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Masonic Broken Column.

 

www.phoenixmasonry.org/broken_column.htm

 

THE BROKEN COLUMN:

 

Short Talk Bulletin - Vol. 34, February 1956,

No. 2 - Author Unknown

 

The story of the broken column was first illustrated by Amos Doolittle in the "True Masonic Chart" by Jeremy Cross, published in 1819.

 

Many of Freemasonry's symbols are of extreme antiquity and deserve the reverence which we give to that which has had sufficient vitality to live long in the minds of men. For instance, the square, the point within a circle, the apron, circumambulation, the Altar have been used not only in Freemasonry but in systems of ethics, philosophy and religions without number.

 

Other symbols in the Masonic system are more recent. Perhaps they are not the less important for that, even without the sanctity of age which surrounds many others.

 

Among the newer symbols is that usually referred to as the broken column. A marble monument is respectably ancient - the broken column seems a more recent addition. There seems to be no doubt that the first pictured broken column appeared in Jeremy Cross's True Masonic Chart, published in 1819, and that the illustration was the work of Amos Doolittle, an engraver, of Connecticut.

 

That Jeremy Cross "invented" or "designed" the emblem is open to argument. But there is legitimate room for argument over many inventions. Who invented printing from movable type? We give the credit to Gutenberg, but there are other claimants, among them the Chinese at an earlier date. Who invented the airplane? The Wrights first flew a "mechanical bird" but a thousand inventors have added to, altered, changed their original design, until the very principle which first enabled the Wrights to fly, the "warping wing", is now discarded and never used.

 

Therefore, if authorities argue and contend about the marble monument and broken column it is not to make objection or take credit from Jeremy Cross; the thought is that almost any invention or discovery is improved, changed, added to and perfected by many men. Edison is credited with the first incandescent lamp, but there is small kinship between his carbon filament and a modern tungsten filament bulb. Roentgen was first to bring the "x-ray" to public notice-the discoverer would not know what a modern physician's x-ray apparatus was if he saw it!

 

In the library of the Grand Lodge of Iowa in Cedar Rapids, is a book published in 1784; "A BRIEF HISTORY OF FREEMASONRY" by Thomas Johnson, at that time the Tiler of the Grand Lodge of England (the "Moderns"). In this book the author states that he was "taken the liberty to introduce a Design for a Monument in Honor of a Great Artist." He then admits that there is no historical account of any such memorial but cites many precedents of "sumptuous Piles" which perpetuate the memories and preserve the merits of the historic dead, although such may have been buried in lands far from the monument or "perhaps in the depth of the Sea".

 

In this somewhat fanciful and poetic description of this monument, the author mentions an urn, a laurel branch, a sun, a moon, a Bible, square and compasses, letter G. The book was first published in 1782, which seems proof that there was

at that time at least the idea of a monument erected to the Master Builder.

 

There is little historical material upon which to draw to form any accurate conclusions. Men write of what has happened long after the happenings. Even when faithful to their memories, these may be, and often are, inaccurate. It is with this thought in mind that a curious statement in the Masonic newspaper, published in New York seventy-five years ago, must be considered. In the issue of May 10, 1879, a Robert B. Folger purports to give Cross' account of his invention, or discovery, an inclusion, of the broken column into the marble monument emblem.

 

The account is long, rambling and at times not too clear. Abstracted, the salient parts are as follows. Cross found or sensed what he considered a deficiency in the Third Degree which had to be filled in order to effect his purposes. He consulted a former Mayor of New Haven, who at the time was one of his most intimate friends. Even after working together for a week, they did not hit upon any symbol which would be sufficiently simple and yet answer the purpose. Then a Copper-plate engraver, also a brother, was called in. The number of hieroglyphics which had be this time accumulated was immense. Some were too large, some too small, some too complicated, requiring too much explanation and many were not adapted to the subject.

 

Finally, the copper-plate engraver said, "Brother Cross, when great men die, they generally have a monument." "That's right!" cried Cross; "I never thought of that!" He visited the burying-ground in New Haven. At last he got an idea and told his friends that he had the foundation of what he wanted. He said that while in New York City he had seen a monument in the southwest corner of Trinity Church yard erected over Commodore Lawrence, a great man who fell in battle. It was a large marble pillar, broken off. The broken part had been taken away, but the capital was lying at the base. He wanted that pillar for the foundation of his new emblem, but intended to bring in the other part, leaving it resting against the base. This his friends assented to, but more was wanted. They felt that some inscription should be on the column. after a length discussion they decided upon an open book to be placed upon the broken pillar. There should of course be some reader of the book! Hence the emblem of innocence-a beautiful virgin-who should weep over the memory of the deceased while she read of his heroic deeds from the book before her.

 

The monument erected to the memory of Commodore Lawrence was placed in the southwest corner of Trinity Churchyard in 1813, after the fight between the frigates

Chesapeake and Shannon, in which battle Lawrence fell. As described, it was a beautiful marble pillar, broken off, with a part of the capital laid at its base. lt remained until 1844-5 at which time Trinity Church was rebuilt. When finished, the corporation of the Church took away the old and dilapidated Lawrence monument and erected a new one in a different form, placing it in the front of the yard on Broadway, at the lower entrance of the Church. When Cross visited the new monument, he expressed great disappointment at the change, saying "it was not half as good as the one they took away!"

 

These claims of Cross-perhaps made for Cross-to having originated the emblem are disputed. Oliver speaks of a monument but fails to assign an American origin. In the Barney ritual of 1817, formerly in the possession of Samuel Wilson of Vermont, there is the marble column, the beautiful virgin weeping, the open book, the sprig of acacia, the urn, and Time standing behind. What is here lacking is the broken column. Thus it appears that the present emblem, except the broken column, was in use prior to the publication of Cross' work (1819).

 

The emblem in somewhat different form is frequently found in ancient symbolism. Mackey states that with the Jews a column was often used to symbolize princes, rulers or nobles. A broken column denoted that a pillar of the state had fallen. In Egyptian mythology, Isis is sometimes pictured weeping over the broken column which conceals the body of her husband Osiris, while behind her stands Horus or Time pouring ambrosia on her hair. In Hasting's ENCYCLOPEDIA OF RELIGION AND ETHICS, Isis is said sometimes to be represented standing; in her right hand is a sistrum, in her left hand a small ewer and on her forehead is a lotus, emblem of resurrection. In the Dionysaic Mysteries, Dionysius is represented as slain; Rhea goes in search of the body. She finds it and causes it to be buried. She is sometimes represented as standing by a column holding in her hand a sprig of wheat, emblem of immortality; since, though it be placed in the ground and die, it springs up again into newness of life. She was the wife of Kronus or Time, who may fittingly be represented as standing behind her.

 

Whoever invented the emblem or symbol of the marble monument, the broken column, the beautiful virgin, the book, the urn, the acacia, Father Time counting the ringlets of hair, could not have thought through all the implications of this attempt-doubtless made in all reverence-to add to the dignity and impressiveness of the story of the Master Builder.

 

The urn in which "ashes were safely deposited" is pure invention. Cremation was not practiced by the Twelve Tribes; it was not the method of disposing of the dead in the land and at the time of the building of the Temple. rather was the burning of the dead body reserved as a dreadful fate for the corpses of criminals and evil doers. That so great a man as "the widow's son, of the tribe of Naphtali" should have been cremated is unthinkable. The Bible is silent on the subject; it does not mention Hiram the Builder's death, still less the disposal of the body, but the whole tone of the Old Testament in description of funerals and mournings, make it impossible to believe that his body was burned, or that his ashes might have been preserved.

 

The Israelites did not embalm their dead; burial was accomplished on the day of death or, at the longest wait, on the day following. According to the legend, the Master Builder was disinterred from the first or temporary grave and reinterred with honor. That is indeed, a supposable happening; that his body was raised only to be cremated is wholly out of keeping with everything known of deaths, funeral ceremonies, disposal of the dead of the Israelites.

 

In the ritual which describes the broken column monument, before the figure of the virgin is "a book, open before her." Here again invention and knowledge did not go hand in hand. There were no books at the time of the building of the Temple, as moderns understand the word. there were rolls of skins, but a bound book of leaves made of any substance-vellum, papyrus, skins-was an unknown object. Therefore there could have been no such volume in which the virtues of the Master Builder were recorded.

 

No logical reason has been advanced why the woman who mourned and read in the book was a "beautiful virgin." No scriptural account tells of the Master Builder having wife or daughter or any female relative except his mother. The Israelites reverenced womanhood and appreciated virginity, but they were just as reverent over mother and

child. Indeed, the bearing of children, the increase of the tribe, the desire for sons, was strong in the Twelve Tribes; why, then, the accent upon the virginity of the woman in the monument? "Time standing behind her, unfolding and counting the ringlets of her hair" is dramatic, but also out of character for the times. "Father Time" with his scythe is probably a descendant of the Greek Chromos, who carried a sickle or reaping hook, but the Israelites had no contact with Greece. It may have been natural for whoever invented the marble monument emblem to conclude that Time was both a world-wide and a time immemorial symbolic figure, but it could not have been so at the era in which Solomon's Temple was built.

 

It evidently did not occur to the originators of this emblem that it was historically impossible. Yet the Israelites did not erect monuments to their dead. In the singular, the word "monument" does not occur in the Bible; as "monuments" it is mentioned once, in Isaiah 65 - "A people...which remain among the graves and lodge in the monuments." In the Revised Version this is translated "who sit in tombs and spend the night in secret places." The emphasis is apparently upon some form of worship of the dead (necromancy). The Standard Bible Dictionary says that the word "monument" in the general sense of a simple memorial does not appear in Biblical usage.

 

Oliver Day Street in "SYMBOLISM OF THE THREE DEGREES" says that the urn was an ancient sign of mourning, carried in funeral processions to catch the tears of those who grieved. But the word "urn" does not occur in the Old Testament nor the New.

 

Freemasonry is old. It came to us as a slow, gradual evolution of the thoughts, ideas, beliefs, teachings, idealism of many men through many years. It tells a simple story-a story profound in its meaning, which therefore must be simple, as all great truths in the last analysis are simple.

 

The marble monument and the broken column have many parts. Many of these have the aroma of age. Their weaving together into one symbol may be-probably is-a modernism, if that term can cover a period of nearly two hundred years. but the importance of a great life, his skill and knowledge; his untimely and pitiful death is not a modernism.

 

Nothing herein set forth is intended as in any way belittling one of Freemasonry's teachings by means of ritual and picture. These few pages are but one of many ways of trying to illuminate the truth behind a symbol, and show that, regardless of the dates of any parts of the emblem, the whole has a place in the Masonic story which has at least romance, if not too much fact, behind it.

 

THE BROKEN COLUMN AND ITS DEEPER MEANING:

 

by Bro. William Steve Burkle KT, 32°

Scioto Lodge No. 6, Chillicothe, Ohio.

Philo Lodge No. 243, South River, New Jersey

 

The meaning of the Broken Column as explained by the ritual of the Master mason degree is that the column represents both the fall of Master Hiram Abif as well as the unfinished work of the Temple of Solomon[i]. This interesting symbol has appeared in some fascinating places; for example, a Broken Column monument marks the gravesite in Lewis County Tennessee[ii] of Brother Meriwether Lewis (Lewis & Clark), and a similar monument marks the grave of Brother Prince Hall[iii]. In China, there is a “broken column-shaped” home which was built just prior to the French Revolution by the aristocrat François Nicolas Henri Racine de Monville[iv]. Today “The Broken Column” is frequently used in Masonic newsletters as the header for obituary notices and is a popular tomb monument for those whose life was deemed cut short. Note that when I speak of The Broken Column here, I am referring to only the upright but shattered Column Base with its detached Shattered Capital, and not to the more extensive symbolism often associated with the figure such as a book resting on the column base, the Weeping Virgin (Isis), or Father Time (Horus) disentangling the Virgin’s hair. In this version the shattered column itself is often said to allude to Osiris[v]. While these embellishments add to the complexity of the allusion, it is the shattered column alone which I intend to address.

 

The Broken Column is believed to be a fairly recent addition to the symbolism of Freemasonry, and has been attributed to Brother Jeremy L. Cross. Brother Cross[vi] is said to have devised the symbol based upon a broken column grave monument dedicated to a Commodore Lawrence[vii], which was erected in the Trinity Churchyard circa 1813. Lawrence perished in a naval battle that same year between the Frigates Chesapeake and Shannon. The illustration of the broken column was reportedly first published in the “True Masonic Chart” by artist Amos Doolittle in 1819[viii]. There is however little evidence beyond the word of Brother Cross that the symbol was thus created[ix],[x].

 

Whether the Broken Column is a modern invention or passed down from times of antiquity is of little consequence; regardless of its origins the symbol serves well as a powerful allusion in our Craft, and as will be discussed, may have deeper meanings which align with other Masonic symbols which also incorporate images of columns and pillars.

 

Freemasonry makes generous reference to columns and pillars of all sorts in the work of the various degrees including the two pillars which stood at the entrance of Solomon’s Temple, the four columns of architectural significance, and the three Great Columns representing strength, beauty, and wisdom[xi]. The first mention of pillars in a Masonic context[xii] is found in the Cooke Manuscript dated circa 1410 A.D. The three Great Pillars of Masonry are of particular interest in this article even though it is the Broken Column and its deeper meanings which I ultimately intend to explore.

 

Three Great Columns:

 

The basis for the Three Great Columns can be traced to an ancient Kabalistic concept and a unique diagram found in the Zohar which illustrates the emanations of God in forming and sustaining the universe. The diagram also reflects certain states of spiritual attainment in man. This diagram, called the Sephiroth consists of ten spheres or Sephira connected to one another by pathways and which are ordered to reflect the sequence of creation. In accordance with Kabalistic belief Aur Ein Sof (Light Without End) shines down into the Sephiroth and is split like a prism into its ten constituent Sephira[xiii], eventually ending in the material universe. To discuss the Sephiroth in sufficient depth to impart a good understanding is well beyond the scope of this paper; however, a basic understanding of how the structure of the Sephiroth is related to the Great Columns is manageable, and is in fact essential to the subsequent discussion of the Broken Column. Be aware that the explanations I give are vast oversimplifications of a highly complex concept. In an attempt to simplify the concept, it is inevitable that some degree of inaccuracy will be introduced.

 

I would like to begin my discussion of the Three Great Columns by discussing the Cardinal Virtues. The Cardinal Virtues are believed to have originated with Plato who formed them from a tripartite division[xiv] of the attributes of man (power, wisdom, reason, mercy, strength, beauty, firmness, magnificence, and base kingship) presented in the Sephiroth. These concepts were later adopted by the Christian Church[xv] and were popularized by the treatises of Martin of Braga, Alcuin and Hrabanus Maurus (circa 1100 A.D.) and later promoted by Thomas Aquinas (circa 1224 A.D.). According to Wescott[xvi] the Four Cardinal Virtues are represented by what were originally branches of the Sepheroth:

 

“Four tassels refer to four cardinal virtues, says the first degree Tracing Board Lecture, these are temperance, fortitude, prudence, and justice; these again were originally branches of the Sephirotic Tree, Chesed first, Netzah fortitude, Binah prudence, and Geburah justice. Virtue, honour, and mercy, another triad, are Chochmah, Hod, and Chesed.”

 

Broken-column:

 

Thus we have a connection between the Cardinal Virtues and the Sephiroth. The Three Pillars of Freemasonry (Wisdom, Beauty, and Strength) are associated with the Cardinal Virtues[xvii] and also therefore with the Kabalistic concept of the Sephiroth[xviii]. I have provided an illustration of the Sepiroth in Figure 1. This particular version of the Sephiroth is based upon that used in the 30th Degree or Knight Kadosh Grade[xix] of the ASSR. The Sephiroth, incidentally is also called “The Tree of Life”. Each of the vertical columns of spheres (Sephira) in the Sephiroth are considered to represent a pillar (column). Each pillar is named according to the central concept which it represents; thus in Figure 1 we have the pillars Justice, Beauty, and Mercy left to right, respectively. The Sephiroth is a very elegant system in which balance is maintained between the Sephira of the two outermost pillars by virtue of the center pillar. Note also that traditionally the Sephiroth is divided into “Triads” of Sephira. In Figure 1 the uppermost triad, consisting of the spheres Wisdom, Intelligence, and Crown represent the intellectual and spiritual characteristics of man. The next triad is represented by the Sephira Justice, Beauty, and Mercy; the final triad is Splendor, Foundation, and Firmness (or Strength).

 

According to S.L. MacGregor Mathers[xx], the word Sephira is best translated to mean (or is best rendered as) “Numerical Emanation”, and each of the ten Sephira corresponds to a specific numerical value. Mathers also asserts that it was through knowledge of the Sephiroth that Pythagoras devised his system of numerical symbolism. While there are additional divisions and subdivisions of the Sephiroth, the concept which is of interest to us here is that God created the Material World or Universe (signified by the lowest Sephira, Kingdom) in a series of ordered actions which proceeded along established pathways (i.e. the connecting lines between the Sephira in our Figure). Each of the Sephira and each pathway are a sort of “buffer” between the majesty and power of God and the material world. Without these buffers, profane man and the material world he inhabits would meet with destruction. On the other hand, enlightened man is able to progress upwards along these pathways to higher level Sephira and to thereby achieve enhanced knowledge of the Divine. Tradition holds that man once was closer to the Divine spirit, but became corrupted by the material world, losing this connection (i.e. The fall of Man from Grace. Note also the reference to the Tree of Knowledge and possible connections to the Tree of Life). God uses the Sephiroth in renewing and sustaining the material universe. Each new soul created is an emanation of God and travels to materiality (physical existence) via the pathways established in the Sephiroth. In a similar fashion, the spirits of the departed return to God via these same pathways, making the Sephiroth the mechanism by which God interacts with the universe.

broken-column2The Broken Column

 

In Figure 2, I have redrawn the Sephiroth as an overlay of the Three Great Columns; however in this version the Pillar of Beauty is Broken. Note especially that the center pillar, the Pillar of Beauty in the Sephiroth has a gap between Beauty and Crown, in effect making this column a Broken Pillar[xxi]. I believe this “fracture” symbolizes Man’s separation from knowledge of the Divine, and an interruption in the Pathway leading from Beauty directly to the Crown (which symbolizes “The Vast Countenance”[xxii]).

 

I would also like to extrapolate that if the Broken Column indeed represents Hiram Abif as per the explanation given to initiates, then the two remaining columns would then correspond to Solomon and Hiram King of Tyre[xxiii]. Certainly the Sephira (Wisdom, Justice, and Splendor) which comprise the column of Justice align well with the characteristics traditionally associated with King Solomon. Tradition unfortunately does not address Hiram King of Tyre although we can assume that Intelligence, Mercy, and Firmness or Strength would be a likely requirement for a Monarch of such apparent success. The connection between the Three Great Columns and the three principle characters in the drama of the Third Degree does have a certain sense of validity. The “Lost Word” associated with Hiram Abif would then allude to the lost Pathway.

 

In so many of our Masonic Lessons we initially receive a plausible but quite shallow explanation of our symbols and allusions. Those who sense an underlying, deeper meaning tend to find it (Seek and you will find, knock and the door shall be opened). Perhaps in our ritual of the Third Degree, that which is symbolically being raised (restored) is the Pillar of which resides within us. If so, the Lost Word has then in fact been received by each of us. It only remains lost if we choose to forget it or choose not to pursue it.

 

[i] Duncan, Malcom C. Duncan's Masonic Ritual and Monitor. Crown; 3 Edition (April 12, 1976). ISBN-13: 978-0679506263. pp 157.

 

[ii] “Meriwether Lewis, Master Mason”. The Lewis and Clark Fort Mandan Foundation.

 

[iii] “WHo is Prince Hall ?” (1996). Retrieved December 5, 2008 from www.mindspring.com/~johnsonx/whoisph.htm.

 

[iv] Kenna, Michael. (1988). The Broken Column House at Désert de Retz in Le Desert De Retz, A late 18th Century French Folley Garden. Retrieved December 6, 2008 from Valley Daze. valleydaze.blogspot.com/2007/09/broken-column-house.html

 

[v] Pike, Albert. (1919) Morals and Dogma. Charleston Southern Jurisdiction. pp. 379. ASIN: B000CDT4T8.

 

[vi] “The Broken Column”. The Short Talk Bulletin 2-56. The Masonic Service Association of the United States. VOL. 34 February 1956 NO. 2.

 

[vii] Brown, Robert Hewitt. (1892). Stellar Theology and Masonic Astronomy or the origin and meaning of ancient and modern mysteries explained. New York: D. Appleton and Company, 1, 3, and 5 Bond Street. 1892.. pp. 68.

 

[viii] “Boston Masonic Lithograph”. Retrieved December 5, 2008 from Lodge Pambula Daylight UGL of NSW & ACT No1000. lodgepambuladaylight.org/lithograph.htm.

 

[ix] Folger, Robert B. Fiction of the Weeping Virgin. Retrieved December 6, 2008 from the Grand Lodge of British Columbia and Yukon A.F. & A.M. freemasonry.bcy.ca/art/monument / fiction/fiction.html

 

[x] Mackey, Albert Gallatin & Haywood H. L. Encyclopedia of Freemasonry Part 2. pp. 677. Kessinger Publishing, LLC (March 31, 2003).

 

[xi] Claudy, Carl H. Introduction to Masonry. The Temple Publishers. Retrieved December 5, 2008 from Pietre-Stones Review of Freemasonry. www.freemasons-freemasonry.com/claudy4.html.

 

[xii] Dwor, Mark. (1998). Globes, Pillars, Columns, and Candlesticks. Vancouver Lodge of Education and Research . Retrieved December 6, 2008 from the Grand Lodge of British Columbia and Yukon A.F. & A.M. freemasonry.bcy.ca/texts/globes_pillars_columns.html

 

[xiii] Day, Jeff. (2008). Dualism of the Sword and the Trowel. Cryptic Masons of Oregon – Grants Pass. Retrieved December 6, 2008 from rogue.cryptic-masons.org/dualism_of_the_sword_and_trowel

 

[xiv] Bramston, M. Thinkers of the Middle Ages. Monthly Packet. Evening Readings of the Christian Church (1893). Ed. Charlotte Mary Yonge, Christabel Rose Coleridge, Arthur Innes. J. and C. Mozley. University of Michigan (2007).

 

[xv] Regan, Richard. (2005). The Cardinal Virtues: Prudence, Justice, Fortitude, and Temperance. Hackett Publishing.

 

[xvi] Wescott, William ( ). The Religion of Freemasonry. Illuminated by the Kabbalah. Ars Quatuor Coronatorum. vol. i. p. 73-77. Grand Lodge of British Columbia and Yukon. Retrieved September 29, 2008 from www.freemasonry.bcy.ca/aqc/kabbalah.html.

 

[xvii] MacKenzie, Kenneth R. H. (1877). Kabala. Royal Masonic Cyclopedia. Kessinger Publishing (2002).

 

[xviii] Pirtle, Henry. Lost Word of Freemasonry. Kessinger Publishing, 1993.

 

[xix] Knight Kadosh. The Thirtieth Grade of the Ancient and Accepted Scottish Rite, and the First Degree of the Chivalric Series. Hirams Web. University of Bradford.

 

[xx] Mathers, S.L. MacGregor. (1887). Qabalah Unveiled. Reprinted (2006) as The Kabbalah: Essential Texts From The Zohar. Watkins. London. pp. 10.

 

[xxi] Ibid. Dualism of the Sword and the Trowel

 

[xxii] Ibid. Qabalah Unveiled .Plate III. pp. 38-39.

 

[xxiii] Duncan, Malcom C. Duncan's Masonic Ritual and Monitor. Crown; 3 Edition (April 12, 1976).

 

Trying saying that after a few pints. It's on the Isle of Anglesey [Ynys Mon] in Wales. It's more usually known by the more manageable Llanfairpwllgwyngyll - the long form was artificially created in the 19th century to claim the record of longest place-name in Britain.

For Guess Where UK. Another from the archive.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

 

Some background:

Towards the end of WWII, large, piston-engined flying boats had been used exctensively in th bepatrol and bomber role, but with the advent of the new jet engine technology, engineers in several countries started to explore the new propulsion type's potential in different areas - including seaborne usage.

Towards the end of WWII and the far-stretched conflict theatre in the Pacific, the flying boat as well as float planes still had a large appeal due to their independence from airfields. This offered a lot of tactical flexibility. On the other side, the jet engine promised (much) higher speeds, but with the relative higher weight of early jet-driven aircraft (more fuel was needed, and more engines, as thrust was relatively low) a seaborne type would also avoid the need for a prepared and long airstrip to operate.

 

The United Kingdom was one nation that looked seriously into this kind of aircraft, and Saunders Roe presented in 1943 the proposals for a plane that should actually make it to the hardware stage: the SR.1/A, which made its maiden flight in 1947. The Soviet union also undertook some studies, but fighters remained just proposals. Eventually OKB Beriev would produce several sea-borne, jet-powered patrol bombers (e .g. the R-1 experimental plane, and later the Be-10 flying boat), which actually entered service.

 

In the USA, studies for a jet-powered fighter fyling boat gained momentum during the final stages of WWII. Convair developed the 'Skate' for the US Navy, a heavy night fighter, and Boeing designed a competitive concept. In parallel, and towards the end of the forties, heavier flying boats for maritime patrol were requested by the Navy - and with them a lighter, single-seat fighter that could escort them, or be used as an interceptor to defend improvised forward maritime bases. Using this type as a fast, ship-borne reconnaicssance aircraft was also envisioned.

This fighter was to be capable of a similar performance to land-based fighters in this class, like the F-80 or the F-86. The dsuccessful evelopment of the SR.A/1 in the UK had been keenly observed, and the concept of a jet-powered flying boat fighter appeared feasible and appealing.

 

One company to respond to the USN request was Curtiss, who already had experience with float planes like the Model 82 (SOC) and the Model 97 (SC 'Seahawk') - both rather pathfinder aircraft than true combat types, though. Curtiss designed its Model 101 around two J47-GE-11 jet engines, each rated at 2.359 kN (5.200 lbf) of thrust.

 

The Model 101's layout was rather concentional, with a deep, single step boat hull that would house a huge amount of fuel for the requested long range escort capability. The J47-GE-11-engines (the same which powered the B-47 bomber) were placed in nacelles, at the highest point of the gull wings.

As an innovative step, the Model 101 featured swept wings - the first time ever that this was tried on a flying boat. On the tips of the wings with a 35° sweep, slats and large flaps, fixed stabilizer floats were mounted. The large fin was swepts as well, and the horizontal stabilizers were placed as a T-tail high on the fin, clear of any jet turbulence or spray water.

 

The pilot sat in a pressurized cockpit under a bubble canopy, which offered good view, even though the massive engine nacelles blocked much of the side and rearward field of view.

The Model 101 was armed with four 20 mm (0.79 in) M3 autocannons in the nose section, with 200 RPG. An A-1CM gunsight which used an AN/APG-30 radar to automatically compute the range of a target was housed in a small radome in the nose tip. Under its inner wings, just outside of the engines, hardpoints allowed an external ordnance of up to 4.000 lb (1.816 kg), including bombs of up to 1.000 lb calibre, eight HVAR missiles, drop tanks or even two torpedos.

 

Curtiss received a go-ahead and two prototypes were built during 1948. First taxi runsd tok place in late 1947, the maiden flight of prototype #01 was on February 6th 1948, the second aircraft followed only three weeks later on 1st of March 1948 - and the tests were soon halted. Both aircraft suffered from severe purpoising at 80% of the take-off speed, and this problem almost resulted in the loss of prototype #01. This was a new problem, as such high take-off speeds had never before been encountered on water, and the phenomenon was called the 'hydro-dynamic instability barrier': essentially it was unstable aquaplaning.

 

First attempts to solve the problem were elevator compensation and tailplane incidence angle adjustments. This helped, but the aircraft remained unstable during take-off and landing - it was not before November 1948 that modifications were made to the planing bottom of prototype #02.

This brought the purpoising to a manageable level, but did not fully cure it. Disaster struck on February 12th 1949, when the still unmodified first prototype was lost in a starting accident: the aircraft started purpoising during take-off, hit a wave with the left side stabilizer swimmer, suddenly veered off towards the left, pitching down with the nose and toppling over at more than 120mph, ripping off the left wing and the whole tail section. Miracuously, test pilot Simon Pritchard escaped alive from the sinking wreck (even though heavily injured), but the XFC-1 #01 had to be written off and any high speed ground tests were suspended..

 

Flight tests were resumed in June 1949 after a bottom step venting system had been introduced, and this measure finally cured the instability problem. In the meantime, two more airframes had been built: one with more powerful J47-GE-23 engines (with 2.631 kN/5.800 lbf each, these were introduced to the other two prototypes during 1950, too) and another one for static tests.

 

Further trials followed during 1950 and in early 1951 the re-engined machine #02 even became supersonic in a dive. While the Model 101 (which received the USN designation XFC-1 and was christened 'Oceanhawk') was up to the original specifications it was clear that it could not compete with land-based aircraft - essentially, it offered a similar performance to the land-based F-86, but the XFC-1 needed two engines for that, was much less agile and still needed a complex infratsructure to operate properly. Its independence from land bases was still its biggest selling point, though, so the development was kept up.

 

At that time, the USN issued a specification for a supersonic flying boat, and NACA understook a study that a Mach 2 aircraft would be feasible until 1955. This rendered the Oceanhawk more or less obsolete, as it could not keep up with this requirement, and the XFC-1 program was finally closed in 1953. Eventually, the Convair XF2Y Sea Dart would be the next (and final) step on the way to a seaborne jet fighter.

 

Anyway, the remaining two XFC-1 prototypes were not scrapped but allocated to the USN's test squadrons. Prototype #02 and #03 were handed over as UFC-1 to Air Development Squadron VX-4 "Evaluaters" at Point Mugu, California, together with the static airframe #04 which was used for spares. Both aircraft were used as chase planes, observation platforms and target tugs. Machine #02, for instance, took part in the evaluation program of the Martin P6M SeaMaster flying boat in 1955, and was then modified for several tests with hydroski installations under the fuselage. On the other side, machine #03 was used in the development of remote drone and target tug control equipment, being re-designated DFC-1.

 

After serving in these second line roles, both aircraft were finally scrapped in 1965 and replaced by land-based types.

  

General characteristics

Crew: 1

Length: 14.11 m (46 ft 6 1/3 in)

Wingspan: 12.46 m (40 ft 9 1/2 in)

Height: 4.10 m (13 ft 5 1/4 in)

Empty weight: 9.265 kg (20.408 lb)

Loaded weight: 16.080 kg (35.418 lb)

 

Powerplant:

2× J47-GE-23 engines, rated at 2.631 kN/5.800 lbf each

 

Performance

Maximum speed: 932km/h (577mph/503nm) at sea level

Range: 2.092 km (1296 ml)

Service ceiling: 13.450 m (44.040 ft)

 

Armament

4× 20 mm (0.79 in) M3 autocannons with 200 RPG.

Eight underwing hardpoints for a total external ordnance of up to 4.000 lb (1.816 kg), including bombs of up to 1.000 lb calibre, eight HVAR missiles, drop tanks or two torpedos.

  

The kit and its assembly:

This model is a complete fantasy aircraft, inspired by a TV documentation about sea plane projects in the USA and USSR after WWII. Among others, the Martin P6M SeaMaster and the Saro SR.1/A made an appearance, and I wondered how an escort fighter for the P6M would have looked like in USN service? Well, let's build one...

 

Making a flying boat is pretty tricky, and the whole thing was built from scratch and with lots of putty.

 

Basically, the following went into it, all 1:72 unless stated otherwise:

● Fuselage and cockpit from a Hobby Boss F-86E

● Floating bottom is the lower half of a Matchbox Heinkel He 115 swimmer

● Wings come from another Hobby Boss F-86E, but this time a Batch 30 aircraft with extended wing tips

● Vertical stabilizer comes from an Academy MiG-21F

● Horizontal stabilizers come from a 1:100 Tamiya Il-28 bomber

● Stabilzer swimmers come from a vintage box scale Revell Convair Tradewind kit

● Engine intakes and exhausts are resin parts from Pavla, replacements for a Hasegawa B-47 kit

● A massive beaching trolley, which actually belongs to the A-Model Kh-20M missile kit

 

Assembly went from fuselage over the wing roots, the improvised engine nacelles, outer wings and stabilizer swimmers, step by step. I had a vague idea of what the aircraft should look like, but the design more or less evolved, depending from what I had at hand.

For instance, the Il-28 stabilizers were late additions, as the original F-86 parts turned out to be much too small for the massive aircraft.

 

The cockpit was taken OOB, just a pilot figure was added and the canopy cut into two pieces, so that it could be displayed in an open position.

Around the hull, small mooring hooks made from wire were added, gun nozzles made from hollow needles, as well as some antennae, since the whole kit was rather bleak and simple.

 

The trolley was puzzled together from the parts supllied with A-Model's Kh-20M (AS-3 'Kangaroo') kit, but was modified (e. g. with different wheels) and adapted to the flying boat's hull. It fits perfectly in shape and design, though!

  

Painting and markings:

Nothing fancy, as a jet-powered flying boat fighter is unique enough. Design benchmark was again the P6M, and AFAIK these aircraft were painted in just two tones: FS16081, a very dark grey, with white undersides and a wavy waterline. They were definitively not blue of any sort, as one might think in the first place.

 

I started with the lower side - white is always difficult to apply, and in order to avoid any trouble I used stpray paint from a rattle can and used a very light grey instead of pure white. The latter has two benefits: it covers the surface much better than white, and the contrast is not so harsh - the grey still leaves 'room' for some dry-brushing with white.

 

Next step was the dark grey - I used Humbrol's 32, which is FS36081 and looks very good. Dry-brushing with Humbrol 79 (Dark Blue Grey) was used for some counter-shading, and after a black ink wash I also painted some panel lines with a mix of black and matt varnish onto the hull. That turned out to be a little much, but finally, when the decals were applied (wild mix from various aftermarket sheets and the scrap box), the overall impression became much better.

 

The trolley was simply painted in yellow and makes a nice contrast to the dark aircraft on top of it.

 

Both aircraft and trolley were additionally weathered with some dry-brushed rust and grinded graphite, and finally received a coat of matt varnish.

1-12-13 Wyndham Street Races

 

TOP SPEED REVIEW:

 

Not long ago, the Japanese motorcycles were considered the uncontested leaders of sport motorcycles and nobody had the guts to challenge them. However, this situation has changed after BMW entered the battle. Its first super sport bike, the S 1000RR was not only a completely newcomer, but it was also so strong and technological advanced that it made any other bike look like defenseless scooter.

 

THE ABS

The Kawasaki Ninja® ZX™-10R ABS superbike combines anti-lock braking with the numerous technological benefits of the class leading ZX-10R. And it does it with rider-sensitive, race-bred attributes derived from competing and winning at the highest levels.

 

Kawasaki has developed a new electronic steering damper for the 2013 ZX-10R ABS sportbike, in joint cooperation with Öhlins. Controlled by a dedicated ECU located under the gas tank cover, this new damper reacts to the rate of acceleration or deceleration, as well as rear wheel speed, to help provide the ideal level of damping force across a wide range of riding scenarios. The variable damping provides optimum rider feedback by enabling the use of lower damping forces during normal operation, without sacrificing the firm damping needed for high-speed stability. The result is a light and nimble steering feel at low speed, as well as superior damping at higher speeds or during extreme acceleration/deceleration. The anodized damper unit incorporates Öhlins’ patented twin-tube design to help ensure stable damping performance and superior kickback absorption. It is mounted horizontally at the front of the fuel tank and requires very few additional components and ads almost no weight compared to last year’s steering damper.

 

At first, anti-lock braking might seem a touch out of place on a purebred sportbike. But this system was designed from the start to maximize performance. And when you consider the many benefits provided by the amazing electronic and hardware technology available today, it begins to make a lot of sense.

 

Think of it: You’re braking for a blind, decreasing-radius corner after a long day of sport riding. Shadows are long and you’re tired, so you don’t notice a patch of sand until it’s too late to correct. But instead of tucking as you continue braking through the sand, your front tire maintains most of its traction, as the anti-lock braking system intervenes until the surface improves – allowing you to arc gracefully into the corner, a little wiser and a lot more intact physically than you might have been riding a non-ABS motorcycle.

 

Kawasaki calls its anti-lock system KIBS – or Kawasaki Intelligent anti-lock Brake System. The use of “intelligent” is apropos, too, considering just how smart the KIBS is. It all starts with the smallest and lightest ABS unit ever built for a motorcycle, one designed by Bosch specifically with sport bikes in mind. It’s nearly 50 percent smaller than current motorcycle ABS units, and 800 grams lighter, adding only about 7 pounds of weight compared to the non-ABS machine, a pound of which is accounted for by the larger battery.

 

KIBS is a multi-sensing system, one that collects and monitors a wide range of information taken from wheel sensors (the same ones collecting data on the standard ZX-10R for its S-KTRC traction control system) and the bike’s ECU, including wheel speed, caliper pressure, engine rpm, throttle position, clutch actuation and gear position. The KIBS’s ECU actually communicates with the bike’s engine ECU and crunches the numbers, and when it notes a potential lock-up situation, it tells the Bosch ABS unit to temporarily reduce line pressure, allowing the wheel to once again regain traction.

 

Aside from this system’s ultra-fast response time, it offers a number of additional sport-riding benefits, including rear-end lift suppression during hard braking, minimal kickback during ABS intervention, and increased rear brake control during downshifts. The high-precision pressure control enables the system to maintain high brake performance, proper lever feel and help ensure the ABS pulses are minimized.

 

Needless to say that the Japanese manufacturers were highly intrigued and the first samurai who challenged the Germans to a duel was Kawasaki.

 

Kawasaki’s anti S 1000RR weapon is the Ninja ZX - 10R. Packing a lot of advanced features and modern technologies, the bike is fast enough to compete with success against the German oppressor.

 

Despite the fact that nothing changed for the 2013 model year, except for some color schemes, the Ninja continues to be ahead of the pack when it comes to sporty performances.

 

Build on a nimble, lightweight chassis, The Kawasaki Ninja ZX - 10R ABS is “blessed” with a powerful 998cc inline four engine which cranks out 197 hp at 11500 rpm.

 

Among the most important features offered by the Ninja ZX - 10R, you’ll find the advanced Sport-Kawasaki Traction Control (S-KTRC) and an intelligent ABS system which comes as an option ($1000).

 

ENGINE & PERFORMANCE:

The rest of the 2013 Ninja ZX-10R ABS is equally advanced. Complete with a powerful engine and lightweight chassis, it also boasts a highly advanced and customizable electronic system that allows riders to harness and experience the ZX-10R ABS’s amazing blend of power and razor-edge handling. The system is called Sport-Kawasaki Traction Control.

 

Motorcyclists have forever been challenged by traction-related issues, whether on dirt, street or track. And when talking about the absolute leading edge of open-class sport bike technology, where production street bikes are actually more capable than full-on race bikes from just a couple years ago, more consistent traction and enhanced confidence is a major plus.

