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I see faces and such in natural patterns. This one looks loke a sky trout, with the moon as his eye. Do not anger the sky trout!

The movement series began some forty years ago when I wanted to do some photograph of a friend running and jumping on the sands of Red River. I wanted to use slow shutter speeds and camera panning with the movement. Not being able to chimp, I miss guessed on the shutter speeds required and the photographs were almost sharp rather showing the blur of movement, which I had intended. Also, they were shot on outdated Agfachrome (cheap price) and were very magenta, so they all went back into their boxes and remained in storage until about 2002 or so when I scanned a few of the images to see if I could digitally correct the colors. One day I discovered that I had inadvertently saved one of my extreme manipulation abstracts in the same folder and wondered what would happen if I combined the abstract with some of the movement scans. Thus began a formidable project of finding abstracts that enforced the movement I had wanted to capture back in the 60's. I think the end results are very close, if not better than, to the original intent. This is a very small sample of the manipulations that were created. Only a small number of the Movement series have been given titles.

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Manipulation from Chicago, IL

Do not use without permission

because we all want to be jerry uelsmann

Nina Karaush, +358469681647, ink_photo@icloud.com

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The work contained in my gallery is copyrighted ©2007-2008 Aya Demeter. My work may not be reproduced, copied, edited, published, or uploaded in any way without my written permission. My work does not belong to the public domain.

All rights reserved.

Cathédrale St Jean, Lyon - France

 

Above & Beyond - good for me

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Sloppy editing around demi. sorry :(

 

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Back to work after a couple months off ^_^

Taken whilst on a villa holiday, Mojacar, Southern Spain in June 2007.

This is a colorized manipulation of a black and white photo of my step-daughter taken when she was about 12 years old (she was dressed up for a school play).

Analog Manipulation: [one image] use real-world objects (surfaces, materials, curvatures, shapes) to create an analog visual effect (non-digital processing). Do NOT rely on obviously optical analog devices. The mantra for this exercise is: the real world is my filter.

My first try doing a photo manipulation (created in Adobe Photoshop CC).

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KONICA MINOLTA DIGITAL CAMERA

Nina Karaush, +358469681647, ink_photo@icloud.com

I'm yet a mystery, trying to find a place within this world.

500px.com/photo/30399611

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