Tamil Nadu. The temple authorities have planned to renovate and widen the pathways to the 22 holy theerthams of the temple. The consecration of the temple is planned during 2013. The temple is one of the temples offering Free meal scheme of the government, which provides meals to devotees of the temple. A pilgrim house is planned by the government to extend the scheme to more pilgrims.
WIKIPEDIA
Sarangapani Temple is a Hindu temple dedicated to Vishnu, located in Kumbakonam, Tamil Nadu, India. It is one of the Divya Desams, the 108 temples of Vishnu revered in Nalayira Divya Prabandham by the 12 poet saints, or Alwars. This temple is along Kaveri and is one of the Pancharanga Kshetrams.
The temple is believed to be of significant antiquity with contributions at different times from Medieval Cholas, Vijayanagar Empire and Madurai Nayaks. The temple is enshrined within a huge granite wall and the complex contains all the shrines and the water bodies of the temple. The rajagopuram (the main gateway) has eleven tiers and has a height of 53 m. The Potramarai tank, the temple tank, is located opposite to the western entrance of the temple.
Sarangapani is believed to have appeared for sage Hemarishi. The temple has six daily rituals at various times from 5:30 a.m. to 9 p.m., and twelve yearly festivals on its calendar. The temple chariot festival is the most prominent festival of the temple, celebrated during the Tamil month of Chittirai (March–April). The twin temple chariots are the third largest in Tamil Nadu, each weighing 300 t.
LEGEND
As per Hindu legend, the Vaishnava deity, Sarangapani, an incarnation of Hindu god Vishnu, appeared for a sage Hema Rishi, who performed penance in the bank of Potramarai tank. The penance was performed to obtain Lakshmi, the consort of Vishnu, as his daughter. Vishnu was pleased by the penance and he wished the sage to get Lakshmi as his daughter. Lakshmi emerged from the Potramarai tank among thousand lotuses and was thus named Komalavalli (the one who emerged from lotus). Vishnu descended to earth as Aravamudhan in a chariot drawn by horses and elephants from his abode Vaikuntam. He stayed in the nearby Someswaran Temple to woo Lakshmi to marry him and the couple eventually got married. The name Sarangapani derives from the Tamil word Sarangam meaning bow and pani meaning hand - the one holding bow in his hand is Sarangapani.
THE TEMPLE
Sarangapani is the largest Vishnu temple in Kumbakonam and has the tallest temple tower in the town. The temple is enshrined within a huge wall and the complex enshrines all the water bodies of the temple except the Potramarai tank. The rajagopuram (the main gateway) has eleven tiers and has a height of 53 m. There are five other smaller gopurams in the temple. The rajagopuram has figures depicting various religious stories. The temple faces east and the Potramarai tank is located outside the western entrance. The central shrine of the temple is in the form of a chariot drawn by horses and elephants, with openings on either side, showing the descent of Sarangapani from heaven in the chariot. There is a sculptural representation of the sage Hemarishi in the western part of the temple. The central shrine of the temple houses the image of Sarangapani in pallikonda posture, with his head resting on his right hand. The are other images of sage Hemarishi, Lakshmi and festival images enshrined within the sanctum. There are two stepped entrances to the sanctum named as Utharayana Vaasal and Dhakshanayana Vaasal, each open for a six month period. From the 15th of January to 15th of July, Utharayanya Vaasal is opened while Dhakshanaya Vaasal is opened during the other half of the year. The Potramarai tank has a central hall called Hemarishi Mandapam. The temple has two processional chariots carved out of wood stationed outside the rajagopuram.
In Bharatanatyam, a South Indian dance form, 108 karanas form the basic movements. Some of these karanas are sculpted around the walls of the temple. Similar sculptures are found in the Brihadeeswarar Temple in Thanjavur and Nataraja Temple in Chidambaram.
RELIGIOUS SIGNIFICANCE
Sarangapani temple is considered third in the line of Srirangam and Tirupathi temples. The temple is revered in Nalayira Divya Prabandham, the 7th–9th century Vaishnava canon, by Aandaal in one, Periyalvar in three, Bhoothathalvar in two, Thirumalisai Alvar in seven, Peialvar in two, Nammalvar in eleven and Thirumangai Alvar in 25 versesl. The temple is classified as a divyadesam, the 108 Vishnu temples that are reverred in the Vaishnava canon. As per a Hindu legend, Nathamuni, who compiled Divya Prabandham by the twelve azhwars, found only the first ten verses sung on Aravamudhan. Nammazhwar recited the remaining 3990 verses unconsciously while he was in deep meditation and Nathamuni compiled all of them.
Pancharanga Kshetrams (also called Pancharangams, meaning the "five Rangams or Ranganathas") is a group of five sacred Hindu temples, dedicated to Ranganatha, a form of the god Vishnu, on the banks of the Kaveri River. The five Pancharanga Kshetrams in the order of their successive locations, on the banks of the Kaveri River are: The Srirangapatnam called the Adi Ranga, the first temple on the banks of the Kaveri River from the upstream side; the Srirangam (island in Tiruchirappalli) in Tamil Nadu known as Adya Ranga (the last temple), Appalarangam or Koviladi at Tiurppernagar in Tamil Nadu, Parimala Ranganatha Perumal Temple or Mayuram at Indalur, Mayiladuthurai and Vatarangam at Sirkazhi. The Sarangapani temple at Kumbakonam is mentioned in place of Vatarangam in some references.