 

The racing-derived S-KTRC system works by crunching numbers from a variety of parameters and sensors – wheel speed and slip, engine rpm, throttle position, acceleration, etc. There’s more data gathering and analysis going on here than on any other Kawasaki in history, and it’s all in the name of helping racers inch closer to the elusive “edge” of maximum traction than ever before. The S-KTRC system relies on complex software buried in the ZX-10R’s Electronic Control Unit (ECU); the only additional hardware is the lightweight speed sensors located on each wheel.

 

Unlike the KTRC system on Kawasaki’s Concours™ 14 ABS sport tourer, which primarily minimizes wheel slip on slick or broken surfaces as a safety feature, the S-KTRC system is designed to maximize performance by using complex analysis to predict when traction conditions are about to become unfavorable. By quickly but subtly reducing power just before the amount of slippage exceeds the optimal traction zone, the system – which processes every data point 200 times per second – maintains the optimum level of tire grip to maximize forward motion. The result is significantly better lap times and enhanced rider confidence – exactly what one needs when piloting a machine of this caliber.

 

The S-KTRC system offers three different modes of operation, which riders can select according to surface conditions, rider preference and skill level: Level 1 for max-grip track use, Level 2 for intermediate use, and Level 3 for slippery conditions. An LCD graph in the high-tech instrument cluster displays how much electronic intervention is occurring in real time and a thumb switch on the left handlebar pod allows simple, on-the-go mode changes.

 

The potent ZX-10R engine is a 16-valve, DOHC, liquid-cooled inline-four displacing 998cc via 76 x 55mm bore and stroke dimensions. This powerplant is tuned to optimize power delivery, center of gravity and actual engine placement within the chassis. Torque peaks at an rpm range that helps eliminate power peaks and valleys that make it difficult for racers and track-day riders to open the throttle with confidence.

 

A primary goal of Kawasaki engineers was linear power delivery and engine manageability throughout all elements of a corner: the entry, getting back to neutral throttle at mid-corner, and heady, controllable acceleration at the exit. Peak torque was moved to a higher rpm range, which eliminates the power peaks and valleys that make it difficult for racers and track-day riders to open the throttle with confidence.

 

Large intake valves complemented by wide, polished intake ports allow for controllable power delivery and engine braking, just the thing to smooth those racetrack corner entries and exits. Camshafts built from chromoly steel further contribute to optimized engine braking and more controllable power delivery. Lightweight pistons mount to light and strong connecting rods. Compression is a full 13.0:1.

 

A race-style cassette transmission allows simple trackside ratio changes. An adjustable back-torque limiting clutch assembly is fitted, which allows worry-free downshifts and corner-entry calmness.

 

Cramming all that fuel and air into this amazing engine is a ram air-assisted fuel injection system featuring large throttle bodies (47mm) and sub-throttle valves, a large capacity airbox (9 liters), secondary injectors that improve top-end power characteristics, and a large ram-air intake that’s positioned close to the front of the bike for efficient airbox filling and power.

 

The final piece of the ZX-10R’s power-production formula is a race-spec exhaust system featuring a titanium header assembly, hydroformed collectors, a large-volume pre-chamber containing two catalyzers and a highly compact silencer. Due to the header’s race-spec design, riders and racers looking for more closed-course performance need only replace the slip-on muffler assembly.

 

CHASSIS & SUSPENSION:

With the engine producing a massive quantity of usable and controllable power, engineers looked to the chassis to help refine handling and overall road/track competency. The aluminum twin-spar frame is an all-cast assemblage of just seven pieces that features optimized flex characteristics for ideal rider feedback, cornering performance and light weight. Like the frame, the alloy swingarm is an all-cast assembly, with rigidity matching that of the frame itself.

 

Chassis geometry offers excellent stability and handling quickness. The front end geometry – with rake at 25 degrees and trail at 107mm (4.21 in.) – allows light, quick handling and complements the engine’s controllable power and the frame and swingarm’s flex characteristics.

 

Highly advanced suspension at both ends helps as well. Up front is a 43mm open-class version of the Big Piston Fork (BPF). Featuring a piston design nearly twice the size of a conventional cartridge fork, the BPF offers smooth action, less stiction, light weight and enhanced damping performance on the compression and rebound circuits. This compliance results in more control and feedback for the rider – just what you need when carving through a rippled sweeper at your local track or negotiating a decreasing-radius corner on your favorite backroad.

 

Suspension duties on the ZX-10R are handled by a Horizontal Back-Link design that positions the shock and linkage above the swingarm. Benefits include mass centralization, good road holding, compliance and stability, smooth action in the mid-stroke and good overall feedback. The fully adjustable shock features a piggyback reservoir and dual-range (low- and high-speed) compression damping.

 

Lightweight gravity-cast three-spoke wheels complement the tire fitment. Up front, Tokico radial-mount calipers grasp 310mm petal discs and a 220mm disc is squeezed by a lightweight single-piston caliper in back. The result is powerful stops with plenty of rider feedback and the added confidence of the KIBS ABS system.

 

DESIGN & ERGONOMICS:

Finally, Kawasaki engineers wrapped all this technology in bodywork as advanced and stylish as anything on this side of a MotoGP grid. The curvy edges and contrasting colored and black parts create a sharp, aggressive image. Line-beam headlights grace the fairing while LED turn signals are integrated into the mirror assemblies. Convenient turn-signal couplers allow easy mirror removal for track-day use. The rear fender assembly holding the rear signal stalks and license plate frame is also easily removable for track days. High-visibility LED lamps are also used for the taillight and position marker.

 

The instrumentation is highlighted by an LED-backlit bar-graph tachometer set above a multi-featured LCD info screen with numerous sections and data panels. A wide range of information is presented, including vehicle speed, odometer, dual trip meters, fuel consumption, Power Mode and S-KTRC level, low fuel, water temperature and much more. For track use, the LCD display can be set to “race” mode which moves the gear display to the center of the screen.

 

The ZX-10R’s ergonomics are designed for optimum comfort and control. A 32-inch saddle, adjustable footpegs and clip-ons mean that this is a hard-core sport bike you can actually take on an extended sport ride – and still be reasonably comfortable doing so.

 

The old saying, “power is nothing without control” is certainly apt where open-class sport bikes are concerned. But when you factor in all the engine, chassis and ergonomic control designed into the 2013 Ninja ZX-10R, you begin to realize you’re looking at one very special motorcycle – one that can take you places you’ve never been before.

 

Genuine Kawasaki Accessories are available through authorized Kawasaki dealers.

 

SPECS:

Engine Four-Stroke, Liquid-Cooled, DOHC, Four Valves Per Cylinder, Inline-Four

Displacement 998cc

Bore X Stroke 76.0 X 55.0 mm

Compression Ratio13.0:1

Fuel System DFI® With Four 47mm Keihin Throttle Bodies With Oval Sub-Throttles, Two Injectors Per Cylinder

Ignition TCBI With Digital Advance And Sport-Kawasaki Traction Control (S-KTRC)

Transmission Six-Speed

Final Drive Chain

Rake/Trail 25 Deg / 4.2 In.

Front Tire Size 120/70 ZR17

Rear Tire Size 190/55 ZR17

Wheelbase 56.1 In.

Front Suspension / Wheel Travel 43 mm Inverted Big Piston Fork (BPF), Adjustable Rebound And Compression Damping, Spring Preload Adjustability/ 4.7 in.

Rear Suspension / Wheel Travel

Horizontal Back-Link With Gas-Charged Shock, Stepless, Dual-Range (Low-/High-Speed) Compression Damping, Stepless Rebound Damping, Fully Adjustable Spring Preload / 5.5 In.

Front Brakes Kawasaki Intelligent Anti-Lock Braking (KIBS), Dual Semi-Floating 310 mm Petal Discs With Dual Four-Piston Radial-Mount Calipers

Rear Brakes KIBS-Controlled, Single 220 mm Petal Disc With Aluminum Single-Piston Caliper

Fuel Capacity 4.5 Gal.

Seat Height 32.0 In.

Curb Weight 443.2 Lbs.

Overall Length 81.7 In.

Overall Width 28.1 In.

Overall Height 43.9 In.

Color Choices - Lime Green/Metallic Spark Black, Pearl Flat White/Metallic Spark Black

 

Source: www.topspeed.com/motorcycles/motorcycle-reviews/kawasaki/...

The News Line: News Wednesday, 27 April 2016 Massive doctors picket lines –answer the Cameron-Hunt threats

 

Unison leader PRENTIS with delegates from the Unison Health Conference joined the picket line at the Brighton General Hospital yesterday

 

www.wrp.org.uk/images/photos/16-04-26-11992.jpg

 

THE TUC must organise a national day of action in support of the junior doctors’ dispute and our NHS, the Public and Commercial Services union said yesterday.

 

The union’s general secretary Mark Serwotka wrote to the TUC yesterday afternoon to ask that the proposal is discussed at this morning’s general council meeting. The general council is the TUC’s ruling body. Yesterday morning hundreds of Unison delegates joined a march from the Brighton conference centre to join junior doctors on their picket line at Brighton General Hospital. The march was called by Brighton and Hove trades council and Sussex Defend the NHS. Delegates from the Unison Health Conference joined with other trades unions and community groups on a lively picket line outside the hospital.

 

Dave Prentis, Unison General Secretary, spoke and brought greetings on behalf of Unison. Local BMA rep and junior doctor Todd Leckie addressed the rally. He said: ‘Jeremy Hunt does not care about us and he does not care about the NHS. This is why we are on strike today, we do this with a heavy heart. If we do not oppose this contract we will not be able to care for our patients in the future. ‘That is why thousands of us are on strike today.’

 

He went on to thank Unison for their support and said a special thanks to the consultants inside who were covering for them. Speaking from the 200-strong picket outside Kings College Hospital, London, Dr Jack Granville in Respiratory medicine said: ‘I’m here on the picket line at King’s College Hospital oppposing the damaging, unsafe and unfair contract that Jeremy Hunt is wishing to impose on junor doctors.

 

‘I also want to oppose the government’s austerity agenda, cuts and privatisation.

 

‘The NHS in its current form is already struggling. King’s A&E Department had its worst winter ever. There were many unsafe situations created. The hospital was struggling to discharge people, with no beds in which to admit people.

‘That is a result of the government’s decimation of the social care budget due to cuts to councils, and is the consequence of the government attitude to health and social care.

 

‘People are losing their lives. I would support co-ordinated strike action by other unions if they were willing to engage with us. This government is a disaster for this country.’

 

Dr David Herbert said: ‘I’m a junior doctor, two years working for the NHS and I have seen conditions get worse and worse, not just for doctors, but nurses, health care assistants, phlebotomists, absolutely everyone, and for patients. We are all working under extreme pressure at the moment and this contract will make a situation which is barely manageable untenable in the future, so I am here striking for better conditions.

 

‘We need to retain talent and staff in this country. We need to value the staff properly, keep them happy and working for the NHS. I think this government is being childish. How can we have an elected government supposedly working for the good of this country, but who are refusing to engage with the wider body of doctors who work on the front line and who know what it is like to be on a ward at 3.00am, doing their best for their patients. I don’t understand how our elected representatives can behave this way. It is beyond reproach really.’

 

Dr Patrick said: ‘It is really a shame that the other unions like Unison and Unite have been so tentative in their commitment. The sea of opinion might change even more when the public realise that this strike action today – with the full walkout – won’t be to the detriment of people’s health.

 

‘It will be impossible to undo privatisation. Utterly impossible. The Labour Party should be rallying the unions and rallying the public. The Tories are getting away with absolute murder and it is left down to us and the public to drive the momentum. We really need more help and we need to get other sections of workers involved.’

 

Dr Benedict said: ‘I can’t imagine a whole body of doctors around the country all signing up to mass resignation as the next step. I personally think an indefinite walkout is the way forward. We need an option that brings the country to a standstill and that has a big ongoing effect. If we have a strike for 48 hours the consultants can come on board, and work harder to keep it going. If we have an indefinite walkout then great things can be achieved, and the Conservative government might be forced back to the negotiating table.''

 

Dr Colin Coulter said: ‘I am increasingly convinced that privatisation of the NHS is the goal here. Even today at The Royal College of Physicians, there were about 25 CEOs from private healthcare providers meeting to discuss the future of our healthcare. The narrative of our struggle needs to go bigger, because this is something that is going to affect radiographers, porters and everyone in the NHS.’

 

A large picket of over 50 doctors manned the picket line outside St George’s Hospital in Tooting. David Thompson, a surgical trainee, said: ‘Two people could have stopped this strike, Cameron and Hunt, but they chose not to.’

 

Sophie Herbert, junior doctor in General Medicine, said: ‘Hunt has refused to talk to junior doctors in public which seems very suspect. We believe he wouldn’t have a leg to stand on when confronted with the truth. He has failed to listen to our concerns that the contract will harm patients and instead he is just repeating his government’s spin and propaganda.

 

‘The government is hell-bent on destroying the NHS, which will do very real harm to patients. Hunt should drop the imposition of the contract and return to negotiate to the caring professions.’

 

Seema Jain, junior doctor at St George’s, said: ‘Safety is not being compromised while the strike is on. We have tried everything else. The government says the strike is political. Well it is political because the government is imposing a contract that will harm patient care. We are being treated like children.’

 

At St Thomas’ Hospital Sian Ashby, GP trainee, said: ‘We are quite determined we don’t want to work under this new contract. It affects staffing numbers and gender discrimination. We are not being listened to by the government. We have the support of nurses, physiotherapists and all the other health professions.

 

‘The PFI and the Health and Care Act, all these are pushing the NHS into privatisation.

 

James Connor, a GP who came down to London from Banbury to join the picket said: ‘I am here to voice our general concerns that the NHS is being run into the ground in order to justify privatisation.

 

‘We have the best, most efficient and most equitable healthcare system in the world.

 

‘This TTIP agreement will badly affect the health service. The government is intent on attacking the poorest and most vulnerable in society. This government has picked a fight with so many people that opposition is growing.’

 

At Northwick Park Hospital, where 200 pickets turned out, Sarah Krrar said: ‘I have been nine years a junior doctor and was six years a medical student. I have seen the deterioration of the service we have provided over the last five years because of the cuts. Cuts have coincided with a massive increase in demand for the service.

 

‘Last year, 30% to 40% of patients that I looked after were in hospital for social rather than medical reasons. They came into hospital initially for medical reasons, and they can’t go home because the care is not there. The NHS needs resources. There are massive staff and bed shortages, the current staff have worked flat out to keep the service afloat. Jeremy Hunt coming along and alienating the work force is complete madness. To imply that we are the barrier to expanding services is offensive.''

 

Junior doctor Elvis Adams said: ‘Jeremy Hunt has to back down. I hope 50,000 striking junior doctors outweighs the will of one man.’

 

Dr Jenny Abthorpe said: ‘Over 70,000 operations are cancelled every year because of lack of funding or beds. They only quote how many operations hae been cancelled on the day of our strike. On Christmas Day and bank holidays, hospitals have the same cover as the previous junior doctors strike days, however no one complains.

 

‘We are fighting for the future. We know what will happen in future if this contract goes through. We are not asking for a single penny extra on pay. I work seven nights and two weekends every four weeks. I don’t want to work more weekends or night shifts. Doctors’ mental and physical health is worse than it has every been. What type of NHS and what type of doctors so we want in the future?’

 

Junior doctors Kate Felton (paediatrics) and Jacob Ellis (child psychology) spoke to News Line amidst an animated group with strong opinions. Jeremy Hunt says that we are a block to a seven-day working contract. If you really want elective options at weekends then you need nurses and other staff as well. Can we afford that? We already work seven days!

 

‘We have an overwhelming lack of confidence in Hunt. He has shown no insight into the way the NHS works and his attitude is insulting to our intelligence. He cannot even say what seven-day working means; it is not sorted and no-one knows. Our union has, on the other hand, been very clear: if you stop the imposition then we will negotiate.

 

‘He has rejected a very fair offer from our union. How do you even model a contract when you don’t even know how many doctors you have got? There is already a massive loss of talent as people come up for retirement, leaving massive holes in the service, all aggravated by this imposition, which will make new doctors leave.

 

‘It costs a great deal of public money to train a junior doctor! We are trying to get Hunt to listen to us. Other unions have supported us. Unison has offered support because of pressure on public services, and the teachers have marched with us because of the imposition of academies. We are the first profession specifically targeted by the government. If we fail, then the floodgates open for other sections to be targeted.’

 

‘It’s ridiculous to impose a contract that compromises patient safety and puts further strain on an already stretched NHS,’ BMA rep Raj Shah told News Line on a lively picket line outside the Royal Free Hospital, northwest London.

 

Junior doctor Sofia Haddart said: ‘It’s a sad day that it’s come to this. We’ve tried a long time to avert this day but the government has left us with no choice.’

 

Nurse Kat Booth joined the picket line. She said: ‘I fully support these guys. I feel if the government imposes these contracts on the junior doctors, then nurses and all ancillary hospital workers will end up having their pay cut, working more hours and less flexible working time.’

 

BMA member Miles Gandolfi said: ‘Our strike is a protest against a contract the government is trying to impose. It’s something my colleagues and myself feel strongly about for a number of reasons. It’s not going to be fair for the doctors who would end up working much longer hours. You’d end up losing your extra pay for weekends. The contract already recognises it is unfair to female doctors, which is pretty shocking.’

 

BMA member Alison Berner added: ‘What we are doing today is really important for patient safety. We want a contract that’s safe for patients and safe for doctors to work in. It’s very sad it’s come to this and hopefully today will show the government how important this is and they will reconsider and come back to the negotiating table.’

 

On a well attended picket line at Barnet hospital Dr Amy Bowes told News Line: ‘At present I work in medicine for the elderly in my first year of training and it was disappointing to start my career in such a position and to have a health minister so insistent on imposing an unfair contract.

 

‘Although today has been very unfair for all of us we feel we’ve been backed into a corner and have no choice but to fight.We’re pleased our consultants are supporting us and patients will continue to receive a high standard of care.’

 

Katie Knight, BMA member on big picket at North Middlesex Hospital, told News Line: ‘Hunt has been wilfully ignoring all our efforts to speak to him. He’s ignored a cross-party attempt to form a last minute resolution and it’s as if he’s goading us into taking this action – he’s backed us into a corner. I think we need some assistance from the TUC. We appreciated the support we had on the last March particularly.’

 

Whipps Cross Hospital BMA rep Niki Fitzgerald told News Line: ‘We think very carefully about taking strike action. In our job we fill out risk assessments everyday. We have done our work on the risk assessment for this strike and have come to the conclusion that the risk to our future patients is higher than the risk put to patients during this current strike.’

 

Junior doctors Anita Chan said: ‘We are fighting for the future of the NHS. That is the essence of the message we are putting across. As a whole the service needs more staff, more resources, more funding before we are spread any thinner. Teachers, ambulance workers and other public service workers are fighting for the same thing and we should come out together.’

 

Martin Goodsell brought the East London, Unite Community banner, he said: ‘We support the junior doctors 100%. We are community activists engaged in housing and anti-eviction campaigns and against zero-hours contract employers.

 

‘All these campaigns must come together. The teachers and doctors should come out on strike together. We need an all-out NHS strike. This is about the unions working together to resist rivatisation and co-ordinate actions and strikes.’ Len Weiss, chair of the Unison Waltham Forest retired members branch, said: ‘We are here to support the junior doctors on their picket line.

 

The fight for the NHS and to keep it fair and safe is too important to give up,’ said Hammersmith Hospital junior doctor Julia Prague on the picket line yesterday.

 

Julia added: ‘All we get from Hunt is the same rhetoric.’ Natasha Rinne, a maternity services junior doctor at Queen Charlotte’s Hospital in Hammersmith, told News Line: ‘I was hoping to wake up this morning to hear that the strike had been cancelled, but instead woke up to hear health secretary Hunt telling the nation that the junior doctors are bullies. But to have a contract that is not safe for workers and patients imposed upon us shows us that the only bully is him.’

 

At Charing Cross Hospital in Hammersmith junior doctors were joined on the picket line by a group of consultants. Andy Forester, an orthopaedic consultant, said: ‘This truly is everyone’s fight. If this contract is imposed then everyone else will be next, from nurses to cleaners and other staff.’

 

Striking Charing Cross junior doctor Neeraj Kalra told News Line: ‘Hunt’s failure to negotiate shows just what sort of minister he is – he has lost the trust of the workforce. It’s just a backdoor attempt at privatising the NHS. Consultants can cover for a few days but if we escalate the action they won’t be able to cope.’

 

Ann Sturdy, an acute medicine junior doctor said: ‘Since I became a junior doctor four years ago we’ve always been short of beds, short of equipment and short of staff.

‘We regularly work two people’s jobs because there are not enough of us and this contract will make that much worse. At the moment we’re struggling to manage a routine service over the weekends.’

 

At the Chelsea & Westminster Hospital junior doctor in oncology, Ramya Ramaswami said: ‘The voice of 54,000 junior doctors is not being heard by this government who want to impose ideas that suit only a few people.’

 

At Ealing Hospital the striking doctors set up their picket alongside the West London Council of Action’s daily picket which is fighting against the closure of the Charlie Chaplin children’s ward and all children’s A&E services on 30th June.

 

Striking BMA member Donna Arya said: ‘We feel strongly that future generations should not have to work in an unsafe NHS. I appreciate that other unions are with us and support our fight.’

 

A&E doctor and BMA member Veronica Jones spoke about imminent planned cuts at Ealing Hospital, saying: ‘I think not having a paediatric A&E is of real concern because children will be turning up and if it is an emergency then they will have to be transferred to Northwick Park, which will lead to unnecessary delays which could be very dangerous.

 

‘There’s a lady here from the NUT and she agrees that we are all in the same fight.’

 

NUT member Sally Hackney said: ‘I think the TUC should call a general strike. This government is privatising all the professions and it has to be stopped.’

 

Trainee barrister Adam Marley joined the picket, saying: ‘The Tories want to pick off different sections, it’s a typical tactic, divide and conquer. The junior doctors must be joined by the whole trade union movement, they can’t sack everyone in the whole country. I would love a general strike, everyone out together.’

 

BMA striker Charlotte Bryant said: ‘The new contract would put patients at risk. There’s an expectation that there will be a seven-day NHS without more resources. In fact the doctors are already working seven days. We’ve shown a lot of unity in this struggle and we will carry on until we succeed in preventing the imposition of this disgusting contract.’

 

www.wrp.org.uk/news/12043

 

Update - a very nice black and white version of this photo was printed on page 3 of The News Line on Friday April 29 2016.

 

The News Line: News Wednesday, 27 April 2016 Massive doctors picket lines –answer the Cameron-Hunt threats

 

Unison leader PRENTIS with delegates from the Unison Health Conference joined the picket line at the Brighton General Hospital yesterday

 

www.wrp.org.uk/images/photos/16-04-26-11992.jpg

 

THE TUC must organise a national day of action in support of the junior doctors’ dispute and our NHS, the Public and Commercial Services union said yesterday.

 

The union’s general secretary Mark Serwotka wrote to the TUC yesterday afternoon to ask that the proposal is discussed at this morning’s general council meeting. The general council is the TUC’s ruling body. Yesterday morning hundreds of Unison delegates joined a march from the Brighton conference centre to join junior doctors on their picket line at Brighton General Hospital. The march was called by Brighton and Hove trades council and Sussex Defend the NHS. Delegates from the Unison Health Conference joined with other trades unions and community groups on a lively picket line outside the hospital.

 

Dave Prentis, Unison General Secretary, spoke and brought greetings on behalf of Unison. Local BMA rep and junior doctor Todd Leckie addressed the rally. He said: ‘Jeremy Hunt does not care about us and he does not care about the NHS. This is why we are on strike today, we do this with a heavy heart. If we do not oppose this contract we will not be able to care for our patients in the future. ‘That is why thousands of us are on strike today.’

 

He went on to thank Unison for their support and said a special thanks to the consultants inside who were covering for them. Speaking from the 200-strong picket outside Kings College Hospital, London, Dr Jack Granville in Respiratory medicine said: ‘I’m here on the picket line at King’s College Hospital oppposing the damaging, unsafe and unfair contract that Jeremy Hunt is wishing to impose on junor doctors.

 

‘I also want to oppose the government’s austerity agenda, cuts and privatisation.

 

‘The NHS in its current form is already struggling. King’s A&E Department had its worst winter ever. There were many unsafe situations created. The hospital was struggling to discharge people, with no beds in which to admit people.

‘That is a result of the government’s decimation of the social care budget due to cuts to councils, and is the consequence of the government attitude to health and social care.

 

‘People are losing their lives. I would support co-ordinated strike action by other unions if they were willing to engage with us. This government is a disaster for this country.’

 

Dr David Herbert said: ‘I’m a junior doctor, two years working for the NHS and I have seen conditions get worse and worse, not just for doctors, but nurses, health care assistants, phlebotomists, absolutely everyone, and for patients. We are all working under extreme pressure at the moment and this contract will make a situation which is barely manageable untenable in the future, so I am here striking for better conditions.

 

‘We need to retain talent and staff in this country. We need to value the staff properly, keep them happy and working for the NHS. I think this government is being childish. How can we have an elected government supposedly working for the good of this country, but who are refusing to engage with the wider body of doctors who work on the front line and who know what it is like to be on a ward at 3.00am, doing their best for their patients. I don’t understand how our elected representatives can behave this way. It is beyond reproach really.’

 

Dr Patrick said: ‘It is really a shame that the other unions like Unison and Unite have been so tentative in their commitment. The sea of opinion might change even more when the public realise that this strike action today – with the full walkout – won’t be to the detriment of people’s health.

 

‘It will be impossible to undo privatisation. Utterly impossible. The Labour Party should be rallying the unions and rallying the public. The Tories are getting away with absolute murder and it is left down to us and the public to drive the momentum. We really need more help and we need to get other sections of workers involved.’

 

Dr Benedict said: ‘I can’t imagine a whole body of doctors around the country all signing up to mass resignation as the next step. I personally think an indefinite walkout is the way forward. We need an option that brings the country to a standstill and that has a big ongoing effect. If we have a strike for 48 hours the consultants can come on board, and work harder to keep it going. If we have an indefinite walkout then great things can be achieved, and the Conservative government might be forced back to the negotiating table.''

 

Dr Colin Coulter said: ‘I am increasingly convinced that privatisation of the NHS is the goal here. Even today at The Royal College of Physicians, there were about 25 CEOs from private healthcare providers meeting to discuss the future of our healthcare. The narrative of our struggle needs to go bigger, because this is something that is going to affect radiographers, porters and everyone in the NHS.’

 

A large picket of over 50 doctors manned the picket line outside St George’s Hospital in Tooting. David Thompson, a surgical trainee, said: ‘Two people could have stopped this strike, Cameron and Hunt, but they chose not to.’

 

Sophie Herbert, junior doctor in General Medicine, said: ‘Hunt has refused to talk to junior doctors in public which seems very suspect. We believe he wouldn’t have a leg to stand on when confronted with the truth. He has failed to listen to our concerns that the contract will harm patients and instead he is just repeating his government’s spin and propaganda.

 

‘The government is hell-bent on destroying the NHS, which will do very real harm to patients. Hunt should drop the imposition of the contract and return to negotiate to the caring professions.’

 

Seema Jain, junior doctor at St George’s, said: ‘Safety is not being compromised while the strike is on. We have tried everything else. The government says the strike is political. Well it is political because the government is imposing a contract that will harm patient care. We are being treated like children.’

 

At St Thomas’ Hospital Sian Ashby, GP trainee, said: ‘We are quite determined we don’t want to work under this new contract. It affects staffing numbers and gender discrimination. We are not being listened to by the government. We have the support of nurses, physiotherapists and all the other health professions.

 

‘The PFI and the Health and Care Act, all these are pushing the NHS into privatisation.

 

James Connor, a GP who came down to London from Banbury to join the picket said: ‘I am here to voice our general concerns that the NHS is being run into the ground in order to justify privatisation.

 

‘We have the best, most efficient and most equitable healthcare system in the world.

 

‘This TTIP agreement will badly affect the health service. The government is intent on attacking the poorest and most vulnerable in society. This government has picked a fight with so many people that opposition is growing.’

 

At Northwick Park Hospital, where 200 pickets turned out, Sarah Krrar said: ‘I have been nine years a junior doctor and was six years a medical student. I have seen the deterioration of the service we have provided over the last five years because of the cuts. Cuts have coincided with a massive increase in demand for the service.

 

‘Last year, 30% to 40% of patients that I looked after were in hospital for social rather than medical reasons. They came into hospital initially for medical reasons, and they can’t go home because the care is not there. The NHS needs resources. There are massive staff and bed shortages, the current staff have worked flat out to keep the service afloat. Jeremy Hunt coming along and alienating the work force is complete madness. To imply that we are the barrier to expanding services is offensive.''

 

Junior doctor Elvis Adams said: ‘Jeremy Hunt has to back down. I hope 50,000 striking junior doctors outweighs the will of one man.’

 

Dr Jenny Abthorpe said: ‘Over 70,000 operations are cancelled every year because of lack of funding or beds. They only quote how many operations hae been cancelled on the day of our strike. On Christmas Day and bank holidays, hospitals have the same cover as the previous junior doctors strike days, however no one complains.

 

‘We are fighting for the future. We know what will happen in future if this contract goes through. We are not asking for a single penny extra on pay. I work seven nights and two weekends every four weeks. I don’t want to work more weekends or night shifts. Doctors’ mental and physical health is worse than it has every been. What type of NHS and what type of doctors so we want in the future?’

 

Junior doctors Kate Felton (paediatrics) and Jacob Ellis (child psychology) spoke to News Line amidst an animated group with strong opinions. Jeremy Hunt says that we are a block to a seven-day working contract. If you really want elective options at weekends then you need nurses and other staff as well. Can we afford that? We already work seven days!

 

‘We have an overwhelming lack of confidence in Hunt. He has shown no insight into the way the NHS works and his attitude is insulting to our intelligence. He cannot even say what seven-day working means; it is not sorted and no-one knows. Our union has, on the other hand, been very clear: if you stop the imposition then we will negotiate.

 

‘He has rejected a very fair offer from our union. How do you even model a contract when you don’t even know how many doctors you have got? There is already a massive loss of talent as people come up for retirement, leaving massive holes in the service, all aggravated by this imposition, which will make new doctors leave.

 

‘It costs a great deal of public money to train a junior doctor! We are trying to get Hunt to listen to us. Other unions have supported us. Unison has offered support because of pressure on public services, and the teachers have marched with us because of the imposition of academies. We are the first profession specifically targeted by the government. If we fail, then the floodgates open for other sections to be targeted.’

 

‘It’s ridiculous to impose a contract that compromises patient safety and puts further strain on an already stretched NHS,’ BMA rep Raj Shah told News Line on a lively picket line outside the Royal Free Hospital, northwest London.

 

Junior doctor Sofia Haddart said: ‘It’s a sad day that it’s come to this. We’ve tried a long time to avert this day but the government has left us with no choice.’

 

Nurse Kat Booth joined the picket line. She said: ‘I fully support these guys. I feel if the government imposes these contracts on the junior doctors, then nurses and all ancillary hospital workers will end up having their pay cut, working more hours and less flexible working time.’

 

BMA member Miles Gandolfi said: ‘Our strike is a protest against a contract the government is trying to impose. It’s something my colleagues and myself feel strongly about for a number of reasons. It’s not going to be fair for the doctors who would end up working much longer hours. You’d end up losing your extra pay for weekends. The contract already recognises it is unfair to female doctors, which is pretty shocking.’

 

BMA member Alison Berner added: ‘What we are doing today is really important for patient safety. We want a contract that’s safe for patients and safe for doctors to work in. It’s very sad it’s come to this and hopefully today will show the government how important this is and they will reconsider and come back to the negotiating table.’

 

On a well attended picket line at Barnet hospital Dr Amy Bowes told News Line: ‘At present I work in medicine for the elderly in my first year of training and it was disappointing to start my career in such a position and to have a health minister so insistent on imposing an unfair contract.

 

‘Although today has been very unfair for all of us we feel we’ve been backed into a corner and have no choice but to fight.We’re pleased our consultants are supporting us and patients will continue to receive a high standard of care.’

 

Katie Knight, BMA member on big picket at North Middlesex Hospital, told News Line: ‘Hunt has been wilfully ignoring all our efforts to speak to him. He’s ignored a cross-party attempt to form a last minute resolution and it’s as if he’s goading us into taking this action – he’s backed us into a corner. I think we need some assistance from the TUC. We appreciated the support we had on the last March particularly.’

 

Whipps Cross Hospital BMA rep Niki Fitzgerald told News Line: ‘We think very carefully about taking strike action. In our job we fill out risk assessments everyday. We have done our work on the risk assessment for this strike and have come to the conclusion that the risk to our future patients is higher than the risk put to patients during this current strike.’

 

Junior doctors Anita Chan said: ‘We are fighting for the future of the NHS. That is the essence of the message we are putting across. As a whole the service needs more staff, more resources, more funding before we are spread any thinner. Teachers, ambulance workers and other public service workers are fighting for the same thing and we should come out together.’

 

Martin Goodsell brought the East London, Unite Community banner, he said: ‘We support the junior doctors 100%. We are community activists engaged in housing and anti-eviction campaigns and against zero-hours contract employers.

 

‘All these campaigns must come together. The teachers and doctors should come out on strike together. We need an all-out NHS strike. This is about the unions working together to resist rivatisation and co-ordinate actions and strikes.’ Len Weiss, chair of the Unison Waltham Forest retired members branch, said: ‘We are here to support the junior doctors on their picket line.

 

The fight for the NHS and to keep it fair and safe is too important to give up,’ said Hammersmith Hospital junior doctor Julia Prague on the picket line yesterday.

 

Julia added: ‘All we get from Hunt is the same rhetoric.’ Natasha Rinne, a maternity services junior doctor at Queen Charlotte’s Hospital in Hammersmith, told News Line: ‘I was hoping to wake up this morning to hear that the strike had been cancelled, but instead woke up to hear health secretary Hunt telling the nation that the junior doctors are bullies. But to have a contract that is not safe for workers and patients imposed upon us shows us that the only bully is him.’

 

At Charing Cross Hospital in Hammersmith junior doctors were joined on the picket line by a group of consultants. Andy Forester, an orthopaedic consultant, said: ‘This truly is everyone’s fight. If this contract is imposed then everyone else will be next, from nurses to cleaners and other staff.’

 

Striking Charing Cross junior doctor Neeraj Kalra told News Line: ‘Hunt’s failure to negotiate shows just what sort of minister he is – he has lost the trust of the workforce. It’s just a backdoor attempt at privatising the NHS. Consultants can cover for a few days but if we escalate the action they won’t be able to cope.’

 

Ann Sturdy, an acute medicine junior doctor said: ‘Since I became a junior doctor four years ago we’ve always been short of beds, short of equipment and short of staff.

‘We regularly work two people’s jobs because there are not enough of us and this contract will make that much worse. At the moment we’re struggling to manage a routine service over the weekends.’

 

At the Chelsea & Westminster Hospital junior doctor in oncology, Ramya Ramaswami said: ‘The voice of 54,000 junior doctors is not being heard by this government who want to impose ideas that suit only a few people.’

 

At Ealing Hospital the striking doctors set up their picket alongside the West London Council of Action’s daily picket which is fighting against the closure of the Charlie Chaplin children’s ward and all children’s A&E services on 30th June.

 

Striking BMA member Donna Arya said: ‘We feel strongly that future generations should not have to work in an unsafe NHS. I appreciate that other unions are with us and support our fight.’

 

A&E doctor and BMA member Veronica Jones spoke about imminent planned cuts at Ealing Hospital, saying: ‘I think not having a paediatric A&E is of real concern because children will be turning up and if it is an emergency then they will have to be transferred to Northwick Park, which will lead to unnecessary delays which could be very dangerous.

 

‘There’s a lady here from the NUT and she agrees that we are all in the same fight.’

 

NUT member Sally Hackney said: ‘I think the TUC should call a general strike. This government is privatising all the professions and it has to be stopped.’

 

Trainee barrister Adam Marley joined the picket, saying: ‘The Tories want to pick off different sections, it’s a typical tactic, divide and conquer. The junior doctors must be joined by the whole trade union movement, they can’t sack everyone in the whole country. I would love a general strike, everyone out together.’

 

BMA striker Charlotte Bryant said: ‘The new contract would put patients at risk. There’s an expectation that there will be a seven-day NHS without more resources. In fact the doctors are already working seven days. We’ve shown a lot of unity in this struggle and we will carry on until we succeed in preventing the imposition of this disgusting contract.’

 

www.wrp.org.uk/news/12043

 

Masonic Broken Column.

 

www.phoenixmasonry.org/broken_column.htm

 

THE BROKEN COLUMN

 

Short Talk Bulletin - Vol. 34, February 1956,

No. 2 - Author Unknown

 

The story of the broken column was first illustrated by Amos Doolittle in the "True Masonic Chart" by Jeremy Cross, published in 1819.

 

Many of Freemasonry's symbols are of extreme antiquity and deserve the reverence which we give to that which has had sufficient vitality to live long in the minds of men. For instance, the square, the point within a circle, the apron, circumambulation, the Altar have been used not only in Freemasonry but in systems of ethics, philosophy and religions without number.

 

Other symbols in the Masonic system are more recent. Perhaps they are not the less important for that, even without the sanctity of age which surrounds many others.

 

Among the newer symbols is that usually referred to as the broken column. A marble monument is respectably ancient - the broken column seems a more recent addition. There seems to be no doubt that the first pictured broken column appeared in Jeremy Cross's True Masonic Chart, published in 1819, and that the illustration was the work of Amos Doolittle, an engraver, of Connecticut.

 

That Jeremy Cross "invented" or "designed" the emblem is open to argument. But there is legitimate room for argument over many inventions. Who invented printing from movable type? We give the credit to Gutenberg, but there are other claimants, among them the Chinese at an earlier date. Who invented the airplane? The Wrights first flew a "mechanical bird" but a thousand inventors have added to, altered, changed their original design, until the very principle which first enabled the Wrights to fly, the "warping wing", is now discarded and never used.

 

Therefore, if authorities argue and contend about the marble monument and broken column it is not to make objection or take credit from Jeremy Cross; the thought is that almost any invention or discovery is improved, changed, added to and perfected by many men. Edison is credited with the first incandescent lamp, but there is small kinship between his carbon filament and a modern tungsten filament bulb. Roentgen was first to bring the "x-ray" to public notice-the discoverer would not know what a modern physician's x-ray apparatus was if he saw it!

 

In the library of the Grand Lodge of Iowa in Cedar Rapids, is a book published in 1784; "A BRIEF HISTORY OF FREEMASONRY" by Thomas Johnson, at that time the Tiler of the Grand Lodge of England (the "Moderns"). In this book the author states that he was "taken the liberty to introduce a Design for a Monument in Honor of a Great Artist." He then admits that there is no historical account of any such memorial but cites many precedents of "sumptuous Piles" which perpetuate the memories and preserve the merits of the historic dead, although such may have been buried in lands far from the monument or "perhaps in the depth of the Sea".

 

In this somewhat fanciful and poetic description of this monument, the author mentions an urn, a laurel branch, a sun, a moon, a Bible, square and compasses, letter G. The book was first published in 1782, which seems proof that there was

at that time at least the idea of a monument erected to the Master Builder.

