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Uttarakhand is a major pilgrimage center of Hindus. This offers superfluity of holy temples in powerful Himalayas. There are several temples of attention in the Uttaranchal that host devotees throughout the year round.Some of the important temples in Uttarakhand are: Rudranath temple, Madmaheshwar Temple, Badrinath temple, Kedarnath temple, Baji Nath temple, Naina Devi temple, Mansa Devi temple, Lakha Mandal Temple, Har ki Pauri, Gangotri Temple, Gaurikund, Yamunotri temple, Chandi Devi temple, Patalbhubanshwari temple Gangotri temple, Hemkund Saheb, Neelkanth Mahadev are some of them.
uttarakhandtouristplaces.wordpress.com/2013/01/25/temples...
Uttarakhand is a major pilgrimage center of Hindus. This offers superfluity of holy temples in powerful Himalayas. There are several temples of attention in the Uttaranchal that host devotees throughout the year round.Some of the important temples in Uttarakhand are: Rudranath temple, Madmaheshwar Temple, Badrinath temple, Kedarnath temple, Baji Nath temple, Naina Devi temple, Mansa Devi temple, Lakha Mandal Temple, Har ki Pauri, Gangotri Temple, Gaurikund, Yamunotri temple, Chandi Devi temple, Patalbhubanshwari temple Gangotri temple, Hemkund Saheb, Neelkanth Mahadev are some of them.
uttarakhandtouristplaces.wordpress.com/2013/01/25/temples...
Charak Puja is a very enchanting folk festival of the Southern Belt of Bangladesh and West Bengal. It is also known as "Nil Puja". The believers of the Hindu religion celebrate this on the last day of Chaitra (Chaitra Songkranti).
People believe that the festival will carry prosperity by eliminating the sorrow and sufferings of the previous year. The festival is actually a festival to satisfy "Lord Shiva", the great "Debadideb" of Hindu Religion. Though the festival takes place on the mid night of Chaitra Songkranti, the preparation phase usually starts before one month of the day.
The arrangement team of the festival go from village to village to procure the necessary components like paddy, oil, sugar, salt, honey, money and other items with the arranged cosmetics such as Shiva, Parvati and Narod. The cosmetic Shiva is locally called "Nil Pagol" or "Jal Katha". On midnight of the Songkranti, the worshippers are gathered together to worship the God and after Puja the "Prosad" is distributed.
In one place, it is also known as "Hajrha Puja". The woman doesn't take the meal before Puja on this day. Sometimes in this festival a human "Charak" is made ready to satisfy the Lord Shiva. The "Charak" is tied with a hook (Borshi) on his back and then he is moved around a bar with a long rope. Though it is risky, they arrange it.
Vishvanath Temple - dedicated to Lord Shiva, also called Vishwanath [master of the universe]. In the same premises, a temple dedicated to Nandi, holds a huge statue of Nandi [the Bull, the companion, attendant and closest aide of Lord Shiva].
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The Khajuraho Group of Monuments is a group of Hindu and Jain temples in Madhya Pradesh, India. About 175 kilometres southeast of Jhansi, they are one of the UNESCO World Heritage Sites in India. The temples are famous for their nagara-style architectural symbolism and their erotic sculptures.
Most Khajuraho temples were built between 950 and 1050 CE by the Chandela dynasty. Historical records note that Khajuraho temple site had 85 temples by 12th century, spread over 20 square kilometers. Of these, only about 20 temples have survived, spread over 6 square kilometers. Of the various surviving temples, the Kandariya temple is decorated with a profusion of sculptures with intricate details, symbolism and expressiveness of ancient Indian art.
The Khajuraho group of temples were built together but were dedicated to two religions namely Hinduism and Jainism - suggesting a tradition of acceptance and respect for diverse religious views among Hindus and Jains.
LOCATION
Khajuraho group of monuments are located in the Indian state of Madhya Pradesh, in Chhatarpur District, about 620 kilometres southeast of New Delhi. The temples are in a small town also known as Khajuraho, with a population of about 20,000 people (2001 Census).