WORSHIP & FESTIVALS
The temple follows Pancharatra Agama and Vadakalai tradition. The temple priests perform the pooja (rituals) during festivals and on a daily basis. Like other Vishnu temples of Tamil Nadu, the priests belong to the Vaishnavite community, a Brahmin sub-caste. The temple rituals are performed six times a day; Tiruvanandal at 8:00 a.m., Kala santhi at 9:00 a.m., Uchikalam at 12:30 p.m., Ntiyanusandhanam at 6:00 p.m., Irandamkalam at 7:30 p.m. and Ardha Jamam at 9:00 p.m. Each ritual comprises three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Sarangapani and Thayar. The food offering during the six times are curd rice, Ven pongal, spiced rice, dosa, Ven pongal and sugar pongal respectively. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred text) read by priests and prostration by worshippers in front of the temple mast. There are weekly, fortnightly and monthly rituals.
Akshaya Tritiyai - 12 Garuda Sevai Chaitra Brahma Utsavam celebrated during the Tamil month of Chittirai (April - May), Vasantotsavam during Vaikasi (May - June), Pavitrotsavam - Ekadasi Jyeshotsavam during Adi(July - August), Sri Jayanthi - Uriyadi Utsavam during Avani (August - September), Navaratri Utsavam - Saraswathi Puja - Vijayadasami during Purattasi (September - October), Deepavali - Shraddha of Sri Lakshmi Narayanaswami during Aippasi (October - November), Deepa Utsavam - Unjal Utsavam during Karthigai (November - December), Pakal Pattu - Ira Pattu Pongal Sankaramana Utsavam during Margazhi (December - January), Kanu Utsavam - Amavasya - Ratasaptami during Thai (January - February), Masi Magaham - Float Festival during Masi (February - March) and Brahmmotsavam - Tirukkalyanotsavam during Panguni (March - April) are the festivals celebrated in the temple.
The twin temple chariots weigh 300 t each and has been renovated in 2007. The chariots were not drawn for some years during the preceding period. The chariots are next only in size to the ones in Thygaraja temple in Thiruvarur and Andal Temple in Srivilliputhur. The chariots are pulled by hundreds of devotees across the streets around the temple twice a year, once during the Brahma Utsavam during April-May and other during Ratasaptami in January-February. The festival idols of Sarangapani and Kamalvalli are brought to the thermutti (chariot station) after elaborate religious rituals.
As per a temple legend, once a staunch Brahmin devotee of Aravamudhan spent most of his life to the service of the deity. At the end of his life, he felt his loneliness and prayed for his karma to be performed. Aravamudhan descended himself to perform the last rites on a Deepavali day. The ritual is performed annually by the priests and is one of its kind where death rituals are performed in the precincts of a Vishnu temple.
WIKIPEDIA
This fresco from the Nayaka period depicts the local British officials making an offering in gratitude for being cured of leprosy. The Vaidyanathar koil in this shrine is famous for curing skin diseases.
Ramanathaswamy Temple is a Hindu temple dedicated to god Shiva located on Rameswaram island in the state of Tamil Nadu, India. It is also one of the twelve Jyothirlinga temples, where Shiva is worshipped in the form of a Jyotirlingam (English: pillar of light).It is one of the 274 Paadal Petra Sthalams, where the three of the most revered Nayanars (Saivite saints), Appar, Sundarar and Tirugnana Sambandar, have glorified the temple with their songs. The temple was expanded during the 12th century by Pandya Dynasty, and its principal shrines sanctum were renovated by Jeyaveera Cinkaiariyan and his successor Gunaveera Cinkaiariyan of the Jaffna kingdom. The temple has the longest corridor among all Hindu temples in India. The temple is located in Rameswaram, an island town in South India, considered a holy pilgrimage site for Shaivites, Vaishnavites and Smarthas.
According to the Ramayana, Rama, the seventh incarnation of god Vishnu, is believed to have prayed to Shiva here to absolve sin of killing a brahmana, committed during his war against the demon king Ravana in Sri Lanka. Rama wanted to have the largest lingam to worship Shiva. He directed Hanuman, the monkey lieutenant in his army, to bring the lingam from Himalayas. Since it took longer to bring the lingam, Sita, the wife of Rama, built a small lingam out of the sand available in the sea shore, which is believed to be the lingam in the sanctum.
THE TEMPLE
The primary deity of the temple is Ramanathaswamy (Shiva) in the form of lingam. There are two lingams inside the sanctum - one built by Goddess Sita, from sand, residing as the main deity, Ramalingam and the one brought by Lord Hanuman from Kailash called Vishwalingam. Rama instructed that Vishwalingam should be worshipped first since it was brought by Lord Hanuman - the tradition continues even today.
Like all ancient temples in South India, there is a high compound wall (madil) on all four sides of the temple premises measuring about 865 feet furlong from east to west and one furlongs of 657 feet from north to south with huge towers (Gopurams) at the east and west and finished gate towers on the north and south. The temple has striking long corridors in its interior, running between huge colonnades on platforms above five feet high.
The second corridor is formed by sandstone pillars, beams and ceiling. The junction of the third corridor on the west and the paved way leading from the western gopuram to Setumadhava shrine forms a unique structure in the form of a chess board and it is popularly known as Chokkattan Madapam where the Utsva deities are adorned and kept during the Vasanthotsavam (Spring festival) and on the 6th day festival in Adi (July–August) and Masi (February–March) conducted by the Setupati of Ramnad.
The outer set of corridors is reputed to be the longest in the world being about 6.9 m height, 400 feet in each in the east and west and about 640 feet in north and south and inner corridors are about 224 feet in east and west and about 352 feet each in north and south. Their width varies from 15.5 feet to 17 feet in the east and west about 172 feet on the north and south with width varying 14.5 feet to 17 feet. The total length of those corridors is thus 3850 feet. There are about 1212 pillars in the outer corridor. Their height is about 30 feet from the floor to the center of the roof. The main tower or rajagopuram is 53 m tall. Most pillars are carved with individual composition.