 

There is little historical material upon which to draw to form any accurate conclusions. Men write of what has happened long after the happenings. Even when faithful to their memories, these may be, and often are, inaccurate. It is with this thought in mind that a curious statement in the Masonic newspaper, published in New York seventy-five years ago, must be considered. In the issue of May 10, 1879, a Robert B. Folger purports to give Cross' account of his invention, or discovery, an inclusion, of the broken column into the marble monument emblem.

 

The account is long, rambling and at times not too clear. Abstracted, the salient parts are as follows. Cross found or sensed what he considered a deficiency in the Third Degree which had to be filled in order to effect his purposes. He consulted a former Mayor of New Haven, who at the time was one of his most intimate friends. Even after working together for a week, they did not hit upon any symbol which would be sufficiently simple and yet answer the purpose. Then a Copper-plate engraver, also a brother, was called in. The number of hieroglyphics which had be this time accumulated was immense. Some were too large, some too small, some too complicated, requiring too much explanation and many were not adapted to the subject.

 

Finally, the copper-plate engraver said, "Brother Cross, when great men die, they generally have a monument." "That's right!" cried Cross; "I never thought of that!" He visited the burying-ground in New Haven. At last he got an idea and told his friends that he had the foundation of what he wanted. He said that while in New York City he had seen a monument in the southwest corner of Trinity Church yard erected over Commodore Lawrence, a great man who fell in battle. It was a large marble pillar, broken off. The broken part had been taken away, but the capital was lying at the base. He wanted that pillar for the foundation of his new emblem, but intended to bring in the other part, leaving it resting against the base. This his friends assented to, but more was wanted. They felt that some inscription should be on the column. after a length discussion they decided upon an open book to be placed upon the broken pillar. There should of course be some reader of the book! Hence the emblem of innocence-a beautiful virgin-who should weep over the memory of the deceased while she read of his heroic deeds from the book before her.

 

The monument erected to the memory of Commodore Lawrence was placed in the southwest corner of Trinity Churchyard in 1813, after the fight between the frigates

Chesapeake and Shannon, in which battle Lawrence fell. As described, it was a beautiful marble pillar, broken off, with a part of the capital laid at its base. lt remained until 1844-5 at which time Trinity Church was rebuilt. When finished, the corporation of the Church took away the old and dilapidated Lawrence monument and erected a new one in a different form, placing it in the front of the yard on Broadway, at the lower entrance of the Church. When Cross visited the new monument, he expressed great disappointment at the change, saying "it was not half as good as the one they took away!"

 

These claims of Cross-perhaps made for Cross-to having originated the emblem are disputed. Oliver speaks of a monument but fails to assign an American origin. In the Barney ritual of 1817, formerly in the possession of Samuel Wilson of Vermont, there is the marble column, the beautiful virgin weeping, the open book, the sprig of acacia, the urn, and Time standing behind. What is here lacking is the broken column. Thus it appears that the present emblem, except the broken column, was in use prior to the publication of Cross' work (1819).

 

The emblem in somewhat different form is frequently found in ancient symbolism. Mackey states that with the Jews a column was often used to symbolize princes, rulers or nobles. A broken column denoted that a pillar of the state had fallen. In Egyptian mythology, Isis is sometimes pictured weeping over the broken column which conceals the body of her husband Osiris, while behind her stands Horus or Time pouring ambrosia on her hair. In Hasting's ENCYCLOPEDIA OF RELIGION AND ETHICS, Isis is said sometimes to be represented standing; in her right hand is a sistrum, in her left hand a small ewer and on her forehead is a lotus, emblem of resurrection. In the Dionysaic Mysteries, Dionysius is represented as slain; Rhea goes in search of the body. She finds it and causes it to be buried. She is sometimes represented as standing by a column holding in her hand a sprig of wheat, emblem of immortality; since, though it be placed in the ground and die, it springs up again into newness of life. She was the wife of Kronus or Time, who may fittingly be represented as standing behind her.

 

Whoever invented the emblem or symbol of the marble monument, the broken column, the beautiful virgin, the book, the urn, the acacia, Father Time counting the ringlets of hair, could not have thought through all the implications of this attempt-doubtless made in all reverence-to add to the dignity and impressiveness of the story of the Master Builder.

 

The urn in which "ashes were safely deposited" is pure invention. Cremation was not practiced by the Twelve Tribes; it was not the method of disposing of the dead in the land and at the time of the building of the Temple. rather was the burning of the dead body reserved as a dreadful fate for the corpses of criminals and evil doers. That so great a man as "the widow's son, of the tribe of Naphtali" should have been cremated is unthinkable. The Bible is silent on the subject; it does not mention Hiram the Builder's death, still less the disposal of the body, but the whole tone of the Old Testament in description of funerals and mournings, make it impossible to believe that his body was burned, or that his ashes might have been preserved.

 

The Israelites did not embalm their dead; burial was accomplished on the day of death or, at the longest wait, on the day following. According to the legend, the Master Builder was disinterred from the first or temporary grave and reinterred with honor. That is indeed, a supposable happening; that his body was raised only to be cremated is wholly out of keeping with everything known of deaths, funeral ceremonies, disposal of the dead of the Israelites.

 

In the ritual which describes the broken column monument, before the figure of the virgin is "a book, open before her." Here again invention and knowledge did not go hand in hand. There were no books at the time of the building of the Temple, as moderns understand the word. there were rolls of skins, but a bound book of leaves made of any substance-vellum, papyrus, skins-was an unknown object. Therefore there could have been no such volume in which the virtues of the Master Builder were recorded.

 

No logical reason has been advanced why the woman who mourned and read in the book was a "beautiful virgin." No scriptural account tells of the Master Builder having wife or daughter or any female relative except his mother. The Israelites reverenced womanhood and appreciated virginity, but they were just as reverent over mother and

child. Indeed, the bearing of children, the increase of the tribe, the desire for sons, was strong in the Twelve Tribes; why, then, the accent upon the virginity of the woman in the monument? "Time standing behind her, unfolding and counting the ringlets of her hair" is dramatic, but also out of character for the times. "Father Time" with his scythe is probably a descendant of the Greek Chromos, who carried a sickle or reaping hook, but the Israelites had no contact with Greece. It may have been natural for whoever invented the marble monument emblem to conclude that Time was both a world-wide and a time immemorial symbolic figure, but it could not have been so at the era in which Solomon's Temple was built.

 

It evidently did not occur to the originators of this emblem that it was historically impossible. Yet the Israelites did not erect monuments to their dead. In the singular, the word "monument" does not occur in the Bible; as "monuments" it is mentioned once, in Isaiah 65 - "A people...which remain among the graves and lodge in the monuments." In the Revised Version this is translated "who sit in tombs and spend the night in secret places." The emphasis is apparently upon some form of worship of the dead (necromancy). The Standard Bible Dictionary says that the word "monument" in the general sense of a simple memorial does not appear in Biblical usage.

 

Oliver Day Street in "SYMBOLISM OF THE THREE DEGREES" says that the urn was an ancient sign of mourning, carried in funeral processions to catch the tears of those who grieved. But the word "urn" does not occur in the Old Testament nor the New.

 

Freemasonry is old. It came to us as a slow, gradual evolution of the thoughts, ideas, beliefs, teachings, idealism of many men through many years. It tells a simple story-a story profound in its meaning, which therefore must be simple, as all great truths in the last analysis are simple.

 

The marble monument and the broken column have many parts. Many of these have the aroma of age. Their weaving together into one symbol may be-probably is-a modernism, if that term can cover a period of nearly two hundred years. but the importance of a great life, his skill and knowledge; his untimely and pitiful death is not a modernism.

 

Nothing herein set forth is intended as in any way belittling one of Freemasonry's teachings by means of ritual and picture. These few pages are but one of many ways of trying to illuminate the truth behind a symbol, and show that, regardless of the dates of any parts of the emblem, the whole has a place in the Masonic story which has at least romance, if not too much fact, behind it.

 

THE BROKEN COLUMN AND ITS DEEPER MEANING:

by Bro. William Steve Burkle KT, 32°

Scioto Lodge No. 6, Chillicothe, Ohio.

Philo Lodge No. 243, South River, New Jersey

 

The meaning of the Broken Column as explained by the ritual of the Master mason degree is that the column represents both the fall of Master Hiram Abif as well as the unfinished work of the Temple of Solomon[i]. This interesting symbol has appeared in some fascinating places; for example, a Broken Column monument marks the gravesite in Lewis County Tennessee[ii] of Brother Meriwether Lewis (Lewis & Clark), and a similar monument marks the grave of Brother Prince Hall[iii]. In China, there is a “broken column-shaped” home which was built just prior to the French Revolution by the aristocrat François Nicolas Henri Racine de Monville[iv]. Today “The Broken Column” is frequently used in Masonic newsletters as the header for obituary notices and is a popular tomb monument for those whose life was deemed cut short. Note that when I speak of The Broken Column here, I am referring to only the upright but shattered Column Base with its detached Shattered Capital, and not to the more extensive symbolism often associated with the figure such as a book resting on the column base, the Weeping Virgin (Isis), or Father Time (Horus) disentangling the Virgin’s hair. In this version the shattered column itself is often said to allude to Osiris[v]. While these embellishments add to the complexity of the allusion, it is the shattered column alone which I intend to address.

 

The Broken Column is believed to be a fairly recent addition to the symbolism of Freemasonry, and has been attributed to Brother Jeremy L. Cross. Brother Cross[vi] is said to have devised the symbol based upon a broken column grave monument dedicated to a Commodore Lawrence[vii], which was erected in the Trinity Churchyard circa 1813. Lawrence perished in a naval battle that same year between the Frigates Chesapeake and Shannon. The illustration of the broken column was reportedly first published in the “True Masonic Chart” by artist Amos Doolittle in 1819[viii]. There is however little evidence beyond the word of Brother Cross that the symbol was thus created[ix],[x].

 

Whether the Broken Column is a modern invention or passed down from times of antiquity is of little consequence; regardless of its origins the symbol serves well as a powerful allusion in our Craft, and as will be discussed, may have deeper meanings which align with other Masonic symbols which also incorporate images of columns and pillars.

 

Freemasonry makes generous reference to columns and pillars of all sorts in the work of the various degrees including the two pillars which stood at the entrance of Solomon’s Temple, the four columns of architectural significance, and the three Great Columns representing strength, beauty, and wisdom[xi]. The first mention of pillars in a Masonic context[xii] is found in the Cooke Manuscript dated circa 1410 A.D. The three Great Pillars of Masonry are of particular interest in this article even though it is the Broken Column and its deeper meanings which I ultimately intend to explore.

 

Three Great Columns:

 

The basis for the Three Great Columns can be traced to an ancient Kabalistic concept and a unique diagram found in the Zohar which illustrates the emanations of God in forming and sustaining the universe. The diagram also reflects certain states of spiritual attainment in man. This diagram, called the Sephiroth consists of ten spheres or Sephira connected to one another by pathways and which are ordered to reflect the sequence of creation. In accordance with Kabalistic belief Aur Ein Sof (Light Without End) shines down into the Sephiroth and is split like a prism into its ten constituent Sephira[xiii], eventually ending in the material universe. To discuss the Sephiroth in sufficient depth to impart a good understanding is well beyond the scope of this paper; however, a basic understanding of how the structure of the Sephiroth is related to the Great Columns is manageable, and is in fact essential to the subsequent discussion of the Broken Column. Be aware that the explanations I give are vast oversimplifications of a highly complex concept. In an attempt to simplify the concept, it is inevitable that some degree of inaccuracy will be introduced.

I would like to begin my discussion of the Three Great Columns by discussing the Cardinal Virtues. The Cardinal Virtues are believed to have originated with Plato who formed them from a tripartite division[xiv] of the attributes of man (power, wisdom, reason, mercy, strength, beauty, firmness, magnificence, and base kingship) presented in the Sephiroth. These concepts were later adopted by the Christian Church[xv] and were popularized by the treatises of Martin of Braga, Alcuin and Hrabanus Maurus (circa 1100 A.D.) and later promoted by Thomas Aquinas (circa 1224 A.D.). According to Wescott[xvi] the Four Cardinal Virtues are represented by what were originally branches of the Sepheroth:

“Four tassels refer to four cardinal virtues, says the first degree Tracing Board Lecture, these are temperance, fortitude, prudence, and justice; these again were originally branches of the Sephirotic Tree, Chesed first, Netzah fortitude, Binah prudence, and Geburah justice. Virtue, honour, and mercy, another triad, are Chochmah, Hod, and Chesed.”

 

broken-column1

 

Thus we have a connection between the Cardinal Virtues and the Sephiroth. The Three Pillars of Freemasonry (Wisdom, Beauty, and Strength) are associated with the Cardinal Virtues[xvii] and also therefore with the Kabalistic concept of the Sephiroth[xviii]. I have provided an illustration of the Sepiroth in Figure 1. This particular version of the Sephiroth is based upon that used in the 30th Degree or Knight Kadosh Grade[xix] of the ASSR. The Sephiroth, incidentally is also called “The Tree of Life”. Each of the vertical columns of spheres (Sephira) in the Sephiroth are considered to represent a pillar (column). Each pillar is named according to the central concept which it represents; thus in Figure 1 we have the pillars Justice, Beauty, and Mercy left to right, respectively. The Sephiroth is a very elegant system in which balance is maintained between the Sephira of the two outermost pillars by virtue of the center pillar. Note also that traditionally the Sephiroth is divided into “Triads” of Sephira. In Figure 1 the uppermost triad, consisting of the spheres Wisdom, Intelligence, and Crown represent the intellectual and spiritual characteristics of man. The next triad is represented by the Sephira Justice, Beauty, and Mercy; the final triad is Splendor, Foundation, and Firmness (or Strength).

According to S.L. MacGregor Mathers[xx], the word Sephira is best translated to mean (or is best rendered as) “Numerical Emanation”, and each of the ten Sephira corresponds to a specific numerical value. Mathers also asserts that it was through knowledge of the Sephiroth that Pythagoras devised his system of numerical symbolism. While there are additional divisions and subdivisions of the Sephiroth, the concept which is of interest to us here is that God created the Material World or Universe (signified by the lowest Sephira, Kingdom) in a series of ordered actions which proceeded along established pathways (i.e. the connecting lines between the Sephira in our Figure). Each of the Sephira and each pathway are a sort of “buffer” between the majesty and power of God and the material world. Without these buffers, profane man and the material world he inhabits would meet with destruction. On the other hand, enlightened man is able to progress upwards along these pathways to higher level Sephira and to thereby achieve enhanced knowledge of the Divine. Tradition holds that man once was closer to the Divine spirit, but became corrupted by the material world, losing this connection (i.e. The fall of Man from Grace. Note also the reference to the Tree of Knowledge and possible connections to the Tree of Life). God uses the Sephiroth in renewing and sustaining the material universe. Each new soul created is an emanation of God and travels to materiality (physical existence) via the pathways established in the Sephiroth. In a similar fashion, the spirits of the departed return to God via these same pathways, making the Sephiroth the mechanism by which God interacts with the universe.

 

broken-column2 The Broken Column:

 

In Figure 2, I have redrawn the Sephiroth as an overlay of the Three Great Columns; however in this version the Pillar of Beauty is Broken. Note especially that the center pillar, the Pillar of Beauty in the Sephiroth has a gap between Beauty and Crown, in effect making this column a Broken Pillar[xxi]. I believe this “fracture” symbolizes Man’s separation from knowledge of the Divine, and an interruption in the Pathway leading from Beauty directly to the Crown (which symbolizes “The Vast Countenance”[xxii]).

 

I would also like to extrapolate that if the Broken Column indeed represents Hiram Abif as per the explanation given to initiates, then the two remaining columns would then correspond to Solomon and Hiram King of Tyre[xxiii]. Certainly the Sephira (Wisdom, Justice, and Splendor) which comprise the column of Justice align well with the characteristics traditionally associated with King Solomon. Tradition unfortunately does not address Hiram King of Tyre although we can assume that Intelligence, Mercy, and Firmness or Strength would be a likely requirement for a Monarch of such apparent success. The connection between the Three Great Columns and the three principle characters in the drama of the Third Degree does have a certain sense of validity. The “Lost Word” associated with Hiram Abif would then allude to the lost Pathway.

 

In so many of our Masonic Lessons we initially receive a plausible but quite shallow explanation of our symbols and allusions. Those who sense an underlying, deeper meaning tend to find it (Seek and you will find, knock and the door shall be opened). Perhaps in our ritual of the Third Degree, that which is symbolically being raised (restored) is the Pillar of which resides within us. If so, the Lost Word has then in fact been received by each of us. It only remains lost if we choose to forget it or choose not to pursue it.

 

[i] Duncan, Malcom C. Duncan's Masonic Ritual and Monitor. Crown; 3 Edition (April 12, 1976). ISBN-13: 978-0679506263. pp 157.

 

[ii] “Meriwether Lewis, Master Mason”. The Lewis and Clark Fort Mandan Foundation.

 

[iii] “WHo is Prince Hall ?” (1996). Retrieved December 5, 2008 from www.mindspring.com/~johnsonx/whoisph.htm.

 

[iv] Kenna, Michael. (1988). The Broken Column House at Désert de Retz in Le Desert De Retz, A late 18th Century French Folley Garden. Retrieved December 6, 2008 from Valley Daze. valley-daze.blogspot.com/2007/09/broken-column-house.html

 

[v] Pike, Albert. (1919) Morals and Dogma. Charleston Southern Jurisdiction. pp. 379. ASIN: B000CDT4T8.

 

[vi] “The Broken Column”. The Short Talk Bulletin 2-56. The Masonic Service Association of the United States. VOL. 34 February 1956 NO. 2.

 

[vii] Brown, Robert Hewitt. (1892). Stellar Theology and Masonic Astronomy or the origin and meaning of ancient and modern mysteries explained. New York: D. Appleton and Company, 1, 3, and 5 Bond Street. 1892.. pp. 68.

 

[viii] “Boston Masonic Lithograph”. Retrieved December 5, 2008 from Lodge Pambula Daylight UGL of NSW & ACT No1000. lodgepambuladaylight.org/lithograph.htm.

 

[ix] Folger, Robert B. Fiction of the Weeping Virgin. Retrieved December 6, 2008 from the Grand Lodge of British Columbia and Yukon A.F. & A.M. freemasonry.bcy.ca/art/monument / fiction/fiction.html

 

[x] Mackey, Albert Gallatin & Haywood H. L. Encyclopedia of Freemasonry Part 2. pp. 677. Kessinger Publishing, LLC (March 31, 2003).

 

[xi] Claudy, Carl H. Introduction to Masonry. The Temple Publishers. Retrieved December 5, 2008 from Pietre-Stones Review of Freemasonry. www.freemasons-freemasonry.com/claudy4.html.

 

[xii] Dwor, Mark. (1998). Globes, Pillars, Columns, and Candlesticks. Vancouver Lodge of Education and Research . Retrieved December 6, 2008 from the Grand Lodge of British Columbia and Yukon A.F. & A.M. freemasonry.bcy.ca/texts/globes_pillars_columns.html

 

[xiii] Day, Jeff. (2008). Dualism of the Sword and the Trowel. Cryptic Masons of Oregon – Grants Pass. Retrieved December 6, 2008 from rogue.cryptic-masons.org/dualism_of_the_sword_and_trowel

 

[xiv] Bramston, M. Thinkers of the Middle Ages. Monthly Packet. Evening Readings of the Christian Church (1893). Ed. Charlotte Mary Yonge, Christabel Rose Coleridge, Arthur Innes. J. and C. Mozley. University of Michigan (2007).

 

[xv] Regan, Richard. (2005). The Cardinal Virtues: Prudence, Justice, Fortitude, and Temperance. Hackett Publishing.

 

[xvi] Wescott, William ( ). The Religion of Freemasonry. Illuminated by the Kabbalah. Ars Quatuor Coronatorum. vol. i. p. 73-77. Grand Lodge of British Columbia and Yukon. Retrieved September 29, 2008 from www.freemasonry.bcy.ca/aqc/kabbalah.html.

 

[xvii] MacKenzie, Kenneth R. H. (1877). Kabala. Royal Masonic Cyclopedia. Kessinger Publishing (2002).

 

[xviii] Pirtle, Henry. Lost Word of Freemasonry. Kessinger Publishing, 1993.

 

[xix] Knight Kadosh. The Thirtieth Grade of the Ancient and Accepted Scottish Rite, and the First Degree of the Chivalric Series. Hirams Web. University of Bradford.

 

[xx] Mathers, S.L. MacGregor. (1887). Qabalah Unveiled. Reprinted (2006) as The Kabbalah: Essential Texts From The Zohar. Watkins. London. pp. 10.

 

[xxi] Ibid. Dualism of the Sword and the Trowel

 

[xxii] Ibid. Qabalah Unveiled .Plate III. pp. 38-39.

 

[xxiii] Duncan, Malcom C. Duncan's Masonic Ritual and Monitor. Crown; 3 Edition (April 12, 1976).

 

Masonic Lodge 229 Albert Street Victoria Harbour, ON L0K 2A0

 

Masonic Broken Column.

 

www.phoenixmasonry.org/broken_column.htm

 

THE BROKEN COLUMN:

Short Talk Bulletin - Vol. 34, February 1956,

No. 2 - Author Unknown

 

The story of the broken column was first illustrated by Amos Doolittle in the "True Masonic Chart" by Jeremy Cross, published in 1819.

 

Many of Freemasonry's symbols are of extreme antiquity and deserve the reverence which we give to that which has had sufficient vitality to live long in the minds of men. For instance, the square, the point within a circle, the apron, circumambulation, the Altar have been used not only in Freemasonry but in systems of ethics, philosophy and religions without number.

 

Other symbols in the Masonic system are more recent. Perhaps they are not the less important for that, even without the sanctity of age which surrounds many others.

 

Among the newer symbols is that usually referred to as the broken column. A marble monument is respectably ancient - the broken column seems a more recent addition. There seems to be no doubt that the first pictured broken column appeared in Jeremy Cross's True Masonic Chart, published in 1819, and that the illustration was the work of Amos Doolittle, an engraver, of Connecticut.

 

That Jeremy Cross "invented" or "designed" the emblem is open to argument. But there is legitimate room for argument over many inventions. Who invented printing from movable type? We give the credit to Gutenberg, but there are other claimants, among them the Chinese at an earlier date. Who invented the airplane? The Wrights first flew a "mechanical bird" but a thousand inventors have added to, altered, changed their original design, until the very principle which first enabled the Wrights to fly, the "warping wing", is now discarded and never used.

 

Therefore, if authorities argue and contend about the marble monument and broken column it is not to make objection or take credit from Jeremy Cross; the thought is that almost any invention or discovery is improved, changed, added to and perfected by many men. Edison is credited with the first incandescent lamp, but there is small kinship between his carbon filament and a modern tungsten filament bulb. Roentgen was first to bring the "x-ray" to public notice-the discoverer would not know what a modern physician's x-ray apparatus was if he saw it!

 

In the library of the Grand Lodge of Iowa in Cedar Rapids, is a book published in 1784; "A BRIEF HISTORY OF FREEMASONRY" by Thomas Johnson, at that time the Tiler of the Grand Lodge of England (the "Moderns"). In this book the author states that he was "taken the liberty to introduce a Design for a Monument in Honor of a Great Artist." He then admits that there is no historical account of any such memorial but cites many precedents of "sumptuous Piles" which perpetuate the memories and preserve the merits of the historic dead, although such may have been buried in lands far from the monument or "perhaps in the depth of the Sea".

 

In this somewhat fanciful and poetic description of this monument, the author mentions an urn, a laurel branch, a sun, a moon, a Bible, square and compasses, letter G. The book was first published in 1782, which seems proof that there was

at that time at least the idea of a monument erected to the Master Builder.

 

There is little historical material upon which to draw to form any accurate conclusions. Men write of what has happened long after the happenings. Even when faithful to their memories, these may be, and often are, inaccurate. It is with this thought in mind that a curious statement in the Masonic newspaper, published in New York seventy-five years ago, must be considered. In the issue of May 10, 1879, a Robert B. Folger purports to give Cross' account of his invention, or discovery, an inclusion, of the broken column into the marble monument emblem.

 

The account is long, rambling and at times not too clear. Abstracted, the salient parts are as follows. Cross found or sensed what he considered a deficiency in the Third Degree which had to be filled in order to effect his purposes. He consulted a former Mayor of New Haven, who at the time was one of his most intimate friends. Even after working together for a week, they did not hit upon any symbol which would be sufficiently simple and yet answer the purpose. Then a Copper-plate engraver, also a brother, was called in. The number of hieroglyphics which had be this time accumulated was immense. Some were too large, some too small, some too complicated, requiring too much explanation and many were not adapted to the subject.

 

Finally, the copper-plate engraver said, "Brother Cross, when great men die, they generally have a monument." "That's right!" cried Cross; "I never thought of that!" He visited the burying-ground in New Haven. At last he got an idea and told his friends that he had the foundation of what he wanted. He said that while in New York City he had seen a monument in the southwest corner of Trinity Church yard erected over Commodore Lawrence, a great man who fell in battle. It was a large marble pillar, broken off. The broken part had been taken away, but the capital was lying at the base. He wanted that pillar for the foundation of his new emblem, but intended to bring in the other part, leaving it resting against the base. This his friends assented to, but more was wanted. They felt that some inscription should be on the column. after a length discussion they decided upon an open book to be placed upon the broken pillar. There should of course be some reader of the book! Hence the emblem of innocence-a beautiful virgin-who should weep over the memory of the deceased while she read of his heroic deeds from the book before her.

 

The monument erected to the memory of Commodore Lawrence was placed in the southwest corner of Trinity Churchyard in 1813, after the fight between the frigates

Chesapeake and Shannon, in which battle Lawrence fell. As described, it was a beautiful marble pillar, broken off, with a part of the capital laid at its base. lt remained until 1844-5 at which time Trinity Church was rebuilt. When finished, the corporation of the Church took away the old and dilapidated Lawrence monument and erected a new one in a different form, placing it in the front of the yard on Broadway, at the lower entrance of the Church. When Cross visited the new monument, he expressed great disappointment at the change, saying "it was not half as good as the one they took away!"

 

These claims of Cross-perhaps made for Cross-to having originated the emblem are disputed. Oliver speaks of a monument but fails to assign an American origin. In the Barney ritual of 1817, formerly in the possession of Samuel Wilson of Vermont, there is the marble column, the beautiful virgin weeping, the open book, the sprig of acacia, the urn, and Time standing behind. What is here lacking is the broken column. Thus it appears that the present emblem, except the broken column, was in use prior to the publication of Cross' work (1819).

 

The emblem in somewhat different form is frequently found in ancient symbolism. Mackey states that with the Jews a column was often used to symbolize princes, rulers or nobles. A broken column denoted that a pillar of the state had fallen. In Egyptian mythology, Isis is sometimes pictured weeping over the broken column which conceals the body of her husband Osiris, while behind her stands Horus or Time pouring ambrosia on her hair. In Hasting's ENCYCLOPEDIA OF RELIGION AND ETHICS, Isis is said sometimes to be represented standing; in her right hand is a sistrum, in her left hand a small ewer and on her forehead is a lotus, emblem of resurrection. In the Dionysaic Mysteries, Dionysius is represented as slain; Rhea goes in search of the body. She finds it and causes it to be buried. She is sometimes represented as standing by a column holding in her hand a sprig of wheat, emblem of immortality; since, though it be placed in the ground and die, it springs up again into newness of life. She was the wife of Kronus or Time, who may fittingly be represented as standing behind her.

 

Whoever invented the emblem or symbol of the marble monument, the broken column, the beautiful virgin, the book, the urn, the acacia, Father Time counting the ringlets of hair, could not have thought through all the implications of this attempt-doubtless made in all reverence-to add to the dignity and impressiveness of the story of the Master Builder.

 

The urn in which "ashes were safely deposited" is pure invention. Cremation was not practiced by the Twelve Tribes; it was not the method of disposing of the dead in the land and at the time of the building of the Temple. rather was the burning of the dead body reserved as a dreadful fate for the corpses of criminals and evil doers. That so great a man as "the widow's son, of the tribe of Naphtali" should have been cremated is unthinkable. The Bible is silent on the subject; it does not mention Hiram the Builder's death, still less the disposal of the body, but the whole tone of the Old Testament in description of funerals and mournings, make it impossible to believe that his body was burned, or that his ashes might have been preserved.

 

The Israelites did not embalm their dead; burial was accomplished on the day of death or, at the longest wait, on the day following. According to the legend, the Master Builder was disinterred from the first or temporary grave and reinterred with honor. That is indeed, a supposable happening; that his body was raised only to be cremated is wholly out of keeping with everything known of deaths, funeral ceremonies, disposal of the dead of the Israelites.

 

In the ritual which describes the broken column monument, before the figure of the virgin is "a book, open before her." Here again invention and knowledge did not go hand in hand. There were no books at the time of the building of the Temple, as moderns understand the word. there were rolls of skins, but a bound book of leaves made of any substance-vellum, papyrus, skins-was an unknown object. Therefore there could have been no such volume in which the virtues of the Master Builder were recorded.

 

No logical reason has been advanced why the woman who mourned and read in the book was a "beautiful virgin." No scriptural account tells of the Master Builder having wife or daughter or any female relative except his mother. The Israelites reverenced womanhood and appreciated virginity, but they were just as reverent over mother and

child. Indeed, the bearing of children, the increase of the tribe, the desire for sons, was strong in the Twelve Tribes; why, then, the accent upon the virginity of the woman in the monument? "Time standing behind her, unfolding and counting the ringlets of her hair" is dramatic, but also out of character for the times. "Father Time" with his scythe is probably a descendant of the Greek Chromos, who carried a sickle or reaping hook, but the Israelites had no contact with Greece. It may have been natural for whoever invented the marble monument emblem to conclude that Time was both a world-wide and a time immemorial symbolic figure, but it could not have been so at the era in which Solomon's Temple was built.

 

It evidently did not occur to the originators of this emblem that it was historically impossible. Yet the Israelites did not erect monuments to their dead. In the singular, the word "monument" does not occur in the Bible; as "monuments" it is mentioned once, in Isaiah 65 - "A people...which remain among the graves and lodge in the monuments." In the Revised Version this is translated "who sit in tombs and spend the night in secret places." The emphasis is apparently upon some form of worship of the dead (necromancy). The Standard Bible Dictionary says that the word "monument" in the general sense of a simple memorial does not appear in Biblical usage.

 

Oliver Day Street in "SYMBOLISM OF THE THREE DEGREES" says that the urn was an ancient sign of mourning, carried in funeral processions to catch the tears of those who grieved. But the word "urn" does not occur in the Old Testament nor the New.

 

Freemasonry is old. It came to us as a slow, gradual evolution of the thoughts, ideas, beliefs, teachings, idealism of many men through many years. It tells a simple story-a story profound in its meaning, which therefore must be simple, as all great truths in the last analysis are simple.

 

The marble monument and the broken column have many parts. Many of these have the aroma of age. Their weaving together into one symbol may be-probably is-a modernism, if that term can cover a period of nearly two hundred years. but the importance of a great life, his skill and knowledge; his untimely and pitiful death is not a modernism.

 

Nothing herein set forth is intended as in any way belittling one of Freemasonry's teachings by means of ritual and picture. These few pages are but one of many ways of trying to illuminate the truth behind a symbol, and show that, regardless of the dates of any parts of the emblem, the whole has a place in the Masonic story which has at least romance, if not too much fact, behind it.

 

THE BROKEN COLUMN AND ITS DEEPER MEANING:

by Bro. William Steve Burkle KT, 32°

Scioto Lodge No. 6, Chillicothe, Ohio.

Philo Lodge No. 243, South River, New Jersey

 

The meaning of the Broken Column as explained by the ritual of the Master mason degree is that the column represents both the fall of Master Hiram Abif as well as the unfinished work of the Temple of Solomon[i]. This interesting symbol has appeared in some fascinating places; for example, a Broken Column monument marks the gravesite in Lewis County Tennessee[ii] of Brother Meriwether Lewis (Lewis & Clark), and a similar monument marks the grave of Brother Prince Hall[iii]. In China, there is a “broken column-shaped” home which was built just prior to the French Revolution by the aristocrat François Nicolas Henri Racine de Monville[iv]. Today “The Broken Column” is frequently used in Masonic newsletters as the header for obituary notices and is a popular tomb monument for those whose life was deemed cut short. Note that when I speak of The Broken Column here, I am referring to only the upright but shattered Column Base with its detached Shattered Capital, and not to the more extensive symbolism often associated with the figure such as a book resting on the column base, the Weeping Virgin (Isis), or Father Time (Horus) disentangling the Virgin’s hair. In this version the shattered column itself is often said to allude to Osiris[v]. While these embellishments add to the complexity of the allusion, it is the shattered column alone which I intend to address.

 

The Broken Column is believed to be a fairly recent addition to the symbolism of Freemasonry, and has been attributed to Brother Jeremy L. Cross. Brother Cross[vi] is said to have devised the symbol based upon a broken column grave monument dedicated to a Commodore Lawrence[vii], which was erected in the Trinity Churchyard circa 1813. Lawrence perished in a naval battle that same year between the Frigates Chesapeake and Shannon. The illustration of the broken column was reportedly first published in the “True Masonic Chart” by artist Amos Doolittle in 1819[viii]. There is however little evidence beyond the word of Brother Cross that the symbol was thus created[ix],[x].

 

Whether the Broken Column is a modern invention or passed down from times of antiquity is of little consequence; regardless of its origins the symbol serves well as a powerful allusion in our Craft, and as will be discussed, may have deeper meanings which align with other Masonic symbols which also incorporate images of columns and pillars.

 

Freemasonry makes generous reference to columns and pillars of all sorts in the work of the various degrees including the two pillars which stood at the entrance of Solomon’s Temple, the four columns of architectural significance, and the three Great Columns representing strength, beauty, and wisdom[xi]. The first mention of pillars in a Masonic context[xii] is found in the Cooke Manuscript dated circa 1410 A.D. The three Great Pillars of Masonry are of particular interest in this article even though it is the Broken Column and its deeper meanings which I ultimately intend to explore.

 

Three Great Columns:

 

The basis for the Three Great Columns can be traced to an ancient Kabalistic concept and a unique diagram found in the Zohar which illustrates the emanations of God in forming and sustaining the universe. The diagram also reflects certain states of spiritual attainment in man. This diagram, called the Sephiroth consists of ten spheres or Sephira connected to one another by pathways and which are ordered to reflect the sequence of creation. In accordance with Kabalistic belief Aur Ein Sof (Light Without End) shines down into the Sephiroth and is split like a prism into its ten constituent Sephira[xiii], eventually ending in the material universe. To discuss the Sephiroth in sufficient depth to impart a good understanding is well beyond the scope of this paper; however, a basic understanding of how the structure of the Sephiroth is related to the Great Columns is manageable, and is in fact essential to the subsequent discussion of the Broken Column. Be aware that the explanations I give are vast oversimplifications of a highly complex concept. In an attempt to simplify the concept, it is inevitable that some degree of inaccuracy will be introduced.

I would like to begin my discussion of the Three Great Columns by discussing the Cardinal Virtues. The Cardinal Virtues are believed to have originated with Plato who formed them from a tripartite division[xiv] of the attributes of man (power, wisdom, reason, mercy, strength, beauty, firmness, magnificence, and base kingship) presented in the Sephiroth. These concepts were later adopted by the Christian Church[xv] and were popularized by the treatises of Martin of Braga, Alcuin and Hrabanus Maurus (circa 1100 A.D.) and later promoted by Thomas Aquinas (circa 1224 A.D.). According to Wescott[xvi] the Four Cardinal Virtues are represented by what were originally branches of the Sepheroth:

“Four tassels refer to four cardinal virtues, says the first degree Tracing Board Lecture, these are temperance, fortitude, prudence, and justice; these again were originally branches of the Sephirotic Tree, Chesed first, Netzah fortitude, Binah prudence, and Geburah justice. Virtue, honour, and mercy, another triad, are Chochmah, Hod, and Chesed.”

 

broken-column1

 

Thus we have a connection between the Cardinal Virtues and the Sephiroth. The Three Pillars of Freemasonry (Wisdom, Beauty, and Strength) are associated with the Cardinal Virtues[xvii] and also therefore with the Kabalistic concept of the Sephiroth[xviii]. I have provided an illustration of the Sepiroth in Figure 1. This particular version of the Sephiroth is based upon that used in the 30th Degree or Knight Kadosh Grade[xix] of the ASSR. The Sephiroth, incidentally is also called “The Tree of Life”. Each of the vertical columns of spheres (Sephira) in the Sephiroth are considered to represent a pillar (column). Each pillar is named according to the central concept which it represents; thus in Figure 1 we have the pillars Justice, Beauty, and Mercy left to right, respectively. The Sephiroth is a very elegant system in which balance is maintained between the Sephira of the two outermost pillars by virtue of the center pillar. Note also that traditionally the Sephiroth is divided into “Triads” of Sephira. In Figure 1 the uppermost triad, consisting of the spheres Wisdom, Intelligence, and Crown represent the intellectual and spiritual characteristics of man. The next triad is represented by the Sephira Justice, Beauty, and Mercy; the final triad is Splendor, Foundation, and Firmness (or Strength).

According to S.L. MacGregor Mathers[xx], the word Sephira is best translated to mean (or is best rendered as) “Numerical Emanation”, and each of the ten Sephira corresponds to a specific numerical value. Mathers also asserts that it was through knowledge of the Sephiroth that Pythagoras devised his system of numerical symbolism. While there are additional divisions and subdivisions of the Sephiroth, the concept which is of interest to us here is that God created the Material World or Universe (signified by the lowest Sephira, Kingdom) in a series of ordered actions which proceeded along established pathways (i.e. the connecting lines between the Sephira in our Figure). Each of the Sephira and each pathway are a sort of “buffer” between the majesty and power of God and the material world. Without these buffers, profane man and the material world he inhabits would meet with destruction. On the other hand, enlightened man is able to progress upwards along these pathways to higher level Sephira and to thereby achieve enhanced knowledge of the Divine. Tradition holds that man once was closer to the Divine spirit, but became corrupted by the material world, losing this connection (i.e. The fall of Man from Grace. Note also the reference to the Tree of Knowledge and possible connections to the Tree of Life). God uses the Sephiroth in renewing and sustaining the material universe. Each new soul created is an emanation of God and travels to materiality (physical existence) via the pathways established in the Sephiroth. In a similar fashion, the spirits of the departed return to God via these same pathways, making the Sephiroth the mechanism by which God interacts with the universe.

 

broken-column2

 

The Broken Column:

 

In Figure 2, I have redrawn the Sephiroth as an overlay of the Three Great Columns; however in this version the Pillar of Beauty is Broken. Note especially that the center pillar, the Pillar of Beauty in the Sephiroth has a gap between Beauty and Crown, in effect making this column a Broken Pillar[xxi]. I believe this “fracture” symbolizes Man’s separation from knowledge of the Divine, and an interruption in the Pathway leading from Beauty directly to the Crown (which symbolizes “The Vast Countenance”[xxii]).

