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watercolor,nutwater,acryl on fabrianopaper A3.

Nice sunday everybody,thx

 

Photoshop is an amazing tool. But sometimes even the wizardry of Adobe fails. In this case, it was photomerge pano function. So, I’ve tried my best to manually stitch the sequence of 5 images together. Look closely, and you will find multiple artifacts. But, hey, I’m happy with the final result. It also has left me with a much deeper appreciation of Photoshop can do when it’s working well.

 

It was a stunning view, watching the lights dancing across the mouth of Morfjorden. We won’t mention the point when I slipped into a rockpool, faceplanted the granite, and ended up with soaking wet soon-to-be-frozen pair of trousers. As that will not be mentioned, neither will “suffering for one’s art”.

 

I have to give a massive shout-out to Andy Stables, creator of the Glendale Aurora Alert App. An amazingly clever and helpful bloke.

aurora-alerts.uk/

 

corsica France

essai sur photoshop

1 of 4 Bald Eagle approach, strike, capture and soar.

Program:Manual

Lens:50mm f/1.4 G

F:8.0

Speed:1/1000

ISO:360

Focal Length:50.0 mm (35 mm equivalent 50.0 mm)

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, Auto ISO, [9]

VR:Off

WB:Auto0

Picture Control:Neutral

Focus Distance:11.89 m

Dof:inf (5.56 m - inf)

HyperFocal:10.40 m

 

Samsung NX1 & Steinheil Munchen 'Cassar S' - 50mm f/2.8

20mm Macro Tube | 12 Aperture Blades | f/4 | Manual Focus | Available Light | Handheld

 

All Rights Reserved. © Nick Cowling 2017.

Sunrise finds the eagles fishing. The Juvenile comes in for the strike and is successful. Now all he has to do is keep the other eagles from stealing his breakfast and or injuring him in the attempt.

To be honest, I prefer the Auto setting on my camera. I have taken photo after photo for this challenge and just cannot create what I see in my mind's eye. This is one of the better results using manual.

f/2.8

ISO 400

Exposure time 1/80 sec

Focal Length 60 mm

 

Those of you who have seen my macros have already observed that I like the 'dreamy' look. That is, feature a little segment of the subject and the rest is just 'color', more or less.

patrickjoust | flickr | tumblr | IG | prints for sale

 

...

 

Fujica GW690

 

Kodak Portra 160

Processed by: Helicon Filter;

At California Academy of Sciences.

Mamiya C220 + Sekor 80mm f2.8

Kodak Ektacolor Pro 160

Kuala Terengganu, Terengganu. Malaysia.

 

VOB

Bull's Island, Dublin

 

Rolleicord IV

Xenar 75mm 3.5

Ilford Delta 400 en Xtol Stock

Porsche know how to make a man happy.

Program:Manual

Lens:50mm f/1.4 G

F:13.0

Speed:1/200

ISO:64

Focal Length:50 mm

AF Fine Tune Adj:0

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, [3], Auto ISO, [9]

VR:Off

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:11.89 m

Dof:inf (4.17 m - inf)

HyperFocal:6.40 m

 

Entrare nell'obiettivo/Enter the goal

 

 

Sony α7 II

Autochinon 50mm f1.4, K mount

An important part of a vinyl record player, the tonearm holds the cartridge on one end and keeps it at the right "azimuth" which is the left to right tilt the stylus must be adjusted to in order to track the vinyl record grooves. Cartridge cables run through the inside of the tone arm to transmit music to the preamp. On the opposite end of the tonearm is a counter weight which helps determine the correct vertical tracking force (VTF) the stylus manufacturer recommends.

 

ODC: Mechanical

.... here the fabric that was previously made by the woman on the loom is decorated with ornaments before he goes to the dyeing shop.

 

"If you have nothing more to tell, look at your hands - and let them tell." ( Elmar Schenkel )

Operating Manual for Spaceship Earth (Southern Illinois University Press, second printing, April 1970), written by R. Buckminster Fuller, futurist and inventor of the geodesic dome

Having been once again in a creative rut, and faced with a three hour train journey this morning, I put some serious thought into planning a photograph - and this was one of the resulting ideas.

 

It evolved somewhat as I went along, but the idea was always to have plain, dull old water entering the lens and coming out as some kind of rainbow jamboree. I was wondering if I could use milk coloured with food dyes, but in the end a lack of a) milk and b) food dye scuppered that plan short of a trip to the shop, so instead I used my shower head to create the water drop effect shown here, taking two photos of the shower using a large softbox and a speedlight on 1/16 power for each.

 

I then photographed the lens, using my Nikon 105mm f/4 Micro, and the same softbox in the same position relative to the camera, though on 1/2 power.

 

The rest was photoshop of the painstaking but straightforward variety; cutting out the grey background I'd set up around the lens, overlaying this on the shower head and colouring the droplets using filters (individually...). I'm happy with the result!

Promura 135/3.5

DE993 (LK09ENC) Route H13 at Ruislip Young People's Centre

Fotografía ganadora del segundo Concurso Social de la temporada de la Agrupación Fotográfica de Guadalajara, presentándose treinta fotografías para el Tema Libre Monocromo, fue tomada en un taller de reparación de neumaticos en Centro Habana (Cuba)

Manual V12 Vantage S, mmm yes!

55/365

 

Bare 430EXII parallell / opposite spoon, camera left. Fired with ETTL cord. Manual 1/64 power

 

[Explored 25/02/2013 - Thanks for your favs and comments everyone]

As seen in Ultimo, Sydney, NSW

Practicing my manual focus skills. Not 100% because of a breeze.

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