Khajuraho is served by Khajuraho Airport (IATA Code: HJR), with services to Delhi, Agra and Mumbai. The site is also linked by Indian Railways service, with the railway station approximately six kilometer from the monuments entrance.
The monuments are about 10 kilometres off the east-west National Highway 75, and about 50 kilometres from the city of Chhatarpur, that is connected to Bhopal - the state capital - by the SW-NE running National Highway 86.
HISTORY
The Khajuraho group of monuments were built during the rule of Rajput Chandela dynasty. The building activity started almost immediately after the rise of their power, throughout their kingdom to be later known as Bundelkhand. Most temples were built during the reigns of the Hindu kings Yashovarman and Dhanga. Yashovarman's legacy is best exhibited by Lakshmana temple. Vishvanatha temple best highlights King Dhanga's reign.:22 The largest and currently most famous surviving temple is Kandariya Mahadeva built in the reign of King Ganda from 1017-1029 CE. The temple inscriptions suggest many of the currently surviving temples were complete between 970 to 1030 CE, with few more temples completed in decades thereafter.
The Khajuraho temples were built about 35 miles from the medieval city of Mahoba, the capital of Chandela dynasty, in Kalinjar region. In ancient and medieval literature, their kingdom has been called Jijhoti, Jejahoti, Chih-chi-to and Jejakabhukti.
Khajuraho were mentioned by Abu Rihan-al-Biruni, the Persian historian who accompanied Mahmud of Ghazni in his raid of Kalinjar in 1022 CE; he mentions Khajuraho as the capital of Jajahuti. The raid was unsuccessful, and a peace accord was reached when the Hindu king agreed to pay a ransom to Mahmud of Ghazni to end the attack and leave.
Khajuraho temples were in active use through the end of 12th century. This changed in the 13th century, after the army of Delhi Sultanate, under the command of the Muslim Sultan Qutb-ud-din Aibak, attacked and seized the Chandela kingdom. About a century later, Ibn Battuta, the Moroccan traveller in his memoirs about his stay in India from 1335 to 1342 CE, mentioned visiting Khajuraho temples, calling them “Kajarra” as follows:
...near (Khajuraho) temples, which contain idols that have been mutilated by the Moslems, live a number of yogis whose matted locks have grown as long as their bodies. And on account of extreme asceticism they are all yellow in colour. Many Moslems attend these men in order to take lessons (yoga) from them.
— Ibn Battuta, about 1335 CE, Riḥlat Ibn Baṭūṭah, Translated by Arthur Cotterell
Central Indian region, where Khajuraho temples are, remained in the control of many different Muslim dynasties from 13th century through the 18th century. In this period, some temples were desecrated, followed by a long period when they were left in neglect. In 1495 CE, for example, Sikandar Lodi’s campaign of temple destruction included Khajuraho. The remoteness and isolation of Khajuraho protected the Hindu and Jain temples from continued destruction by Muslims. Over the centuries, vegetation and forests overgrew, took over the temples.
In the 1830s, local Hindus guided a British surveyor, T.S. Burt, to the temples and they were thus rediscovered by the global audience. Alexander Cunningham later reported, few years after the rediscovery, that the temples were secretly in use by yogis and thousands of Hindus would arrive for pilgrimage during Shivaratri celebrated annually in February or March based on a lunar calendar. In 1852, Maisey prepared earliest drawings of the Khajuraho temples.
NOMENCLATURE
The name Khajuraho, or Kharjuravāhaka, is derived from ancient Sanskrit (kharjura, खर्जूर means date palm, and vāhaka, वाहक means "one who carries" or bearer). Local legends state that the temples had two golden date-palm trees as their gate (missing when they were rediscovered). Desai states that Kharjuravāhaka also means scorpion bearer, which is another symbolic name for deity Shiva (who wears snakes and scorpion garlands in his fierce form).