 

I would also like to extrapolate that if the Broken Column indeed represents Hiram Abif as per the explanation given to initiates, then the two remaining columns would then correspond to Solomon and Hiram King of Tyre[xxiii]. Certainly the Sephira (Wisdom, Justice, and Splendor) which comprise the column of Justice align well with the characteristics traditionally associated with King Solomon. Tradition unfortunately does not address Hiram King of Tyre although we can assume that Intelligence, Mercy, and Firmness or Strength would be a likely requirement for a Monarch of such apparent success. The connection between the Three Great Columns and the three principle characters in the drama of the Third Degree does have a certain sense of validity. The “Lost Word” associated with Hiram Abif would then allude to the lost Pathway.

 

In so many of our Masonic Lessons we initially receive a plausible but quite shallow explanation of our symbols and allusions. Those who sense an underlying, deeper meaning tend to find it (Seek and you will find, knock and the door shall be opened). Perhaps in our ritual of the Third Degree, that which is symbolically being raised (restored) is the Pillar of which resides within us. If so, the Lost Word has then in fact been received by each of us. It only remains lost if we choose to forget it or choose not to pursue it.

 

[i] Duncan, Malcom C. Duncan's Masonic Ritual and Monitor. Crown; 3 Edition (April 12, 1976). ISBN-13: 978-0679506263. pp 157.

 

[ii] “Meriwether Lewis, Master Mason”. The Lewis and Clark Fort Mandan Foundation.

 

[iii] “WHo is Prince Hall ?” (1996). Retrieved December 5, 2008 from www.mindspring.com/~johnsonx/whoisph.htm.

 

[iv] Kenna, Michael. (1988). The Broken Column House at Désert de Retz in Le Desert De Retz, A late 18th Century French Folley Garden. Retrieved December 6, 2008 from Valley Daze. valley-daze.blogspot.com/2007/09/broken-column-house.html

 

[v] Pike, Albert. (1919) Morals and Dogma. Charleston Southern Jurisdiction. pp. 379. ASIN: B000CDT4T8.

 

[vi] “The Broken Column”. The Short Talk Bulletin 2-56. The Masonic Service Association of the United States. VOL. 34 February 1956 NO. 2.

 

[vii] Brown, Robert Hewitt. (1892). Stellar Theology and Masonic Astronomy or the origin and meaning of ancient and modern mysteries explained. New York: D. Appleton and Company, 1, 3, and 5 Bond Street. 1892.. pp. 68.

 

[viii] “Boston Masonic Lithograph”. Retrieved December 5, 2008 from Lodge Pambula Daylight UGL of NSW & ACT No1000. lodgepambuladaylight.org/lithograph.htm.

 

[ix] Folger, Robert B. Fiction of the Weeping Virgin. Retrieved December 6, 2008 from the Grand Lodge of British Columbia and Yukon A.F. & A.M. freemasonry.bcy.ca/art/monument / fiction/fiction.html

 

[x] Mackey, Albert Gallatin & Haywood H. L. Encyclopedia of Freemasonry Part 2. pp. 677. Kessinger Publishing, LLC (March 31, 2003).

 

[xi] Claudy, Carl H. Introduction to Masonry. The Temple Publishers. Retrieved December 5, 2008 from Pietre-Stones Review of Freemasonry. www.freemasons-freemasonry.com/claudy4.html.

 

[xii] Dwor, Mark. (1998). Globes, Pillars, Columns, and Candlesticks. Vancouver Lodge of Education and Research . Retrieved December 6, 2008 from the Grand Lodge of British Columbia and Yukon A.F. & A.M. freemasonry.bcy.ca/texts/globes_pillars_columns.html

 

[xiii] Day, Jeff. (2008). Dualism of the Sword and the Trowel. Cryptic Masons of Oregon – Grants Pass. Retrieved December 6, 2008 from rogue.cryptic-masons.org/dualism_of_the_sword_and_trowel

 

[xiv] Bramston, M. Thinkers of the Middle Ages. Monthly Packet. Evening Readings of the Christian Church (1893). Ed. Charlotte Mary Yonge, Christabel Rose Coleridge, Arthur Innes. J. and C. Mozley. University of Michigan (2007).

 

[xv] Regan, Richard. (2005). The Cardinal Virtues: Prudence, Justice, Fortitude, and Temperance. Hackett Publishing.

 

[xvi] Wescott, William ( ). The Religion of Freemasonry. Illuminated by the Kabbalah. Ars Quatuor Coronatorum. vol. i. p. 73-77. Grand Lodge of British Columbia and Yukon. Retrieved September 29, 2008 from www.freemasonry.bcy.ca/aqc/kabbalah.html.

 

[xvii] MacKenzie, Kenneth R. H. (1877). Kabala. Royal Masonic Cyclopedia. Kessinger Publishing (2002).

 

[xviii] Pirtle, Henry. Lost Word of Freemasonry. Kessinger Publishing, 1993.

 

[xix] Knight Kadosh. The Thirtieth Grade of the Ancient and Accepted Scottish Rite, and the First Degree of the Chivalric Series. Hirams Web. University of Bradford.

 

[xx] Mathers, S.L. MacGregor. (1887). Qabalah Unveiled. Reprinted (2006) as The Kabbalah: Essential Texts From The Zohar. Watkins. London. pp. 10.

 

[xxi] Ibid. Dualism of the Sword and the Trowel

 

[xxii] Ibid. Qabalah Unveiled .Plate III. pp. 38-39.

 

[xxiii] Duncan, Malcom C. Duncan's Masonic Ritual and Monitor. Crown; 3 Edition (April 12, 1976).

 

After the bulldozer cuts the snow to a manageable level, our snow blower comes through the finish clearing the SR 542. Crews began working on the final 2.7 miles of the highway to Artist Point on April 20, 2015, by far the earliest they’ve ever started. The low snow totals from the past winter made it possible to begin work in April, which could result in an early May opening of the popular destination.

Three month old EMD SD70m #4753 is leading an eastbound Union Pacific stack train just out of Nelson and winding its way through the curves on the west side of Dixon, Illinois in this photo taken April 19th, 2002. Due to the hilly terrain in this area near the Rock river, at one time there was an alternate route which had a much more manageable gradient for heavy trains that ran around the south side of Dixon. It branched off near Nelson and then re-joined the main line again at Nachusa – but that ten mile long by-pass was abandoned by the C&NW back in the 1950s. ~~ A Jeff Hampton Photograph ©

Prolific and easily manageable, these self-supporting relations of the sunflower carry semi-double flowers from July to September. The blooms are golden yellow and have three rows of ray florets, which develop a richer tone around the orange eye. Drought tolerant once established, but happiest in good soil, plants can be cut back in late May to reduce the flowering height and encourage many more

Sketched this on location today. It was a real challenge. It's a very complicated building with lots of detail and it's WHITE. I had no idea how to paint a white house. Lots of shades of gray. I spent about an hour and a half drawing the building. I did a preliminary sketch first on another piece of paper. From this I learned the basic structure and proportions. I then sketched in my Moleskine using a Burnt Ochre watercolor pencil and then did a final drawing in ink using a Platinum Carbon Desk pen which has an extra fine nib. I went home and later added watercolor. I looked at a reference photo on my iPad while painting. This is a nice way to work. It breaks it up into manageable chunks.

 

Moleskine 5x8 inch watercolor notebook, Faber Castell Burnt Ochre watercolor pencil, Platinum Desk pen with Platinum Carbon Black ink, and Lucas tube watercolors.

After a great breakfast at a small cafe we took the Scenic Drive into Capitol Reef National Park. It's mostly a paved road until the very end but still manageable. We spent a few hours exploring the area. When we left Capitol Reef we decided to look for something new. I read about the Notom Road, east of the park, so we decided to check it out. Good decision. We went in about 12 miles before the road got rougher. Great scenery - it is the back side of the Waterpocket Fold - another area we need to check out. We then drove through some really desolate landscape before coming to the Hite Overlook. Great view of the Colorado River in the Glen Canyon Recreation Area. After this we were going to visit some Indian ruins but took a wrong turn somewhere so we just headed to Cortez, CO for the evening. Good day.

 

I took these photos in April 2018 in south eastern Utah.

Day 23. 110 hours total.

 

Yesterday was the day when it felt like I broke through. The dark green areas which are quite scattered with the upper trees, the grass/flowers area with its very difficult twists and turns, and Gabriel's shadow, may well be the hardest portion of this puzzle (though I'm not excited about that blue dress). I have gone from over 2000 dark pieces to perhaps 1300 left. That feels a lot more manageable. It took about 8.25 hours to complete the rest of the green; the remainder I spent building the left wall.

 

The wall, which I thought would be really difficult, is turning out to be not bad at all. I didn't even need to arrange the pieces into shape-formation on pieces of cardboard, but can build the puzzle my normal way. The left side has more green in its brown, the right side more reddish. There's also a very subtle grain to the area that runs horizontally. Interestingly, I found the blades of grass to be much more tricky than solid color areas.

 

I'm now really tuned in to the subtle shades of these dark colors in a way that I wasn't a few days ago. I expect the final run will be stone work, red dress, blue dress.

* Another in the 'Then & Now' series. (a 10Mby JPG to provide sufficient resolution for all the detail).

Opportunity at last after months waiting to include picture taken in March of the MSL's Wharncliffe Side 30kV sub-station which was one of the 3 installations meant to provide the 1500VDC OHL (Over-Head Line) equipment with the current necessary for powering the Woodhead electrified, class 76 and 77 locomotives. This large mosaic image, split into 2 parts, the upper 6 images showing the view as seen from the north and matching the left hand 'Now' picture at centre and the lower 6 images showing the view taken from the south, as the right-hand central image taken 'Now' shows on the approach of the DRS 'route learner' to the almost totally hidden away sub-station building. Quite difficult to get all the different sections of this mosaic piece into a manageable space, this 7kx7.5k pixel image just about suffices to show all the interest in the building now hidden in 30 years worth of burgeoning vegetation at the side of what is now a single track line up to the TATA steel works at Stocksbridge. Main line locos don't go all the way into the steel works; there being a weight limit on the bridge over the River Don at Ellen Wood, just east of the line, up to the works; therefore there are exchange sidings at this location where a diesel shunter takes over and pushes the billets up into the works having left rolled material to be taken back to Aldwarke UES at Parkgate. This loco, DRS 66427 ran two days this week and today in the gloom of the cutting and in misty, humid weather the loco went up light engine, smartly and came back down the 1 in 100 grade about 10 minutes later. So, at left centre DRS 66427 ascends the grade and passes the remains of the sun-station which is _just_ about visible in front of the loco on the left and we are here looking south towards Sheffield. In the pictures above, taken in March when there was much less vegetation, on the left looking southwards is the end of the sub-station building with the large concrete mounts and base for the transformers. The building, inside and out, has been completely graffiti'd as all these pictures show. Over on the right, a picture of a similar installation at Hadfield (as I couldn't find a corresponding picture of this one in its heyday) showing the transformers, Mercury Arc rectifiers (to convert the transformed AC to the 1500VDC for the OHLE) and all the sub-stations (12 in all) had a similar design and performed similar functions; all un-manned and controlled from Electric Control Centre at Penistone Station. The Wharncliffe Wood building was one of the 4 locations (the others were Gorton, Barnsley Jn. & Strafford Crossing) which contained the equipment, banks of resistors rated at 1500VDC and 600A, for the regenerative breaking system which automatically switched the generated current, created when the locos operated the regenerative braking system, over to the large banks of resistors; another of the unique feature which made the system modern and unique at the time. The centre picture at top is a view of the building taken in 2002, in the winter months and when the vegetation was much less prominent. In the intervening years the building has been used for various 'functions', it being a notable location for raves and the like, presumably due to its remote location. In this vein the whole place has been 'decorated', completely, inside and out by various graffiti artists, with some considerable skill, in my view of course, resulting in the building now showing its present, quite unique and unusual look in the surrounding gloom and verdant cutting. The inside has been set in the style of a library, with books and book shelves painted on the walls.. for some this must have been a great place to hold a 'do'... At right centre, the DRS has run up to a stop at Deepcar station where the driver changed ends and is now seen coming back down-grade, so the lower pictures were taken from the south as the loco approached from the north. The two pictures at far left show the gang responsible for the installation of the OHLE, with the BICC cable drums mounted on a 'wire train' reeling out the copper conductor on the suspension arms along the line; there is clearly no worry about safety matters in the days before HS&E took over our lives, and in many cases a welcome change, in others not so; no sign here of high-vis jackets, helmets and the like. Below this picture, taken this year, the plate layers hut is still present, decorated in the same style as the sub-station, windows and door missing and now used for bags of rubbish. The centre lower pictures show at top the front of the building, just possible to get a shot without the intervening greenery; the building still having bits of the old structures outside as seen in the very top centre picture. And to its right a view from the line, almost, of the north-west corner of the building show yet more remnants of what I think are sun-blinds, to keep the heat out of the building to keep the rectification equipment cool; some of the anode-steel rectifiers, rated at 2.5kW each, being air-cooled others water-cooled. Under the picture of the 'frontage' set back some 10 metres or so from the now single-track formation is, I think, part of the foundation for the Wharncliffe Side signal box a bit further south along the line towards Sheffield. Finally, at lower right, yet another examples of one of the multitude of 30kV steel boxes which served as the housing for joining the ends of the cables, the boxes were known as 'coffins' and were to prove the bane of the 1500VDC over-head system as the cable ends frequently burned out and so the maintenance on these units was very high. This picture also shows the one of the concrete posts carrying 3 cable-hangers and the apertures in the side of the box where the B.I.C.C. 30kV entered to be joined to the next length of 555yard cable, along the track side, some 45 miles in total from Manchester London Road to both Wath Marshalling Yard in the east and to the Rotherwood Exchange sidings, on the GCs Lincoln line south of Sheffield Victoria. I think it not an under-statement to say that there has been a huge and catastrophic change in the fortunes of this line in the 30 years since closure; what the area could really do with now is this line revitalising with light DMU units traversing the upper Don valley and connecting Sheffield Victoria/Midland and the Supertram/train system with the urban population along the valley towards and including Stocksbridge; if it could be extended into the Peak National Park towards Woodhead, so much the better for us all...

1-12-13 Wyndham Street Races

 

TOP SPEED REVIEW:

 

Not long ago, the Japanese motorcycles were considered the uncontested leaders of sport motorcycles and nobody had the guts to challenge them. However, this situation has changed after BMW entered the battle. Its first super sport bike, the S 1000RR was not only a completely newcomer, but it was also so strong and technological advanced that it made any other bike look like defenseless scooter.

 

THE ABS

The Kawasaki Ninja® ZX™-10R ABS superbike combines anti-lock braking with the numerous technological benefits of the class leading ZX-10R. And it does it with rider-sensitive, race-bred attributes derived from competing and winning at the highest levels.

 

Kawasaki has developed a new electronic steering damper for the 2013 ZX-10R ABS sportbike, in joint cooperation with Öhlins. Controlled by a dedicated ECU located under the gas tank cover, this new damper reacts to the rate of acceleration or deceleration, as well as rear wheel speed, to help provide the ideal level of damping force across a wide range of riding scenarios. The variable damping provides optimum rider feedback by enabling the use of lower damping forces during normal operation, without sacrificing the firm damping needed for high-speed stability. The result is a light and nimble steering feel at low speed, as well as superior damping at higher speeds or during extreme acceleration/deceleration. The anodized damper unit incorporates Öhlins’ patented twin-tube design to help ensure stable damping performance and superior kickback absorption. It is mounted horizontally at the front of the fuel tank and requires very few additional components and ads almost no weight compared to last year’s steering damper.

 

At first, anti-lock braking might seem a touch out of place on a purebred sportbike. But this system was designed from the start to maximize performance. And when you consider the many benefits provided by the amazing electronic and hardware technology available today, it begins to make a lot of sense.

 

Think of it: You’re braking for a blind, decreasing-radius corner after a long day of sport riding. Shadows are long and you’re tired, so you don’t notice a patch of sand until it’s too late to correct. But instead of tucking as you continue braking through the sand, your front tire maintains most of its traction, as the anti-lock braking system intervenes until the surface improves – allowing you to arc gracefully into the corner, a little wiser and a lot more intact physically than you might have been riding a non-ABS motorcycle.

 

Kawasaki calls its anti-lock system KIBS – or Kawasaki Intelligent anti-lock Brake System. The use of “intelligent” is apropos, too, considering just how smart the KIBS is. It all starts with the smallest and lightest ABS unit ever built for a motorcycle, one designed by Bosch specifically with sport bikes in mind. It’s nearly 50 percent smaller than current motorcycle ABS units, and 800 grams lighter, adding only about 7 pounds of weight compared to the non-ABS machine, a pound of which is accounted for by the larger battery.

 

KIBS is a multi-sensing system, one that collects and monitors a wide range of information taken from wheel sensors (the same ones collecting data on the standard ZX-10R for its S-KTRC traction control system) and the bike’s ECU, including wheel speed, caliper pressure, engine rpm, throttle position, clutch actuation and gear position. The KIBS’s ECU actually communicates with the bike’s engine ECU and crunches the numbers, and when it notes a potential lock-up situation, it tells the Bosch ABS unit to temporarily reduce line pressure, allowing the wheel to once again regain traction.

 

Aside from this system’s ultra-fast response time, it offers a number of additional sport-riding benefits, including rear-end lift suppression during hard braking, minimal kickback during ABS intervention, and increased rear brake control during downshifts. The high-precision pressure control enables the system to maintain high brake performance, proper lever feel and help ensure the ABS pulses are minimized.

 

Needless to say that the Japanese manufacturers were highly intrigued and the first samurai who challenged the Germans to a duel was Kawasaki.

 

Kawasaki’s anti S 1000RR weapon is the Ninja ZX - 10R. Packing a lot of advanced features and modern technologies, the bike is fast enough to compete with success against the German oppressor.

 

Despite the fact that nothing changed for the 2013 model year, except for some color schemes, the Ninja continues to be ahead of the pack when it comes to sporty performances.

 

Build on a nimble, lightweight chassis, The Kawasaki Ninja ZX - 10R ABS is “blessed” with a powerful 998cc inline four engine which cranks out 197 hp at 11500 rpm.

 

Among the most important features offered by the Ninja ZX - 10R, you’ll find the advanced Sport-Kawasaki Traction Control (S-KTRC) and an intelligent ABS system which comes as an option ($1000).

 

ENGINE & PERFORMANCE:

The rest of the 2013 Ninja ZX-10R ABS is equally advanced. Complete with a powerful engine and lightweight chassis, it also boasts a highly advanced and customizable electronic system that allows riders to harness and experience the ZX-10R ABS’s amazing blend of power and razor-edge handling. The system is called Sport-Kawasaki Traction Control.

 

Motorcyclists have forever been challenged by traction-related issues, whether on dirt, street or track. And when talking about the absolute leading edge of open-class sport bike technology, where production street bikes are actually more capable than full-on race bikes from just a couple years ago, more consistent traction and enhanced confidence is a major plus.

 

The racing-derived S-KTRC system works by crunching numbers from a variety of parameters and sensors – wheel speed and slip, engine rpm, throttle position, acceleration, etc. There’s more data gathering and analysis going on here than on any other Kawasaki in history, and it’s all in the name of helping racers inch closer to the elusive “edge” of maximum traction than ever before. The S-KTRC system relies on complex software buried in the ZX-10R’s Electronic Control Unit (ECU); the only additional hardware is the lightweight speed sensors located on each wheel.

 

Unlike the KTRC system on Kawasaki’s Concours™ 14 ABS sport tourer, which primarily minimizes wheel slip on slick or broken surfaces as a safety feature, the S-KTRC system is designed to maximize performance by using complex analysis to predict when traction conditions are about to become unfavorable. By quickly but subtly reducing power just before the amount of slippage exceeds the optimal traction zone, the system – which processes every data point 200 times per second – maintains the optimum level of tire grip to maximize forward motion. The result is significantly better lap times and enhanced rider confidence – exactly what one needs when piloting a machine of this caliber.

 

The S-KTRC system offers three different modes of operation, which riders can select according to surface conditions, rider preference and skill level: Level 1 for max-grip track use, Level 2 for intermediate use, and Level 3 for slippery conditions. An LCD graph in the high-tech instrument cluster displays how much electronic intervention is occurring in real time and a thumb switch on the left handlebar pod allows simple, on-the-go mode changes.

 

The potent ZX-10R engine is a 16-valve, DOHC, liquid-cooled inline-four displacing 998cc via 76 x 55mm bore and stroke dimensions. This powerplant is tuned to optimize power delivery, center of gravity and actual engine placement within the chassis. Torque peaks at an rpm range that helps eliminate power peaks and valleys that make it difficult for racers and track-day riders to open the throttle with confidence.

 

A primary goal of Kawasaki engineers was linear power delivery and engine manageability throughout all elements of a corner: the entry, getting back to neutral throttle at mid-corner, and heady, controllable acceleration at the exit. Peak torque was moved to a higher rpm range, which eliminates the power peaks and valleys that make it difficult for racers and track-day riders to open the throttle with confidence.

 

Large intake valves complemented by wide, polished intake ports allow for controllable power delivery and engine braking, just the thing to smooth those racetrack corner entries and exits. Camshafts built from chromoly steel further contribute to optimized engine braking and more controllable power delivery. Lightweight pistons mount to light and strong connecting rods. Compression is a full 13.0:1.

 

A race-style cassette transmission allows simple trackside ratio changes. An adjustable back-torque limiting clutch assembly is fitted, which allows worry-free downshifts and corner-entry calmness.

 

Cramming all that fuel and air into this amazing engine is a ram air-assisted fuel injection system featuring large throttle bodies (47mm) and sub-throttle valves, a large capacity airbox (9 liters), secondary injectors that improve top-end power characteristics, and a large ram-air intake that’s positioned close to the front of the bike for efficient airbox filling and power.

 

The final piece of the ZX-10R’s power-production formula is a race-spec exhaust system featuring a titanium header assembly, hydroformed collectors, a large-volume pre-chamber containing two catalyzers and a highly compact silencer. Due to the header’s race-spec design, riders and racers looking for more closed-course performance need only replace the slip-on muffler assembly.

 

CHASSIS & SUSPENSION:

With the engine producing a massive quantity of usable and controllable power, engineers looked to the chassis to help refine handling and overall road/track competency. The aluminum twin-spar frame is an all-cast assemblage of just seven pieces that features optimized flex characteristics for ideal rider feedback, cornering performance and light weight. Like the frame, the alloy swingarm is an all-cast assembly, with rigidity matching that of the frame itself.

 

Chassis geometry offers excellent stability and handling quickness. The front end geometry – with rake at 25 degrees and trail at 107mm (4.21 in.) – allows light, quick handling and complements the engine’s controllable power and the frame and swingarm’s flex characteristics.

 

Highly advanced suspension at both ends helps as well. Up front is a 43mm open-class version of the Big Piston Fork (BPF). Featuring a piston design nearly twice the size of a conventional cartridge fork, the BPF offers smooth action, less stiction, light weight and enhanced damping performance on the compression and rebound circuits. This compliance results in more control and feedback for the rider – just what you need when carving through a rippled sweeper at your local track or negotiating a decreasing-radius corner on your favorite backroad.

 

Suspension duties on the ZX-10R are handled by a Horizontal Back-Link design that positions the shock and linkage above the swingarm. Benefits include mass centralization, good road holding, compliance and stability, smooth action in the mid-stroke and good overall feedback. The fully adjustable shock features a piggyback reservoir and dual-range (low- and high-speed) compression damping.

 

Lightweight gravity-cast three-spoke wheels complement the tire fitment. Up front, Tokico radial-mount calipers grasp 310mm petal discs and a 220mm disc is squeezed by a lightweight single-piston caliper in back. The result is powerful stops with plenty of rider feedback and the added confidence of the KIBS ABS system.

 

DESIGN & ERGONOMICS:

Finally, Kawasaki engineers wrapped all this technology in bodywork as advanced and stylish as anything on this side of a MotoGP grid. The curvy edges and contrasting colored and black parts create a sharp, aggressive image. Line-beam headlights grace the fairing while LED turn signals are integrated into the mirror assemblies. Convenient turn-signal couplers allow easy mirror removal for track-day use. The rear fender assembly holding the rear signal stalks and license plate frame is also easily removable for track days. High-visibility LED lamps are also used for the taillight and position marker.

 

The instrumentation is highlighted by an LED-backlit bar-graph tachometer set above a multi-featured LCD info screen with numerous sections and data panels. A wide range of information is presented, including vehicle speed, odometer, dual trip meters, fuel consumption, Power Mode and S-KTRC level, low fuel, water temperature and much more. For track use, the LCD display can be set to “race” mode which moves the gear display to the center of the screen.

 

The ZX-10R’s ergonomics are designed for optimum comfort and control. A 32-inch saddle, adjustable footpegs and clip-ons mean that this is a hard-core sport bike you can actually take on an extended sport ride – and still be reasonably comfortable doing so.

 

The old saying, “power is nothing without control” is certainly apt where open-class sport bikes are concerned. But when you factor in all the engine, chassis and ergonomic control designed into the 2013 Ninja ZX-10R, you begin to realize you’re looking at one very special motorcycle – one that can take you places you’ve never been before.

 

Genuine Kawasaki Accessories are available through authorized Kawasaki dealers.

 

SPECS:

Engine Four-Stroke, Liquid-Cooled, DOHC, Four Valves Per Cylinder, Inline-Four

Displacement 998cc

Bore X Stroke 76.0 X 55.0 mm

Compression Ratio13.0:1

Fuel System DFI® With Four 47mm Keihin Throttle Bodies With Oval Sub-Throttles, Two Injectors Per Cylinder

Ignition TCBI With Digital Advance And Sport-Kawasaki Traction Control (S-KTRC)

Transmission Six-Speed

Final Drive Chain

Rake/Trail 25 Deg / 4.2 In.

Front Tire Size 120/70 ZR17

Rear Tire Size 190/55 ZR17

Wheelbase 56.1 In.

Front Suspension / Wheel Travel 43 mm Inverted Big Piston Fork (BPF), Adjustable Rebound And Compression Damping, Spring Preload Adjustability/ 4.7 in.

Rear Suspension / Wheel Travel

Horizontal Back-Link With Gas-Charged Shock, Stepless, Dual-Range (Low-/High-Speed) Compression Damping, Stepless Rebound Damping, Fully Adjustable Spring Preload / 5.5 In.

Front Brakes Kawasaki Intelligent Anti-Lock Braking (KIBS), Dual Semi-Floating 310 mm Petal Discs With Dual Four-Piston Radial-Mount Calipers

Rear Brakes KIBS-Controlled, Single 220 mm Petal Disc With Aluminum Single-Piston Caliper

Fuel Capacity 4.5 Gal.

Seat Height 32.0 In.

Curb Weight 443.2 Lbs.

Overall Length 81.7 In.

Overall Width 28.1 In.

Overall Height 43.9 In.

Color Choices - Lime Green/Metallic Spark Black, Pearl Flat White/Metallic Spark Black

 

Source: www.topspeed.com/motorcycles/motorcycle-reviews/kawasaki/...

The European Service Module provides electricity, water, oxygen and nitrogen, and thermal control as well as propelling the spacecraft.

 

This structural test model is used for testing purposes before installing the real thing. It is as close to the flight version as possible while keeping costs and development time manageable. The structure and weight are the same, while mass equivalents stand in for electronics boxes not needed for the series of tests.

 

The model was installed under a test version of the Crew Module Adapter, and sits on the Spacecraft Adapter that will attach Orion to its launch vehicle. This is the first time the European hardware has been physically connected to NASA’s elements.

 

The service module will be shaken at NASA’s Plum Brook station in Sandusky, Ohio, USA, to recreate the vibrations of launch, as well as being subjected to acoustic and shock environments.

I decided to make another steampunk figbarf because im really getting into the idea of a steapunk era but in different places and cultures.

 

So, From left to right:

 

- Tribal Shaman: After an imperial ship ran aground on an undiscovered island during a violent storm, the ship’s crew and cargo was pillaged by an indigenous tribe. Most of the contraptions on the ship, the tribesmen didn’t understand how to use, however they did figure out one of them: the flamethrower. The tribe’s shaman now uses this during human sacrifices-by-fire that they make regularly in the name of their gods.

 

- New-Lands Explorer: As the empire expands, so too does their knowledge of the world; the recent discovery of the New-Lands has created new opertunities for science, exploration and adventure. However these new lands have their own, very serious, dangers in the form of wildlife, hostile weather, and there are even stories of canabalistic tribes deep in the forests. But luckily the threats these lands pose are made more manageable with the recent inovations of the industrial revolution, such as more efficient gunpowder weapons and advanced chemistry knowledge (to combat poisons/venoms)

 

- Desert Kingdom Guard: The royals and nobility of the Desert Kingdom always have their personal guards nearby, especially when in public. The kingdom has banned the carrying of guns in its cities, so the guards use swords to perform their duty. But this doesn’t mean the industrial era hasn’t caught up with them; each guard wears a special pack that, at the push of a button, can inject them with a chemical that makes them stronger, quicker and generally sharper, to give them the edge they need to their master, when the need arises.

 

- Eastern Conqueror: The empire isn’t the only expanding force on the globe, the eastern dominion has its own frontier; a grand war machine marches across the lands, bringing rival nations to their knees as they go. A conquest made possible by the integration of advanced, western inspired technology, that their neighbouring nations were too proud and stubborn to accept.

 

- War Zone Marksman: Innovations in weaponry means firearms are now more accurate than ever. This has allows marksmen to harass, warn off, hunt and divide enemy forces, needless to say, making this type of solder a very powerful resource. But that’s not to say that they are safe from the perils of modern war zones, especially the introduction of chemical weapons, artillery, and countless other horrific weapons that are becoming ever-present on battlefields.

  

Hope you like them!

Podarcis muralis muralis Laurenti, syn.: Seps muralis Laurenti, Lacerta muralis Dumeril & Bibron

Family: Lacertidae

EN: Common Wall Lizard, Lazarus Lizards, DE: Mauereidechse

Slo.: navadna pozidna kuščarica

 

Dat.: April 22. 2021

Lat.: 46.36031 Long.: 13.70260

Code: Bot_1360/2021_DSC06730

 

Habitat: living in a wooden cottage surrounded by abandoned pastures and woods; warm, sunny place; average precipitations ~ 3.000 mm/year, average temperature 7-9 deg C, elevation 600 m (1.970 feet), alpine phytogeographical region.

 

Place: Lower Trenta valley, between villages Soča and Trenta, right bank of river Soča, next to Trenta 2b, East Julian Alps, Posočje, Slovenia EC.

 

Comments (pertain to Flickr album Podarcis muralis muralis): These common lizards, native to Central and South Europe, are surprisingly variable in color and body patterns. To distinguish from far all eight species living in Slovenia is a hard nut for unexperienced. But, with experience this becomes manageable. For reliable determination one has to look at the shape and mutual position of mouth- (1.), nose- (2.) and brow-scales (3., all Fig.2.). With Podarcis muralis both nose scales touch each other. This is not so with a very similar Iberolacerta horvathi, which is also present in Slovenia. In this species both mouth and brow scales touches each other, hence both side nose scales are separated. One can determine the sex of each individual by the color of their underbelly and the underside of the thicker part of their tail. Male animals have brick-red belly, female rusty-brownish. However, they usually hide their bellies quite successfully and judging from far about the color is not always easy. The animal shown here was male, which can be judged only from the Fig. 6.

 

Ref.:

(1) Fauna Europas, Bestimmungslexikon, George Westermann Velag, Brounschweig (1997), translated to Slovenian, Mladinaka Knjiga, Ljubljana (1981), p 241.

 

Camera: Sony ILCE6000 / Carl Zeiss Vario-Tessar E 16-70 mm/f4

  

2014 Gore Aussie Muscle Mania Car Show (12-4-14)

 

By the time of the release of the VJ Valiant, Chrysler’s market share was in its fourth consecutive year of decline. There was therefore much pressure on the stylists to ensure the face-lifted VJ arrested the decline.

 

The new look was heralded by Chrysler as being “Years ahead of its time”, it clearly wasn’t, but the question of whether it could around the flagging fortunes of Chrysler in Australia remained. The VJ’s sheet metal remained unchanged over the outgoing VH, styling changes being restricted to a grille makeover, round headlights and revamped tail lights.

 

The major mechanical improvement was an electrical ignition system which became standard on the Regal, Charger XL and 770 and Chrysler. This was the first time this feature had been offered in an Australian built car. But apart from these handful of improvements, the VJ remained very much the car of old.

 

One of the difficulties Chrysler was facing were the perceived build quality problems inherent in the VH, so the marketers set about confirming to the public that the VJ was a well sorted and now tried and tested quality alternative, offering more features and refinements than the competition.

 

Advertising campaigns of the day focused on the new body finishing techniques which included the use of rust-proofing primer, along with higher paint application quality. Chrysler also knew the cost of offering such a broad line-up of models was significantly affecting the cost of manufacture, so some rationalisation was needed.

 

When the dust had settled, there Pacer had been dropped, along with the Ranger XL, Regal 770 and Charger R/T. With the different machinations applicable to each of these models, Chrysler had effectively brought its model line-up down from 56 to a more manageable 18, and to fill any perceived gaps in the line-up the Chrysler executives were confident that by adding to the options list any Chrysler purchaser would still be able to leave the showrooms with their own very individual motor car.

 

It is worth noting the other, albeit small changes introduced with the VJ. It was one of the first locally manufactured cars to switch to the use of a metric calibrated speedometer, while the steering wheel featured a flatter rim at the bottom, supposedly to give more leg room to the driver. In a decision unfathomable today, except perhaps considering the fuel crisis of the early 1970’s, to no longer produce high performance Chargers was a travesty. Much lesser cars, such as the Falcon Superbird and 6 cylinder Monaro’s were able to eat away at the Charger’s market share, this after it leading the two-door sales charts the preceding year.

 

Visually there were very few changes from the VH to VJ Charger, in fact you pretty much had to be looking at the car head on, so that you could see the new grille, to identify it as the latest model. The new grille had a pillar effect and 178mm round headlights. The front turn indicators were mounted on the guards using body-coloured bezels, while the tail lights also came in for a makeover.

 

Inside the trim was improved and a larger range of colours was offered. There were only three basic models available, the Charger, Charger XL and Charger 770, although the standard features list was improved and the number of options available increased. All Six-Pack and V8’s had a front anti-roll bar and swinging rear quarter windows, and all excluding the base 215 engined Chargers were fitted with the new electric ignition system. A sports pack enabled the buyer to lift the XL to almost VH R/T specs. Gone was the lower priced 265 Hemi option, the six-pack and 318 V8 being the only muscle car options.

 

The Flagship Chrysler by Chrysler:

 

The flagship Chrysler by Chrysler CJ was announced in March and put on sale in early April. As with the Valiant line-up, the Chrysler was visually almost identical to the CH model, although the hand-painted coach line was deleted, while the sill and wheel arch mouldings that were previously available only as an option became standard fare. Cars fitted with vinyl roofs were fitted with lower mouldings to give the whole car a lowered look. Carried over too were the engine options, coming standard with the Hemi 265ci engine with the 360 5.9 litre V8 engine available as an option.

 

The commercial vehicle range was added to with the release of a low budget Dodge badged utility which was virtually identical to the Valiant model. The utes had revised grilles and round headlights. The 215 Hemi was standard on both, and the Valiant had a slightly higher level of equipment. VJ prices started at $2849 for the 215 Valiant four-door, with the Regal 245 (with electronic ignition) coming in at $3600 and the Regal Hardtop at $3765 - the top of the line Chrysler by Chrysler sold for $4925. The Charger prices started at $2970, rising to $3995 for the Charger 770. The Regal Hardtop was $3765, while at the commercial end the Dodge utility was $2565 and the Valiant utility was $2640.

 

Chrysler finished 1973 with a 9.5% market share, its lowest ever, and far from the halcyon days of the R and S Series where the waiting list ensured Chrysler had pretty much pre-sold every car to roll off the production line. The “Big Three” was no more, with Toyota now assuming 3rd position on the sales charts, and Chrysler now knowing that they were in trouble. In a counter offensive similar to the Battle of the Bulge, 1974 would see Chrysler lift standard equipment levels across the VJ range.

 

Fitted to all models (excluding the utes) were front power assisted disc brakes, front seat retractor safety belts, speed windscreen-wiper blades, a sound-deadening package, door reflectors, a glove-box lock and anti-roll bar. In August 1974 came the release of the limited run (of 500) Chager “Sportsman” models. Available only in “Vintage Red”, the Sportsman featured a bold white exterior striping and a distinctive roof treatment. It was fitted with the Hemi 265 engine coupled to a foud-speed manual gearbox. Plaid cloth inserts were incorporated into the seat trim, and other extras fitted.

 

By productions end, some 90,865 VJ Valiant’s had been manufactured. It was a good car, and arguably deserved better recognition from the buying public, but the Japanese manufacturers were quickly gaining a strong foothold in the Australian automotive marketplace with their “fully loaded” yet cheaper versions. The weaker of the “Big Three” had succumbed to their industrial might, and now questions were being asked as to the viability of the manufacturer.

(ref: www.uniquecarsandparts.com.au/car_info_chrysler_valiant_v...)

 

318 V8 Engine Specs:

Capacity: 318 cubic inches (5.2 litres)

Type: Conventional, watercooled four stroke, reciprocating piston type with 8 cylinders

Configuration: Front mounted, longitudinal, OHV, 90° Vee, "wedge" head

Head: Pushrod and rocker actuated ohv with two valves per cylinder

Fuel System: Carter two barrel downdraft type carburettor

Bore and Stroke: 3.91 x 3.31 inches (99.314 x 84.074 mm)

Power: 230 bhp (172 kW) at 4400 rpm

Torque: 340 lb-ft (461 Nm) at 2400 rpm

Compression Ratio: 9.2:1

Valve Timing

Intake

opens: 10° BTC

closes: 50° ABC

duration: 240°

Exhaust

opens: 58° BBC

closes: 10° ATC

duration: 248°

Firing Order: 1-8-4-3-6-5-7-2

Radiator Capacity: 26 pints

Oil Pan

Without filter: 6.6 pints

With filter: 8.3 pints

(ref: www.uniquecarsandparts.com.au/valiant_vj_cj_technical_spe..

We started with the cheese puffs, and it was like biting into little puffs of air. It was so light that spearing it with a fork was too hard, and we had to resort to fingers. We suspect that it is a basic souffle mix dollopped into hot oil and fried to a light and airy puff. Amazing.

 

Once I saw that the cheese puffs were a manageable size, I immediately added the duck neck sausage to our order. Not long after, 4 small discs of minced pork appeared. I love a good sausage and this didn't disappoint. It was served with segments of orange that provided a nice foil. There were also a few boiled baby beets hidden under the leaves and it seemed a bit too tender compared to the nice big flavoursome beets we were used to.

 

Julia was very impressed with the duck fillets, and she remarked several times how tasty the flesh was. I prefered the smoky grilled quail, but it was true, the quail meat was tender and juicy like the duck, but didn't have the richness of flavour of the duck. The pommes anna under the quail went amazingly well with the madeira sauce. The crispy bits of potato on the edges were also very good. The French beans were tender and so full of Spring sweetness.