SHRINES IN THE TEMPLE COMPLEX AND AROUND RAMESWARAM
There are separate shrines for God Ramanathaswami and Goddess Parvathavardhini separated by a corridor. There are separate shrines for goddess visalakshi, parvathavardhini, utsava idol, sayanagriha, perumal,and mahaganpathi. There are various halls inside the temple, namely Anuppu Mandapam, Sukravara Mandapam, Sethupathi Mandapam, Kalyana Mandapam and Nandi Mandapam.
TEMPLE TANKS
There are sixty-four Tīrthas (holy water bodies) in and around the island of Rameswaram, Tamil Nadu, India. According to Skānda Purāṇa, twenty-four of them are important. Bathing in these Tīrthas is a major aspect of the pilgrimage to Rameswaram and is considered equivalent to penance. Twenty-two of the Tīrthas are within the Rāmanāthasvāmī Temple. The number 22 indicates the 22 arrows in Rama's quiver. The first and major one is called Agni Theertham, the sea (Bay of Bengal).
SIGNIFICANCE TODAY
CHAR DHAM
The temple is one of the holiest Hindu Char Dham (four divine sites) sites comprising Badrinath, Puri and Dwarka. Though the origins are not clearly known, the Advaita school of Hinduism established by Sankaracharya, who created Hindu monastic institutions across India, attributes the origin of Char Dham to the seer. The four monasteries lie across the four corners of India and their attendant temples are Badrinath Temple at Badrinath in the North, Jagannath Temple at Puri in the East, Dwarakadheesh Temple at Dwarka in the West and Ramanathaswamy Temple at Rameswaram in the South. Though ideologically the temples are divided between the sects of Hinduism, namely Saivism and Vaishnavism, the Char Dham pilgrimage is an all Hindu affair. There are four abodes in Himalayas called Chota Char Dham (Chota meaning small): Badrinath, Kedarnath, Gangotri and Yamunotri - all of these lie at the foot hills of Himalayas. The name Chota was added during the mid of 20th century to differentiate the original Char Dhams. The journey across the four cardinal points in India is considered sacred by Hindus who aspire to visit these temples once in their lifetime. Traditionally the trip starts at the eastern end from Puri, proceeding in clockwise direction in a manner typically followed for circuambulation in Hindu temples.
JYOTIRLINGA
As per Shiv Mahapuran, once Brahma (the Hindu God of creation) and Vishnu (the Hindu God of saving) had an argument in terms of supremacy of creation. To test them, Shiva pierced the three worlds as a huge endless pillar of light, the jyotirlinga. Vishnu and Brahma split their ways to downwards and upwards respectively to find the end of the light in either directions. Brahma lied that he found out the end, while Vishnu conceded his defeat. Shiva appeared as a second pillar of light and cursed Brahma that he would have no place in ceremonies while Vishnu would be worshipped till the end of eternity. The jyotirlinga is the supreme partless reality, out of which Shiva partly appears. The jyothirlinga shrines, thus are places where Shiva appeared as a fiery column of light. Originally there were believed to be 64 jyothirlingas while 12 of them are considered to be very auspicious and holy. Each of the twelve jyothirlinga sites take the name of the presiding deity - each considered different manifestation of Shiva. At all these sites, the primary image is lingam representing the beginningless and endless Stambha pillar, symbolizing the infinite nature of Shiva. The twelve jyothirlinga are Somnath in Gujarat, Mallikarjuna at Srisailam in Andhra Pradesh, Mahakaleswar at Ujjain in Madhya Pradesh, Omkareshwar in Madhya Pradesh, Kedarnath in Himalayas, Bhimashankar in Maharashtra, Viswanath at Varanasi in Uttar Pradesh, Triambakeshwar in Maharashtra, Vaidyanath at Deoghar in Jharkhand, Nageswar at Dwarka in Gujarat, Rameshwar at Rameswaram in Tamil Nadu and Grishneshwar at Aurangabad, Maharashtra.
HISTORICAL PILGRIMAGE
The temple is one of the famous pilgrimage sites and there are historical references about it. The Maratha kings who ruled Thanjavur established chatrams or rest houses all through Mayiladuthurai and Rameswaram between 1745 and 1837 CE and donated it to the temple.
TEMPLE CONTRIBUTIONS AND DONATIONS FROM HINDU KINGS
The temple in its current shape is believed to have been built during the 17th century, while Fergusson believes the small vimana in the west corridor belonging to the 11th or 12th centuries. The temple is said to have been sanctioned for construction by King Kizhavan Sethupathi or Raghunatha Kilavan. The contribution of the Jaffna kings of the Sethupathy dynasty to the temple was considerable. King Jeyaveera Cinkaiariyan (1380 — 1410 CE) shipped stone blocks from Koneswaram temple, Trincomalee to the temple to renovate its sanctum sanctorum. Jeyaveera Cinkaiariyan's successor Gunaveera Cinkaiariyan (Pararacacekaran V), a trustee at Rameswaram who also oversaw structural development of this temple and the promotion of Saivite belief donated part of his revenue to Koneswaram. Especially to be remembered are the immense sums that were spent during the tenure of Pradani Muthirulappa Pillai towards the restoration of the Pagodas which were falling into ruins, the splendid Chockattan Mantapam or the cloistered precincts of the temple at Rameswaram that he finally completed. The rulers of Sri Lanka contributed to the temple - Parakrama Bahu (1153-1186 CE) was involved in the construction of the sanctum sanctorum of the temple.
