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Johnny Marr play at Moseley Folk Festival in Birmingham, 29 August 2014.
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The whole of Musselburgh Grammar completed their sponsored walk at Musselburgh Racecourse. The walk was in aid of the school fund which supports various social, sporting and cultural activities out with school hours.
IN PIC................. Pupils in the winners spot in the parade ring
(c) Wullie Marr/DEADLINE NEWS
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Vintage Austrian postcard. Photo by Franz Xaver Setzer, Vienna, VII.
Hans Marr (born Johann Julius Richter; Dresden, 22 July 1878 – Vienna, 21 March 1949) was a German actor and director.
Marr began studying art history, but then took acting lessons and made his debut in 1897 at the Königliches Schauspielhaus in Berlin. His further stage stations were Gotha and Görlitz (1898), Breslau (1901), Graz (1902) and Cologne (1904). In 1905 he came to the Lessingtheater in Berlin, and finally in 1914 Hugo Thimig brought him to the Burgtheater in Vienna, where he remained until his death, except for the period between 1919 and 1924. The handsome Marr was above all a hero actor and played especially in plays by Gerhart Hauptmann, with whom he was also a friend.
From 1913 onwards, Marr was given film roles, first in male leads at the Messter company, in the Henny Porten vehicle Eva (Curt Stark, 1913) and in Statistinnen des Lebens (Hans Oberländer, 1913). During the First World War, Marr acted in Vienna in Mir kommt keiner aus (1917) by Jakob and Luise Fleck. Yet, his most intense years as film actor were after the war, between 1919 and 1923, first acting at Sascha Film and Favo/ Pavo Film in Vienna in films by e.g. Erwin Baron. From 1920 he also acted in Berlin in films such as Steuermann Holk (Rochus Gliese, Ludwig Wolff, 1920) with Theodor Loos and Asta Nielsen, and Das wandernde Bild (Fritz Lang, 1920) with Marr in the male lead opposite Mia May.
In 1921-23 he did a series of films directed by Rudolf Biebrach, Henny Porten's former regular director: Die verbotene Frucht, Seehfahrt ist not!, Das Abenteuer des Dr. Kircheisen (all 1921), and Felicitas Grolandin (1923). Marr acted also in films by Alexander Antalffy (Die Taifunhexe, 1923, with Charlotte Ander), Georg Jacoby (Das Paradies im Schnee, 1923), Friedrich Feher (Ssanin, 1924), and, in particular, Max Neufeld (Die Brandstifter Europas, 1926; Der Balletterzherzog, 1926; Die Strecke, 1927; Das weisse Paradies, 1929). Although IMDb mentions him as 'Henry Mar', it was Hans Marr who played Moses in the monumental Austrian film Die Sklavenkönigin/Moon over Israel (Michael Curtiz, 1924), starring Maria Corda. Twice Marr had the title role of Wilhelm Tell, first in 1923, directed by Rudolf Dworsky and Rudolf Walther-Fein, and in the sound era, in 1934, directed by Heinz Paul, the latter also in a French-language version. In both silent and sound versions, Conrad Veidt played the bad guy, the cruel governor Gessler.
Indeed, as trained stage actor, Marr had no problem shifting to sound cinema, and acted in various German sound films from 1931, such as Jaap Speyer's Tänzerinnen für Süd-Amerika gesucht (1931) with Dita Parlo, Pál Fejös' Sonnenstrahl (1933) with Annabella and Gustav Fröhlich, Gustav Machatý's Nocturno, 1934, and so on. Yet, by the 1930s it was clear Marr had to satisfy with roles of fathers of the protagonists, as in Frederic Zelnik's Ein süsses Geheimnis (1931). On the other hand, Marr directed one film himself, e.g. Das unsterbliche Lied/ Silent Night (1934), a period drama linked to the birth of the song Silent Night, in which he had a supporting part as the innkeeper. In the same year, Marr portrayed Prince Esterhazy in the Haydn biopic Der Musikant von Eisenstadt by Alfred Deutsch-German. Yet, after the 1934 Wilhelm Tell, Marr's acting career dwindled away and he only did three more films. Marr was on the Gottbegnadeten list of the Reich Ministry for Popular Enlightenment and Propaganda in 1944, so he wasn't sent to war. His last film role was a bit part in the postwar film Gottes Engel sind überall (1948) by Hans Thimig.
Sources: German and English Wikipedia, IMDb.
Nikon D800 - © 2015 All rights reserved Robin Pope - Please don't use this image without my permission - www.instagram.com/RobinLDN
01 Playland
02 Panic
03 The Right Thing Right
04 Easy Money
05 25 Hours
06 New Town Velocity
07 The Headmaster Ritual
08 I Feel You
09 Back In The Box
10 The Messenger
11 Generate! Generate!
12 The Queen Is Dead
13 Candidate
14 Getting Away With It
15 There Is A Light That Never Goes Out
16 Bigmouth Strikes Again
17 Dynamo
18 The IT-Switch
19 How Soon Is Now?
Johnny Marr onstage with Modest Mouse at Deer Lake Park in Vancouver, B.C., on 5.23.08. Marr played a variety of Fender Jazzmasters and Jaguars throughout the set.
Taken on a photographic workshop in ayr with photographer John Denton and Claire Marr location Louden Hall
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Confermata l’unica data italiana del compositore Hans Zimmer: appuntamento mercoledì 30 marzo al Mediolanum Forum di Milano con band, orchestra e coro. Nello show proporrà le colonne sonore della sua carriera: da Il Re Leone a Dunkirk fino a nuovi pezzi.
Hans Florian Zimmer è un compositore, produttore discografico e tastierista tedesco, autore di colonne sonore cinematografiche e a capo del dipartimento musicale dello studio cinematografico DreamWorks.
Il compositore ha appena vinto il suo secondo Premio Oscar come miglior colonna sonora per il film Dune: inizia nel 1995 con il primo Premio Oscar per la colonna sonora per Il Re Leone, 4 Golden Globe, 4 Grammy Awards, 3 Brit Awards, un BAFTA Award e il Critic’s Choice Movie Award.
Nicholas Hugh Glennie Smith - Musical Director, Keyboards, Accordion
Lisa Gerrard - Vocalist
Rusanda Panfili - Violinist
Pedro Eustache Woodwind & Keyboards
Guthrie Robert Govan - Electric and Acoustic Guitar
Aleksandra Šuklar - Drummer, Timps
Juan Garcia-Herreros, ‘Snow Owl’ - Electric Bass
Tina Guo - Electric Cello
Loire Cotler - Vocalist
Nile Marr - Guitar
Andy Pask - Upright Bass
Lebo M. - Vocalist
Leah Zeger - Violinist
Holly Madge - Drummer
Aicha DjidJelli - Drummer
Refilwe “Refi Sings” Morake - Vocalist
Andrew John Kawczynski - Synthesizer & Big Drum
Molly Rogers - Violinist
Steven Peter Doar - Mallet Kat / Keyboards