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This is the place where the cormorants gather everyday for drying their feathers and visiting each other.
It looks like the choir master directs the singer at the end :)
The masters apprentice.
Learning the art of mastering the wild white water of Turners Beach.
Yamba, New South Wales, Australia.
Happy May Day! My first Osprey of the season.
Osprey feed primarily on live fish, which they catch from the water by using their long, hooked talons. An osprey can plunge so forcefully into the water that if will completely submerge! They are a perfect fishing machine with a success rate of around 70%.
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A Westie Zen Master teaching students Yoga exercises
Prompt: Create in the Pixar style a West Highland White Terrier sitting calmly in a classic yoga pose (lotus position) on a lavender yoga mat in the middle of a peaceful, sunlit park. The Westie has closed eyes, a serene smile, and upright ears, with its front paws gently resting on its knees in a meditative gesture, mimicking a human “Gyan Mudra” pose. The lush green grass and soft-focus trees in the background add to the tranquil setting, while a few white daisies and butterflies dot the scene. Render the Westie with fluffy, well-groomed fur, expressive features, and exaggerated cartoon-like proportions to enhance the charm and humor. Text "The Zen Master"
Style: Pixar style
Mood: Peaceful, humorous, joyful
Lighting: Soft natural daylight with highlights and gentle shadows
Resolution: High-resolution, suitable for print
Aspect Ratio: Vertical, vertical aspect ratio
Digital Fine Art created using Google ImageFX AI and Photoshop
AI Midjourney render. Post work (lighting and shading) done with ArtStudio and Adobe Lightroom.
Image Copyright © Λlpha Λrt 2023 All Rights Reserve
Master Craftsman
Southern Masked Weaver busy with the intricate process of building his nest. Once completed he will attract a female who will inspect the nest. If she is happy then she will line it with insulation and then lay eggs. If she does not approve of his workmanship the nest then gets pulled apart and he will start a new nest.
Canon 90D
Sigma 150-600
F8
1/2000
Auto Iso
South Africa
January 2025
Puppet Master, A person that acts in secret to control another. Flickr Friday theme. Dictionary. Hummmm Cookie is looking something up. 😁
Hey ! This is the master bedroom in my private castle, enjoy :D
Music theme : www.youtube.com/watch?v=45OSmSiKfQY&list=PL420973D8F1...
The shadows cloak all but the Sith's glowing yellow eyes. A hum thrums beneath the cold creaking of the battlestation.
A Padawan and her droid stand at the ready, lightsaber drawn and pointed at the Sith Lady. "You won't escape this place, Talon" she says stoically.
A cold, almost mechanical cackle fractures the monotony. "Escape? Why would I need to escape?" The crackle of her blood red lightsaber igniting sends the Padawans hairs standing on end.
In a flash the Sith Lady slides inside of the Padawans defenses, batting the new lightsaber away. Her hand clenches into a fist as the droid is crumpled like a small ball of paper and the heel of her boot sends the youngling reeling.
The Padawan can't believe what's happening before her, barely able to breath from the heavy blow to her chest. She tries to reach for her lightsaber...
The Dark Lady tosses the droid aside like a plaything as her wrist snaps and the Padawan is jerked to a halt mid-air. Slowly the Sith pulls the subdued Jedi closer.
"You bring these... toys. Trinkets of technology, playthings for children. You insult me with such..."
She glances at the scrap that used to be the droid.
"cheap imitations."
As her saber draws back, she looks upon the Jedi with feral anticipation and the ferocity of a Rancor. "A true master needs not such things, and a True Master... you have found. Today, we change the story."
The Padawan can only quietly accept her fate, as the darkness approaches and then is abruptly shattered with a bright red flash and sinister laugh...
❤️⭐❤️⭐❤️⭐❤️
WHOOOOO!!!! Ok, so I had to call my friend to get some of the story right. Hopefully I got it all LOL. The story is all me, but the world/characters was explained for me by my friend J. Anyways, I hope you enjoy!!! ❤️❤️❤️❤️
Happy Revenge of the Fifth! 😁
💋 Epi!
Manufacturer: Adam Opel AG, Rüsselsheim - Germany / General Motors Company, Detroit - USA
Type: Rekord D-Coupé 1900
Production time: 1972 - 1974
Production outlet: 73,987
Engine: 1897cc 19 SH straight-4
Power: 97 bhp / 4.800 rpm
Torque: 147 Nm / 3.800 rpm
Drivetrain: rear wheels
Speed: 161 km/h
Curb weight: 1058 kg
Wheelbase: 105 inch
Chassis: with all-steel monocoque body
Steering: recirculating ball safety column
Gearbox: four-speed manual / full synchromesh / floor shifter
Clutch: single dry plate spring spacer type
Carburettor: Zenith 35/40 INAT
Fuel tank: 55 liter
Electric system: Bosch 12 Volts
Ignition system: distributor and coil
Brakes front: servo-assisted hydraulic discs
Brakes rear: servo-assisted hydraulic drums
Suspension front: independent unequal length double wishbones (A-arm, control arm) incorporating balljoint with coil springs and sway bar + hydraulic telescopic shock absorbers
Suspension rear: radius arms, 4 trailing arms, Panhard track bar and torsion bar stabilizer with longitudinal coil springs with progressive rate + hydraulic telescopic shock absorbers
Rear axle: live
Differential: hypoid
Wheels: 5½ x 13
Tires: 185/70 SR 13
Options: three-speed TH-180 automatic transmission with steering column shifter
Special:
- It was the new generation smooth Detroit-inspired style German cars, designed by Chuck Jordan, showing first signs of GM rationalisation with Vauxhall (sharing same floor pan and suspension with new generation Vauxhall Victor FE).
- The Rekord D Series (easily mistaken to connote a diesel-powered car), so later renamed “2” Series (1971-1977) was already in production before production of the Rekord C was ended (1966-1972).
Staircase at Kinmel Hall, the largest remaining country house in Wales, now abandoned.
View the full set on my website -
don't worry I only have another two hundred photos of this dress and me in it of course.
This reminds me of those old masters I use to look upon in the art galleries. the way the they caught the light bouncing of the heavy duchess satins the low lights in the folds of the materials the pure ostentatious extravagance of those dresses that I longed to wear myself. How I wished I was one of those ladies back then.