IN NEWS
The temple priests are Mahastra Brahmins who get Diksha from Sringeri Mutt. Shortage of priests has been reported as there are 5 priests to manage the 13 shrines within the temple. The shortage is more pronounced during the 12 day Maha Shivaratri festival when the festival deities of the temple are taken in procession. The temple comes under the renovation and consecration of the 630 temples planned to be renovated by the Hindu Religious and Charitable Endowments Department of the Government of Tamil Nadu. The temple authorities have planned to renovate and widen the pathways to the 22 holy theerthams of the temple. The consecration of the temple is planned during 2013. The temple is one of the temples offering Free meal scheme of the government, which provides meals to devotees of the temple. A pilgrim house is planned by the government to extend the scheme to more pilgrims.
WIKIPEDIA
This is the largest bronze Nataraja in the world approx. 8ft high, bigger than the Chidambaram Nataraja.
Chola Bronze at Thirunallam.
Konerirajapuram is about half hour drive from Kumbakonam, in Mayiladithurai taluka of Nagapattinam district in Tamil Nadu. The priest Gnanaskandam is happy to show interested visitors around.
www.indiantemples.com/Tamilnadu/s157.html
www.travelpod.com/travel-blog-entries/indianature/7/12163...
Sarangapani Temple is a Hindu temple dedicated to Vishnu, located in Kumbakonam, Tamil Nadu, India. It is one of the Divya Desams, the 108 temples of Vishnu revered in Nalayira Divya Prabandham by the 12 poet saints, or Alwars. This temple is along Kaveri and is one of the Pancharanga Kshetrams.
The temple is believed to be of significant antiquity with contributions at different times from Medieval Cholas, Vijayanagar Empire and Madurai Nayaks. The temple is enshrined within a huge granite wall and the complex contains all the shrines and the water bodies of the temple. The rajagopuram (the main gateway) has eleven tiers and has a height of 53 m. The Potramarai tank, the temple tank, is located opposite to the western entrance of the temple.
Sarangapani is believed to have appeared for sage Hemarishi. The temple has six daily rituals at various times from 5:30 a.m. to 9 p.m., and twelve yearly festivals on its calendar. The temple chariot festival is the most prominent festival of the temple, celebrated during the Tamil month of Chittirai (March–April). The twin temple chariots are the third largest in Tamil Nadu, each weighing 300 t.
LEGEND
As per Hindu legend, the Vaishnava deity, Sarangapani, an incarnation of Hindu god Vishnu, appeared for a sage Hema Rishi, who performed penance in the bank of Potramarai tank. The penance was performed to obtain Lakshmi, the consort of Vishnu, as his daughter. Vishnu was pleased by the penance and he wished the sage to get Lakshmi as his daughter. Lakshmi emerged from the Potramarai tank among thousand lotuses and was thus named Komalavalli (the one who emerged from lotus). Vishnu descended to earth as Aravamudhan in a chariot drawn by horses and elephants from his abode Vaikuntam. He stayed in the nearby Someswaran Temple to woo Lakshmi to marry him and the couple eventually got married. The name Sarangapani derives from the Tamil word Sarangam meaning bow and pani meaning hand - the one holding bow in his hand is Sarangapani.
THE TEMPLE
Sarangapani is the largest Vishnu temple in Kumbakonam and has the tallest temple tower in the town. The temple is enshrined within a huge wall and the complex enshrines all the water bodies of the temple except the Potramarai tank. The rajagopuram (the main gateway) has eleven tiers and has a height of 53 m. There are five other smaller gopurams in the temple. The rajagopuram has figures depicting various religious stories. The temple faces east and the Potramarai tank is located outside the western entrance. The central shrine of the temple is in the form of a chariot drawn by horses and elephants, with openings on either side, showing the descent of Sarangapani from heaven in the chariot. There is a sculptural representation of the sage Hemarishi in the western part of the temple. The central shrine of the temple houses the image of Sarangapani in pallikonda posture, with his head resting on his right hand. The are other images of sage Hemarishi, Lakshmi and festival images enshrined within the sanctum. There are two stepped entrances to the sanctum named as Utharayana Vaasal and Dhakshanayana Vaasal, each open for a six month period. From the 15th of January to 15th of July, Utharayanya Vaasal is opened while Dhakshanaya Vaasal is opened during the other half of the year. The Potramarai tank has a central hall called Hemarishi Mandapam. The temple has two processional chariots carved out of wood stationed outside the rajagopuram.
In Bharatanatyam, a South Indian dance form, 108 karanas form the basic movements. Some of these karanas are sculpted around the walls of the temple. Similar sculptures are found in the Brihadeeswarar Temple in Thanjavur and Nataraja Temple in Chidambaram.
RELIGIOUS SIGNIFICANCE
Sarangapani temple is considered third in the line of Srirangam and Tirupathi temples. The temple is revered in Nalayira Divya Prabandham, the 7th–9th century Vaishnava canon, by Aandaal in one, Periyalvar in three, Bhoothathalvar in two, Thirumalisai Alvar in seven, Peialvar in two, Nammalvar in eleven and Thirumangai Alvar in 25 versesl. The temple is classified as a divyadesam, the 108 Vishnu temples that are reverred in the Vaishnava canon. As per a Hindu legend, Nathamuni, who compiled Divya Prabandham by the twelve azhwars, found only the first ten verses sung on Aravamudhan. Nammazhwar recited the remaining 3990 verses unconsciously while he was in deep meditation and Nathamuni compiled all of them.