 

We ended our meal with a good coffee and tea, and the profiteroles to share. We both loved the chocolate sauce, but we prefer the choux pastry at Laurent Pattiserie.

 

Annie Smither's Bistrot & Produce

03.5422.2039

72 Piper St

Kyneton VIC 3444

www.anniesmithers.com.au/

 

Reviews:

- Annie Smithers Bistrot, By Necia Wilden, The Age Epicure, September 27, 2005 Score: 15.5/20

- Annie Smithers Bistrot The Age Good Food Guide 2009 - 1 Chefs Hat

- Annie Smithers Bistrot, Kyneton - The Breakfast Blog, Saturday, May 13, 2006 chicken livers, bacon and spinach on toast. One of several tempting dishes on offer at Annie Smithers Bistrot. I love the smell of offal in the morning. 16/20 "mmm... liver"

- Annie Smithers Bistrot - Mietta's good gutsy French based dishes

- Annie Smithers’ Bistrot - Gourmet Traveller Annie Smithers, another Stephanie Alexander alum, is consolidating her empire, a shop and bistro showcasing Central Victorian produce. Assured cooking means primary flavours shine: succulent, flaky trout almondine tastes river-fresh; sweet scallops cooked just-so are plated with discs of smoky chorizo; sweet-salty tomato Tatin is the pick of the entrées. There’s usually offal on offer, perhaps creamy brains wrapped in prosciutto, and veal schnitzel, topped with a fried egg and anchovies, is pub-simple (and sized) but restaurant-finessed. Strawberry vacherin elevates berries and cream to a fitting conclusion to the meal: simple, comforting, classy.

  

Food Photos:

- Cheese Puffs with tomato and chilli dipping sauce AUD7.50 - insides

- Duck Neck Sausage stuffed with pork mince and pistachios with babybeets, green leaves and orange AUD18.50

- Quails petit-duc - par boned and grilled, served on pommes anna, with grilled mushrooms and madeira sauce AUD30

- Duck fillet with orange marmalade glaze, pan-fried potatoes AUD22.50

- Profiteroles filled with vanilla ice cream and drizzled with warm dark chocolate sauce AUD14.50

- Long Black AUD3

- Mariage Freres Tea AUD4.50

 

Decor Photos:

- Specials Board

- Long Dining Table

- Object d'Art

- Business Card

- back

- Produce Store

- A message from Stephanie

- Gumboots - Stephanie Alexander Kitchen Garden Foundation fundraiser AUD40

 

1-12-13 Wyndham Street Races

 

$140 on ebay for these types of petrol tank cover/bra

 

TOP SPEED REVIEW OF ZX-10R:

 

Not long ago, the Japanese motorcycles were considered the uncontested leaders of sport motorcycles and nobody had the guts to challenge them. However, this situation has changed after BMW entered the battle. Its first super sport bike, the S 1000RR was not only a completely newcomer, but it was also so strong and technological advanced that it made any other bike look like defenseless scooter.

 

THE ABS

The Kawasaki Ninja® ZX™-10R ABS superbike combines anti-lock braking with the numerous technological benefits of the class leading ZX-10R. And it does it with rider-sensitive, race-bred attributes derived from competing and winning at the highest levels.

 

Kawasaki has developed a new electronic steering damper for the 2013 ZX-10R ABS sportbike, in joint cooperation with Öhlins. Controlled by a dedicated ECU located under the gas tank cover, this new damper reacts to the rate of acceleration or deceleration, as well as rear wheel speed, to help provide the ideal level of damping force across a wide range of riding scenarios. The variable damping provides optimum rider feedback by enabling the use of lower damping forces during normal operation, without sacrificing the firm damping needed for high-speed stability. The result is a light and nimble steering feel at low speed, as well as superior damping at higher speeds or during extreme acceleration/deceleration. The anodized damper unit incorporates Öhlins’ patented twin-tube design to help ensure stable damping performance and superior kickback absorption. It is mounted horizontally at the front of the fuel tank and requires very few additional components and ads almost no weight compared to last year’s steering damper.

 

At first, anti-lock braking might seem a touch out of place on a purebred sportbike. But this system was designed from the start to maximize performance. And when you consider the many benefits provided by the amazing electronic and hardware technology available today, it begins to make a lot of sense.

 

Think of it: You’re braking for a blind, decreasing-radius corner after a long day of sport riding. Shadows are long and you’re tired, so you don’t notice a patch of sand until it’s too late to correct. But instead of tucking as you continue braking through the sand, your front tire maintains most of its traction, as the anti-lock braking system intervenes until the surface improves – allowing you to arc gracefully into the corner, a little wiser and a lot more intact physically than you might have been riding a non-ABS motorcycle.

 

Kawasaki calls its anti-lock system KIBS – or Kawasaki Intelligent anti-lock Brake System. The use of “intelligent” is apropos, too, considering just how smart the KIBS is. It all starts with the smallest and lightest ABS unit ever built for a motorcycle, one designed by Bosch specifically with sport bikes in mind. It’s nearly 50 percent smaller than current motorcycle ABS units, and 800 grams lighter, adding only about 7 pounds of weight compared to the non-ABS machine, a pound of which is accounted for by the larger battery.

 

KIBS is a multi-sensing system, one that collects and monitors a wide range of information taken from wheel sensors (the same ones collecting data on the standard ZX-10R for its S-KTRC traction control system) and the bike’s ECU, including wheel speed, caliper pressure, engine rpm, throttle position, clutch actuation and gear position. The KIBS’s ECU actually communicates with the bike’s engine ECU and crunches the numbers, and when it notes a potential lock-up situation, it tells the Bosch ABS unit to temporarily reduce line pressure, allowing the wheel to once again regain traction.

 

Aside from this system’s ultra-fast response time, it offers a number of additional sport-riding benefits, including rear-end lift suppression during hard braking, minimal kickback during ABS intervention, and increased rear brake control during downshifts. The high-precision pressure control enables the system to maintain high brake performance, proper lever feel and help ensure the ABS pulses are minimized.

 

Needless to say that the Japanese manufacturers were highly intrigued and the first samurai who challenged the Germans to a duel was Kawasaki.

 

Kawasaki’s anti S 1000RR weapon is the Ninja ZX - 10R. Packing a lot of advanced features and modern technologies, the bike is fast enough to compete with success against the German oppressor.

 

Despite the fact that nothing changed for the 2013 model year, except for some color schemes, the Ninja continues to be ahead of the pack when it comes to sporty performances.

 

Build on a nimble, lightweight chassis, The Kawasaki Ninja ZX - 10R ABS is “blessed” with a powerful 998cc inline four engine which cranks out 197 hp at 11500 rpm.

 

Among the most important features offered by the Ninja ZX - 10R, you’ll find the advanced Sport-Kawasaki Traction Control (S-KTRC) and an intelligent ABS system which comes as an option ($1000).

 

ENGINE & PERFORMANCE:

The rest of the 2013 Ninja ZX-10R ABS is equally advanced. Complete with a powerful engine and lightweight chassis, it also boasts a highly advanced and customizable electronic system that allows riders to harness and experience the ZX-10R ABS’s amazing blend of power and razor-edge handling. The system is called Sport-Kawasaki Traction Control.

 

Motorcyclists have forever been challenged by traction-related issues, whether on dirt, street or track. And when talking about the absolute leading edge of open-class sport bike technology, where production street bikes are actually more capable than full-on race bikes from just a couple years ago, more consistent traction and enhanced confidence is a major plus.

 

The racing-derived S-KTRC system works by crunching numbers from a variety of parameters and sensors – wheel speed and slip, engine rpm, throttle position, acceleration, etc. There’s more data gathering and analysis going on here than on any other Kawasaki in history, and it’s all in the name of helping racers inch closer to the elusive “edge” of maximum traction than ever before. The S-KTRC system relies on complex software buried in the ZX-10R’s Electronic Control Unit (ECU); the only additional hardware is the lightweight speed sensors located on each wheel.

 

Unlike the KTRC system on Kawasaki’s Concours™ 14 ABS sport tourer, which primarily minimizes wheel slip on slick or broken surfaces as a safety feature, the S-KTRC system is designed to maximize performance by using complex analysis to predict when traction conditions are about to become unfavorable. By quickly but subtly reducing power just before the amount of slippage exceeds the optimal traction zone, the system – which processes every data point 200 times per second – maintains the optimum level of tire grip to maximize forward motion. The result is significantly better lap times and enhanced rider confidence – exactly what one needs when piloting a machine of this caliber.

 

The S-KTRC system offers three different modes of operation, which riders can select according to surface conditions, rider preference and skill level: Level 1 for max-grip track use, Level 2 for intermediate use, and Level 3 for slippery conditions. An LCD graph in the high-tech instrument cluster displays how much electronic intervention is occurring in real time and a thumb switch on the left handlebar pod allows simple, on-the-go mode changes.

 

The potent ZX-10R engine is a 16-valve, DOHC, liquid-cooled inline-four displacing 998cc via 76 x 55mm bore and stroke dimensions. This powerplant is tuned to optimize power delivery, center of gravity and actual engine placement within the chassis. Torque peaks at an rpm range that helps eliminate power peaks and valleys that make it difficult for racers and track-day riders to open the throttle with confidence.

 

A primary goal of Kawasaki engineers was linear power delivery and engine manageability throughout all elements of a corner: the entry, getting back to neutral throttle at mid-corner, and heady, controllable acceleration at the exit. Peak torque was moved to a higher rpm range, which eliminates the power peaks and valleys that make it difficult for racers and track-day riders to open the throttle with confidence.

 

Large intake valves complemented by wide, polished intake ports allow for controllable power delivery and engine braking, just the thing to smooth those racetrack corner entries and exits. Camshafts built from chromoly steel further contribute to optimized engine braking and more controllable power delivery. Lightweight pistons mount to light and strong connecting rods. Compression is a full 13.0:1.

 

A race-style cassette transmission allows simple trackside ratio changes. An adjustable back-torque limiting clutch assembly is fitted, which allows worry-free downshifts and corner-entry calmness.

 

Cramming all that fuel and air into this amazing engine is a ram air-assisted fuel injection system featuring large throttle bodies (47mm) and sub-throttle valves, a large capacity airbox (9 liters), secondary injectors that improve top-end power characteristics, and a large ram-air intake that’s positioned close to the front of the bike for efficient airbox filling and power.

 

The final piece of the ZX-10R’s power-production formula is a race-spec exhaust system featuring a titanium header assembly, hydroformed collectors, a large-volume pre-chamber containing two catalyzers and a highly compact silencer. Due to the header’s race-spec design, riders and racers looking for more closed-course performance need only replace the slip-on muffler assembly.

 

CHASSIS & SUSPENSION:

With the engine producing a massive quantity of usable and controllable power, engineers looked to the chassis to help refine handling and overall road/track competency. The aluminum twin-spar frame is an all-cast assemblage of just seven pieces that features optimized flex characteristics for ideal rider feedback, cornering performance and light weight. Like the frame, the alloy swingarm is an all-cast assembly, with rigidity matching that of the frame itself.

 

Chassis geometry offers excellent stability and handling quickness. The front end geometry – with rake at 25 degrees and trail at 107mm (4.21 in.) – allows light, quick handling and complements the engine’s controllable power and the frame and swingarm’s flex characteristics.

 

Highly advanced suspension at both ends helps as well. Up front is a 43mm open-class version of the Big Piston Fork (BPF). Featuring a piston design nearly twice the size of a conventional cartridge fork, the BPF offers smooth action, less stiction, light weight and enhanced damping performance on the compression and rebound circuits. This compliance results in more control and feedback for the rider – just what you need when carving through a rippled sweeper at your local track or negotiating a decreasing-radius corner on your favorite backroad.

 

Suspension duties on the ZX-10R are handled by a Horizontal Back-Link design that positions the shock and linkage above the swingarm. Benefits include mass centralization, good road holding, compliance and stability, smooth action in the mid-stroke and good overall feedback. The fully adjustable shock features a piggyback reservoir and dual-range (low- and high-speed) compression damping.

 

Lightweight gravity-cast three-spoke wheels complement the tire fitment. Up front, Tokico radial-mount calipers grasp 310mm petal discs and a 220mm disc is squeezed by a lightweight single-piston caliper in back. The result is powerful stops with plenty of rider feedback and the added confidence of the KIBS ABS system.

 

DESIGN & ERGONOMICS:

Finally, Kawasaki engineers wrapped all this technology in bodywork as advanced and stylish as anything on this side of a MotoGP grid. The curvy edges and contrasting colored and black parts create a sharp, aggressive image. Line-beam headlights grace the fairing while LED turn signals are integrated into the mirror assemblies. Convenient turn-signal couplers allow easy mirror removal for track-day use. The rear fender assembly holding the rear signal stalks and license plate frame is also easily removable for track days. High-visibility LED lamps are also used for the taillight and position marker.

 

The instrumentation is highlighted by an LED-backlit bar-graph tachometer set above a multi-featured LCD info screen with numerous sections and data panels. A wide range of information is presented, including vehicle speed, odometer, dual trip meters, fuel consumption, Power Mode and S-KTRC level, low fuel, water temperature and much more. For track use, the LCD display can be set to “race” mode which moves the gear display to the center of the screen.

 

The ZX-10R’s ergonomics are designed for optimum comfort and control. A 32-inch saddle, adjustable footpegs and clip-ons mean that this is a hard-core sport bike you can actually take on an extended sport ride – and still be reasonably comfortable doing so.

 

The old saying, “power is nothing without control” is certainly apt where open-class sport bikes are concerned. But when you factor in all the engine, chassis and ergonomic control designed into the 2013 Ninja ZX-10R, you begin to realize you’re looking at one very special motorcycle – one that can take you places you’ve never been before.

 

Genuine Kawasaki Accessories are available through authorized Kawasaki dealers.

 

SPECS:

Engine Four-Stroke, Liquid-Cooled, DOHC, Four Valves Per Cylinder, Inline-Four

Displacement 998cc

Bore X Stroke 76.0 X 55.0 mm

Compression Ratio13.0:1

Fuel System DFI® With Four 47mm Keihin Throttle Bodies With Oval Sub-Throttles, Two Injectors Per Cylinder

Ignition TCBI With Digital Advance And Sport-Kawasaki Traction Control (S-KTRC)

Transmission Six-Speed

Final Drive Chain

Rake/Trail 25 Deg / 4.2 In.

Front Tire Size 120/70 ZR17

Rear Tire Size 190/55 ZR17

Wheelbase 56.1 In.

Front Suspension / Wheel Travel 43 mm Inverted Big Piston Fork (BPF), Adjustable Rebound And Compression Damping, Spring Preload Adjustability/ 4.7 in.

Rear Suspension / Wheel Travel

Horizontal Back-Link With Gas-Charged Shock, Stepless, Dual-Range (Low-/High-Speed) Compression Damping, Stepless Rebound Damping, Fully Adjustable Spring Preload / 5.5 In.

Front Brakes Kawasaki Intelligent Anti-Lock Braking (KIBS), Dual Semi-Floating 310 mm Petal Discs With Dual Four-Piston Radial-Mount Calipers

Rear Brakes KIBS-Controlled, Single 220 mm Petal Disc With Aluminum Single-Piston Caliper

Fuel Capacity 4.5 Gal.

Seat Height 32.0 In.

Curb Weight 443.2 Lbs.

Overall Length 81.7 In.

Overall Width 28.1 In.

Overall Height 43.9 In.

Color Choices - Lime Green/Metallic Spark Black, Pearl Flat White/Metallic Spark Black

 

Source: www.topspeed.com/motorcycles/motorcycle-reviews/kawasaki/...

Richmond Hill Masonic Temple

112 Crosby Avenue Richmond Hill Ontario Canada.

 

Masonic Broken Column.

 

www.Phoenix masonry.org/broken_column.htm

 

THE BROKEN COLUMN:

 

Short Talk Bulletin - Vol. 34, February 1956,

 

No. 2 - Author Unknown

 

The story of the broken column was first illustrated by Amos Doolittle in the "True Masonic Chart" by Jeremy Cross, published in 1819.

 

Many of Freemasonry's symbols are of extreme antiquity and deserve the reverence which we give to that which has had sufficient vitality to live long in the minds of men. For instance, the square, the point within a circle, the apron, circumambulation, the Altar have been used not only in Freemasonry but in systems of ethics, philosophy and religions without number.

 

Other symbols in the Masonic system are more recent. Perhaps they are not the less important for that, even without the sanctity of age which surrounds many others.

 

Among the newer symbols is that usually referred to as the broken column. A marble monument is respectably ancient - the broken column seems a more recent addition. There seems to be no doubt that the first pictured broken column appeared in Jeremy Cross's True Masonic Chart, published in 1819, and that the illustration was the work of Amos Doolittle, an engraver, of Connecticut.

 

That Jeremy Cross "invented" or "designed" the emblem is open to argument. But there is legitimate room for argument over many inventions. Who invented printing from movable type? We give the credit to Gutenberg, but there are other claimants, among them the Chinese at an earlier date. Who invented the airplane? The Wrights first flew a "mechanical bird" but a thousand inventors have added to, altered, changed their original design, until the very principle which first enabled the Wrights to fly, the "warping wing", is now discarded and never used.

 

Therefore, if authorities argue and contend about the marble monument and broken column it is not to make objection or take credit from Jeremy Cross; the thought is that almost any invention or discovery is improved, changed, added to and perfected by many men. Edison is credited with the first incandescent lamp, but there is small kinship between his carbon filament and a modern tungsten filament bulb. Roentgen was first to bring the "x-ray" to public notice-the discoverer would not know what a modern physician's x-ray apparatus was if he saw it!

 

In the library of the Grand Lodge of Iowa in Cedar Rapids, is a book published in 1784; "A BRIEF HISTORY OF FREEMASONRY" by Thomas Johnson, at that time the Tiler of the Grand Lodge of England (the "Moderns"). In this book the author states that he was "taken the liberty to introduce a Design for a Monument in Honor of a Great Artist." He then admits that there is no historical account of any such memorial but cites many precedents of "sumptuous Piles" which perpetuate the memories and preserve the merits of the historic dead, although such may have been buried in lands far from the monument or "perhaps in the depth of the Sea".

 

In this somewhat fanciful and poetic description of this monument, the author mentions an urn, a laurel branch, a sun, a moon, a Bible, square and compasses, letter G. The book was first published in 1782, which seems proof that there was at that time at least the idea of a monument erected to the Master Builder.

 

There is little historical material upon which to draw to form any accurate conclusions. Men write of what has happened long after the happenings. Even when faithful to their memories, these may be, and often are, inaccurate. It is with this thought in mind that a curious statement in the Masonic newspaper, published in New York seventy-five years ago, must be considered. In the issue of May 10, 1879, a Robert B. Folger purports to give Cross' account of his invention, or discovery, an inclusion, of the broken column into the marble monument emblem.

 

The account is long, rambling and at times not too clear. Abstracted, the salient parts are as follows. Cross found or sensed what he considered a deficiency in the Third Degree which had to be filled in order to effect his purposes. He consulted a former Mayor of New Haven, who at the time was one of his most intimate friends. Even after working together for a week, they did not hit upon any symbol which would be sufficiently simple and yet answer the purpose. Then a Copper-plate engraver, also a brother, was called in. The number of hieroglyphics which had be this time accumulated was immense. Some were too large, some too small, some too complicated, requiring too much explanation and many were not adapted to the subject.

 

Finally, the copper-plate engraver said, "Brother Cross, when great men die, they generally have a monument." "That's right!" cried Cross; "I never thought of that!" He visited the burying-ground in New Haven. At last he got an idea and told his friends that he had the foundation of what he wanted. He said that while in New York City he had seen a monument in the southwest corner of Trinity Church yard erected over Commodore Lawrence, a great man who fell in battle. It was a large marble pillar, broken off. The broken part had been taken away, but the capital was lying at the base. He wanted that pillar for the foundation of his new emblem, but intended to bring in the other part, leaving it resting against the base. This his friends assented to, but more was wanted. They felt that some inscription should be on the column. after a length discussion they decided upon an open book to be placed upon the broken pillar. There should of course be some reader of the book! Hence the emblem of innocence-a beautiful virgin-who should weep over the memory of the deceased while she read of his heroic deeds from the book before her.

 

The monument erected to the memory of Commodore Lawrence was placed in the southwest corner of Trinity Churchyard in 1813, after the fight between the frigates

 

Chesapeake and Shannon, in which battle Lawrence fell. As described, it was a beautiful marble pillar, broken off, with a part of the capital laid at its base. lt remained until 1844-5 at which time Trinity Church was rebuilt. When finished, the corporation of the Church took away the old and dilapidated Lawrence monument and erected a new one in a different form, placing it in the front of the yard on Broadway, at the lower entrance of the Church. When Cross visited the new monument, he expressed great disappointment at the change, saying "it was not half as good as the one they took away!"

 

These claims of Cross-perhaps made for Cross-to having originated the emblem are disputed. Oliver speaks of a monument but fails to assign an American origin. In the Barney ritual of 1817, formerly in the possession of Samuel Wilson of Vermont, there is the marble column, the beautiful virgin weeping, the open book, the sprig of acacia, the urn, and Time standing behind. What is here lacking is the broken column. Thus it appears that the present emblem, except the broken column, was in use prior to the publication of Cross' work (1819).

 

The emblem in somewhat different form is frequently found in ancient symbolism. Mackey states that with the Jews a column was often used to symbolize princes, rulers or nobles. A broken column denoted that a pillar of the state had fallen. In Egyptian mythology, Isis is sometimes pictured weeping over the broken column which conceals the body of her husband Osiris, while behind her stands Horus or Time pouring ambrosia on her hair. In Hasting's ENCYCLOPEDIA OF RELIGION AND ETHICS, Isis is said sometimes to be represented standing; in her right hand is a sistrum, in her left hand a small ewer and on her forehead is a lotus, emblem of resurrection. In the Dionysaic Mysteries, Dionysius is represented as slain; Rhea goes in search of the body. She finds it and causes it to be buried. She is sometimes represented as standing by a column holding in her hand a sprig of wheat, emblem of immortality; since, though it be placed in the ground and die, it springs up again into newness of life. She was the wife of Kronus or Time, who may fittingly be represented as standing behind her.

 

Whoever invented the emblem or symbol of the marble monument, the broken column, the beautiful virgin, the book, the urn, the acacia, Father Time counting the ringlets of hair, could not have thought through all the implications of this attempt-doubtless made in all reverence-to add to the dignity and impressiveness of the story of the Master Builder.

 

The urn in which "ashes were safely deposited" is pure invention. Cremation was not practiced by the Twelve Tribes; it was not the method of disposing of the dead in the land and at the time of the building of the Temple. rather was the burning of the dead body reserved as a dreadful fate for the corpses of criminals and evil doers. That so great a man as "the widow's son, of the tribe of Naphtali" should have been cremated is unthinkable. The Bible is silent on the subject; it does not mention Hiram the Builder's death, still less the disposal of the body, but the whole tone of the Old Testament in description of funerals and mournings, make it impossible to believe that his body was burned, or that his ashes might have been preserved.

 

The Israelites did not embalm their dead; burial was accomplished on the day of death or, at the longest wait, on the day following. According to the legend, the Master Builder was disinterred from the first or temporary grave and reinterred with honor. That is indeed, a supposable happening; that his body was raised only to be cremated is wholly out of keeping with everything known of deaths, funeral ceremonies, disposal of the dead of the Israelites.

 

In the ritual which describes the broken column monument, before the figure of the virgin is "a book, open before her." Here again invention and knowledge did not go hand in hand. There were no books at the time of the building of the Temple, as moderns understand the word. there were rolls of skins, but a bound book of leaves made of any substance-vellum, papyrus, skins-was an unknown object. Therefore there could have been no such volume in which the virtues of the Master Builder were recorded.

 

No logical reason has been advanced why the woman who mourned and read in the book was a "beautiful virgin." No scriptural account tells of the Master Builder having wife or daughter or any female relative except his mother. The Israelites reverenced womanhood and appreciated virginity, but they were just as reverent over mother and child. Indeed, the bearing of children, the increase of the tribe, the desire for sons, was strong in the Twelve Tribes; why, then, the accent upon the virginity of the woman in the monument? "Time standing behind her, unfolding and counting the ringlets of her hair" is dramatic, but also out of character for the times. "Father Time" with his scythe is probably a descendant of the Greek Chromos, who carried a sickle or reaping hook, but the Israelites had no contact with Greece. It may have been natural for whoever invented the marble monument emblem to conclude that Time was both a world-wide and a time immemorial symbolic figure, but it could not have been so at the era in which Solomon's Temple was built.

 

It evidently did not occur to the originators of this emblem that it was historically impossible. Yet the Israelites did not erect monuments to their dead. In the singular, the word "monument" does not occur in the Bible; as "monuments" it is mentioned once, in Isaiah 65 - "A people...which remain among the graves and lodge in the monuments." In the Revised Version this is translated "who sit in tombs and spend the night in secret places." The emphasis is apparently upon some form of worship of the dead (necromancy). The Standard Bible Dictionary says that the word "monument" in the general sense of a simple memorial does not appear in Biblical usage.

 

Oliver Day Street in "SYMBOLISM OF THE THREE DEGREES" says that the urn was an ancient sign of mourning, carried in funeral processions to catch the tears of those who grieved. But the word "urn" does not occur in the Old Testament nor the New.

 

Freemasonry is old. It came to us as a slow, gradual evolution of the thoughts, ideas, beliefs, teachings, idealism of many men through many years. It tells a simple story-a story profound in its meaning, which therefore must be simple, as all great truths in the last analysis are simple.

 

The marble monument and the broken column have many parts. Many of these have the aroma of age. Their weaving together into one symbol may be-probably is-a modernism, if that term can cover a period of nearly two hundred years. but the importance of a great life, his skill and knowledge; his untimely and pitiful death is not a modernism.

 

Nothing herein set forth is intended as in any way belittling one of Freemasonry's teachings by means of ritual and picture. These few pages are but one of many ways of trying to illuminate the truth behind a symbol, and show that, regardless of the dates of any parts of the emblem, the whole has a place in the Masonic story which has at least romance, if not too much fact, behind it.

  

THE BROKEN COLUMN AND ITS DEEPER MEANING:

 

by Bro. William Steve Burkle KT, 32°

 

Scioto Lodge No. 6, Chillicothe, Ohio.

 

Philo Lodge No. 243, South River, New Jersey

 

The meaning of the Broken Column as explained by the ritual of the Master mason degree is that the column represents both the fall of Master Hiram Abif as well as the unfinished work of the Temple of Solomon[i]. This interesting symbol has appeared in some fascinating places; for example, a Broken Column monument marks the gravesite in Lewis County Tennessee[ii] of Brother Meriwether Lewis (Lewis & Clark), and a similar monument marks the grave of Brother Prince Hall[iii]. In China, there is a “broken column-shaped” home which was built just prior to the French Revolution by the aristocrat François Nicolas Henri Racine de Monville[iv]. Today “The Broken Column” is frequently used in Masonic newsletters as the header for obituary notices and is a popular tomb monument for those whose life was deemed cut short. Note that when I speak of The Broken Column here, I am referring to only the upright but shattered Column Base with its detached Shattered Capital, and not to the more extensive symbolism often associated with the figure such as a book resting on the column base, the Weeping Virgin (Isis), or Father Time (Horus) disentangling the Virgin’s hair. In this version the shattered column itself is often said to allude to Osiris[v]. While these embellishments add to the complexity of the allusion, it is the shattered column alone which I intend to address.

 

The Broken Column is believed to be a fairly recent addition to the symbolism of Freemasonry, and has been attributed to Brother Jeremy L. Cross. Brother Cross[vi] is said to have devised the symbol based upon a broken column grave monument dedicated to a Commodore Lawrence[vii], which was erected in the Trinity Churchyard circa 1813. Lawrence perished in a naval battle that same year between the Frigates Chesapeake and Shannon. The illustration of the broken column was reportedly first published in the “True Masonic Chart” by artist Amos Doolittle in 1819[viii]. There is however little evidence beyond the word of Brother Cross that the symbol was thus created[ix],[x].

 

Whether the Broken Column is a modern invention or passed down from times of antiquity is of little consequence; regardless of its origins the symbol serves well as a powerful allusion in our Craft, and as will be discussed, may have deeper meanings which align with other Masonic symbols which also incorporate images of columns and pillars.

 

Freemasonry makes generous reference to columns and pillars of all sorts in the work of the various degrees including the two pillars which stood at the entrance of Solomon’s Temple, the four columns of architectural significance, and the three Great Columns representing strength, beauty, and wisdom[xi]. The first mention of pillars in a Masonic context[xii] is found in the Cooke Manuscript dated circa 1410 A.D. The three Great Pillars of Masonry are of particular interest in this article even though it is the Broken Column and its deeper meanings which I ultimately intend to explore.

 

Three Great Columns:

 

The basis for the Three Great Columns can be traced to an ancient Kabalistic concept and a unique diagram found in the Zohar which illustrates the emanations of God in forming and sustaining the universe. The diagram also reflects certain states of spiritual attainment in man. This diagram, called the Sephiroth consists of ten spheres or Sephira connected to one another by pathways and which are ordered to reflect the sequence of creation. In accordance with Kabalistic belief Aur Ein Sof (Light Without End) shines down into the Sephiroth and is split like a prism into its ten constituent Sephira[xiii], eventually ending in the material universe. To discuss the Sephiroth in sufficient depth to impart a good understanding is well beyond the scope of this paper; however, a basic understanding of how the structure of the Sephiroth is related to the Great Columns is manageable, and is in fact essential to the subsequent discussion of the Broken Column. Be aware that the explanations I give are vast oversimplifications of a highly complex concept. In an attempt to simplify the concept, it is inevitable that some degree of inaccuracy will be introduced.

 

I would like to begin my discussion of the Three Great Columns by discussing the Cardinal Virtues. The Cardinal Virtues are believed to have originated with Plato who formed them from a tripartite division[xiv] of the attributes of man (power, wisdom, reason, mercy, strength, beauty, firmness, magnificence, and base kingship) presented in the Sephiroth. These concepts were later adopted by the Christian Church[xv] and were popularized by the treatises of Martin of Braga, Alcuin and Hrabanus Maurus (circa 1100 A.D.) and later promoted by Thomas Aquinas (circa 1224 A.D.). According to Wescott[xvi] the Four Cardinal Virtues are represented by what were originally branches of the Sepheroth:

 

“Four tassels refer to four cardinal virtues, says the first degree Tracing Board Lecture, these are temperance, fortitude, prudence, and justice; these again were originally branches of the Sephirotic Tree, Chesed first, Netzah fortitude, Binah prudence, and Geburah justice. Virtue, honour, and mercy, another triad, are Chochmah, Hod, and Chesed.”

 

broken-column1

 

Thus we have a connection between the Cardinal Virtues and the Sephiroth. The Three Pillars of Freemasonry (Wisdom, Beauty, and Strength) are associated with the Cardinal Virtues[xvii] and also therefore with the Kabalistic concept of the Sephiroth[xviii]. I have provided an illustration of the Sepiroth in Figure 1. This particular version of the Sephiroth is based upon that used in the 30th Degree or Knight Kadosh Grade[xix] of the ASSR. The Sephiroth, incidentally is also called “The Tree of Life”. Each of the vertical columns of spheres (Sephira) in the Sephiroth are considered to represent a pillar (column). Each pillar is named according to the central concept which it represents; thus in Figure 1 we have the pillars Justice, Beauty, and Mercy left to right, respectively. The Sephiroth is a very elegant system in which balance is maintained between the Sephira of the two outermost pillars by virtue of the center pillar. Note also that traditionally the Sephiroth is divided into “Triads” of Sephira. In Figure 1 the uppermost triad, consisting of the spheres Wisdom, Intelligence, and Crown represent the intellectual and spiritual characteristics of man. The next triad is represented by the Sephira Justice, Beauty, and Mercy; the final triad is Splendor, Foundation, and Firmness (or Strength).

 

According to S.L. MacGregor Mathers[xx], the word Sephira is best translated to mean (or is best rendered as) “Numerical Emanation”, and each of the ten Sephira corresponds to a specific numerical value. Mathers also asserts that it was through knowledge of the Sephiroth that Pythagoras devised his system of numerical symbolism. While there are additional divisions and subdivisions of the Sephiroth, the concept which is of interest to us here is that God created the Material World or Universe (signified by the lowest Sephira, Kingdom) in a series of ordered actions which proceeded along established pathways (i.e. the connecting lines between the Sephira in our Figure). Each of the Sephira and each pathway are a sort of “buffer” between the majesty and power of God and the material world. Without these buffers, profane man and the material world he inhabits would meet with destruction. On the other hand, enlightened man is able to progress upwards along these pathways to higher level Sephira and to thereby achieve enhanced knowledge of the Divine. Tradition holds that man once was closer to the Divine spirit, but became corrupted by the material world, losing this connection (i.e. The fall of Man from Grace. Note also the reference to the Tree of Knowledge and possible connections to the Tree of Life). God uses the Sephiroth in renewing and sustaining the material universe. Each new soul created is an emanation of God and travels to materiality (physical existence) via the pathways established in the Sephiroth. In a similar fashion, the spirits of the departed return to God via these same pathways, making the Sephiroth the mechanism by which God interacts with the universe.

 

broken-column2

 

The Broken Column:

 

In Figure 2, I have redrawn the Sephiroth as an overlay of the Three Great Columns; however in this version the Pillar of Beauty is Broken. Note especially that the center pillar, the Pillar of Beauty in the Sephiroth has a gap between Beauty and Crown, in effect making this column a Broken Pillar[xxi]. I believe this “fracture” symbolizes Man’s separation from knowledge of the Divine, and an interruption in the Pathway leading from Beauty directly to the Crown (which symbolizes “The Vast Countenance”[xxii]).

 

I would also like to extrapolate that if the Broken Column indeed represents Hiram Abif as per the explanation given to initiates, then the two remaining columns would then correspond to Solomon and Hiram King of Tyre[xxiii]. Certainly the Sephira (Wisdom, Justice, and Splendor) which comprise the column of Justice align well with the characteristics traditionally associated with King Solomon. Tradition unfortunately does not address Hiram King of Tyre although we can assume that Intelligence, Mercy, and Firmness or Strength would be a likely requirement for a Monarch of such apparent success. The connection between the Three Great Columns and the three principle characters in the drama of the Third Degree does have a certain sense of validity. The “Lost Word” associated with Hiram Abif would then allude to the lost Pathway.

 

In so many of our Masonic Lessons we initially receive a plausible but quite shallow explanation of our symbols and allusions. Those who sense an underlying, deeper meaning tend to find it (Seek and you will find, knock and the door shall be opened). Perhaps in our ritual of the Third Degree, that which is symbolically being raised (restored) is the Pillar of which resides within us. If so, the Lost Word has then in fact been received by each of us. It only remains lost if we choose to forget it or choose not to pursue it.

 

[i] Duncan, Malcom C. Duncan's Masonic Ritual and Monitor. Crown; 3 Edition (April 12, 1976). ISBN-13: 978-0679506263. pp 157.

 

[ii] “Meriwether Lewis, Master Mason”. The Lewis and Clark Fort Mandan Foundation.

 

[iii] “WHo is Prince Hall ?” (1996). Retrieved December 5, 2008 from www.mindspring.com/~johnsonx/whoisph.htm.

 

[iv] Kenna, Michael. (1988). The Broken Column House at Désert de Retz in Le Desert De Retz, A late 18th Century French Folley Garden. Retrieved December 6, 2008 from Valley Daze. valley-daze.blogspot.com/2007/09/broken-column-house.html

 

[v] Pike, Albert. (1919) Morals and Dogma. Charleston Southern Jurisdiction. pp. 379. ASIN: B000CDT4T8.

 

[vi] “The Broken Column”. The Short Talk Bulletin 2-56. The Masonic Service Association of the United States. VOL. 34 February 1956 NO. 2.

 

[vii] Brown, Robert Hewitt. (1892). Stellar Theology and Masonic Astronomy or the origin and meaning of ancient and modern mysteries explained. New York: D. Appleton and Company, 1, 3, and 5 Bond Street. 1892.. pp. 68.

 

[viii] “Boston Masonic Lithograph”. Retrieved December 5, 2008 from Lodge Pambula Daylight UGL of NSW & ACT No1000. lodgepambuladaylight.org/lithograph.htm.

 

[ix] Folger, Robert B. Fiction of the Weeping Virgin. Retrieved December 6, 2008 from the Grand Lodge of British Columbia and Yukon A.F. & A.M. freemasonry.bcy.ca/art/monument / fiction/fiction.html

 

[x] Mackey, Albert Gallatin & Haywood H. L. Encyclopedia of Freemasonry Part 2. pp. 677. Kessinger Publishing, LLC (March 31, 2003).

 

[xi] Claudy, Carl H. Introduction to Masonry. The Temple Publishers. Retrieved December 5, 2008 from Pietre-Stones Review of Freemasonry. www.freemasons-freemasonry.com/claudy4.html.

 

[xii] Dwor, Mark. (1998). Globes, Pillars, Columns, and Candlesticks. Vancouver Lodge of Education and Research . Retrieved December 6, 2008 from the Grand Lodge of British Columbia and Yukon A.F. & A.M. freemasonry.bcy.ca/texts/globes_pillars_columns.html

 

[xiii] Day, Jeff. (2008). Dualism of the Sword and the Trowel. Cryptic Masons of Oregon – Grants Pass. Retrieved December 6, 2008 from rogue.cryptic-masons.org/dualism_of_the_sword_and_trowel

 

[xiv] Brimstone, M. Thinkers of the Middle Ages. Monthly Packet. Evening Readings of the Christian Church (1893). Ed. Charlotte Mary Yonge, Christabel Rose Coleridge, Arthur Innes. J. and C. Mozley. University of Michigan (2007).

 

[xv] Regan, Richard. (2005). The Cardinal Virtues: Prudence, Justice, Fortitude, and Temperance. Hackett Publishing.

 

[xvi] Wescott, William ( ). The Religion of Freemasonry. Illuminated by the Kabbalah. Ars Quatuor Coronatorum. vol. i. p. 73-77. Grand Lodge of British Columbia and Yukon. Retrieved September 29, 2008 from www.freemasonry.bcy.ca/aqc/kabbalah.html.

 

[xvii] MacKenzie, Kenneth R. H. (1877). Kabala. Royal Masonic Cyclopedia. Kessinger Publishing (2002).

 

[xviii] Pirtle, Henry. Lost Word of Freemasonry. Kessinger Publishing, 1993.

 

[xix] Knight Kadosh. The Thirtieth Grade of the Ancient and Accepted Scottish Rite, and the First Degree of the Chivalric Series. Hirams Web. University of Bradford.

 

[xx] Mathers, S.L. MacGregor. (1887). Qabalah Unveiled. Reprinted (2006) as The Kabbalah: Essential Texts From The Zohar. Watkins. London. pp. 10.

 

[xxi] Ibid. Dualism of the Sword and the Trowel

 

[xxii] Ibid. Qabalah Unveiled .Plate III. pp. 38-39.