Cunningham’s nomenclature and systematic documentation work in 1850s and 1860s have been widely adopted and continue to be in use. He grouped the temples into the Western group around Lakshmana, Eastern group around Javeri, and Southern group around Duladeva.
Khajuraho is one of the four holy sites linked to deity Shiva (the other three are Kedarnath, Kashi and Gaya). Its origin and design is a subject of scholarly studies. Shobita Punja has proposed that the temple’s origin reflect the Hindu mythology in which Khajuraho is the place where Shiva got married; with Raghuvamsha verse 5.53, Matangeshvara honoring ‘’Matanga’’, or god of love.
DESCRIPTION
The temple site is within Vindhya mountain range in central India. An ancient local legend held that Hindu deity Shiva and other gods enjoyed visiting the dramatic hill formation in Kalinjar area. The center of this region is Khajuraho, set midst local hills and rivers. The temple complex reflects the ancient Hindu tradition of building temples where gods love to play.
The temples are clustered near water, another typical feature of Hindu temples. The current water bodies include Sib Sagar, Khajur Sagar (also called Ninora Tal) and Khudar Nadi (river). The local legends state that the temple complex had 64 water bodies, of which 56 have been physically identified by archeologists so far.
All temples, except one (Chaturbhuja) face sunrise - another symbolic feature that is predominant in Hindu temples. The relative layout of temples integrate masculine and feminine deities and symbols highlight the interdependence. The art work symbolically highlight the four goals of life considered necessary and proper in Hinduism - dharma, kama, artha and moksha.
Of the surviving temples, 6 are dedicated to Shiva and his consorts, 8 to Vishnu and his affinities, 1 to Ganesha, 1 to Sun god, 3 to Jain Tirthanks. For some ruins, there is insufficient evidence to assign the temple to specific deities with confidence.
An overall examination of site suggests that the Hindu symbolic mandala design principle of square and circles is present each temple plan and design. Further, the territory is laid out in three triangles that converge to form a pentagon. Scholars suggest that this reflects the Hindu symbolism for three realms or trilokinatha, and five cosmic substances or panchbhuteshvara. The temple site highlights Shiva, the one who destroys and recycles life, thereby controlling the cosmic dance of time, evolution and dissolution.
The temples have a rich display of intricately carved statues. While they are famous for their erotic sculpture, sexual themes cover less than 10% of the temple sculpture. Further, most erotic scene panels are neither prominent nor emphasized at the expense of the rest, rather they are in proportional balance with the non-sexual images. The viewer has to look closely to find them, or be directed by a guide. The arts cover numerous aspects of human life and values considered important in Hindu pantheon. Further, the images are arranged in a configuration to express central ideas of Hinduism. All three ideas from Āgamas are richly expressed in Khajuraho temples - Avyakta, Vyaktavyakta and Vyakta.
The Beejamandal temple is under excavation. It has been identified with the Vaidyanath temple mentioned in the Grahpati Kokalla inscription.
Of all temples, the Matangeshvara temple remains an active site of worship. It is another square grid temple, with a large 2.5 metres high and 1.1 metres diameter lingam, placed on a 7.6 metres diameter platform.
The most visited temple, Kandariya Mahadev, has an area of about 6,500 square feet and a shikhara (spire) that rise
s 116 feet.
Jain templesThe Jain temples are located on east-southeast region of Khajuraho monuments. Chausath jogini temple features 64 jogini, while Ghantai temple features bells sculptured on its pillars.
ARCHITECTURE OF THE TEMPLES
Khajuraho temples, like almost all Hindu temple designs, follow a grid geometrical design called vastu-purusha-mandala. This design plan has three important components - Mandala means circle, Purusha is universal essence at the core of Hindu tradition, while Vastu means the dwelling structure.
The design lays out a Hindu temple in a symmetrical, concentrically layered, self-repeating structure around the core of the temple called garbhagriya, where the abstract principle Purusha and the primary deity of the temple dwell. The shikhara, or spire, of the temple rises above the garbhagriya. This symmetry and structure in design is derived from central beliefs, myths, cardinality and mathematical principles.
