View allAll Photos Tagged manual_focus

Cambridge Circus, London

Nikon Z7ii, Soligor 28/2.8 WA

Liminal space (manual focus lens)

© István Pénzes

Please NOTE and RESPECT the copyright.

 

January 2017

 

Leicaflex SL2

Leica Summilux 80mm

Fuji Neopan 400

Kodak T-max developer

Imacon Flextight 343

nikon 100mm series e

Here's all of my Minolta gear together, minus the 2 flashes that I have. My next buy will probably be the beercan 70-210mm f/4 lens, but for now the 135mm on an adapter mount works well, and I have the 2x converter it I need more reach.

 

So after putting all the notes in, I realized that this pic is kinda small, so I'll probably make a larger one later.

Manual focus.

Fluorescent kitchen light.

RAW conversion: Adobe CameraRAW 8.7, Camera profile: VIVID.

 

Urban Fragments (manual focus lens)

Taken with 180mm equiv. approximate f/4 aperture non-stabalized handheld, with the help of peaking function. Rather difficult to get a sharp macro in low light and 1/13 shutter.

Not a cell phone shot!

Point Arena Pier

Arena Cove, City of Point Arena, Mendocino County, California

 

Last Saturday May 27, 2017 at about 8PM on Memorial Day weekend I was at Arena Cove taking pictures using manual focus lenses and this couple on vacation from San Francisco asked me to take a picture of them with their cell phone.   Since I had what is one of my best portrait lenses on my D750 I told them I would take the photo with my camera instead.   Once I took the photos I connected my D750 to my iPhone 6S+ and "texted" the photos to them.   They were very happy with the photos I took of them.

 

Of the photos I took that day, this is the one I like the best.

 

camera: Nikon D750 DSLR

lens: Nikkor 85mm f/1.4 AI-s

mode: Aperture Priority with Auto ISO

filter: Hoya HD Protector

support: hand held

strobe: none

software: ACDSee Ultimate 10 (64 bit)

 

Find my photos by subject, camera, lens, of film type in my Flickr Collections

 

My most popular-interesting photos on Fluidr

 

My most popular-interesting photos on Flickriver

 

©2017 Chris Grossman, all rights reserved

Manual focus, H.Zuiko 42mm 1:1.2

Trafalgar Square, London

Nikon Z7ii, Voigtlander 35/2.5 Color Skopar

To all my friends and family in the US of A, make space for that dinner by going for a walk, run or bike ride. Happy Thanksgiving!

 

Cosina 55mm @ f/1.2 on a 30D

[ 0.017 sec (1/60) | f/1.2 | ISO 400 | Manual exposure ]

 

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I seem to remember taking this with an Olympus OM1 loaded with Ilford XP2.

 

Another set of pictures I found in a folder, and I have no idea why they are there - I've long forgotten, and there's no common theme or time. Some of these images are 20 years old.

I have little idea of which camera or lens, but I would say they are all taken with a classic manual focus lens on a digital camera of some sort.

Macro of Insect

  

Nikon D5100 , Tamron 70-300 DI LD Macro

 

Handheld , Manual Focus , Lens Macro Mode , 195mm , 1/320 , F8 , ISO - 400

 

3 Extension Tube 12+20+36=68mm

 

Lens Default Magnification : 0.5

Magnification Gained By Extension Tube : 68/195=0.35

New Magnification Ratio :- 0.85 : 1

  

Single RAW processed.

Nikon D4 @ 900 iso with 50mm f/1.8 series E manual focus lens. Shot monochrome + yellow filter in camera. Unedited.

Smoke break (Vintage manual focus lens)

I wanted to show the lenses I use on my Sony bodies. All perform amazing and are manual focus and manual aperture lenses.

  

Manual focus, at night, on moving targets. Not too shabby, lol!

 

© Web-Betty: digital heart, analog soul

Brick Lane, London

Nikon Z7ii, Voigtlander 35/2/5 Color Skopar

I'm starting to love the way manual focus slows you right down...

Wandering around the outside of the International Forum in Yurakucho, killing time before a meeting at the press club. The momiji trees there were looking cool and I got sucked into looking straight up through them, the layers of branches overlapping. Then I noticed the way the trees were split by the line of the building. That's what you see here; trees with the background of the edge of the building on one side, trees with the sky and more trees as the background on the other. Framing the whole thing with the dividing-line of the building at the very centre made for a pseudo-diptych look, like two individual frames montaged together.

 

Nikon D300

Nikkor 50mm f/1.8 AiS manual-focus

Shot straight to mono in-camera

Negative scanned | Taken with a Nikon FM10 + Nikkor 50mm f/1.4 AI (manual focus) | Sham : www.shamabd.com | Chendering, Kuala Terengganu, Malaysia.

Nikon, D610, 28mm, AIS, manual, focus

Nikon D700 + New Petzval 58mm f1.9 Bokeh Control Art Lens by Lomography manual focus

 

Manual focus with the Samyang 85 f1.4 whilst camping

non-Ai Micro-Nikkor 55/3.5 lens

Carolina Renaissance Festival / Sony A7r II / Leica Elmarit-R 135/2.8 / Two words: Manual. Focus.

Manual focus with the Samyang 85mm whilst camping in York

Hand held f/1.4 Rokinon 85mm

manual focus legacy lens: H.Zuiko 42mm 1:1.2

ODC: Having fun hunting a fast moving cat with manual focus:) It was really hard and I cannot believe I got this shot through the grass. So happy about it:)

Reflexogon 3,5/35mm

The only real reason I took this photo was due to walking past the squirrel multiple days in a row. I had the idea of taking more photos of it as it decayed, but I got lazy and realized it would be sort of hard to frame it exactly right each time.

Nikon FE with Konica Minolta DNG 200 negative film and an assortment of manual focus lenses and accessories. I shot with the 24 f2.8, the 50 f1.4 and the 200mm f4. I used the BR-2 reversing ring and some closeup lenses. I also used the 2x teleconverter. I have made no attempt to keep track of which combination was used with each shot.

 

The subject was on a (not always visible) black velvet background. Lighting was with a close softboxed SB600 and a distant grided SB26 at full zoom.

 

Man! I'm missing my Nikon scanner. These are scanned with my very own Konica Minolta DiMage Dual Scan IV film scanner. As regards resolution it is quite good. As regards colour and subtlety of tone it's not bad (but not as good as the Coolscan). As regards ICE -- well, that's where it all breaks down. It has no ICE. This means that all dust and scratches are fully visible. I only recently found a way to get my locally processed film (which comes back very grungey) clean enough for scanning but it is labour intensive and still needs work on the scan afterwards. Sigh.

The other day I was playing with my vintage Canon FDn 80-200mm F4 lens and was trying to capture this dragonfly in flight. I would say the hit rate was pretty pathetic. However, out of the 10+ shots I have taken, this one is the sharpest. So it 's not impossible at all. It just needs a little practice.

Manual focus, Focal Length : 50mm, Aperture: 0.95, ISO : 80, Shutter Speed : 1/2000.

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