 

[xxiii] Duncan, Malcom C. Duncan's Masonic Ritual and Monitor. Crown; 3 Edition (April 12, 1976).

It was built for display on our KLUG streetcar layout. Selectively compressed to make it manageable in size, but the Art Deco feel is there.

 

At shows, we had a LEGO "Desk Pal" climbing up the side in place of Mr. Stay Pufft.

 

This is a build from a few years ago that I did not post. Sadly I do not have it anymore for the 30th anniversary. With the LEGO Ghostbusters set coming in June, I just might have to rebuild it.

IDP's from Tikrit and Ramadi.

The refugee flow to the wealthy continent of Europe is just the tip of the iceberg. It's a minor crisis compared to the real refugee crisis hitting Iraq and Iraqi Kurdistan, where resources are not so plenty as in Europe. Belgium is not overwhelmed by a flood of refugees like Kurdistan. Many internal Iraqi refugees from areas which have been taken by IS flee to the Kurdish region in northern Iraq. Most refugees remain in the region, and within the sphere of influence of the conflicts of yesterday, today and tomorrow. Browse through these photos by photographer Baram Maaruf and you might get a better understanding of the scope of the "crisis" in Europe: limited and perfectly manageable. It's a not a "refugee crisis", but a crisis of "political will".

 

ARBAT IDP CAMP

Arbat Internally Displaced Persons (IDP) Camp is located outside the city of Sulaymaniyah in Iraq's Kurdistan Region. It is one of the most overcrowded refugee camps in Iraq. The camp was supposed to house 800 displaced Iraqi families, but now there are more than 2000 families (23.000 people). In each tent there are several families. It was established for Syrian refugees as a transit camp, but it turned into a camp for internally displaced Iraqi refugees. As the crisis in Iraq enters its second year with no political or military solution in sight, the government and aid groups are being forced to seek longer-term humanitarian solutions for the more than three million displaced by violence across the country.

 

ASHTI CAMP

It’s a short drive to a new camp location just five km away: Ashti Camp. UNHCR and its partners began to move residents to better-equipped facilities in June 2015. Ashti camp, was recently completed and will eventually accommodate some 1000 families who will be moved from Arbat Internally Displaced Persons (IDP) camp. They are displaced Iraqis sheltering in Iraq's Kurdistan Region. It looks like the foundation of a new village. Instead of pitched upon packed earth, tents here rest on poured concrete foundations. Plumbing is underground and electric wiring runs along poles that neatly follow the camp's grid layout.

 

ARBAT PERMANENT CAMP

The third refugee camp is a permanent camp for 6000 Syrian refugees, mainly Kurds from Kobani and Qamishlo. It looks like a village with paved roads, electricity wires, shops, little brick houses. Even though the whole “village” looks miserable, it is much “better” compared to Arbat Internally Displaced Persons (IDP) camp.

I pulled out all sorts of aqua scraps today from the smallest of small pieces to some slightly more manageable bits - and then I spent ages piecing them together. This would be trimmed to triangles (once I have it square), one for each side of the pouch. But I am wondering, partner, do you like this super scrabby look for the aqua or would you prefer something more uniform made with larger pieces of fabric? Please tell me. I have plenty of fabric left and I can use this for something else so it isn't a problem.

This photo illustrates most oft he ridge line between Yariga-take (3,180m) and Hotaka-dake (3,190m). In the right corner is Yariga-take Sanso which can accommodate more than 350+ people (if they are stacked like sardines, I might say). We spent a cold but manageable night at the hut after eating yummy dinner, breakfast and even getting a lunch bento box for our climb next day. This photo is taken from near the summit of Yariga-take. We came down and continued on the ridge until Hotaka-dake Sanso, some 8km away.

 

Japanese Northern Alps

Another member of Ruger's "Hard R" line, the LCR (for Lightweight Compact Revolver) has a grip frame and trigger guard of polymer and upper frame of aluminum alloy. The 5-shot cylinder and barrel liner are stainless steel. The hammer is completely concealed and there's really nothing sticking out to snag on clothing when you pull it out of wherever you hide it. Ruger describes the recoil as "highly manageable," but I found it a bit sharp when firing 125-grain, non +P rounds as well as U.S. military type M41 ball ammo. Nothing outrageous, just your typical .38 Special snubbie. The factory installed, soft rubber Hogue monogrip does absorb some of it. It has a keyed trigger lock, but it's necessary to remove the grip to get at it! It weighs about a third less than my Smith & Wesson model 649 Bodyguard and so has less of a tendency to pull my pants down when stashed in a pocket.

 

Ruger has recently introduced this model in .357 Magnum (ouch!) and more recently an 8-shot .22LR version. It would be interesting to see this revolver in a 6-shot .327 Federal Mag version.

After World War II, the company was not allowed to produce aircraft. One alternative the company came up with was the three wheeled motorcycle/bubble car or Kabinenroller (cabinscooter) KR175 / KR200. According to an urban legend, it was made with old aeroplane parts. This is not true but as it was designed by an aircraft engineer, Fritz Fend, it is probably no coincidence it looks somewhat like an aeroplane. A well known appearance of this car is in Terry Gilliam's Brazil, to great effect, Cousin Itt drives a white one in The Addams Family, and a red KR200 was owned by the singer Elvis Presley.

The cars were actually made by Fend's own company in the Messerschmitt works at Regensburg and Willy Messerschmitt had very little to do with the vehicles other than ruling that they carried his name. Fend's aircraft influence certainly showed itself in his desire to achieve a light yet stiff frame with low wind resistance from the tandem seating with aerodynamic steel body. This resulted in a surprisingly high performance from 175 and later 200cc single cylinder two-stroke engines. Some would say that his ultimate achievement with the Kabinenroller was the four-wheeled TG500 or 'Tiger' with a twin cylinder 490cc engine capable of higher speeds and sports car handling. However, there is little doubt that the best developed and most successful was the three-wheeled KR200. Production of the KR200 ceased in 1964.The rear-mounted engine of the 3-wheeler was a 191 cc Sachs single-cylinder twostroke, blast-cooled. A novel feature was the Siba Dynastart having both forward and reverse contact-breakers giving the car four forward and four reverse gears via the enclosed oilbath secondary chain. With handlebar-steering the control in a fast reverse gear, say at about 35 mph, was quite manageable. The general handling was good but the brakes were a weak point; a non-factory conversion to front 8-inch hydraulic brakes was marketted in Britain. For use on the UK roads the side-hinged Perspex canopy still lifted & tilted to the right. The rear seat was actually a small bench-type able to hold an adult and a child. Not many were sold in Britain due to the high price; I believe only two of the 4-wheeled variants were ever imported (BM-S)Less known is the fact that the Messerschmitt factory also produced prefabricated houses, which were designed as "self-building-kits" mainly based on an alloy frame work.

  

MU510 bound for Shanghai/PVG on a hot & humid energy-sapping summer's day in HKG. It was made more manageable by the fact it was also constantly windy.

 

This is my first upload of a China Eastern A320-200N & it's about time!

OK, so confession time, how much patterned paper do you have?! I try and keep my stash manageable, but I do have more than I realistically have room for, so today's project is a paper stash buster using the fabulous Simon Says Stamp gnome 😃

 

limedoodledesign.com/2019/11/using-up-paper-scraps/

〒135-0063 東京都江東区有明3-21-1

東京ビッグサイト

 

FTPS group shot taken @ the May 2009 Design Festa. The photog (Stephen Lebovits), whom I just happened to grab as he was going by, seemed as if he might join us later.

 

Unfortunately, I had my camera set to ISO3200 for some reason (don't ask me, I don't know) and so the shot wasn't nearly as good as it should've been. I had to do a bit of post to make it manageable. Sorry 'bout that guys!

 

Big Site, Tokyo, Japan

Both simple slices of protein, grilled to just melt the fatty bits and practically slide down your throat!

  

Dinner with Jennie and David, omakase-style at the sushi counter.

 

Shira Nui 不知火

247 Springvale Rd

Glen Waverley VIC 3150

(03) 9886-7755

Lunch Tue-Sat noon-2pm. Dinner Tue-Sun 6pm-10pm

 

Reviews:

- Shira Nui, by Dani Valent, Epicure, The Age May 22, 2007 Sit at the sushi counter. Order the omakase

- Shira Nui By Jane Faulkner, Epicure, The Age October 10, 2005 Shira Nui is worth crossing town for.

- Fusion without power By John Lethlean, The Age August 5 2003 At Shira Nui, only certain types of sushi will be delivered to the table, so fanatical is the chef. The full range is available only to a manageable group of sushi-bar diners. He makes; you eat immediately; then he makes again. This is the omakase menu, a sushi-only degustation that is the purest, most pleasurable dining experience I have had all year.

- Shira Nui ... again - TummyRumbles by mellie on May 17th, 2009

- Shira Nui - Miettas

Age Good Food Guide 2010 Score: 14.5/20

Age Good Food Guide 2009 Score: 14.5/20

Gourmet Traveller 2009 Australian Restaurant Guide "A nondescript Glen Waverley shopping strip is not the obvious place to seek boundarypushing Japanese food, but Shira Nui's camouflage partially explains its 'hidden treasure' status"

Age Good Food Guide 2008 Score: 15/20

Age Good Food Guide 2006 score 15/20

Age Good Food Guide 2005 score 14/20

AGFG 2004, score 14/20

- Shiranui - UrbanSpoon

- Shira Nui - Your Restaurants

This image was scanned from a plan in the BHP Coal Geology plan set. The set of plans was donated to the Geology Department at University of Newcastle by BHP Coal Geology, in the early 1960s. The plans were transferred to Cultural Collections and stored in archives at the Auchmuty Library, University of Newcastle (2012), together with other archival material from the Geology Dept.

 

The plans were scanned at 400dpi in GLAMx Lab, Cultural Collections, in August 2017. This set of plans was generated from the scans by Russell Rigby in October 2017 - the original scans were adjusted using Irfanview software and the following steps:

1/ the scans were "squared up" where necessary by fine rotation, and cropped to remove frayed edges, binding holes etc - all information was preserved.

2/ the scans were resized to 160dpi (40% of original)to get a set of plans at manageable size.

3/ the resized images were"auto adjusted" to improve colour rendition and contrast

4/ the adjusted images were saved as high quality jpg files (80%)

5/ the adjusted images were renamed for consistency.

 

The borehole and shaft numbers used on these plans are from sequential numbering of the data points generated within BHP Coal Geology. A reference listing of the BHPCG numbers used for the Newcastle Coalfield with the name and number of the data point is held in archives by Glencore, Mineral Resources, and may also be in the University collection (to be confirmed). Copies of the drillhole and shaft logs are contained in sets of typed sheets, with hand-coloured graphic logs.

 

The scanned plans are dye-line prints. They were printed from originals on transparent film which were updated from time to time in BHP Coal Geology. Later versions of these plans may be available from other sources, and the updated originals may still be in the archives now held by Glencore. The printed plans are hand coloured.

 

The plans are approximately 1050mm x 760mm, at a scale of 4 inches:1 mile (1:15840) unless otherwise shown. They are bound in a single hard-cover folio.

 

The borehole and shaft numbers used on these plans are from sequential numbering of the data points generated within BHP Coal Geology. A reference listing of the BHPCG numbers used for the Newcastle Coalfield with the name and number of the data point is held in archives by Glencore, Mineral Resources, and may also be in the University collection. Copies of the drillhole and shaft logs are contained in sets of typed sheets, with hand-coloured graphic logs.

 

You are welcome to use the images for study and personal research purposes. Please acknowledge as “BHP Coal Geology", (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.

 

If you have any information about the photograph, please contact us or leave a comment. We greatly value your contribution.

 

Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.

2014 Gore Aussie Muscle Mania Car Show (12-4-14)

 

By the time of the release of the VJ Valiant, Chrysler’s market share was in its fourth consecutive year of decline. There was therefore much pressure on the stylists to ensure the face-lifted VJ arrested the decline.

 

The new look was heralded by Chrysler as being “Years ahead of its time”, it clearly wasn’t, but the question of whether it could around the flagging fortunes of Chrysler in Australia remained. The VJ’s sheet metal remained unchanged over the outgoing VH, styling changes being restricted to a grille makeover, round headlights and revamped tail lights.

 

The major mechanical improvement was an electrical ignition system which became standard on the Regal, Charger XL and 770 and Chrysler. This was the first time this feature had been offered in an Australian built car. But apart from these handful of improvements, the VJ remained very much the car of old.

 

One of the difficulties Chrysler was facing were the perceived build quality problems inherent in the VH, so the marketers set about confirming to the public that the VJ was a well sorted and now tried and tested quality alternative, offering more features and refinements than the competition.

 

Advertising campaigns of the day focused on the new body finishing techniques which included the use of rust-proofing primer, along with higher paint application quality. Chrysler also knew the cost of offering such a broad line-up of models was significantly affecting the cost of manufacture, so some rationalisation was needed.

 

When the dust had settled, there Pacer had been dropped, along with the Ranger XL, Regal 770 and Charger R/T. With the different machinations applicable to each of these models, Chrysler had effectively brought its model line-up down from 56 to a more manageable 18, and to fill any perceived gaps in the line-up the Chrysler executives were confident that by adding to the options list any Chrysler purchaser would still be able to leave the showrooms with their own very individual motor car.

 

It is worth noting the other, albeit small changes introduced with the VJ. It was one of the first locally manufactured cars to switch to the use of a metric calibrated speedometer, while the steering wheel featured a flatter rim at the bottom, supposedly to give more leg room to the driver. In a decision unfathomable today, except perhaps considering the fuel crisis of the early 1970’s, to no longer produce high performance Chargers was a travesty. Much lesser cars, such as the Falcon Superbird and 6 cylinder Monaro’s were able to eat away at the Charger’s market share, this after it leading the two-door sales charts the preceding year.

 

Visually there were very few changes from the VH to VJ Charger, in fact you pretty much had to be looking at the car head on, so that you could see the new grille, to identify it as the latest model. The new grille had a pillar effect and 178mm round headlights. The front turn indicators were mounted on the guards using body-coloured bezels, while the tail lights also came in for a makeover.

 

Inside the trim was improved and a larger range of colours was offered. There were only three basic models available, the Charger, Charger XL and Charger 770, although the standard features list was improved and the number of options available increased. All Six-Pack and V8’s had a front anti-roll bar and swinging rear quarter windows, and all excluding the base 215 engined Chargers were fitted with the new electric ignition system. A sports pack enabled the buyer to lift the XL to almost VH R/T specs. Gone was the lower priced 265 Hemi option, the six-pack and 318 V8 being the only muscle car options.

 

The Flagship Chrysler by Chrysler:

 

The flagship Chrysler by Chrysler CJ was announced in March and put on sale in early April. As with the Valiant line-up, the Chrysler was visually almost identical to the CH model, although the hand-painted coach line was deleted, while the sill and wheel arch mouldings that were previously available only as an option became standard fare. Cars fitted with vinyl roofs were fitted with lower mouldings to give the whole car a lowered look. Carried over too were the engine options, coming standard with the Hemi 265ci engine with the 360 5.9 litre V8 engine available as an option.

 

The commercial vehicle range was added to with the release of a low budget Dodge badged utility which was virtually identical to the Valiant model. The utes had revised grilles and round headlights. The 215 Hemi was standard on both, and the Valiant had a slightly higher level of equipment. VJ prices started at $2849 for the 215 Valiant four-door, with the Regal 245 (with electronic ignition) coming in at $3600 and the Regal Hardtop at $3765 - the top of the line Chrysler by Chrysler sold for $4925. The Charger prices started at $2970, rising to $3995 for the Charger 770. The Regal Hardtop was $3765, while at the commercial end the Dodge utility was $2565 and the Valiant utility was $2640.

 

Chrysler finished 1973 with a 9.5% market share, its lowest ever, and far from the halcyon days of the R and S Series where the waiting list ensured Chrysler had pretty much pre-sold every car to roll off the production line. The “Big Three” was no more, with Toyota now assuming 3rd position on the sales charts, and Chrysler now knowing that they were in trouble. In a counter offensive similar to the Battle of the Bulge, 1974 would see Chrysler lift standard equipment levels across the VJ range.

 

Fitted to all models (excluding the utes) were front power assisted disc brakes, front seat retractor safety belts, speed windscreen-wiper blades, a sound-deadening package, door reflectors, a glove-box lock and anti-roll bar. In August 1974 came the release of the limited run (of 500) Chager “Sportsman” models. Available only in “Vintage Red”, the Sportsman featured a bold white exterior striping and a distinctive roof treatment. It was fitted with the Hemi 265 engine coupled to a foud-speed manual gearbox. Plaid cloth inserts were incorporated into the seat trim, and other extras fitted.

 

By productions end, some 90,865 VJ Valiant’s had been manufactured. It was a good car, and arguably deserved better recognition from the buying public, but the Japanese manufacturers were quickly gaining a strong foothold in the Australian automotive marketplace with their “fully loaded” yet cheaper versions. The weaker of the “Big Three” had succumbed to their industrial might, and now questions were being asked as to the viability of the manufacturer.

(ref: www.uniquecarsandparts.com.au/car_info_chrysler_valiant_v...)

 

318 V8 Engine Specs:

Capacity: 318 cubic inches (5.2 litres)

Type: Conventional, watercooled four stroke, reciprocating piston type with 8 cylinders

Configuration: Front mounted, longitudinal, OHV, 90° Vee, "wedge" head

Head: Pushrod and rocker actuated ohv with two valves per cylinder

Fuel System: Carter two barrel downdraft type carburettor

Bore and Stroke: 3.91 x 3.31 inches (99.314 x 84.074 mm)

Power: 230 bhp (172 kW) at 4400 rpm

Torque: 340 lb-ft (461 Nm) at 2400 rpm

Compression Ratio: 9.2:1

Valve Timing

Intake

opens: 10° BTC

closes: 50° ABC

duration: 240°

Exhaust

opens: 58° BBC

closes: 10° ATC

duration: 248°

Firing Order: 1-8-4-3-6-5-7-2

Radiator Capacity: 26 pints

Oil Pan

Without filter: 6.6 pints

With filter: 8.3 pints

(ref: www.uniquecarsandparts.com.au/valiant_vj_cj_technical_spe..

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

 

Some background:

Towards the end of WWII, large, piston-engined flying boats had been used exctensively in th bepatrol and bomber role, but with the advent of the new jet engine technology, engineers in several countries started to explore the new propulsion type's potential in different areas - including seaborne usage.

Towards the end of WWII and the far-stretched conflict theatre in the Pacific, the flying boat as well as float planes still had a large appeal due to their independence from airfields. This offered a lot of tactical flexibility. On the other side, the jet engine promised (much) higher speeds, but with the relative higher weight of early jet-driven aircraft (more fuel was needed, and more engines, as thrust was relatively low) a seaborne type would also avoid the need for a prepared and long airstrip to operate.

 

The United Kingdom was one nation that looked seriously into this kind of aircraft, and Saunders Roe presented in 1943 the proposals for a plane that should actually make it to the hardware stage: the SR.1/A, which made its maiden flight in 1947. The Soviet union also undertook some studies, but fighters remained just proposals. Eventually OKB Beriev would produce several sea-borne, jet-powered patrol bombers (e .g. the R-1 experimental plane, and later the Be-10 flying boat), which actually entered service.

 

In the USA, studies for a jet-powered fighter fyling boat gained momentum during the final stages of WWII. Convair developed the 'Skate' for the US Navy, a heavy night fighter, and Boeing designed a competitive concept. In parallel, and towards the end of the forties, heavier flying boats for maritime patrol were requested by the Navy - and with them a lighter, single-seat fighter that could escort them, or be used as an interceptor to defend improvised forward maritime bases. Using this type as a fast, ship-borne reconnaicssance aircraft was also envisioned.

This fighter was to be capable of a similar performance to land-based fighters in this class, like the F-80 or the F-86. The dsuccessful evelopment of the SR.A/1 in the UK had been keenly observed, and the concept of a jet-powered flying boat fighter appeared feasible and appealing.

 

One company to respond to the USN request was Curtiss, who already had experience with float planes like the Model 82 (SOC) and the Model 97 (SC 'Seahawk') - both rather pathfinder aircraft than true combat types, though. Curtiss designed its Model 101 around two J47-GE-11 jet engines, each rated at 2.359 kN (5.200 lbf) of thrust.

 

The Model 101's layout was rather concentional, with a deep, single step boat hull that would house a huge amount of fuel for the requested long range escort capability. The J47-GE-11-engines (the same which powered the B-47 bomber) were placed in nacelles, at the highest point of the gull wings.

As an innovative step, the Model 101 featured swept wings - the first time ever that this was tried on a flying boat. On the tips of the wings with a 35° sweep, slats and large flaps, fixed stabilizer floats were mounted. The large fin was swepts as well, and the horizontal stabilizers were placed as a T-tail high on the fin, clear of any jet turbulence or spray water.

 

The pilot sat in a pressurized cockpit under a bubble canopy, which offered good view, even though the massive engine nacelles blocked much of the side and rearward field of view.

The Model 101 was armed with four 20 mm (0.79 in) M3 autocannons in the nose section, with 200 RPG. An A-1CM gunsight which used an AN/APG-30 radar to automatically compute the range of a target was housed in a small radome in the nose tip. Under its inner wings, just outside of the engines, hardpoints allowed an external ordnance of up to 4.000 lb (1.816 kg), including bombs of up to 1.000 lb calibre, eight HVAR missiles, drop tanks or even two torpedos.

 

Curtiss received a go-ahead and two prototypes were built during 1948. First taxi runsd tok place in late 1947, the maiden flight of prototype #01 was on February 6th 1948, the second aircraft followed only three weeks later on 1st of March 1948 - and the tests were soon halted. Both aircraft suffered from severe purpoising at 80% of the take-off speed, and this problem almost resulted in the loss of prototype #01. This was a new problem, as such high take-off speeds had never before been encountered on water, and the phenomenon was called the 'hydro-dynamic instability barrier': essentially it was unstable aquaplaning.

 

First attempts to solve the problem were elevator compensation and tailplane incidence angle adjustments. This helped, but the aircraft remained unstable during take-off and landing - it was not before November 1948 that modifications were made to the planing bottom of prototype #02.

This brought the purpoising to a manageable level, but did not fully cure it. Disaster struck on February 12th 1949, when the still unmodified first prototype was lost in a starting accident: the aircraft started purpoising during take-off, hit a wave with the left side stabilizer swimmer, suddenly veered off towards the left, pitching down with the nose and toppling over at more than 120mph, ripping off the left wing and the whole tail section. Miracuously, test pilot Simon Pritchard escaped alive from the sinking wreck (even though heavily injured), but the XFC-1 #01 had to be written off and any high speed ground tests were suspended..

 

Flight tests were resumed in June 1949 after a bottom step venting system had been introduced, and this measure finally cured the instability problem. In the meantime, two more airframes had been built: one with more powerful J47-GE-23 engines (with 2.631 kN/5.800 lbf each, these were introduced to the other two prototypes during 1950, too) and another one for static tests.

 

Further trials followed during 1950 and in early 1951 the re-engined machine #02 even became supersonic in a dive. While the Model 101 (which received the USN designation XFC-1 and was christened 'Oceanhawk') was up to the original specifications it was clear that it could not compete with land-based aircraft - essentially, it offered a similar performance to the land-based F-86, but the XFC-1 needed two engines for that, was much less agile and still needed a complex infratsructure to operate properly. Its independence from land bases was still its biggest selling point, though, so the development was kept up.

 

At that time, the USN issued a specification for a supersonic flying boat, and NACA understook a study that a Mach 2 aircraft would be feasible until 1955. This rendered the Oceanhawk more or less obsolete, as it could not keep up with this requirement, and the XFC-1 program was finally closed in 1953. Eventually, the Convair XF2Y Sea Dart would be the next (and final) step on the way to a seaborne jet fighter.

 

Anyway, the remaining two XFC-1 prototypes were not scrapped but allocated to the USN's test squadrons. Prototype #02 and #03 were handed over as UFC-1 to Air Development Squadron VX-4 "Evaluaters" at Point Mugu, California, together with the static airframe #04 which was used for spares. Both aircraft were used as chase planes, observation platforms and target tugs. Machine #02, for instance, took part in the evaluation program of the Martin P6M SeaMaster flying boat in 1955, and was then modified for several tests with hydroski installations under the fuselage. On the other side, machine #03 was used in the development of remote drone and target tug control equipment, being re-designated DFC-1.

 

After serving in these second line roles, both aircraft were finally scrapped in 1965 and replaced by land-based types.

  

General characteristics

Crew: 1

Length: 14.11 m (46 ft 6 1/3 in)

Wingspan: 12.46 m (40 ft 9 1/2 in)

Height: 4.10 m (13 ft 5 1/4 in)

Empty weight: 9.265 kg (20.408 lb)

Loaded weight: 16.080 kg (35.418 lb)

 

Powerplant:

2× J47-GE-23 engines, rated at 2.631 kN/5.800 lbf each

 

Performance

Maximum speed: 932km/h (577mph/503nm) at sea level

Range: 2.092 km (1296 ml)

Service ceiling: 13.450 m (44.040 ft)

 

Armament

4× 20 mm (0.79 in) M3 autocannons with 200 RPG.

Eight underwing hardpoints for a total external ordnance of up to 4.000 lb (1.816 kg), including bombs of up to 1.000 lb calibre, eight HVAR missiles, drop tanks or two torpedos.

  

The kit and its assembly:

This model is a complete fantasy aircraft, inspired by a TV documentation about sea plane projects in the USA and USSR after WWII. Among others, the Martin P6M SeaMaster and the Saro SR.1/A made an appearance, and I wondered how an escort fighter for the P6M would have looked like in USN service? Well, let's build one...

 

Making a flying boat is pretty tricky, and the whole thing was built from scratch and with lots of putty.

 

Basically, the following went into it, all 1:72 unless stated otherwise:

● Fuselage and cockpit from a Hobby Boss F-86E

● Floating bottom is the lower half of a Matchbox Heinkel He 115 swimmer

● Wings come from another Hobby Boss F-86E, but this time a Batch 30 aircraft with extended wing tips

● Vertical stabilizer comes from an Academy MiG-21F

● Horizontal stabilizers come from a 1:100 Tamiya Il-28 bomber

● Stabilzer swimmers come from a vintage box scale Revell Convair Tradewind kit

● Engine intakes and exhausts are resin parts from Pavla, replacements for a Hasegawa B-47 kit

● A massive beaching trolley, which actually belongs to the A-Model Kh-20M missile kit

 

Assembly went from fuselage over the wing roots, the improvised engine nacelles, outer wings and stabilizer swimmers, step by step. I had a vague idea of what the aircraft should look like, but the design more or less evolved, depending from what I had at hand.

For instance, the Il-28 stabilizers were late additions, as the original F-86 parts turned out to be much too small for the massive aircraft.

 

The cockpit was taken OOB, just a pilot figure was added and the canopy cut into two pieces, so that it could be displayed in an open position.

Around the hull, small mooring hooks made from wire were added, gun nozzles made from hollow needles, as well as some antennae, since the whole kit was rather bleak and simple.

 

The trolley was puzzled together from the parts supllied with A-Model's Kh-20M (AS-3 'Kangaroo') kit, but was modified (e. g. with different wheels) and adapted to the flying boat's hull. It fits perfectly in shape and design, though!

  

Painting and markings:

Nothing fancy, as a jet-powered flying boat fighter is unique enough. Design benchmark was again the P6M, and AFAIK these aircraft were painted in just two tones: FS16081, a very dark grey, with white undersides and a wavy waterline. They were definitively not blue of any sort, as one might think in the first place.

 

I started with the lower side - white is always difficult to apply, and in order to avoid any trouble I used stpray paint from a rattle can and used a very light grey instead of pure white. The latter has two benefits: it covers the surface much better than white, and the contrast is not so harsh - the grey still leaves 'room' for some dry-brushing with white.

 

Next step was the dark grey - I used Humbrol's 32, which is FS36081 and looks very good. Dry-brushing with Humbrol 79 (Dark Blue Grey) was used for some counter-shading, and after a black ink wash I also painted some panel lines with a mix of black and matt varnish onto the hull. That turned out to be a little much, but finally, when the decals were applied (wild mix from various aftermarket sheets and the scrap box), the overall impression became much better.

 

The trolley was simply painted in yellow and makes a nice contrast to the dark aircraft on top of it.

 

Both aircraft and trolley were additionally weathered with some dry-brushed rust and grinded graphite, and finally received a coat of matt varnish.

Masonic Broken Column.

 

www.phoenixmasonry.org/broken_column.htm

 

THE BROKEN COLUMN:

 

Short Talk Bulletin - Vol. 34, February 1956,

No. 2 - Author Unknown

 

The story of the broken column was first illustrated by Amos Doolittle in the "True Masonic Chart" by Jeremy Cross, published in 1819.

 

Many of Freemasonry's symbols are of extreme antiquity and deserve the reverence which we give to that which has had sufficient vitality to live long in the minds of men. For instance, the square, the point within a circle, the apron, circumambulation, the Altar have been used not only in Freemasonry but in systems of ethics, philosophy and religions without number.

 

Other symbols in the Masonic system are more recent. Perhaps they are not the less important for that, even without the sanctity of age which surrounds many others.

 

Among the newer symbols is that usually referred to as the broken column. A marble monument is respectably ancient - the broken column seems a more recent addition. There seems to be no doubt that the first pictured broken column appeared in Jeremy Cross's True Masonic Chart, published in 1819, and that the illustration was the work of Amos Doolittle, an engraver, of Connecticut.

 

That Jeremy Cross "invented" or "designed" the emblem is open to argument. But there is legitimate room for argument over many inventions. Who invented printing from movable type? We give the credit to Gutenberg, but there are other claimants, among them the Chinese at an earlier date. Who invented the airplane? The Wrights first flew a "mechanical bird" but a thousand inventors have added to, altered, changed their original design, until the very principle which first enabled the Wrights to fly, the "warping wing", is now discarded and never used.

 

Therefore, if authorities argue and contend about the marble monument and broken column it is not to make objection or take credit from Jeremy Cross; the thought is that almost any invention or discovery is improved, changed, added to and perfected by many men. Edison is credited with the first incandescent lamp, but there is small kinship between his carbon filament and a modern tungsten filament bulb. Roentgen was first to bring the "x-ray" to public notice-the discoverer would not know what a modern physician's x-ray apparatus was if he saw it!

 

In the library of the Grand Lodge of Iowa in Cedar Rapids, is a book published in 1784; "A BRIEF HISTORY OF FREEMASONRY" by Thomas Johnson, at that time the Tiler of the Grand Lodge of England (the "Moderns"). In this book the author states that he was "taken the liberty to introduce a Design for a Monument in Honor of a Great Artist." He then admits that there is no historical account of any such memorial but cites many precedents of "sumptuous Piles" which perpetuate the memories and preserve the merits of the historic dead, although such may have been buried in lands far from the monument or "perhaps in the depth of the Sea".

 

In this somewhat fanciful and poetic description of this monument, the author mentions an urn, a laurel branch, a sun, a moon, a Bible, square and compasses, letter G. The book was first published in 1782, which seems proof that there was

at that time at least the idea of a monument erected to the Master Builder.

 

There is little historical material upon which to draw to form any accurate conclusions. Men write of what has happened long after the happenings. Even when faithful to their memories, these may be, and often are, inaccurate. It is with this thought in mind that a curious statement in the Masonic newspaper, published in New York seventy-five years ago, must be considered. In the issue of May 10, 1879, a Robert B. Folger purports to give Cross' account of his invention, or discovery, an inclusion, of the broken column into the marble monument emblem.

 

The account is long, rambling and at times not too clear. Abstracted, the salient parts are as follows. Cross found or sensed what he considered a deficiency in the Third Degree which had to be filled in order to effect his purposes. He consulted a former Mayor of New Haven, who at the time was one of his most intimate friends. Even after working together for a week, they did not hit upon any symbol which would be sufficiently simple and yet answer the purpose. Then a Copper-plate engraver, also a brother, was called in. The number of hieroglyphics which had be this time accumulated was immense. Some were too large, some too small, some too complicated, requiring too much explanation and many were not adapted to the subject.

 

Finally, the copper-plate engraver said, "Brother Cross, when great men die, they generally have a monument." "That's right!" cried Cross; "I never thought of that!" He visited the burying-ground in New Haven. At last he got an idea and told his friends that he had the foundation of what he wanted. He said that while in New York City he had seen a monument in the southwest corner of Trinity Church yard erected over Commodore Lawrence, a great man who fell in battle. It was a large marble pillar, broken off. The broken part had been taken away, but the capital was lying at the base. He wanted that pillar for the foundation of his new emblem, but intended to bring in the other part, leaving it resting against the base. This his friends assented to, but more was wanted. They felt that some inscription should be on the column. after a length discussion they decided upon an open book to be placed upon the broken pillar. There should of course be some reader of the book! Hence the emblem of innocence-a beautiful virgin-who should weep over the memory of the deceased while she read of his heroic deeds from the book before her.

 

The monument erected to the memory of Commodore Lawrence was placed in the southwest corner of Trinity Churchyard in 1813, after the fight between the frigates

Chesapeake and Shannon, in which battle Lawrence fell. As described, it was a beautiful marble pillar, broken off, with a part of the capital laid at its base. lt remained until 1844-5 at which time Trinity Church was rebuilt. When finished, the corporation of the Church took away the old and dilapidated Lawrence monument and erected a new one in a different form, placing it in the front of the yard on Broadway, at the lower entrance of the Church. When Cross visited the new monument, he expressed great disappointment at the change, saying "it was not half as good as the one they took away!"

 

These claims of Cross-perhaps made for Cross-to having originated the emblem are disputed. Oliver speaks of a monument but fails to assign an American origin. In the Barney ritual of 1817, formerly in the possession of Samuel Wilson of Vermont, there is the marble column, the beautiful virgin weeping, the open book, the sprig of acacia, the urn, and Time standing behind. What is here lacking is the broken column. Thus it appears that the present emblem, except the broken column, was in use prior to the publication of Cross' work (1819).

 

The emblem in somewhat different form is frequently found in ancient symbolism. Mackey states that with the Jews a column was often used to symbolize princes, rulers or nobles. A broken column denoted that a pillar of the state had fallen. In Egyptian mythology, Isis is sometimes pictured weeping over the broken column which conceals the body of her husband Osiris, while behind her stands Horus or Time pouring ambrosia on her hair. In Hasting's ENCYCLOPEDIA OF RELIGION AND ETHICS, Isis is said sometimes to be represented standing; in her right hand is a sistrum, in her left hand a small ewer and on her forehead is a lotus, emblem of resurrection. In the Dionysaic Mysteries, Dionysius is represented as slain; Rhea goes in search of the body. She finds it and causes it to be buried. She is sometimes represented as standing by a column holding in her hand a sprig of wheat, emblem of immortality; since, though it be placed in the ground and die, it springs up again into newness of life. She was the wife of Kronus or Time, who may fittingly be represented as standing behind her.

 

Whoever invented the emblem or symbol of the marble monument, the broken column, the beautiful virgin, the book, the urn, the acacia, Father Time counting the ringlets of hair, could not have thought through all the implications of this attempt-doubtless made in all reverence-to add to the dignity and impressiveness of the story of the Master Builder.

 

The urn in which "ashes were safely deposited" is pure invention. Cremation was not practiced by the Twelve Tribes; it was not the method of disposing of the dead in the land and at the time of the building of the Temple. rather was the burning of the dead body reserved as a dreadful fate for the corpses of criminals and evil doers. That so great a man as "the widow's son, of the tribe of Naphtali" should have been cremated is unthinkable. The Bible is silent on the subject; it does not mention Hiram the Builder's death, still less the disposal of the body, but the whole tone of the Old Testament in description of funerals and mournings, make it impossible to believe that his body was burned, or that his ashes might have been preserved.

 

The Israelites did not embalm their dead; burial was accomplished on the day of death or, at the longest wait, on the day following. According to the legend, the Master Builder was disinterred from the first or temporary grave and reinterred with honor. That is indeed, a supposable happening; that his body was raised only to be cremated is wholly out of keeping with everything known of deaths, funeral ceremonies, disposal of the dead of the Israelites.

 

In the ritual which describes the broken column monument, before the figure of the virgin is "a book, open before her." Here again invention and knowledge did not go hand in hand. There were no books at the time of the building of the Temple, as moderns understand the word. there were rolls of skins, but a bound book of leaves made of any substance-vellum, papyrus, skins-was an unknown object. Therefore there could have been no such volume in which the virtues of the Master Builder were recorded.

 

No logical reason has been advanced why the woman who mourned and read in the book was a "beautiful virgin." No scriptural account tells of the Master Builder having wife or daughter or any female relative except his mother. The Israelites reverenced womanhood and appreciated virginity, but they were just as reverent over mother and child. Indeed, the bearing of children, the increase of the tribe, the desire for sons, was strong in the Twelve Tribes; why, then, the accent upon the virginity of the woman in the monument? "Time standing behind her, unfolding and counting the ringlets of her hair" is dramatic, but also out of character for the times. "Father Time" with his scythe is probably a descendant of the Greek Chromos, who carried a sickle or reaping hook, but the Israelites had no contact with Greece. It may have been natural for whoever invented the marble monument emblem to conclude that Time was both a world-wide and a time immemorial symbolic figure, but it could not have been so at the era in which Solomon's Temple was built.

 

It evidently did not occur to the originators of this emblem that it was historically impossible. Yet the Israelites did not erect monuments to their dead. In the singular, the word "monument" does not occur in the Bible; as "monuments" it is mentioned once, in Isaiah 65 - "A people...which remain among the graves and lodge in the monuments." In the Revised Version this is translated "who sit in tombs and spend the night in secret places." The emphasis is apparently upon some form of worship of the dead (necromancy). The Standard Bible Dictionary says that the word "monument" in the general sense of a simple memorial does not appear in Biblical usage.

 

Oliver Day Street in "SYMBOLISM OF THE THREE DEGREES" says that the urn was an ancient sign of mourning, carried in funeral processions to catch the tears of those who grieved. But the word "urn" does not occur in the Old Testament nor the New.

 

Freemasonry is old. It came to us as a slow, gradual evolution of the thoughts, ideas, beliefs, teachings, idealism of many men through many years. It tells a simple story-a story profound in its meaning, which therefore must be simple, as all great truths in the last analysis are simple.

 

The marble monument and the broken column have many parts. Many of these have the aroma of age. Their weaving together into one symbol may be-probably is-a modernism, if that term can cover a period of nearly two hundred years. but the importance of a great life, his skill and knowledge; his untimely and pitiful death is not a modernism.

 

Nothing herein set forth is intended as in any way belittling one of Freemasonry's teachings by means of ritual and picture. These few pages are but one of many ways of trying to illuminate the truth behind a symbol, and show that, regardless of the dates of any parts of the emblem, the whole has a place in the Masonic story which has at least romance, if not too much fact, behind it.

 

THE BROKEN COLUMN AND ITS DEEPER MEANING:

by Bro. William Steve Burkle KT, 32°

Scioto Lodge No. 6, Chillicothe, Ohio.

