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A.D. Cyphers Safety Professional of the Year Award (L to R): Dave Womack (Bayer MaterialSciences), Bobby Laughlin
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In den æGreen Ocean Coating Heavy Duty· Beschichtungen von Advanced Marine Coatings sorgen Baytubes® Kohlenstoff-Nanoröhrchen von Bayer MaterialScience für eine sehr hohe Abriebbeständigkeit. Gleichzeitig wird der Strömungswiderstand des Schiffsrumpfes mit dem Wasser herabgesetzt und dadurch der Kraftstoffverbrauch deutlich reduziert. ..Leverkusen, November 2009 (2009-0689/1).Foto: Advanced Marine Coatings.---------------------------------------.The šGreen Ocean Coating Heavy DutyÜ coatings from Advanced Marine Coatings are formulated with Baytubes® carbon nanotubes from Bayer MaterialScience, which gives them very high abrasion resistance. The coatings also reduce the flow resistance between the ship's hull and the water, thereby enabling a significant reduction in fuel consumption. ..Leverkusen, November 2009 (2009-0689/1E).Photo: Advanced Marine Coatings
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
Training API 571, API 571 Training Courses, Sertifikasi API 571, Training API 571 Jakarta, Gaji API 571 Di Indonesia, API 571 Indonesia, Tugas API 571 , Training API 571 Batam, Training API 571 Bogor, Training API 571 Jakarta, Training API 571 Cilegon, Training API 571 Kalimantan, Training API 571 Papua, Training API 571 Bandung, Training API 571 Bojonegoro, Training API 571 Indonesia, Training API 571 Singapore, Training API 571 Malaysia, Training API 571 Russia, Training API 571 China, Training API 571India, Training API 571 Arab Saudi, Training API 571 Vietnam, Training API 571 Philippines, Training API 571 Thailand, Training API 571 Sumatera Utara, Training API 571 Riau, Training API 571 Sumatera, Training API 571 Cilacap, Training API 571 Dumai, Training API 571 Sungai Pakning, Training API 571 Musi, Training API 571 Balongan, Training API 571 Cepu, Training API 571 Balikpapan, Training API 571 Sorong, Training Weling Engineer Tuban
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The Regeneron International Science and Engineering Fair (ISEF), founded and produced by Society for Science, is the world’s largest international high school science competition, providing an annual opportunity for nearly 2,000 students from all over the world to showcase their independent research and compete for approximately $5 million in prizes
In 2019, Regeneron became the title sponsor of ISEF to help reward and celebrate the best and brightest young minds globally and encourage them to pursue careers in STEM as a way to positively impact the world.
Alumni of Regeneron ISEF have gone on to have world-changing careers in science and engineering and earn some of the most esteemed honors, including National Medal of Science recipients, MacArthur Foundation Fellows, National Academy of Sciences and National Academy of Engineering Inductees and a range of entrepreneurs.
Founded by the belief that advances in science are key to solving global challenges, Regeneron ISEF works to support and invest in young scientists who are generating ideas and acting as catalysts for the change needed to improve the well-being of all people and the planet.
Society for Science and Regeneron engage young people as active change agents and support the hard work and cutting-edge discoveries of promising young leaders who are motivated by curiosity and inspired to improve the world with STEM. Regeneron ISEF reinforces this potential and invests in the best and brightest young minds by continuing to nurture all fields of scientific research to foster transformative innovations.
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
The Regeneron International Science and Engineering Fair (ISEF), founded and produced by Society for Science, is the world’s largest international high school science competition, providing an annual opportunity for nearly 2,000 students from all over the world to showcase their independent research and compete for approximately $5 million in prizes
In 2019, Regeneron became the title sponsor of ISEF to help reward and celebrate the best and brightest young minds globally and encourage them to pursue careers in STEM as a way to positively impact the world.
Alumni of Regeneron ISEF have gone on to have world-changing careers in science and engineering and earn some of the most esteemed honors, including National Medal of Science recipients, MacArthur Foundation Fellows, National Academy of Sciences and National Academy of Engineering Inductees and a range of entrepreneurs.