Pancharanga Kshetrams (also called Pancharangams, meaning the "five Rangams or Ranganathas") is a group of five sacred Hindu temples, dedicated to Ranganatha, a form of the god Vishnu, on the banks of the Kaveri River. The five Pancharanga Kshetrams in the order of their successive locations, on the banks of the Kaveri River are: The Srirangapatnam called the Adi Ranga, the first temple on the banks of the Kaveri River from the upstream side; the Srirangam (island in Tiruchirappalli) in Tamil Nadu known as Adya Ranga (the last temple), Appalarangam or Koviladi at Tiurppernagar in Tamil Nadu, Parimala Ranganatha Perumal Temple or Mayuram at Indalur, Mayiladuthurai and Vatarangam at Sirkazhi. The Sarangapani temple at Kumbakonam is mentioned in place of Vatarangam in some references.
WORSHIP & FESTIVALS
The temple follows Pancharatra Agama and Vadakalai tradition. The temple priests perform the pooja (rituals) during festivals and on a daily basis. Like other Vishnu temples of Tamil Nadu, the priests belong to the Vaishnavite community, a Brahmin sub-caste. The temple rituals are performed six times a day; Tiruvanandal at 8:00 a.m., Kala santhi at 9:00 a.m., Uchikalam at 12:30 p.m., Ntiyanusandhanam at 6:00 p.m., Irandamkalam at 7:30 p.m. and Ardha Jamam at 9:00 p.m. Each ritual comprises three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Sarangapani and Thayar. The food offering during the six times are curd rice, Ven pongal, spiced rice, dosa, Ven pongal and sugar pongal respectively. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred text) read by priests and prostration by worshippers in front of the temple mast. There are weekly, fortnightly and monthly rituals.
Akshaya Tritiyai - 12 Garuda Sevai Chaitra Brahma Utsavam celebrated during the Tamil month of Chittirai (April - May), Vasantotsavam during Vaikasi (May - June), Pavitrotsavam - Ekadasi Jyeshotsavam during Adi(July - August), Sri Jayanthi - Uriyadi Utsavam during Avani (August - September), Navaratri Utsavam - Saraswathi Puja - Vijayadasami during Purattasi (September - October), Deepavali - Shraddha of Sri Lakshmi Narayanaswami during Aippasi (October - November), Deepa Utsavam - Unjal Utsavam during Karthigai (November - December), Pakal Pattu - Ira Pattu Pongal Sankaramana Utsavam during Margazhi (December - January), Kanu Utsavam - Amavasya - Ratasaptami during Thai (January - February), Masi Magaham - Float Festival during Masi (February - March) and Brahmmotsavam - Tirukkalyanotsavam during Panguni (March - April) are the festivals celebrated in the temple.
The twin temple chariots weigh 300 t each and has been renovated in 2007. The chariots were not drawn for some years during the preceding period. The chariots are next only in size to the ones in Thygaraja temple in Thiruvarur and Andal Temple in Srivilliputhur. The chariots are pulled by hundreds of devotees across the streets around the temple twice a year, once during the Brahma Utsavam during April-May and other during Ratasaptami in January-February. The festival idols of Sarangapani and Kamalvalli are brought to the thermutti (chariot station) after elaborate religious rituals.
As per a temple legend, once a staunch Brahmin devotee of Aravamudhan spent most of his life to the service of the deity. At the end of his life, he felt his loneliness and prayed for his karma to be performed. Aravamudhan descended himself to perform the last rites on a Deepavali day. The ritual is performed annually by the priests and is one of its kind where death rituals are performed in the precincts of a Vishnu temple.
WIKIPEDIA
Fishing at Mukkombu - Tiruchiapalli, Tamilnadu, India
The Kaveri (Kannada: ಕಾವೇರಿ ನದಿ, Tamil: காவிரி, Hindi: कावेरी), also spelled Cauvery in English, is a large Indian river. The origin of the river is traditionally placed at Talakaveri, Kodagu in the Western Ghats in Karnataka, flows generally south and east through Karnataka and Tamil Nadu and across the southern Deccan plateau through the southeastern lowlands, emptying into the Bay of Bengal through two principal mouths.
While passing through Erode, two more tributaries merge.Thirumani Mutharu join it in a village called Kududurai in Namakkal District. Noyyal and Amaravathi join it in Karur district before it reaches Tiruchirapalli district. Here the river becomes wide, with a sandy bed, and flows in an easterly direction until it splits into two at upper Anicut about 14 kilometres west of Tiruchirappalli. The northern branch of the river is called the Kollidam while the southern branch retains the name Kaveri and then goes directly eastwards into Thanjavur District. These two rivers join again and form the Srirangam island which is a part of city of Tiruchirapalli.
The Chola king Karikalan has been immortalised as he constructed the bank for the Kaveri all the way from Puhar (Kaveripoompattinam) to Srirangam. It was built as far back as 1,600 years ago or even more. On both sides of the river are found walls spreading to a distance of 1,080 feet (330 m). The Kallanai dam constructed by him on the border between Tiruchirappalli and Thanjavur is a superb work of engineering, which was made with earth and stone and has stood the vagaries of nature for hundreds of years.
In 19th century, it was renovated on a bigger scale. The name of the historical dam has since been changed to “Grand Anicut” and stands as the head of a great irrigation system in the Thanjavur district. From this point, the Kollidam River runs north-east and discharges into the sea at Devakottai, a little south of Parangipettai. From river Kollidam, Manniar and Uppanai branch off at lower Anicut and irrigates a portion of Mayiladuthurai taluk and Sirkazhi taluk in Nagapatnam District. After Grand Anicut, the Kaveri divides into numerous branches and covers the whole of the delta with a vast network of irrigation channels in Nagapatnam and Tiruvarur districts and gets lost in the wide expanse of paddy fields. The Kaveri here is reduced to an insignificant channel and enters the Bay of Bengal at the historical place of Poompuhar about 13 km (8.1 mi) north of Tharangampadi.