Philo Lodge No. 243, South River, New Jersey

 

The meaning of the Broken Column as explained by the ritual of the Master mason degree is that the column represents both the fall of Master Hiram Abif as well as the unfinished work of the Temple of Solomon[i]. This interesting symbol has appeared in some fascinating places; for example, a Broken Column monument marks the gravesite in Lewis County Tennessee[ii] of Brother Meriwether Lewis (Lewis & Clark), and a similar monument marks the grave of Brother Prince Hall[iii]. In China, there is a “broken column-shaped” home which was built just prior to the French Revolution by the aristocrat François Nicolas Henri Racine de Monville[iv]. Today “The Broken Column” is frequently used in Masonic newsletters as the header for obituary notices and is a popular tomb monument for those whose life was deemed cut short. Note that when I speak of The Broken Column here, I am referring to only the upright but shattered Column Base with its detached Shattered Capital, and not to the more extensive symbolism often associated with the figure such as a book resting on the column base, the Weeping Virgin (Isis), or Father Time (Horus) disentangling the Virgin’s hair. In this version the shattered column itself is often said to allude to Osiris[v]. While these embellishments add to the complexity of the allusion, it is the shattered column alone which I intend to address.

 

The Broken Column is believed to be a fairly recent addition to the symbolism of Freemasonry, and has been attributed to Brother Jeremy L. Cross. Brother Cross[vi] is said to have devised the symbol based upon a broken column grave monument dedicated to a Commodore Lawrence[vii], which was erected in the Trinity Churchyard circa 1813. Lawrence perished in a naval battle that same year between the Frigates Chesapeake and Shannon. The illustration of the broken column was reportedly first published in the “True Masonic Chart” by artist Amos Doolittle in 1819[viii]. There is however little evidence beyond the word of Brother Cross that the symbol was thus created[ix],[x].

 

Whether the Broken Column is a modern invention or passed down from times of antiquity is of little consequence; regardless of its origins the symbol serves well as a powerful allusion in our Craft, and as will be discussed, may have deeper meanings which align with other Masonic symbols which also incorporate images of columns and pillars.

 

Freemasonry makes generous reference to columns and pillars of all sorts in the work of the various degrees including the two pillars which stood at the entrance of Solomon’s Temple, the four columns of architectural significance, and the three Great Columns representing strength, beauty, and wisdom[xi]. The first mention of pillars in a Masonic context[xii] is found in the Cooke Manuscript dated circa 1410 A.D. The three Great Pillars of Masonry are of particular interest in this article even though it is the Broken Column and its deeper meanings which I ultimately intend to explore.

 

Three Great Columns:

 

The basis for the Three Great Columns can be traced to an ancient Kabalistic concept and a unique diagram found in the Zohar which illustrates the emanations of God in forming and sustaining the universe. The diagram also reflects certain states of spiritual attainment in man. This diagram, called the Sephiroth consists of ten spheres or Sephira connected to one another by pathways and which are ordered to reflect the sequence of creation. In accordance with Kabalistic belief Aur Ein Sof (Light Without End) shines down into the Sephiroth and is split like a prism into its ten constituent Sephira[xiii], eventually ending in the material universe. To discuss the Sephiroth in sufficient depth to impart a good understanding is well beyond the scope of this paper; however, a basic understanding of how the structure of the Sephiroth is related to the Great Columns is manageable, and is in fact essential to the subsequent discussion of the Broken Column. Be aware that the explanations I give are vast oversimplifications of a highly complex concept. In an attempt to simplify the concept, it is inevitable that some degree of inaccuracy will be introduced.

I would like to begin my discussion of the Three Great Columns by discussing the Cardinal Virtues. The Cardinal Virtues are believed to have originated with Plato who formed them from a tripartite division[xiv] of the attributes of man (power, wisdom, reason, mercy, strength, beauty, firmness, magnificence, and base kingship) presented in the Sephiroth. These concepts were later adopted by the Christian Church[xv] and were popularized by the treatises of Martin of Braga, Alcuin and Hrabanus Maurus (circa 1100 A.D.) and later promoted by Thomas Aquinas (circa 1224 A.D.). According to Wescott[xvi] the Four Cardinal Virtues are represented by what were originally branches of the Sepheroth:

“Four tassels refer to four cardinal virtues, says the first degree Tracing Board Lecture, these are temperance, fortitude, prudence, and justice; these again were originally branches of the Sephirotic Tree, Chesed first, Netzah fortitude, Binah prudence, and Geburah justice. Virtue, honour, and mercy, another triad, are Chochmah, Hod, and Chesed.”

 

broken-column1:

 

Thus we have a connection between the Cardinal Virtues and the Sephiroth. The Three Pillars of Freemasonry (Wisdom, Beauty, and Strength) are associated with the Cardinal Virtues[xvii] and also therefore with the Kabalistic concept of the Sephiroth[xviii]. I have provided an illustration of the Sepiroth in Figure 1. This particular version of the Sephiroth is based upon that used in the 30th Degree or Knight Kadosh Grade[xix] of the ASSR. The Sephiroth, incidentally is also called “The Tree of Life”. Each of the vertical columns of spheres (Sephira) in the Sephiroth are considered to represent a pillar (column). Each pillar is named according to the central concept which it represents; thus in Figure 1 we have the pillars Justice, Beauty, and Mercy left to right, respectively. The Sephiroth is a very elegant system in which balance is maintained between the Sephira of the two outermost pillars by virtue of the center pillar. Note also that traditionally the Sephiroth is divided into “Triads” of Sephira. In Figure 1 the uppermost triad, consisting of the spheres Wisdom, Intelligence, and Crown represent the intellectual and spiritual characteristics of man. The next triad is represented by the Sephira Justice, Beauty, and Mercy; the final triad is Splendor, Foundation, and Firmness (or Strength).

According to S.L. MacGregor Mathers[xx], the word Sephira is best translated to mean (or is best rendered as) “Numerical Emanation”, and each of the ten Sephira corresponds to a specific numerical value. Mathers also asserts that it was through knowledge of the Sephiroth that Pythagoras devised his system of numerical symbolism. While there are additional divisions and subdivisions of the Sephiroth, the concept which is of interest to us here is that God created the Material World or Universe (signified by the lowest Sephira, Kingdom) in a series of ordered actions which proceeded along established pathways (i.e. the connecting lines between the Sephira in our Figure). Each of the Sephira and each pathway are a sort of “buffer” between the majesty and power of God and the material world. Without these buffers, profane man and the material world he inhabits would meet with destruction. On the other hand, enlightened man is able to progress upwards along these pathways to higher level Sephira and to thereby achieve enhanced knowledge of the Divine. Tradition holds that man once was closer to the Divine spirit, but became corrupted by the material world, losing this connection (i.e. The fall of Man from Grace. Note also the reference to the Tree of Knowledge and possible connections to the Tree of Life). God uses the Sephiroth in renewing and sustaining the material universe. Each new soul created is an emanation of God and travels to materiality (physical existence) via the pathways established in the Sephiroth. In a similar fashion, the spirits of the departed return to God via these same pathways, making the Sephiroth the mechanism by which God interacts with the universe.

broken-column2The Broken Column

 

In Figure 2, I have redrawn the Sephiroth as an overlay of the Three Great Columns; however in this version the Pillar of Beauty is Broken. Note especially that the center pillar, the Pillar of Beauty in the Sephiroth has a gap between Beauty and Crown, in effect making this column a Broken Pillar[xxi]. I believe this “fracture” symbolizes Man’s separation from knowledge of the Divine, and an interruption in the Pathway leading from Beauty directly to the Crown (which symbolizes “The Vast Countenance”[xxii]).

 

I would also like to extrapolate that if the Broken Column indeed represents Hiram Abif as per the explanation given to initiates, then the two remaining columns would then correspond to Solomon and Hiram King of Tyre[xxiii]. Certainly the Sephira (Wisdom, Justice, and Splendor) which comprise the column of Justice align well with the characteristics traditionally associated with King Solomon. Tradition unfortunately does not address Hiram King of Tyre although we can assume that Intelligence, Mercy, and Firmness or Strength would be a likely requirement for a Monarch of such apparent success. The connection between the Three Great Columns and the three principle characters in the drama of the Third Degree does have a certain sense of validity. The “Lost Word” associated with Hiram Abif would then allude to the lost Pathway.

 

In so many of our Masonic Lessons we initially receive a plausible but quite shallow explanation of our symbols and allusions. Those who sense an underlying, deeper meaning tend to find it (Seek and you will find, knock and the door shall be opened). Perhaps in our ritual of the Third Degree, that which is symbolically being raised (restored) is the Pillar of which resides within us. If so, the Lost Word has then in fact been received by each of us. It only remains lost if we choose to forget it or choose not to pursue it.

 

[i] Duncan, Malcom C. Duncan's Masonic Ritual and Monitor. Crown; 3 Edition (April 12, 1976). ISBN-13: 978-0679506263. pp 157.

 

[ii] “Meriwether Lewis, Master Mason”. The Lewis and Clark Fort Mandan Foundation.

 

[iii] “WHo is Prince Hall ?” (1996). Retrieved December 5, 2008 from www.mindspring.com/~johnsonx/whoisph.htm.

 

[iv] Kenna, Michael. (1988). The Broken Column House at Désert de Retz in Le Desert De Retz, A late 18th Century French Folley Garden. Retrieved December 6, 2008 from Valley Daze. valley-daze.blogspot.com/2007/09/broken-column-house.html

 

[v] Pike, Albert. (1919) Morals and Dogma. Charleston Southern Jurisdiction. pp. 379. ASIN: B000CDT4T8.

 

[vi] “The Broken Column”. The Short Talk Bulletin 2-56. The Masonic Service Association of the United States. VOL. 34 February 1956 NO. 2.

 

[vii] Brown, Robert Hewitt. (1892). Stellar Theology and Masonic Astronomy or the origin and meaning of ancient and modern mysteries explained. New York: D. Appleton and Company, 1, 3, and 5 Bond Street. 1892.. pp. 68.

 

[viii] “Boston Masonic Lithograph”. Retrieved December 5, 2008 from Lodge Pambula Daylight UGL of NSW & ACT No1000. lodgepambuladaylight.org/lithograph.htm.

 

[ix] Folger, Robert B. Fiction of the Weeping Virgin. Retrieved December 6, 2008 from the Grand Lodge of British Columbia and Yukon A.F. & A.M. freemasonry.bcy.ca/art/monument / fiction/fiction.html

 

[x] Mackey, Albert Gallatin & Haywood H. L. Encyclopedia of Freemasonry Part 2. pp. 677. Kessinger Publishing, LLC (March 31, 2003).

 

[xi] Claudy, Carl H. Introduction to Masonry. The Temple Publishers. Retrieved December 5, 2008 from Pietre-Stones Review of Freemasonry. www.freemasons-freemasonry.com/claudy4.html.

 

[xii] Dwor, Mark. (1998). Globes, Pillars, Columns, and Candlesticks. Vancouver Lodge of Education and Research . Retrieved December 6, 2008 from the Grand Lodge of British Columbia and Yukon A.F. & A.M. freemasonry.bcy.ca/texts/globes_pillars_columns.html

 

[xiii] Day, Jeff. (2008). Dualism of the Sword and the Trowel. Cryptic Masons of Oregon – Grants Pass. Retrieved December 6, 2008 from rogue.cryptic-masons.org/dualism_of_the_sword_and_trowel

 

[xiv] Bramston, M. Thinkers of the Middle Ages. Monthly Packet. Evening Readings of the Christian Church (1893). Ed. Charlotte Mary Yonge, Christabel Rose Coleridge, Arthur Innes. J. and C. Mozley. University of Michigan (2007).

 

[xv] Regan, Richard. (2005). The Cardinal Virtues: Prudence, Justice, Fortitude, and Temperance. Hackett Publishing.

 

[xvi] Wescott, William ( ). The Religion of Freemasonry. Illuminated by the Kabbalah. Ars Quatuor Coronatorum. vol. i. p. 73-77. Grand Lodge of British Columbia and Yukon. Retrieved September 29, 2008 from www.freemasonry.bcy.ca/aqc/kabbalah.html.

 

[xvii] MacKenzie, Kenneth R. H. (1877). Kabala. Royal Masonic Cyclopedia. Kessinger Publishing (2002).

 

[xviii] Pirtle, Henry. Lost Word of Freemasonry. Kessinger Publishing, 1993.

 

[xix] Knight Kadosh. The Thirtieth Grade of the Ancient and Accepted Scottish Rite, and the First Degree of the Chivalric Series. Hirams Web. University of Bradford.

 

[xx] Mathers, S.L. MacGregor. (1887). Qabalah Unveiled. Reprinted (2006) as The Kabbalah: Essential Texts From The Zohar. Watkins. London. pp. 10.

 

[xxi] Ibid. Dualism of the Sword and the Trowel

 

[xxii] Ibid. Qabalah Unveiled .Plate III. pp. 38-39.

 

[xxiii] Duncan, Malcom C. Duncan's Masonic Ritual and Monitor. Crown; 3 Edition (April 12, 1976).

 

So delicate and feminine! Dombeya, pale pink in this variety, may also be a deep pink. Fondly calledTropical Hydrangea by those of us here in Miami who miss the Hydrageas we grew up with up North!

 

This is a fast growing medium size tree. It can be grown as a large shrub too. As a tree it can

grow to 15' in height but it can be kept smaller with some trimming. Trimming should be done

after the flowers are gone in the spring until mid September. The old flowers remain on the

plant for a long time. Cleaning up the dry flower heads is advisable for a neat appearance.

I also recommend that it be kept at a manageable size in order for you to be able to trim it

back every year after flowering. You can trim it pretty much as far back as is necessary

without deforming the tree. Dombeya wallichii doesn't loose its leaves in the winter unless

that the temperature falls to the low 20's. It likes full sun, plenty of water and fertilizer during the growing season. The plant will produce its flowers (fragrant) at the beginning of the year and

they should last for over 1 month. It is a strong grower and even though it is possible to grow it

in a container for many years, it will perform better in the ground. The flowers, in my opinion,

smell like a birthday cake or cake batter. Very delicious!

 

Tropical Hydrangea, Dombeya wallichii

Sterculiaceae

Fairchild Tropical Botanic Garden, Miami FL

www.susanfordcollins.com

 

Should I feel the need to visit the Product Development Centres based at Ford's Melbourne Headquarters, from Geelong, the traffic is either Sunday-afternoon light or terrible.

 

One saving grace of terrible traffic, is that it gives me more time to look longingly at the lovely white-and-lime tractors and harvesters at the local CLAAS distribution centre, next to the highway. (Incidentally, the distribution centre nestles just besides the highway overpass used in 'Mad Max' where the message is phoned in that the hell-razing, post-apocalyptic bikies are heading in to town - but that is another story.)

 

In an earlier LUGNuts challenge that focused on food-related and on farm vehicles - Challenge 37 'The Food We Eat', I took delight in building various model s from the CLASS Tractor range, in miniland scale. This resulted in some nice (and very large), lime tractors. An absence of time, large wheels & tires, and lime Lego, left a few model untried, including the magnificent CLASS XERION, a double steering axle, giant wheeled behemoth, with a swiveling cab so it can go forwards, backwards, AND sideways - AWESOME.

 

The XERION will have to wait for another challenge somewhere down the line.

 

The other CLAAS with which I was captivated appears periodically in the distribution yard, and is equally magnificent. This model is the equally enormous CLAAS JAGUAR Harvester. I am a little bit sad that it can only go forward, but it makes up for this in being able to carry all sorts of crazy cutting, slicing and dicing tools on the front end. I have modeled only two here the Maize Cob Silage (MCS), designed to harvest corn/maize type plants, and the more traditional spinning long blade harvester type tool. There are more cool tools too, so they may be modeled for adaptation to the MotorCity-scale JAGUAR shown here.

 

One key difference from the Challenge 37 tractors, and the JAGUAR Harvester shown here is the scale. The sheer size of the real JAGUAR - 6.6 metres long (20 ft), and 3.8 metres tall (10.5 ft), not including any tool attachments, make it a seriously big entity. Maybe I will get to a Miniland-scale JAGUAR someday, but for now, I display the model in a more manageable 1:28 (MotorCity scale).

 

Incidentally, the Lego Group have also released a Harvester in the past few years under the 'City' line. One of the images shows this model (Nr. 7636). My JAGUAR was loosely based on this model for size and tool compatibility, and also as an example of the customisation of original Lego models that can add a dose of individual creativity to Lego modeling.

 

The point of this?

 

This CLAAS JAGUAR model has been created for Flickr LUGNuts 68th Build Challenge - 'A Baker's Dozen', to the sub-theme Nr. 11. 'Any tractor or combine harvester'.

  

Photo caption: Juniors Carly Onnink and Abby Williams begin construction of an electroantennogram. The team used their new device to study electrical responses of kudzu bug antennae to active chemicals.

 

The TIME Honors Science Research Course is an intensive, inquiry-based school-day course. Students learn about the process of science as they conduct original scientific research into topics of their own choosing. They are supported by both teacher and scientist mentors as they choose a topic of interest, develop a testable question, design a procedure, collect and analyze data and present their findings.

 

All Transylvania County Schools high school students (rising 9-12 graders) are eligible to apply for the course. Participants will be chosen through an application process that began in January of 2015, with application deadlines beginning Jan. 30. Course enrollment will be limited. Students will be chosen by an independent selection committee based on their demonstrated interest in science, potential for success in scientific research, and commitment to all components of the course.

 

Students chosen in 2015 will attend a trip to observe state research competitions in March and a summer field study week prior to the course. The school-day portion of the course will be held during the fall of 2015 in Brevard High School's Science Research Laboratory. Students will enter their work in one or more science competitions during the winter of 2016.

 

Why apply for the TIME Honors Science Research Course? Students benefit from doing research projects because they see how science applies to their own lives and community. They learn more about the process of science and what scientists do as they act as co-learners with teachers, scientists and other students. They discover new careers in science. While conducting research projects, students develop independence-no one is telling them exactly what to do or how to do it. They learn how to break down a complex, long-term project into manageable pieces, develop a plan of action, and follow it through. As they conclude their projects, students learn how to communicate their results clearly and persuasively to a variety of audiences as they contribute to the bank of scientific knowledge with their findings.

 

Students who have conducted long-term research projects are more competitive as they apply for college and scholarships. Top colleges want students who can write as well as possess analytical skills, creativity and a multidisciplinary perspective. Most of all they want people with a capacity for continuous innovation. These are skills gained from conducting original research. Doing a science project and participating in a competition can give students the opportunity to meet and spend time with others from around the world who have similar interests while competing for significant scholarships, travel, monetary awards and other prizes.

 

Current TIME students have recently completed the following research projects: Testing for the presence of estrogen-like compounds In Stevia rebaudiana (Cameron McCathern, Erin Smith and Sam Farrar); Electroantennogram response of Megacopta cribraria to chemical components in its defensive secretion (Abby Williams and Carly Onnink); Evaluation of honeybee health in Transylvania County: An assessment of Varroa destructor and Nosema levels (Ingrid Findlay, Aaron Neumann, and Hannah Lemel); Isolation, identification and screening of local wood rot fungi for the production of lignin-degrading enzymes (Hannah Field and Ryan Holland); Agrobacterium-mediated stable transformation of Coleus X hybridus plants using the floral dip method and B-glucuronidase (GUS) gene as a reporter system (Carver Nichols); Adapting the LAMP assay and culturing methods for hops downy mildew, Pseudoronospora humuli (Sam Lemel and Bryce Spradlin); The effect of antibiotics on the mortality of the hemlock woolly adelgid, Adelges tsugae (Allison Reece and Lauren DuBreuil); Evaluation of VOC producing Diaporthe species for enzyme production (Joe Roberts, Lauren Tooley and Eliza Witherspoon); Identifica-tion and heavy metal remediation potential of fungi isolated from Duke Energy's 1964 Asheville coal ash pond (Ryulee Park and Aidan Spradlin); and studies on the walnut twig beetle (Pityophthorus juglandis) and its association with Geosmithia morbida (Crista Cali and Sarah Branagan).

 

Current TIME students would like to thank all who have helped with their research during the year including students, teachers, administration, parents and numerous scientists and community volunteers. Thanks go to 2014 TIME volunteers: Ken Chepenik, Don Wauchope, Paul Sisco, Jeanine Davis, Kelly Gaskill, Laurie Moorhead, Chuck McGrady, Page Lemel, Craig DeBrew, Ervin Kovacs, Chris Cali, Pat Montgomery, Tammy Bellefeuil, Adam DeWitt, Brian Heath, Amy Kinsella, Kelly Oten, Bryan Dubois, David Williams, Cindy Carpenter, Lisa Smith, Eric Caldwell, Jay Case, Andy VonCanon, Dan Harris, Danny Fender, Paul Sisco, Scott Pryor, Rene Timmons, Nancy Knights, Sheila and Marvin Holland, George Logsdon, Ed Burdette, Mary Ann Mickewitz, Crawford and Jeanette Lowe, Allen Frost, Ora Wells, Randy Oliver, Coby Schal, Bart Renner, Harriett Walls, Kaitlin McCreery, Gordon Riedesel, Summer Cortinas, Bruce Roberts, Roger Frisbee and Wes Freund. Special thanks go to Dr. Kent Wilcox and Mary Arnaudin, without whose help, guidance, and actions the class could not have been possible!

 

Funds for the TIME Science Research Course are provided in part by a grant from the Burroughs Wellcome Fund in addition to support from Transylvania County Schools and NC Cooperative Extension. Special thanks go to a growing group of community donors: the American Association of University Women, Pisgah Forest Rotary Club, PharmAgra, The Robertson Foundation, Merrill Well and Pump Company, Environmental Quality Institute, Roger Frisbee, June Litchfield, Peter Chaveas, Steve and Mary Beth Whitmire, Newell and Mary Witherspoon, Ed Buckbee, Kristine and John Candler, NC BioNetwork Labs, Kent Wilcox, Ken Chepenik, Ann Farash and Paul Onnink, Bee Cool Bee Supply and Pat Montgomery.

 

For more information, to apply for the research course, or to indicate an interest in volunteering or donating to the program, visit time4realscience.org.

 

© 2015, Transylvania County Schools. All rights reserved.

2014 Gore Aussie Muscle Mania Car Show (12-4-14)

 

By the time of the release of the VJ Valiant, Chrysler’s market share was in its fourth consecutive year of decline. There was therefore much pressure on the stylists to ensure the face-lifted VJ arrested the decline.

 

The new look was heralded by Chrysler as being “Years ahead of its time”, it clearly wasn’t, but the question of whether it could around the flagging fortunes of Chrysler in Australia remained. The VJ’s sheet metal remained unchanged over the outgoing VH, styling changes being restricted to a grille makeover, round headlights and revamped tail lights.

 

The major mechanical improvement was an electrical ignition system which became standard on the Regal, Charger XL and 770 and Chrysler. This was the first time this feature had been offered in an Australian built car. But apart from these handful of improvements, the VJ remained very much the car of old.

 

One of the difficulties Chrysler was facing were the perceived build quality problems inherent in the VH, so the marketers set about confirming to the public that the VJ was a well sorted and now tried and tested quality alternative, offering more features and refinements than the competition.

 

Advertising campaigns of the day focused on the new body finishing techniques which included the use of rust-proofing primer, along with higher paint application quality. Chrysler also knew the cost of offering such a broad line-up of models was significantly affecting the cost of manufacture, so some rationalisation was needed.

 

When the dust had settled, there Pacer had been dropped, along with the Ranger XL, Regal 770 and Charger R/T. With the different machinations applicable to each of these models, Chrysler had effectively brought its model line-up down from 56 to a more manageable 18, and to fill any perceived gaps in the line-up the Chrysler executives were confident that by adding to the options list any Chrysler purchaser would still be able to leave the showrooms with their own very individual motor car.

 

It is worth noting the other, albeit small changes introduced with the VJ. It was one of the first locally manufactured cars to switch to the use of a metric calibrated speedometer, while the steering wheel featured a flatter rim at the bottom, supposedly to give more leg room to the driver. In a decision unfathomable today, except perhaps considering the fuel crisis of the early 1970’s, to no longer produce high performance Chargers was a travesty. Much lesser cars, such as the Falcon Superbird and 6 cylinder Monaro’s were able to eat away at the Charger’s market share, this after it leading the two-door sales charts the preceding year.

 

Visually there were very few changes from the VH to VJ Charger, in fact you pretty much had to be looking at the car head on, so that you could see the new grille, to identify it as the latest model. The new grille had a pillar effect and 178mm round headlights. The front turn indicators were mounted on the guards using body-coloured bezels, while the tail lights also came in for a makeover.

 

Inside the trim was improved and a larger range of colours was offered. There were only three basic models available, the Charger, Charger XL and Charger 770, although the standard features list was improved and the number of options available increased. All Six-Pack and V8’s had a front anti-roll bar and swinging rear quarter windows, and all excluding the base 215 engined Chargers were fitted with the new electric ignition system. A sports pack enabled the buyer to lift the XL to almost VH R/T specs. Gone was the lower priced 265 Hemi option, the six-pack and 318 V8 being the only muscle car options.

 

The Flagship Chrysler by Chrysler:

 

The flagship Chrysler by Chrysler CJ was announced in March and put on sale in early April. As with the Valiant line-up, the Chrysler was visually almost identical to the CH model, although the hand-painted coach line was deleted, while the sill and wheel arch mouldings that were previously available only as an option became standard fare. Cars fitted with vinyl roofs were fitted with lower mouldings to give the whole car a lowered look. Carried over too were the engine options, coming standard with the Hemi 265ci engine with the 360 5.9 litre V8 engine available as an option.

 

The commercial vehicle range was added to with the release of a low budget Dodge badged utility which was virtually identical to the Valiant model. The utes had revised grilles and round headlights. The 215 Hemi was standard on both, and the Valiant had a slightly higher level of equipment. VJ prices started at $2849 for the 215 Valiant four-door, with the Regal 245 (with electronic ignition) coming in at $3600 and the Regal Hardtop at $3765 - the top of the line Chrysler by Chrysler sold for $4925. The Charger prices started at $2970, rising to $3995 for the Charger 770. The Regal Hardtop was $3765, while at the commercial end the Dodge utility was $2565 and the Valiant utility was $2640.

 

Chrysler finished 1973 with a 9.5% market share, its lowest ever, and far from the halcyon days of the R and S Series where the waiting list ensured Chrysler had pretty much pre-sold every car to roll off the production line. The “Big Three” was no more, with Toyota now assuming 3rd position on the sales charts, and Chrysler now knowing that they were in trouble. In a counter offensive similar to the Battle of the Bulge, 1974 would see Chrysler lift standard equipment levels across the VJ range.

 

Fitted to all models (excluding the utes) were front power assisted disc brakes, front seat retractor safety belts, speed windscreen-wiper blades, a sound-deadening package, door reflectors, a glove-box lock and anti-roll bar. In August 1974 came the release of the limited run (of 500) Chager “Sportsman” models. Available only in “Vintage Red”, the Sportsman featured a bold white exterior striping and a distinctive roof treatment. It was fitted with the Hemi 265 engine coupled to a foud-speed manual gearbox. Plaid cloth inserts were incorporated into the seat trim, and other extras fitted.

 

By productions end, some 90,865 VJ Valiant’s had been manufactured. It was a good car, and arguably deserved better recognition from the buying public, but the Japanese manufacturers were quickly gaining a strong foothold in the Australian automotive marketplace with their “fully loaded” yet cheaper versions. The weaker of the “Big Three” had succumbed to their industrial might, and now questions were being asked as to the viability of the manufacturer.

(ref: www.uniquecarsandparts.com.au/car_info_chrysler_valiant_v...)

 

318 V8 Engine Specs:

Capacity: 318 cubic inches (5.2 litres)

Type: Conventional, watercooled four stroke, reciprocating piston type with 8 cylinders

Configuration: Front mounted, longitudinal, OHV, 90° Vee, "wedge" head

Head: Pushrod and rocker actuated ohv with two valves per cylinder

Fuel System: Carter two barrel downdraft type carburettor

Bore and Stroke: 3.91 x 3.31 inches (99.314 x 84.074 mm)

Power: 230 bhp (172 kW) at 4400 rpm

Torque: 340 lb-ft (461 Nm) at 2400 rpm

Compression Ratio: 9.2:1

Valve Timing

Intake

opens: 10° BTC

closes: 50° ABC

duration: 240°

Exhaust

opens: 58° BBC

closes: 10° ATC

duration: 248°

Firing Order: 1-8-4-3-6-5-7-2

Radiator Capacity: 26 pints

Oil Pan

Without filter: 6.6 pints

With filter: 8.3 pints

(ref: www.uniquecarsandparts.com.au/valiant_vj_cj_technical_spe..

Pentagon's new massive expansion of 'cyber-security' unit is about everything except defense

Cyber-threats are the new pretext to justify expansion of power and profit for the public-private National Security State

From:www.guardian.co.uk

by:Glenn Greenwald

 

As the US government depicts the Defense Department as shrinking due to budgetary constraints, the Washington Post this morning announces "a major expansion of [the Pentagon's] cybersecurity force over the next several years, increasing its size more than fivefold." Specifically, says the New York Times this morning, "the expansion would increase the Defense Department's Cyber Command by more than 4,000 people, up from the current 900." The Post describes this expansion as "part of an effort to turn an organization that has focused largely on defensive measures into the equivalent of an Internet-era fighting force." This Cyber Command Unit operates under the command of Gen. Keith Alexander, who also happens to be the head of the National Security Agency, the highly secretive government network that spies on the communications of foreign nationals - and American citizens.

 

The Pentagon's rhetorical justification for this expansion is deeply misleading. Beyond that, these activities pose a wide array of serious threats to internet freedom, privacy, and international law that, as usual, will be conducted with full-scale secrecy and with little to no oversight and accountability. And, as always, there is a small army of private-sector corporations who will benefit most from this expansion.

 

Disguising aggression as "defense"

 

Let's begin with the way this so-called "cyber-security" expansion has been marketed. It is part of a sustained campaign which, quite typically, relies on blatant fear-mongering.

 

In March, 2010, the Washington Post published an amazing Op-Ed by Adm. Michael McConnell, Bush's former Director of National Intelligence and a past and current executive with Booz Allen, a firm representing numerous corporate contractors which profit enormously each time the government expands its "cyber-security" activities. McConnell's career over the last two decades - both at Booz, Allen and inside the government - has been devoted to accelerating the merger between the government and private sector in all intelligence, surveillance and national security matters (it was he who led the successful campaign to retroactively immunize the telecom giants for their participation in the illegal NSA domestic spying program). Privatizing government cyber-spying and cyber-warfare is his primary focus now.

 

McConnell's Op-Ed was as alarmist and hysterical as possible. Claiming that "the United States is fighting a cyber-war today, and we are losing", it warned that "chaos would result" from an enemy cyber-attack on US financial systems and that "our power grids, air and ground transportation, telecommunications, and water-filtration systems are in jeopardy as well." Based on these threats, McConnell advocated that "we" - meaning "the government and the private sector" - "need to develop an early-warning system to monitor cyberspace" and that "we need to reengineer the Internet to make attribution, geolocation, intelligence analysis and impact assessment - who did it, from where, why and what was the result - more manageable." As Wired's Ryan Singel wrote: "He's talking about changing the internet to make everything anyone does on the net traceable and geo-located so the National Security Agency can pinpoint users and their computers for retaliation."

 

The same week the Post published McConnell's extraordinary Op-Ed, the Obama White House issued its own fear-mongering decree on cyber-threats, depicting the US as a vulnerable victim to cyber-aggression. It began with this sentence: "President Obama has identified cybersecurity as one of the most serious economic and national security challenges we face as a nation, but one that we as a government or as a country are not adequately prepared to counter." It announced that "the Executive Branch was directed to work closely with all key players in US cybersecurity, including state and local governments and the private sector" and to "strengthen public/private partnerships", and specifically announced Obama's intent to "to implement the recommendations of the Cyberspace Policy Review built on the Comprehensive National Cybersecurity Initiative (CNCI) launched by President George W. Bush."

 

Since then, the fear-mongering rhetoric from government officials has relentlessly intensified, all devoted to scaring citizens into believing that the US is at serious risk of cataclysmic cyber-attacks from "aggressors". This all culminated when Defense Secretary Leon Panetta, last October, warned of what he called a "cyber-Pearl Harbor". This "would cause physical destruction and the loss of life, an attack that would paralyze and shock the nation and create a profound new sense of vulnerability." Identifying China, Iran, and terrorist groups, he outlined a parade of horribles scarier than anything since Condoleezza Rice's 2002 Iraqi "mushroom cloud":

 

"An aggressor nation or extremist group could use these kinds of cyber tools to gain control of critical switches. They could derail passenger trains, or even more dangerous, derail passenger trains loaded with lethal chemicals. They could contaminate the water supply in major cities, or shut down the power grid across large parts of the country."

 

As usual, though, reality is exactly the opposite. This massive new expenditure of money is not primarily devoted to defending against cyber-aggressors. The US itself is the world's leading cyber-aggressor. A major purpose of this expansion is to strengthen the US's ability to destroy other nations with cyber-attacks. Indeed, even the Post report notes that a major component of this new expansion is to "conduct offensive computer operations against foreign adversaries".

 

It is the US - not Iran, Russia or "terror" groups - which already is the first nation (in partnership with Israel) to aggressively deploy a highly sophisticated and extremely dangerous cyber-attack. Last June, the New York Times' David Sanger reported what most of the world had already suspected: "From his first months in office, President Obama secretly ordered increasingly sophisticated attacks on the computer systems that run Iran's main nuclear enrichment facilities, significantly expanding America's first sustained use of cyberweapons." In fact, Obama "decided to accelerate the attacks . . . even after an element of the program accidentally became public in the summer of 2010 because of a programming error that allowed it to escape Iran's Natanz plant and sent it around the world on the Internet." According to the Sanger's report, Obama himself understood the significance of the US decision to be the first to use serious and aggressive cyber-warfare:

 

"Mr. Obama, according to participants in the many Situation Room meetings on Olympic Games, was acutely aware that with every attack he was pushing the United States into new territory, much as his predecessors had with the first use of atomic weapons in the 1940s, of intercontinental missiles in the 1950s and of drones in the past decade. He repeatedly expressed concerns that any American acknowledgment that it was using cyberweapons - even under the most careful and limited circumstances - could enable other countries, terrorists or hackers to justify their own attacks."

 

The US isn't the vulnerable victim of cyber-attacks. It's the leading perpetrator of those attacks. As Columbia Professor and cyber expert Misha Glenny wrote in the NYT last June: Obama's cyber-attack on Iran "marked a significant and dangerous turning point in the gradual militarization of the Internet."

 

Indeed, exactly as Obama knew would happen, revelations that it was the US which became the first country to use cyber-warfare against a sovereign country - just as it was the first to use the atomic bomb and then drones - would make it impossible for it to claim with any credibility (except among its own media and foreign policy community) that it was in a defensive posture when it came to cyber-warfare. As Professor Glenny wrote: "by introducing such pernicious viruses as Stuxnet and Flame, America has severely undermined its moral and political credibility." That's why, as the Post reported yesterday, the DOJ is engaged in such a frantic and invasive effort to root out Sanger's source: because it reveals the obvious truth that the US is the leading aggressor in the world when it comes to cyber-weapons.

 

This significant expansion under the Orwellian rubric of "cyber-security" is thus a perfect microcosm of US military spending generally. It's all justified under by the claim that the US must defend itself from threats from Bad, Aggressive Actors, when the reality is the exact opposite: the new program is devoted to ensuring that the US remains the primary offensive threat to the rest of the world. It's the same way the US develops offensive biological weapons under the guise of developing defenses against such weapons (such as the 2001 anthrax that the US government itself says came from a US Army lab). It's how the US government generally convinces its citizens that it is a peaceful victim of aggression by others when the reality is that the US builds more weapons, sells more arms and bombs more countries than virtually the rest of the world combined.

 

Threats to privacy and internet freedom

 

Beyond the aggressive threat to other nations posed by the Pentagon's "cyber-security" programs, there is the profound threat to privacy, internet freedom, and the ability to communicate freely for US citizens and foreign nationals alike. The US government has long viewed these "cyber-security" programs as a means of monitoring and controlling the internet and disseminating propaganda. The fact that this is all being done under the auspices of the NSA and the Pentagon means, by definition, that there will be no transparency and no meaningful oversight.

 

Back in 2003, the Rumsfeld Pentagon prepared a secret report entitled "Information Operations (IO) Roadmap", which laid the foundation for this new cyber-warfare expansion. The Pentagon's self-described objective was "transforming IO into a core military competency on par with air, ground, maritime and special operations". In other words, its key objective was to ensure military control over internet-based communications:

  

It further identified superiority in cyber-attack capabilities as a vital military goal in PSYOPs (Psychological Operations) and "information-centric fights":

  

And it set forth the urgency of dominating the "IO battlespace" not only during wartime but also in peacetime:

  

As a 2006 BBC report on this Pentagon document noted: "Perhaps the most startling aspect of the roadmap is its acknowledgement that information put out as part of the military's psychological operations, or Psyops, is finding its way onto the computer and television screens of ordinary Americans." And while the report paid lip service to the need to create "boundaries" for these new IO military activities, "they don't seem to explain how." Regarding the report's plan to "provide maximum control of the entire electromagnetic spectrum", the BBC noted: "Consider that for a moment. The US military seeks the capability to knock out every telephone, every networked computer, every radar system on the planet."

 

Since then, there have been countless reports of the exploitation by the US national security state to destroy privacy and undermine internet freedom. In November, the LA Times described programs that "teach students how to spy in cyberspace, the latest frontier in espionage." They "also are taught to write computer viruses, hack digital networks, crack passwords, plant listening devices and mine data from broken cellphones and flash drives." The program, needless to say, "has funneled most of its graduates to the CIA and the Pentagon's National Security Agency, which conducts America's digital spying. Other graduates have taken positions with the FBI, NASA and the Department of Homeland Security."

 

In 2010, Lawrence E. Strickling, Assistant Secretary of Commerce for Communications and Information, gave a speech explicitly announcing that the US intends to abandon its policy of "leaving the Internet alone". Noting that this "has been the nation's Internet policy since the Internet was first commercialized in the mid-1990s", he decreed: "This was the right policy for the United States in the early stages of the Internet, and the right message to send to the rest of the world. But that was then and this is now."

 

The documented power of the US government to monitor and surveil internet communications is already unfathomably massive. Recall that the Washington Post's 2010 "Top Secret America" series noted that: "Every day, collection systems at the National Security Agency intercept and store 1.7 billion e-mails, phone calls and other types of communications." And the Obama administration has formally demanded that it have access to any and all forms of internet communication.

 

It is hard to overstate the danger to privacy and internet freedom from a massive expansion of the National Security State's efforts to exploit and control the internet. As Wired's Singel wrote back in 2010:

 

"Make no mistake, the military industrial complex now has its eye on the internet. Generals want to train crack squads of hackers and have wet dreams of cyberwarfare. Never shy of extending its power, the military industrial complex wants to turn the internet into yet another venue for an arms race".