Founded by the belief that advances in science are key to solving global challenges, Regeneron ISEF works to support and invest in young scientists who are generating ideas and acting as catalysts for the change needed to improve the well-being of all people and the planet.
Society for Science and Regeneron engage young people as active change agents and support the hard work and cutting-edge discoveries of promising young leaders who are motivated by curiosity and inspired to improve the world with STEM. Regeneron ISEF reinforces this potential and invests in the best and brightest young minds by continuing to nurture all fields of scientific research to foster transformative innovations.
Trivedi Science - The impact of The Trivedi Effect®in the field of agriculture is outstanding. Experiments have been performed on more than 40 species of crops, showing a remarkable increase in the quantity and quality of produce. Also, this energy has dramatically enhanced the quality of seeds, fruits, flowering, immunity and overall resistance to disease in each crop. All the experiments were performed without the use of any kind of fertilizers or pesticides, making it a purely organic produce.
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
"Newton was not the first of the age of reason, he was the last of the magicians." -John Maynard Keynes
#isaacNewton #alchemy #occultstudies #swampwitch #chaos #naturalscience #materialscience #elixiroflife #silver #gold #lead #philosophersStone #meghantrainor #meghantrainorwitchmemes
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
Best Regards
Wendy Huang
Regional Product Management APAC
Bayer MaterialScience (Shanghai) Management Co., Ltd.
12F Citigroup Tower,
No.33, Huayuan Shiqiao Road
Shanghai, 200120 P.R. China
Fax: 86 21 61593291
Mail To Internet Address: wendy.huang@bayer.com<
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#engineer #engineering #technology #construction #engineers #civilengineering #mechanicalengineering #design #engineeringlife #mechanical #tech #science #civilengineer #engineeringstudent #electricalengineering #mechanic #electronics #electrical #manufacturing #welding #welder #weld #metalart #engineering #steel #pipe #machinery #weldernation #heavyindustry #weldlikeapro #metalindustry #weldingengineering #weldingartist #smaw #piping #metallurgical #metal #engineering #metallurgicalengineering #metallurgy #steel #materials #metalurgica #materialscience
Lafayette College SENIOR Lauren Huyett, WHO IS A CHEMICAL ENGINEERING MAJOR who received an NSFGRFP Grant and will be doing her post graduate work at University of California at Santa Barbara next year sits with Melissa who also got a NSFGRFP Grant and will be studying at Princeton next year pose with their professor. James FErry in their lab in AEC
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
Trivedi Science - The impact of The Trivedi Effect®in the field of agriculture is outstanding. Experiments have been performed on more than 40 species of crops, showing a remarkable increase in the quantity and quality of produce. Also, this energy has dramatically enhanced the quality of seeds, fruits, flowering, immunity and overall resistance to disease in each crop. All the experiments were performed without the use of any kind of fertilizers or pesticides, making it a purely organic produce.
Best Regards / Freundliche Grüße
Charlene Chen
[Description: cid:image001.gif@01CC5347.597931C0]
Bayer MaterialScience (Shanghai) Management Co., Ltd.
PCS-PM-SCPP
Citigroup Tower 12F Pudong Shanghai
Phone: + 86 21 6159 3004
Fax: +86 21 6159 3291
Mobile: +86 1590 0890 614
E-mail: charlene.chen@bayer.com<
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
Makrolon® empfahl sich für das Dach des Olympiastadions in Shenyang, weil es leicht ist und sich unkompliziert montieren lässt...Leverkusen, Juli 2008 (2008-0335)..Bildautor: Bayer MaterialScience AG.Bild Verwertung: Nutzung mit Quellenvermerk für redaktionelle Beiträge über den Bayerkonzern gestattet. Die kommerzielle Weitergabe an Dritte ist unzulässig..--------------------------------.Makrolon® proved to be a particularly suitable material for the roof of the Olympic stadium in Shenyang because it is lightweight and easy to assemble. ..Leverkusen, July 2008 (2008-0335E)..Image author: Photo: Bayer MaterialScience AG.Image utilization: Photo may be used to accompany reports on Bayer provided the source is mentioned. Resale to third parties is prohibited.
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use