The Chola king Karikalan has been immortalised as he constructed the bank for the Kaveri all the way from Puhar (Kaveripoompattinam) to Srirangam. It was built as far back as 1,600 years ago or even more. On both sides of the river are found walls spreading to a distance of 1,080 feet (330 m). The Kallanai dam constructed by him on the border between Tiruchirappalli and Thanjavur is a superb work of engineering, which was made with earth and stone and has stood the vagaries of nature for hundreds of years.
In 19th century, it was renovated on a bigger scale. The name of the historical dam has since been changed to “Grand Anicut” and stands as the head of a great irrigation system in the Thanjavur district. From this point, the Kollidam River runs north-east and discharges into the sea at Devakottai, a little south of Parangipettai. From river Kollidam, Manniar and Uppanai branch off at lower Anicut and irrigates a portion of Mayiladuthurai taluk and Sirkazhi taluk in Nagapatnam District. After Grand Anicut, the Kaveri divides into numerous branches and covers the whole of the delta with a vast network of irrigation channels in Nagapatnam and Tiruvarur districts and gets lost in the wide expanse of paddy fields. The Kaveri here is reduced to an insignificant channel and enters the Bay of Bengal at the historical place of Poompuhar about 13 km (8.1 mi) north of Tharangampadi.
Source : Wikipedia
Train 826A in the care of WDM-2 17684 arrives at Ponmalai (Golden Rock) station en route east to Mayiladuturai Junction.
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Sarangapani Temple is a Hindu temple dedicated to Vishnu, located in Kumbakonam, Tamil Nadu, India. It is one of the Divya Desams, the 108 temples of Vishnu revered in Nalayira Divya Prabandham by the 12 poet saints, or Alwars. This temple is along Kaveri and is one of the Pancharanga Kshetrams.
The temple is believed to be of significant antiquity with contributions at different times from Medieval Cholas, Vijayanagar Empire and Madurai Nayaks. The temple is enshrined within a huge granite wall and the complex contains all the shrines and the water bodies of the temple. The rajagopuram (the main gateway) has eleven tiers and has a height of 53 m. The Potramarai tank, the temple tank, is located opposite to the western entrance of the temple.
Sarangapani is believed to have appeared for sage Hemarishi. The temple has six daily rituals at various times from 5:30 a.m. to 9 p.m., and twelve yearly festivals on its calendar. The temple chariot festival is the most prominent festival of the temple, celebrated during the Tamil month of Chittirai (March–April). The twin temple chariots are the third largest in Tamil Nadu, each weighing 300 t.
LEGEND
As per Hindu legend, the Vaishnava deity, Sarangapani, an incarnation of Hindu god Vishnu, appeared for a sage Hema Rishi, who performed penance in the bank of Potramarai tank. The penance was performed to obtain Lakshmi, the consort of Vishnu, as his daughter. Vishnu was pleased by the penance and he wished the sage to get Lakshmi as his daughter. Lakshmi emerged from the Potramarai tank among thousand lotuses and was thus named Komalavalli (the one who emerged from lotus). Vishnu descended to earth as Aravamudhan in a chariot drawn by horses and elephants from his abode Vaikuntam. He stayed in the nearby Someswaran Temple to woo Lakshmi to marry him and the couple eventually got married. The name Sarangapani derives from the Tamil word Sarangam meaning bow and pani meaning hand - the one holding bow in his hand is Sarangapani.
THE TEMPLE
Sarangapani is the largest Vishnu temple in Kumbakonam and has the tallest temple tower in the town. The temple is enshrined within a huge wall and the complex enshrines all the water bodies of the temple except the Potramarai tank. The rajagopuram (the main gateway) has eleven tiers and has a height of 53 m. There are five other smaller gopurams in the temple. The rajagopuram has figures depicting various religious stories. The temple faces east and the Potramarai tank is located outside the western entrance. The central shrine of the temple is in the form of a chariot drawn by horses and elephants, with openings on either side, showing the descent of Sarangapani from heaven in the chariot. There is a sculptural representation of the sage Hemarishi in the western part of the temple. The central shrine of the temple houses the image of Sarangapani in pallikonda posture, with his head resting on his right hand. The are other images of sage Hemarishi, Lakshmi and festival images enshrined within the sanctum. There are two stepped entrances to the sanctum named as Utharayana Vaasal and Dhakshanayana Vaasal, each open for a six month period. From the 15th of January to 15th of July, Utharayanya Vaasal is opened while Dhakshanaya Vaasal is opened during the other half of the year. The Potramarai tank has a central hall called Hemarishi Mandapam. The temple has two processional chariots carved out of wood stationed outside the rajagopuram.
In Bharatanatyam, a South Indian dance form, 108 karanas form the basic movements. Some of these karanas are sculpted around the walls of the temple. Similar sculptures are found in the Brihadeeswarar Temple in Thanjavur and Nataraja Temple in Chidambaram.
RELIGIOUS SIGNIFICANCE
Sarangapani temple is considered third in the line of Srirangam and Tirupathi temples. The temple is revered in Nalayira Divya Prabandham, the 7th–9th century Vaishnava canon, by Aandaal in one, Periyalvar in three, Bhoothathalvar in two, Thirumalisai Alvar in seven, Peialvar in two, Nammalvar in eleven and Thirumangai Alvar in 25 versesl. The temple is classified as a divyadesam, the 108 Vishnu temples that are reverred in the Vaishnava canon. As per a Hindu legend, Nathamuni, who compiled Divya Prabandham by the twelve azhwars, found only the first ten verses sung on Aravamudhan. Nammazhwar recited the remaining 3990 verses unconsciously while he was in deep meditation and Nathamuni compiled all of them.