 

Wildly exaggerated cyber-threats are the pretext for this control, the "mushroom cloud" and the Tonkin Gulf fiction of cyber-warfare. As Singel aptly put it: "the only war going on is one for the soul of the internet." That's the vital context for understanding this massive expansion of Pentagon and NSA consolidated control over cyber programs.

 

Bonanza for private contractors

 

As always, it is not just political power but also private-sector profit driving this expansion. As military contracts for conventional war-fighting are modestly reduced, something needs to replace it, and these large-scale "cyber-security" contracts are more than adequate. Virtually every cyber-security program from the government is carried out in conjunction with its "private-sector partners", who receive large transfers of public funds for this work.

 

Two weeks ago, Business Week reported that "Lockheed Martin Corp., AT&T Inc., and CenturyLink Inc. are the first companies to sign up for a US program giving them classified information on cyber threats that they can package as security services for sale to other companies." This is part of a government effort "to create a market based on classified US information about cyber threats." In May, it was announced that "the Pentagon is expanding and making permanent a trial program that teams the government with Internet service providers to protect defense firms' computer networks against data theft by foreign adversaries" - all as "part of a larger effort to broaden the sharing of classified and unclassified cyberthreat data between the government and industry."

 

Indeed, there is a large organization of defense and intelligence contractors devoted to one goal: expanding the private-public merger for national security and intelligence functions. This organization - the Intelligence and National Security Alliance (INSA) - was formerly headed by Adm. McConnell, and describes itself as a "collaboration by leaders from throughout the US Intelligence Community" which "combines the experience of senior leaders from government, the private sector, and academia."

 

As I detailed back in 2010, one of its primary goals is to scare the nation about supposed cyber-threats in order to justify massive new expenditures for the private-sector intelligence industry on cyber-security measures and vastly expanded control over the internet. Indeed, in his 2010 Op-Ed, Adm. McConnell expressly acknowledged that the growing privatization of internet cyber-security programs "will muddy the waters between the traditional roles of the government and the private sector." At the very same time McConnell published this Op-Ed, the INSA website featured a report entitled "Addressing Cyber Security Through Public-Private Partnership." It featured a genuinely creepy graphic showing the inter-connectedness between government institutions (such as Congress and regulatory agencies), the Surveillance State, private intelligence corporations, and the Internet:

Private-sector profit is now inextricably linked with the fear-mongering campaign over cyber-threats. At one INSA conference in 2009 - entitled "Cyber Deterrence Conference" - government officials and intelligence industry executives gathered together to stress that "government and private sector actors should emphasize collaboration and partnership through the creation of a model that assigns specific roles and responsibilities."

 

As intelligence contractor expert Tim Shorrock told Democracy Now when McConnell - then at Booz Allen - was first nominated to be DNI:

 

Well, the NSA, the National Security Agency, is really sort of the lead agency in terms of outsourcing . . . . Booz Allen is one of about, you know, ten large corporations that play a very major role in American intelligence. Every time you hear about intelligence watching North Korea or tapping al-Qaeda phones, something like that, you can bet that corporations like these are very heavily involved. And Booz Allen is one of the largest of these contractors. I estimate that about 50% of our $45 billion intelligence budget goes to private sector contractors like Booz Allen.

 

This public-private merger for intelligence and surveillance functions not only vests these industries with large-scale profits at public expense, but also the accompanying power that was traditionally reserved for government. And unlike government agencies, which are at least subjected in theory to some minimal regulatory oversight, these private-sector actors have virtually none, even as their surveillance and intelligence functions rapidly increase.

 

What Dwight Eisenhower called the military-industrial complex has been feeding itself on fear campaigns since it was born. A never-ending carousel of Menacing Enemies - Communists, Terrorists, Latin American Tyrants, Saddam's chemical weapons, Iranian mullahs - has sustained it, and Cyber-Threats are but the latest.

 

Like all of these wildly exaggerated cartoon menaces, there is some degree of threat posed by cyber-attacks. But, as Singel described, all of this can be managed with greater security systems for public and private computer networks - just as some modest security measures are sufficient to deal with the terrorist threat.

 

This new massive expansion has little to do with any actual cyber-threat - just as the invasion of Iraq and global assassination program have little to do with actual terrorist threats. It is instead all about strengthening the US's offensive cyber-war capabilities, consolidating control over the internet, and ensuring further transfers of massive public wealth to private industry continue unabated. In other words, it perfectly follows the template used by the public-private US National Security State over the last six decades to entrench and enrich itself based on pure pretext.

4/26/2010:

 

Ideally perched on a secluded hilltop overlooking Lake Travis, just 25 miles west of Barton Creek Resort & Spa, Barton Creek’s Palmer Lakeside is a hidden retreat that rewards guests with striking, panoramic lake views and twilight glimpses of white-tail deer. Lakeside’s extraordinary championship golf course, designed by King of Golf Arnold Palmer, opened for play in 1986. Palmer’s course is fun for proficient players and quite manageable for novices-offering exceptional enjoyment for every class of golfer. from www.bartoncreek.com

more hiro here

 

Warning: Heroes spoilers!

Heroes Vol 2: Ep 1, did anyone catch that yet?

 

Just some thoughts on the 1st episode of season 2.

 

I thought they did a great job at cramping up all the stories in one pilot episode. There was a lot to digest, yes. But the stories walk in an appealing, manageable flow I feel. There were good-looking, interesting new heroes as there were potentially great overtakes for the previous ones. Kudos to Kring and the Heroes team!

 

However some parts were quite cliche, like Claire's first day experience at the new high school with the cheerleaders and the soon low-life loving. The blood stain symbol across your face means you're dead and a few million little things that makes me go..."ohhhhkay, really?". Being the optimist that I am I plan to overlook these qualities and focus more on the great substance that we all fell in love with and dearly remember in volume 1.

 

Another thing that bothered me so much was the acting and the photography. Why is Claire acting so awkward like all the time? Yeah we know that she feels out of place, but enough with the non-blinking eye rolls and "are-you-thinking-what-I'm-thinking-dad?" face. I really thought she went too much with her expressions this time which can sadly get tacky and soapy. She is really cute and all but I hope to see good rationalization behind all the awkwardness during the dinner time scene in the next episodes.

 

And, do you really need that zoom-in close up shot every time there is suspense or awkwardness? Please study

1. scene Hiro's-dad-about-to-die

2. scene awkward-dinner-time (from table's pov? apa kejadah).

Seriously, just go for an eye-level close-up cut and everything will be dandy. I also feel the camera shake abuse was very uncalled-for. Just ditch 'The Office' applications already.

 

Apart from that everything went super awesome.

 

I love the idea of Hiro transporting to the 16th century to meet Kensei and the fact that he's white, can't wait to see what will happen next. Also, anxious to know what happen to yummy Peter and Nathan. And most importantly who is the new villain. I see a great story for Volume 2 and will most definitely sit tight to indulge this TV phenomenon for the next few weeks! Yata!

I was in need of a big does of Prescription Strength Nature RX. youtu.be/Bf5TgVRGND4

 

I decided earlier in the week to take a vacation day and get out for another hike. A BIG THANK YOU to MN for the recommendation of Ha Ling Peak. I was totally nervous leading up to this hike. The reviews lead me to believe that this might be the hardest hike I have ever done! I asked MN to pump me up the day before. SHe did a great job reassuring me that I could do it. I packed up last night and headed out early this morning. Absolutely worth it!! It might be one of my new favorite hikes!! I ended up summiting Miner's Peak instead of Ha Ling based on other hiker's recommendations. It was amazing! I stood at the very top of the mountain, held my arms up high and yelled WOOHOO!!! It was an amazing hike. Started off with just below zero temps, and finished at 11 degrees. Perfect weather. It was windy up at the top, but I hear that is fairly normal for these peaks. I splurged on a new hardshell for myself and it proved itself today! I am so happy with all the gear I have been investing in.

 

During my hikes it like to stop (and catch my breath) and look back at how far I have come. It's amazing to look back and be like wow, I just climbed that, I made it! Like in life, once the hard stuff has passed we are quick to not look back and hope that it's all gone forever. But I think it has it's good points to show you your strength, show you that you made it, show you just how far you have come and what you have accomplished. Yes there will be more hard times ahead, but if we learn what we can for each one, then hopefully the next one might seem a bit more manageable and less world ending. Keep going, keep climbing, keep everything in perspective.

 

After I made it to the summit and literally felt on top of the world, I stopped and enjoyed the moment. I took in the views and the smells and just sat there and felt happy. On my descent I kept looking back and thinking, wow! I was literally just standing up there!! This might be one of my new favorite hikes. I will definitely be back to summit Ha Ling.

 

Live your life friends!! Get out there and do what you want to do instead of wishing and dreaming about it as life passes you by. Go! Get out there!! LIVE!!

 

Ha Ling Peak/Miner's Peak:

Total Dist. 8 km (hike)

Elevation Gain 2296 ft.

Time on trail just under 4 hours

 

Quotes for today:

 

*Go confidently in the direction of your dreams! Live the life you've imagined. - Thoreau

 

*I'ts not what you look at that matters, it's what you see. - Thoreau

 

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

 

Some background:

Towards the end of WWII, large, piston-engined flying boats had been used exctensively in th bepatrol and bomber role, but with the advent of the new jet engine technology, engineers in several countries started to explore the new propulsion type's potential in different areas - including seaborne usage.

Towards the end of WWII and the far-stretched conflict theatre in the Pacific, the flying boat as well as float planes still had a large appeal due to their independence from airfields. This offered a lot of tactical flexibility. On the other side, the jet engine promised (much) higher speeds, but with the relative higher weight of early jet-driven aircraft (more fuel was needed, and more engines, as thrust was relatively low) a seaborne type would also avoid the need for a prepared and long airstrip to operate.

 

The United Kingdom was one nation that looked seriously into this kind of aircraft, and Saunders Roe presented in 1943 the proposals for a plane that should actually make it to the hardware stage: the SR.1/A, which made its maiden flight in 1947. The Soviet union also undertook some studies, but fighters remained just proposals. Eventually OKB Beriev would produce several sea-borne, jet-powered patrol bombers (e .g. the R-1 experimental plane, and later the Be-10 flying boat), which actually entered service.

 

In the USA, studies for a jet-powered fighter fyling boat gained momentum during the final stages of WWII. Convair developed the 'Skate' for the US Navy, a heavy night fighter, and Boeing designed a competitive concept. In parallel, and towards the end of the forties, heavier flying boats for maritime patrol were requested by the Navy - and with them a lighter, single-seat fighter that could escort them, or be used as an interceptor to defend improvised forward maritime bases. Using this type as a fast, ship-borne reconnaicssance aircraft was also envisioned.

This fighter was to be capable of a similar performance to land-based fighters in this class, like the F-80 or the F-86. The dsuccessful evelopment of the SR.A/1 in the UK had been keenly observed, and the concept of a jet-powered flying boat fighter appeared feasible and appealing.

 

One company to respond to the USN request was Curtiss, who already had experience with float planes like the Model 82 (SOC) and the Model 97 (SC 'Seahawk') - both rather pathfinder aircraft than true combat types, though. Curtiss designed its Model 101 around two J47-GE-11 jet engines, each rated at 2.359 kN (5.200 lbf) of thrust.

 

The Model 101's layout was rather concentional, with a deep, single step boat hull that would house a huge amount of fuel for the requested long range escort capability. The J47-GE-11-engines (the same which powered the B-47 bomber) were placed in nacelles, at the highest point of the gull wings.

As an innovative step, the Model 101 featured swept wings - the first time ever that this was tried on a flying boat. On the tips of the wings with a 35° sweep, slats and large flaps, fixed stabilizer floats were mounted. The large fin was swepts as well, and the horizontal stabilizers were placed as a T-tail high on the fin, clear of any jet turbulence or spray water.

 

The pilot sat in a pressurized cockpit under a bubble canopy, which offered good view, even though the massive engine nacelles blocked much of the side and rearward field of view.

The Model 101 was armed with four 20 mm (0.79 in) M3 autocannons in the nose section, with 200 RPG. An A-1CM gunsight which used an AN/APG-30 radar to automatically compute the range of a target was housed in a small radome in the nose tip. Under its inner wings, just outside of the engines, hardpoints allowed an external ordnance of up to 4.000 lb (1.816 kg), including bombs of up to 1.000 lb calibre, eight HVAR missiles, drop tanks or even two torpedos.

 

Curtiss received a go-ahead and two prototypes were built during 1948. First taxi runsd tok place in late 1947, the maiden flight of prototype #01 was on February 6th 1948, the second aircraft followed only three weeks later on 1st of March 1948 - and the tests were soon halted. Both aircraft suffered from severe purpoising at 80% of the take-off speed, and this problem almost resulted in the loss of prototype #01. This was a new problem, as such high take-off speeds had never before been encountered on water, and the phenomenon was called the 'hydro-dynamic instability barrier': essentially it was unstable aquaplaning.

 

First attempts to solve the problem were elevator compensation and tailplane incidence angle adjustments. This helped, but the aircraft remained unstable during take-off and landing - it was not before November 1948 that modifications were made to the planing bottom of prototype #02.

This brought the purpoising to a manageable level, but did not fully cure it. Disaster struck on February 12th 1949, when the still unmodified first prototype was lost in a starting accident: the aircraft started purpoising during take-off, hit a wave with the left side stabilizer swimmer, suddenly veered off towards the left, pitching down with the nose and toppling over at more than 120mph, ripping off the left wing and the whole tail section. Miracuously, test pilot Simon Pritchard escaped alive from the sinking wreck (even though heavily injured), but the XFC-1 #01 had to be written off and any high speed ground tests were suspended..

 

Flight tests were resumed in June 1949 after a bottom step venting system had been introduced, and this measure finally cured the instability problem. In the meantime, two more airframes had been built: one with more powerful J47-GE-23 engines (with 2.631 kN/5.800 lbf each, these were introduced to the other two prototypes during 1950, too) and another one for static tests.

 

Further trials followed during 1950 and in early 1951 the re-engined machine #02 even became supersonic in a dive. While the Model 101 (which received the USN designation XFC-1 and was christened 'Oceanhawk') was up to the original specifications it was clear that it could not compete with land-based aircraft - essentially, it offered a similar performance to the land-based F-86, but the XFC-1 needed two engines for that, was much less agile and still needed a complex infratsructure to operate properly. Its independence from land bases was still its biggest selling point, though, so the development was kept up.

 

At that time, the USN issued a specification for a supersonic flying boat, and NACA understook a study that a Mach 2 aircraft would be feasible until 1955. This rendered the Oceanhawk more or less obsolete, as it could not keep up with this requirement, and the XFC-1 program was finally closed in 1953. Eventually, the Convair XF2Y Sea Dart would be the next (and final) step on the way to a seaborne jet fighter.

 

Anyway, the remaining two XFC-1 prototypes were not scrapped but allocated to the USN's test squadrons. Prototype #02 and #03 were handed over as UFC-1 to Air Development Squadron VX-4 "Evaluaters" at Point Mugu, California, together with the static airframe #04 which was used for spares. Both aircraft were used as chase planes, observation platforms and target tugs. Machine #02, for instance, took part in the evaluation program of the Martin P6M SeaMaster flying boat in 1955, and was then modified for several tests with hydroski installations under the fuselage. On the other side, machine #03 was used in the development of remote drone and target tug control equipment, being re-designated DFC-1.

 

After serving in these second line roles, both aircraft were finally scrapped in 1965 and replaced by land-based types.

  

General characteristics

Crew: 1

Length: 14.11 m (46 ft 6 1/3 in)

Wingspan: 12.46 m (40 ft 9 1/2 in)

Height: 4.10 m (13 ft 5 1/4 in)

Empty weight: 9.265 kg (20.408 lb)

Loaded weight: 16.080 kg (35.418 lb)

 

Powerplant:

2× J47-GE-23 engines, rated at 2.631 kN/5.800 lbf each

 

Performance

Maximum speed: 932km/h (577mph/503nm) at sea level

Range: 2.092 km (1296 ml)

Service ceiling: 13.450 m (44.040 ft)

 

Armament

4× 20 mm (0.79 in) M3 autocannons with 200 RPG.

Eight underwing hardpoints for a total external ordnance of up to 4.000 lb (1.816 kg), including bombs of up to 1.000 lb calibre, eight HVAR missiles, drop tanks or two torpedos.

  

The kit and its assembly:

This model is a complete fantasy aircraft, inspired by a TV documentation about sea plane projects in the USA and USSR after WWII. Among others, the Martin P6M SeaMaster and the Saro SR.1/A made an appearance, and I wondered how an escort fighter for the P6M would have looked like in USN service? Well, let's build one...

 

Making a flying boat is pretty tricky, and the whole thing was built from scratch and with lots of putty.

 

Basically, the following went into it, all 1:72 unless stated otherwise:

● Fuselage and cockpit from a Hobby Boss F-86E

● Floating bottom is the lower half of a Matchbox Heinkel He 115 swimmer

● Wings come from another Hobby Boss F-86E, but this time a Batch 30 aircraft with extended wing tips

● Vertical stabilizer comes from an Academy MiG-21F

● Horizontal stabilizers come from a 1:100 Tamiya Il-28 bomber

● Stabilzer swimmers come from a vintage box scale Revell Convair Tradewind kit

● Engine intakes and exhausts are resin parts from Pavla, replacements for a Hasegawa B-47 kit

● A massive beaching trolley, which actually belongs to the A-Model Kh-20M missile kit

 

Assembly went from fuselage over the wing roots, the improvised engine nacelles, outer wings and stabilizer swimmers, step by step. I had a vague idea of what the aircraft should look like, but the design more or less evolved, depending from what I had at hand.

For instance, the Il-28 stabilizers were late additions, as the original F-86 parts turned out to be much too small for the massive aircraft.

 

The cockpit was taken OOB, just a pilot figure was added and the canopy cut into two pieces, so that it could be displayed in an open position.

Around the hull, small mooring hooks made from wire were added, gun nozzles made from hollow needles, as well as some antennae, since the whole kit was rather bleak and simple.

 

The trolley was puzzled together from the parts supllied with A-Model's Kh-20M (AS-3 'Kangaroo') kit, but was modified (e. g. with different wheels) and adapted to the flying boat's hull. It fits perfectly in shape and design, though!

  

Painting and markings:

Nothing fancy, as a jet-powered flying boat fighter is unique enough. Design benchmark was again the P6M, and AFAIK these aircraft were painted in just two tones: FS16081, a very dark grey, with white undersides and a wavy waterline. They were definitively not blue of any sort, as one might think in the first place.

 

I started with the lower side - white is always difficult to apply, and in order to avoid any trouble I used stpray paint from a rattle can and used a very light grey instead of pure white. The latter has two benefits: it covers the surface much better than white, and the contrast is not so harsh - the grey still leaves 'room' for some dry-brushing with white.

 

Next step was the dark grey - I used Humbrol's 32, which is FS36081 and looks very good. Dry-brushing with Humbrol 79 (Dark Blue Grey) was used for some counter-shading, and after a black ink wash I also painted some panel lines with a mix of black and matt varnish onto the hull. That turned out to be a little much, but finally, when the decals were applied (wild mix from various aftermarket sheets and the scrap box), the overall impression became much better.

 

The trolley was simply painted in yellow and makes a nice contrast to the dark aircraft on top of it.

 

Both aircraft and trolley were additionally weathered with some dry-brushed rust and grinded graphite, and finally received a coat of matt varnish.

2 feet shorter, so feet can hit earth while still @ pedal and handlebar, sorry, no heroes here!

NOW With 24" and 26" wheels, in action, towing our tot, with 50 others of my creation:

www.youtube.com/watch?v=WuwXdOQYpso

We started with the cheese puffs, and it was like biting into little puffs of air. It was so light that spearing it with a fork was too hard, and we had to resort to fingers. We suspect that it is a basic souffle mix dollopped into hot oil and fried to a light and airy puff. Amazing.

 

Once I saw that the cheese puffs were a manageable size, I immediately added the duck neck sausage to our order. Not long after, 4 small discs of minced pork appeared. I love a good sausage and this didn't disappoint. It was served with segments of orange that provided a nice foil. There were also a few boiled baby beets hidden under the leaves and it seemed a bit too tender compared to the nice big flavoursome beets we were used to.

 

Julia was very impressed with the duck fillets, and she remarked several times how tasty the flesh was. I prefered the smoky grilled quail, but it was true, the quail meat was tender and juicy like the duck, but didn't have the richness of flavour of the duck. The pommes anna under the quail went amazingly well with the madeira sauce. The crispy bits of potato on the edges were also very good. The French beans were tender and so full of Spring sweetness.

 

We ended our meal with a good coffee and tea, and the profiteroles to share. We both loved the chocolate sauce, but we prefer the choux pastry at Laurent Pattiserie.

 

Annie Smither's Bistrot & Produce

03.5422.2039

72 Piper St

Kyneton VIC 3444

www.anniesmithers.com.au/

 

Reviews:

- Annie Smithers Bistrot, By Necia Wilden, The Age Epicure, September 27, 2005 Score: 15.5/20

- Annie Smithers Bistrot The Age Good Food Guide 2009 - 1 Chefs Hat

- Annie Smithers Bistrot, Kyneton - The Breakfast Blog, Saturday, May 13, 2006 chicken livers, bacon and spinach on toast. One of several tempting dishes on offer at Annie Smithers Bistrot. I love the smell of offal in the morning. 16/20 "mmm... liver"

- Annie Smithers Bistrot - Mietta's good gutsy French based dishes

- Annie Smithers’ Bistrot - Gourmet Traveller Annie Smithers, another Stephanie Alexander alum, is consolidating her empire, a shop and bistro showcasing Central Victorian produce. Assured cooking means primary flavours shine: succulent, flaky trout almondine tastes river-fresh; sweet scallops cooked just-so are plated with discs of smoky chorizo; sweet-salty tomato Tatin is the pick of the entrées. There’s usually offal on offer, perhaps creamy brains wrapped in prosciutto, and veal schnitzel, topped with a fried egg and anchovies, is pub-simple (and sized) but restaurant-finessed. Strawberry vacherin elevates berries and cream to a fitting conclusion to the meal: simple, comforting, classy.

  

Food Photos:

- Cheese Puffs with tomato and chilli dipping sauce AUD7.50 - insides

- Duck Neck Sausage stuffed with pork mince and pistachios with babybeets, green leaves and orange AUD18.50

- Quails petit-duc - par boned and grilled, served on pommes anna, with grilled mushrooms and madeira sauce AUD30

- Duck fillet with orange marmalade glaze, pan-fried potatoes AUD22.50

- Profiteroles filled with vanilla ice cream and drizzled with warm dark chocolate sauce AUD14.50

- Long Black AUD3

- Mariage Freres Tea AUD4.50

 

Decor Photos:

- Specials Board

- Long Dining Table

- Object d'Art

- Business Card

- back

- Produce Store

- A message from Stephanie

- Gumboots - Stephanie Alexander Kitchen Garden Foundation fundraiser AUD40

 

2014 Gore Aussie Muscle Mania Car Show (12-4-14)

 

By the time of the release of the VJ Valiant, Chrysler’s market share was in its fourth consecutive year of decline. There was therefore much pressure on the stylists to ensure the face-lifted VJ arrested the decline.

 

The new look was heralded by Chrysler as being “Years ahead of its time”, it clearly wasn’t, but the question of whether it could around the flagging fortunes of Chrysler in Australia remained. The VJ’s sheet metal remained unchanged over the outgoing VH, styling changes being restricted to a grille makeover, round headlights and revamped tail lights.

 

The major mechanical improvement was an electrical ignition system which became standard on the Regal, Charger XL and 770 and Chrysler. This was the first time this feature had been offered in an Australian built car. But apart from these handful of improvements, the VJ remained very much the car of old.

 

One of the difficulties Chrysler was facing were the perceived build quality problems inherent in the VH, so the marketers set about confirming to the public that the VJ was a well sorted and now tried and tested quality alternative, offering more features and refinements than the competition.

 

Advertising campaigns of the day focused on the new body finishing techniques which included the use of rust-proofing primer, along with higher paint application quality. Chrysler also knew the cost of offering such a broad line-up of models was significantly affecting the cost of manufacture, so some rationalisation was needed.

 

When the dust had settled, there Pacer had been dropped, along with the Ranger XL, Regal 770 and Charger R/T. With the different machinations applicable to each of these models, Chrysler had effectively brought its model line-up down from 56 to a more manageable 18, and to fill any perceived gaps in the line-up the Chrysler executives were confident that by adding to the options list any Chrysler purchaser would still be able to leave the showrooms with their own very individual motor car.

 

It is worth noting the other, albeit small changes introduced with the VJ. It was one of the first locally manufactured cars to switch to the use of a metric calibrated speedometer, while the steering wheel featured a flatter rim at the bottom, supposedly to give more leg room to the driver. In a decision unfathomable today, except perhaps considering the fuel crisis of the early 1970’s, to no longer produce high performance Chargers was a travesty. Much lesser cars, such as the Falcon Superbird and 6 cylinder Monaro’s were able to eat away at the Charger’s market share, this after it leading the two-door sales charts the preceding year.

 

Visually there were very few changes from the VH to VJ Charger, in fact you pretty much had to be looking at the car head on, so that you could see the new grille, to identify it as the latest model. The new grille had a pillar effect and 178mm round headlights. The front turn indicators were mounted on the guards using body-coloured bezels, while the tail lights also came in for a makeover.

 

Inside the trim was improved and a larger range of colours was offered. There were only three basic models available, the Charger, Charger XL and Charger 770, although the standard features list was improved and the number of options available increased. All Six-Pack and V8’s had a front anti-roll bar and swinging rear quarter windows, and all excluding the base 215 engined Chargers were fitted with the new electric ignition system. A sports pack enabled the buyer to lift the XL to almost VH R/T specs. Gone was the lower priced 265 Hemi option, the six-pack and 318 V8 being the only muscle car options.

 

The Flagship Chrysler by Chrysler:

 

The flagship Chrysler by Chrysler CJ was announced in March and put on sale in early April. As with the Valiant line-up, the Chrysler was visually almost identical to the CH model, although the hand-painted coach line was deleted, while the sill and wheel arch mouldings that were previously available only as an option became standard fare. Cars fitted with vinyl roofs were fitted with lower mouldings to give the whole car a lowered look. Carried over too were the engine options, coming standard with the Hemi 265ci engine with the 360 5.9 litre V8 engine available as an option.

 

The commercial vehicle range was added to with the release of a low budget Dodge badged utility which was virtually identical to the Valiant model. The utes had revised grilles and round headlights. The 215 Hemi was standard on both, and the Valiant had a slightly higher level of equipment. VJ prices started at $2849 for the 215 Valiant four-door, with the Regal 245 (with electronic ignition) coming in at $3600 and the Regal Hardtop at $3765 - the top of the line Chrysler by Chrysler sold for $4925. The Charger prices started at $2970, rising to $3995 for the Charger 770. The Regal Hardtop was $3765, while at the commercial end the Dodge utility was $2565 and the Valiant utility was $2640.

 

Chrysler finished 1973 with a 9.5% market share, its lowest ever, and far from the halcyon days of the R and S Series where the waiting list ensured Chrysler had pretty much pre-sold every car to roll off the production line. The “Big Three” was no more, with Toyota now assuming 3rd position on the sales charts, and Chrysler now knowing that they were in trouble. In a counter offensive similar to the Battle of the Bulge, 1974 would see Chrysler lift standard equipment levels across the VJ range.

 

Fitted to all models (excluding the utes) were front power assisted disc brakes, front seat retractor safety belts, speed windscreen-wiper blades, a sound-deadening package, door reflectors, a glove-box lock and anti-roll bar. In August 1974 came the release of the limited run (of 500) Chager “Sportsman” models. Available only in “Vintage Red”, the Sportsman featured a bold white exterior striping and a distinctive roof treatment. It was fitted with the Hemi 265 engine coupled to a foud-speed manual gearbox. Plaid cloth inserts were incorporated into the seat trim, and other extras fitted.

 

By productions end, some 90,865 VJ Valiant’s had been manufactured. It was a good car, and arguably deserved better recognition from the buying public, but the Japanese manufacturers were quickly gaining a strong foothold in the Australian automotive marketplace with their “fully loaded” yet cheaper versions. The weaker of the “Big Three” had succumbed to their industrial might, and now questions were being asked as to the viability of the manufacturer.

(ref: www.uniquecarsandparts.com.au/car_info_chrysler_valiant_v...)

 

318 V8 Engine Specs:

Capacity: 318 cubic inches (5.2 litres)

Type: Conventional, watercooled four stroke, reciprocating piston type with 8 cylinders

Configuration: Front mounted, longitudinal, OHV, 90° Vee, "wedge" head

Head: Pushrod and rocker actuated ohv with two valves per cylinder

Fuel System: Carter two barrel downdraft type carburettor

Bore and Stroke: 3.91 x 3.31 inches (99.314 x 84.074 mm)

Power: 230 bhp (172 kW) at 4400 rpm

Torque: 340 lb-ft (461 Nm) at 2400 rpm

Compression Ratio: 9.2:1

Valve Timing

Intake

opens: 10° BTC

closes: 50° ABC

duration: 240°

Exhaust

opens: 58° BBC

closes: 10° ATC

duration: 248°

Firing Order: 1-8-4-3-6-5-7-2

Radiator Capacity: 26 pints

Oil Pan

Without filter: 6.6 pints

With filter: 8.3 pints

(ref: www.uniquecarsandparts.com.au/valiant_vj_cj_technical_spe...)

1-12-13 Wyndham Street Races

 

The Aprilia Tuono was a naked bike motorcycle manufactured by Aprilia from 2002 through 2011. It was based heavily upon the Aprilia RSV Mille and its successor, the Aprilia RSV1000R superbike with which is shares its engine, gearbox, frame and, partly, its suspension. The Tuono was succeeded by the Aprilia Tuono V4 R for model year 2011, though the V2 model continued in production into the 2011 model year.

Source: Wikipedia

 

2012 Aprilia Tuono V4 R Review

The liter-size naked sportbike we've always wanted...

 

Longtime MO readers are aware of our affection for naked sportbikes. Sportier than most motorcycles but not nearly as committed as a race replica, nakeds present a balance of sport, comfort and versatility that provides a platform for any riding on paved roads. Most interesting are the liter-size streetfighters such as Ducati’s long-serving Monsters, Triumph’s iconic Speed Triple and Kawasaki’s recent Z1000. Any one of them has a grunty, wheelie-launching powerband, but all have less than 130 rear-wheel horsepower.

One of our favorite sporting nakeds has been Aprilia’s Tuono that debuted a decade ago, a nicely balanced conversion from the V-Twin RSV1000 racing platform that gave it upright ergonomics and similar engine performance, but it topped out at less than 115 hp. Now comes an all-new Tuono (“thunder” in Italian) that will blow away the powerplant in any previous naked sportbike.

 

Here’s proof: Our Tuono V4 R test bike cranked out 154 horsepower at its wheel, 20 horses up on even the wild Ducati Streetfighter. While altered valve timing, longer intake ducts and extra flywheel mass hint at some measure of the dreaded detuning common in streetfighter-type bikes, the Tuono’s 65-degree V-Four feels anything but. It’s simply one of the most thrilling engines we’ve ever had the pleasure of twisting its throttle.

 

The Tuono’s transmission’s gearing has been lowered in the first three gears, combining with a light-effort hydraulic clutch to yield low-speed acceleration unmatched by any supersport with its requisite racetrack gearing. In fact, the more rational transmission gearing is one of the treats of riding sporty nakeds – do we really need to be able to scream to 90 mph in first gear to have a capable sportbike?

 

The Tuono’s shorter gearing mixes perfectly with the tweaked RSV4 mill to deliver a run through a wide powerband as satisfying as anything on the road. There’s a musical surge of power that hurls the Tuono forward with a wild, grin-inducing rush. Wheelies are a joyful and inevitable result, as the Tuono’s funky front end will paw skyward even in third gear.

 

Although the 999cc Four can’t quite match the low-end grunt of some of its rivals, a much longer rev range (to its 12,400-rpm limit) results in a broad powerband. It really picks up the pace after 9000 rpm when it crosses the 125-hp hurdle and screams out for another 3400 revs, peaking with a galloping 153.9 hp produced at 11,600 rpm. Aprilia claims 167 hp at the crank for the Tuono and 180 hp for the RSV4, so it was surprising to see the Tuono’s power at the rear wheel nearly match the 155 hp of our last RSV4 R test bike.

 

While powerful motors in bikes without fairings aren’t unprecedented, the Tuono V4 is a dancer in the canyons that a VMax or B-King can’t come close to matching. The Tuono is underpinned by an aluminum chassis nearly identical to the RSV4 that won the 2010 World Superbike Championship in the hands of Max Biaggi. Also familiar is the three-way adjustable Sachs suspension that bolts in unchanged from the RSV4 R; wheels, too, are identical.

 

“The suspension was dialed by the time I hopped on,” comments Associate Editor Troy “Trizzle” Siahaan, “so not much to say other than you don’t always need top-shelf Ohlins bits to have a well-suspended motorcycle.”

 

Adding taller handlebars and comfier ergos to this superbike platform results in one of the most thrilling street rides ever. Its bars give even a feeble rider tons of leverage to bend it swiftly into a corner, and a 0.5-degree increase in rake, 2mm added trail and a slightly longer wheelbase – plus a standard steering damper – give it the composure to scythe through any turn with confidence.

 

Our test bike was delivered with a rear tire squared off from many freeway miles and several dyno runs, and this caused it to require a minor but constant pressure on the inside bar to continue arcing consistently through corners. Our faith in the Tuono’s chassis was vindicated after a new tire was fitted and it steered like a good sportbike should. When in their proper shape, the Pirelli Rosso Corsas are excellent.

 

So the new Tuono goes like hell and rails around corners. What else do you need to know?

 

For one, the letters APRC. The Aprilia Performance Ride Control system is directed by two gyros, two accelerometers and a wheel-speed sensor to govern three control systems (traction, wheelie and launch) through a ride-by-wire throttle. It’s a complex electronics suite that, best of all, isn’t intrusive if that’s how you want it and can easily be switched off.

 

Aprilia Traction Control consists of eight levels of intervention or can be completely disabled. Switchgear on the left handlebar allows adjustment on the fly. We preferred the TC3 setting, which provided a secure safety net while intervening only when ridden aggressively.

 

“Its traction control is one of the most seamless systems I’ve experienced,” Siahaan raves. “The fact it can be changed on the fly with the + and - paddles is an added bonus. And there’s a discernible difference in levels as well.”

 

Aprilia Wheelie Control can be set to three levels, and it does a great job of bringing the front wheel down in a gentle way. This being a raucous streetfighter, our favorite setting was “off.” Also aiding acceleration is the Aprilia Quick Shifter which allows full-throttle upshifts by briefly interrupting spark to the engine. It works fairly well at street speeds, but it works best when hard on the gas.

 

“AQS is such a benefit to quick riding that you don’t realize is so great until you don’t have it anymore,” says Trizzle. “Although I did notice it wasn’t happy shifting at low rpm.”

 

A Tuono rider can choose from three engine-control maps: Track, Sport and Road modes. Track mode, naturally, has the most aggressive throttle response, but it’s still quite manageable. Sport slightly restrains torque output but retains max horsepower. The Road setting reduces power 25% across the rev range.

 

The Tuono boasts another rare (for sportbikes) electronic aid: self-canceling turnsignals, which will automatically switch off based on time and distance.

 

The Tuono’s Brembo brake system is reliably capable of even racetrack abuse, although the fronts are the same as fitted to the old Tuono. As such, they consist of lower-spec two-piece calipers actuated by a non-radial master cylinder. Regardless, feedback through steel-braided lines is quite good.

 

“Braking power is strong and linear, with good feel at the lever,” Trizzle adds. “To me, it just goes to show that the difference between two-piece and monobloc calipers most likely will go unnoticed to the average Joe. It did for me.”

 

Like a good naked, the Tuono V4 performs well in general-purpose motorcycling. The Tuono has perfect ergos for this style of bike. Its moderately forward lean makes 80-mph cruising comfortable with little human-sail effect, yet it’s quite comfortable when cruising around town. And it has a reasonably good view from its mirrors for an Italian sportbike.

 

One nit we need to pick is its fluffy fueling below 3000 rpm, especially when cold, likely from a lean mixture to pass emissions standards. We hear throttle response can be significantly improved by fitting an Akropovic slip-on muffler ($1,545) from Aprilia’s accessory catalog, which includes access to the ECU’s “off-road-only” race map.

 

Speaking of emissions, the volume out the stock exhaust is pleasingly loud and sounds angry. It gives its rider a thrill just by blipping the throttle to hear its nasty bark, and it feels animalistic as it spits out the revs. The V-4 sounds, and is, sensational. Bonus: The Tuono’s exhaust system is 4.4 pounds lighter than the RSV4’s.

 

s fabulous as Aprilia’s V-Four is, it’s also very thirsty. At best, we recorded 35 mpg. At worst, mileage dropped to the mid-20s. Slurping fuel at such a rate, the Tuono’s range isn’t much more than 100 miles.

 

Aprilia claims a 4.5-gallon fuel capacity, but we wonder if it actually holds that much. “I had an indicated 17 miles on the low-fuel light and only managed to put 3.5 gallons into the Tuono’s fuel tank,” Content Editor Tom “T-Rod” Roderick notes.

 

Style Points:

 

An important aspect of buying an Italian sportbike has always been its style and design. To our eyes, the Tuono can’t be regarded as pretty, but we find appeal in its sheer outlandishness. It plays Lamborghini to the Ferrari-ness of Ducati or MV Agusta. To Roderick, our Sunset Yellow bike looks like Bumblebee, the Chevrolet Camaro in the Transformer movies.

 

T-Rod also weighed in on the Tuono’s yellow-and-black seat, which he says is wrong for a few reasons. “First off, while the yellow seatlooks cool in brochure pictures, in reality the color soils easily and appears horrendous after a short period of ownership. Secondly, the seat is slippery when wearing leathers, and with the huge gap between tank and butt stop you’re sliding all over the place, especially under full acceleration. Lastly, the edges of the seat and fuel tank are sharp and dig into your thighs when leaning off the bike.”

 

If you’re okay with a more sinister color scheme, the Tuono’s Competition (matte) Black version is fitted with a slightly different seat and material.

 

Conclusion:

 

2012 Aprili Tuono V4 R burnout

Smoke ’em if you’ve got ’em! The Tuono may do just that to its streetfighter competition.

 

Press kits are always filled with hyperbole, so we were naturally skeptical when the Tuono’s described this hyper-naked as “The king of all streetfighters.” However, our riding impressions aren’t too far off Aprilia’s bold statement. It’s relentlessly eager, always chomping at the bit. And, at $14,999, it’s quite reasonably priced for an Italian sportbike with a robust electronics package.

 

“The Tuono V4 R is the perfect recipe for someone looking for a comfortable all-day motorcycle without giving up any of the performance qualities of a literbike,” Trizzle summarizes. “To be able to say the Tuono is not a RSV4 detuned for the street but rather a more comfortable RSV4 should be music to anyone’s ears.”

 

Simply put, the Tuono V4 R is now one of our favorite sportbikes.

 

Source: www.motorcycle.com/manufacturer/aprilia/2012-aprilia-tuon...

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