View allAll Photos Tagged master
This is the second picture I took of him. Even with all the branches, it was easier to spot him than when he was lined up with the tree trunk.
This is a portrait of Cambodian Master Musician, Ieng Sithul, who I first met two weeks ago...with this shot taken yesterday (when I saw the Children of the Khmer show for the third time at this year's Edinburgh Fringe).
In Cambodia, he is one of the most popular recording artists and a regular host on TV. He survived the atrocities of the Khmer Rouge and now he uses his considerable talents to enrich and enhance the lives of a new generation in Cambodia.
He teaches classical wedding dance to a large class of students in Phnom Penh. In doing so, he is changing many lives for the better as well as preserving the heritage and cultural traditions of Cambodia.
Meeting the Children of the Khmer has been one of my most positive Fringe experiences ever. For the most part, we don't share a common language...but have still established a connection.
The World Festival at St George's West won a 'Spirit of the Fringe" award on Friday. It was richly deserved. In a year where there has been a shambolic ticketing system...and oppressively fussy High Street stewarding, this venue has demonstrated what the Fringe is all about.
My thanks are due to Toby, John, Dickie, Dickon, Carol and Jerome for letting me share in the experience. I also owe a vote of thanks to Alex Hewitt from The Scotsman for helping me to get permission to photograph Children of the Khmer in the first place.
However, most of all my thanks are due to Master Ieng Sithul and his fellow teachers. Cambodia is a country which has suffered greatly in the recent past, but it was inspirational to watch these talented students perform what they clearly love doing.
Please consider supporting the work of Cambodian Living Arts in some way.
I decided to go crazy and do a mix in the Master Bedroom of The Riptide by Architect Justi Barcelo, owner of JBC architecture.
I took the blue back round and mixed some woods with blacks and browns. Threw in some fab zebra skins to brighten it all up.
I found a fabulous Illustrator on Instagram called Tabula.hr. I got permission to use his work on SL.Then added his amazing picture in the red, black and white to highlight the room.
The Bright white Hanging ball Lamps and tieback curtains, by Catta Grizot of Atrium, give it the class the room called for. All together you have once again my Eclectic Style of Decorating. Come see it in person to experience the textures and life it gives you.
maps.secondlife.com/secondlife/Villa%20de%20Barcelos/123/...
maps.secondlife.com/secondlife/Villa%20de%20Barcelos/123/...
Karate master
Bio: born in the poorest part of china, Karat E. Master survived almost solely on his skills in self defence. But fear him not, for most of his foes flee at the sight of his killer mustache.
Built using 3 flexers packets (no repeats)
13002 at Tinsley on 5th November 1978.
Created in 1965 following the need for more powerful shunting locomotives at Tinsley Yard, the Class 13's were basically a combination of 2 Class 08's. In the case of this particular example, the doner locomotives were D4187 (master) and D3697 (slave).
All 3 loco's spent all of their lives at Tinsley and following the end of hump shunting at the yard, they were no longer required. 13002 was the first of the class to be withdrawn in 1983 and was scrapped at Swindon Works in October of that year.
The other two Class 13's remained in service until 1985, with 13003 being the last survivor, being scrapped at Swindon in September 1986.
100ASA slide scan.
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Description of the photographer: The photo shows a master, a young man, who agreed to do a hard work in bad working conditions in absence of jobs he is trained for. The salary is about 250 €, if he receives it. In He Djerdap, Serbia.
Author: Milorad Drča, Serbia
This photo was received in the framework of the ILO 'Work4Youth' photo contest.
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creative
The mock Tudor station masters house at Berwyn stands out among the late summer greenery as 5199 drifts into the station.
Platform lamps, milling passengers, branches and the ever present threat of a car approaching from behind make this a challenging shot to take.
DSC_2447
Starter pistol - CIty Beach - Interclub carnival. This image is part of my 'Sons of Beaches' photography project.
© This photograph is copyrighted. Under no circumstances can it be reproduced, distributed, modified, copied, posted to websites or printed or published in media or other medium or used for commercial or other uses without the prior written consent and permission of the photographer.
© Leanne Boulton, All Rights Reserved
Candid street photography taken in Glasgow, Scotland. This guy seems to have his hands full with taking some camera phone shots while talking on another phone... and is that a smart watch on his wrist as well? Technology mastering him?
Enjoy full screen by pressing 'L'.
Ron Maydon driving the LEC CRP1. From what I learned this weekend Ron is the driving force behind the Maters series.
LEC was a UK motor racing team and Formula One constructor based at Bognor Regis, West Sussex. They participated in ten Grands Prix using a March in 1973 and their own car, the LEC CRP1, in 1977.
LEC racing returned to Formula One in 1977 with their own LEC chassis designed by Mike Pilbeam[2] and run by Mike Earle. It was this car in which Purley suffered serious injuries in an accident during pre-qualifying for that year's British Grand Prix. He survived an estimated 179.8 g when he decelerated from 173 km/h (108 mph) to 0 in a distance of 66 cm (26 inches) after his throttle got stuck wide open and he hit a wall.[3] For many years, this was thought to be the highest g-force ever survived by a human being.[3] He suffered multiple fractures to his legs, pelvis and ribs.
The second CRP1 has been restored and has competed in historic Formula One racing alongside a modern replica built by WKD Motorsport.
Saint Barbara is recognisable by the tower where her father had her locked away after she converted to Christianity. Barbara wears colourful clothing embellished with gold embroidery and magnificent jewels. In her hand she holds an ostrich feather given to her by the Christ Child in a vision.
This painting belongs with the panel of Saint Catherine hanging to the left. Together they formed the side panels of an altarpiece that is now in Liverpool. The painter is an anonymous Antwerp artist known rather misleadingly as the Master of Frankfurt.