Pancharanga Kshetrams (also called Pancharangams, meaning the "five Rangams or Ranganathas") is a group of five sacred Hindu temples, dedicated to Ranganatha, a form of the god Vishnu, on the banks of the Kaveri River. The five Pancharanga Kshetrams in the order of their successive locations, on the banks of the Kaveri River are: The Srirangapatnam called the Adi Ranga, the first temple on the banks of the Kaveri River from the upstream side; the Srirangam (island in Tiruchirappalli) in Tamil Nadu known as Adya Ranga (the last temple), Appalarangam or Koviladi at Tiurppernagar in Tamil Nadu, Parimala Ranganatha Perumal Temple or Mayuram at Indalur, Mayiladuthurai and Vatarangam at Sirkazhi. The Sarangapani temple at Kumbakonam is mentioned in place of Vatarangam in some references.
WORSHIP & FESTIVALS
The temple follows Pancharatra Agama and Vadakalai tradition. The temple priests perform the pooja (rituals) during festivals and on a daily basis. Like other Vishnu temples of Tamil Nadu, the priests belong to the Vaishnavite community, a Brahmin sub-caste. The temple rituals are performed six times a day; Tiruvanandal at 8:00 a.m., Kala santhi at 9:00 a.m., Uchikalam at 12:30 p.m., Ntiyanusandhanam at 6:00 p.m., Irandamkalam at 7:30 p.m. and Ardha Jamam at 9:00 p.m. Each ritual comprises three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Sarangapani and Thayar. The food offering during the six times are curd rice, Ven pongal, spiced rice, dosa, Ven pongal and sugar pongal respectively. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred text) read by priests and prostration by worshippers in front of the temple mast. There are weekly, fortnightly and monthly rituals.
Akshaya Tritiyai - 12 Garuda Sevai Chaitra Brahma Utsavam celebrated during the Tamil month of Chittirai (April - May), Vasantotsavam during Vaikasi (May - June), Pavitrotsavam - Ekadasi Jyeshotsavam during Adi(July - August), Sri Jayanthi - Uriyadi Utsavam during Avani (August - September), Navaratri Utsavam - Saraswathi Puja - Vijayadasami during Purattasi (September - October), Deepavali - Shraddha of Sri Lakshmi Narayanaswami during Aippasi (October - November), Deepa Utsavam - Unjal Utsavam during Karthigai (November - December), Pakal Pattu - Ira Pattu Pongal Sankaramana Utsavam during Margazhi (December - January), Kanu Utsavam - Amavasya - Ratasaptami during Thai (January - February), Masi Magaham - Float Festival during Masi (February - March) and Brahmmotsavam - Tirukkalyanotsavam during Panguni (March - April) are the festivals celebrated in the temple.
The twin temple chariots weigh 300 t each and has been renovated in 2007. The chariots were not drawn for some years during the preceding period. The chariots are next only in size to the ones in Thygaraja temple in Thiruvarur and Andal Temple in Srivilliputhur. The chariots are pulled by hundreds of devotees across the streets around the temple twice a year, once during the Brahma Utsavam during April-May and other during Ratasaptami in January-February. The festival idols of Sarangapani and Kamalvalli are brought to the thermutti (chariot station) after elaborate religious rituals.
As per a temple legend, once a staunch Brahmin devotee of Aravamudhan spent most of his life to the service of the deity. At the end of his life, he felt his loneliness and prayed for his karma to be performed. Aravamudhan descended himself to perform the last rites on a Deepavali day. The ritual is performed annually by the priests and is one of its kind where death rituals are performed in the precincts of a Vishnu temple.
WIKIPEDIA
Sarangapani Temple is a Hindu temple dedicated to Vishnu, located in Kumbakonam, Tamil Nadu, India. It is one of the Divya Desams, the 108 temples of Vishnu revered in Nalayira Divya Prabandham by the 12 poet saints, or Alwars. This temple is along Kaveri and is one of the Pancharanga Kshetrams.
The temple is believed to be of significant antiquity with contributions at different times from Medieval Cholas, Vijayanagar Empire and Madurai Nayaks. The temple is enshrined within a huge granite wall and the complex contains all the shrines and the water bodies of the temple. The rajagopuram (the main gateway) has eleven tiers and has a height of 53 m. The Potramarai tank, the temple tank, is located opposite to the western entrance of the temple.
Sarangapani is believed to have appeared for sage Hemarishi. The temple has six daily rituals at various times from 5:30 a.m. to 9 p.m., and twelve yearly festivals on its calendar. The temple chariot festival is the most prominent festival of the temple, celebrated during the Tamil month of Chittirai (March–April). The twin temple chariots are the third largest in Tamil Nadu, each weighing 300 t.
LEGEND
As per Hindu legend, the Vaishnava deity, Sarangapani, an incarnation of Hindu god Vishnu, appeared for a sage Hema Rishi, who performed penance in the bank of Potramarai tank. The penance was performed to obtain Lakshmi, the consort of Vishnu, as his daughter. Vishnu was pleased by the penance and he wished the sage to get Lakshmi as his daughter. Lakshmi emerged from the Potramarai tank among thousand lotuses and was thus named Komalavalli (the one who emerged from lotus). Vishnu descended to earth as Aravamudhan in a chariot drawn by horses and elephants from his abode Vaikuntam. He stayed in the nearby Someswaran Temple to woo Lakshmi to marry him and the couple eventually got married. The name Sarangapani derives from the Tamil word Sarangam meaning bow and pani meaning hand - the one holding bow in his hand is Sarangapani.
THE TEMPLE
Sarangapani is the largest Vishnu temple in Kumbakonam and has the tallest temple tower in the town. The temple is enshrined within a huge wall and the complex enshrines all the water bodies of the temple except the Potramarai tank. The rajagopuram (the main gateway) has eleven tiers and has a height of 53 m. There are five other smaller gopurams in the temple. The rajagopuram has figures depicting various religious stories. The temple faces east and the Potramarai tank is located outside the western entrance. The central shrine of the temple is in the form of a chariot drawn by horses and elephants, with openings on either side, showing the descent of Sarangapani from heaven in the chariot. There is a sculptural representation of the sage Hemarishi in the western part of the temple. The central shrine of the temple houses the image of Sarangapani in pallikonda posture, with his head resting on his right hand. The are other images of sage Hemarishi, Lakshmi and festival images enshrined within the sanctum. There are two stepped entrances to the sanctum named as Utharayana Vaasal and Dhakshanayana Vaasal, each open for a six month period. From the 15th of January to 15th of July, Utharayanya Vaasal is opened while Dhakshanaya Vaasal is opened during the other half of the year. The Potramarai tank has a central hall called Hemarishi Mandapam. The temple has two processional chariots carved out of wood stationed outside the rajagopuram.
In Bharatanatyam, a South Indian dance form, 108 karanas form the basic movements. Some of these karanas are sculpted around the walls of the temple. Similar sculptures are found in the Brihadeeswarar Temple in Thanjavur and Nataraja Temple in Chidambaram.
RELIGIOUS SIGNIFICANCE
Sarangapani temple is considered third in the line of Srirangam and Tirupathi temples. The temple is revered in Nalayira Divya Prabandham, the 7th–9th century Vaishnava canon, by Aandaal in one, Periyalvar in three, Bhoothathalvar in two, Thirumalisai Alvar in seven, Peialvar in two, Nammalvar in eleven and Thirumangai Alvar in 25 versesl. The temple is classified as a divyadesam, the 108 Vishnu temples that are reverred in the Vaishnava canon. As per a Hindu legend, Nathamuni, who compiled Divya Prabandham by the twelve azhwars, found only the first ten verses sung on Aravamudhan. Nammazhwar recited the remaining 3990 verses unconsciously while he was in deep meditation and Nathamuni compiled all of them.
Pancharanga Kshetrams (also called Pancharangams, meaning the "five Rangams or Ranganathas") is a group of five sacred Hindu temples, dedicated to Ranganatha, a form of the god Vishnu, on the banks of the Kaveri River. The five Pancharanga Kshetrams in the order of their successive locations, on the banks of the Kaveri River are: The Srirangapatnam called the Adi Ranga, the first temple on the banks of the Kaveri River from the upstream side; the Srirangam (island in Tiruchirappalli) in Tamil Nadu known as Adya Ranga (the last temple), Appalarangam or Koviladi at Tiurppernagar in Tamil Nadu, Parimala Ranganatha Perumal Temple or Mayuram at Indalur, Mayiladuthurai and Vatarangam at Sirkazhi. The Sarangapani temple at Kumbakonam is mentioned in place of Vatarangam in some references.
WORSHIP & FESTIVALS
The temple follows Pancharatra Agama and Vadakalai tradition. The temple priests perform the pooja (rituals) during festivals and on a daily basis. Like other Vishnu temples of Tamil Nadu, the priests belong to the Vaishnavite community, a Brahmin sub-caste. The temple rituals are performed six times a day; Tiruvanandal at 8:00 a.m., Kala santhi at 9:00 a.m., Uchikalam at 12:30 p.m., Ntiyanusandhanam at 6:00 p.m., Irandamkalam at 7:30 p.m. and Ardha Jamam at 9:00 p.m. Each ritual comprises three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Sarangapani and Thayar. The food offering during the six times are curd rice, Ven pongal, spiced rice, dosa, Ven pongal and sugar pongal respectively. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred text) read by priests and prostration by worshippers in front of the temple mast. There are weekly, fortnightly and monthly rituals.
Akshaya Tritiyai - 12 Garuda Sevai Chaitra Brahma Utsavam celebrated during the Tamil month of Chittirai (April - May), Vasantotsavam during Vaikasi (May - June), Pavitrotsavam - Ekadasi Jyeshotsavam during Adi(July - August), Sri Jayanthi - Uriyadi Utsavam during Avani (August - September), Navaratri Utsavam - Saraswathi Puja - Vijayadasami during Purattasi (September - October), Deepavali - Shraddha of Sri Lakshmi Narayanaswami during Aippasi (October - November), Deepa Utsavam - Unjal Utsavam during Karthigai (November - December), Pakal Pattu - Ira Pattu Pongal Sankaramana Utsavam during Margazhi (December - January), Kanu Utsavam - Amavasya - Ratasaptami during Thai (January - February), Masi Magaham - Float Festival during Masi (February - March) and Brahmmotsavam - Tirukkalyanotsavam during Panguni (March - April) are the festivals celebrated in the temple.
The twin temple chariots weigh 300 t each and has been renovated in 2007. The chariots were not drawn for some years during the preceding period. The chariots are next only in size to the ones in Thygaraja temple in Thiruvarur and Andal Temple in Srivilliputhur. The chariots are pulled by hundreds of devotees across the streets around the temple twice a year, once during the Brahma Utsavam during April-May and other during Ratasaptami in January-February. The festival idols of Sarangapani and Kamalvalli are brought to the thermutti (chariot station) after elaborate religious rituals.
As per a temple legend, once a staunch Brahmin devotee of Aravamudhan spent most of his life to the service of the deity. At the end of his life, he felt his loneliness and prayed for his karma to be performed. Aravamudhan descended himself to perform the last rites on a Deepavali day. The ritual is performed annually by the priests and is one of its kind where death rituals are performed in the precincts of a Vishnu temple.
WIKIPEDIA