The circle of mandala circumscribe the square. The square is considered divine for its perfection and as a symbolic product of knowledge and human thought, while circle is considered earthly, human and observed in everyday life (moon, sun, horizon, water drop, rainbow). Each supports the other. The square is divided into perfect 64 sub-squares called padas.
Most Khajuraho temples deploy the 8x8 padas grid Manduka Vastupurushamandala, with pitha mandala the square grid incorporated in the design of the spires. The primary deity or lingas are located in the grid’s Brahma padas.The architecture is symbolic and reflects the central Hindu beliefs through its form, structure and arrangement of its parts. The mandapas as well as the arts are arranged in the Khajuraho temples in a symmetric repeating patterns, even though each image or sculpture is distinctive in its own way. The relative placement of the images are not random but together they express ideas, just like connected words form sentences and paragraphs to compose ideas. This fractal pattern that is common in Hindu temples. Various statues and panels have inscriptions. Many of the inscriptions on the temple walls are poems with double meanings, something that the complex structure of Sanskrit allows in creative compositions. All Khajuraho temples, except one, face sunrise, and the entrance for the devotee is this east side.
Above the vastu-purusha-mandala of each temple is a superstructure with a dome called Shikhara (or Vimana, Spire). Variations in spire design come from variation in degrees turned for the squares. The temple Shikhara, in some literature, is linked to mount Kailash or Meru, the mythical abode of the gods.
In each temple, the central space typically is surrounded by an ambulatory for the pilgrim to walk around and ritually circumambulate the Purusa and the main deity. The pillars, walls and ceilings around the space, as well as outside have highly ornate carvings or images of the four just and necessary pursuits of life - kama, artha, dharma and moksa. This clockwise walk around is called pradakshina.
Larger Khajuraho temples also have pillared halls called mandapa. One near the entrance, on the east side, serves as the waiting room for pilgrims and devotees. The mandapas are also arranged by principles of symmetry, grids and mathematical precision. This use of same underlying architectural principle is common in Hindu temples found all over India. Each Khajuraho temple is distinctly carved yet also repeating the central common principles in almost all Hindu temples, one which Susan Lewandowski refers to as “an organism of repeating cells”.
CONSTRUCTION
The temples are grouped into three geographical divisions: western, eastern and southern.
The Khajuraho temples are made of sandstone, with a granite foundation that is almost concealed from view. The builders didn't use mortar: the stones were put together with mortise and tenon joints and they were held in place by gravity. This form of construction requires very precise joints. The columns and architraves were built with megaliths that weighed up to 20 tons. Some repair work in the 19th Century was done with brick and mortar; however these have aged faster than original materials and darkened with time, thereby seeming out of place.
The Khajuraho and Kalinjar region is home to superior quality of sandstone, which can be precision carved. The surviving sculpture reflect fine details such as strands of hair, manicured nails and intricate jewelry.
While recording the television show Lost Worlds (History Channel) at Khajuraho, Alex Evans recreated a stone sculpture under 4 feet that took about 60 days to carve in an attempt to develop a rough idea how much work must have been involved. Roger Hopkins and Mark Lehner also conducted experiments to quarry limestone which took 12 quarrymen 22 days to quarry about 400 tons of stone. They concluded that these temples would have required hundreds of highly trained sculptors.
CHRONOLOGY
The Khajuraho group of temples belong to Vaishnavism school of Hinduism, Saivism school of Hinduism and Jainism - nearly a third each. Archaeological studies suggest all three types of temples were under construction at about the same time in late 10th century, and in use simultaneously. Will Durant states that this aspect of Khajuraho temples illustrates the tolerance and respect for different religious viewpoints in the Hindu and Jain traditions. In each group of Khajuraho temples, there were major temples surrounded by smaller temples - a grid style that is observed to varying degrees in Hindu temples in Angkor Wat, Parambaran and South India.
The largest surviving Saiva temple is Khandarya Mahadeva, while the largest surviving Vaishnava group includes Chaturbhuja and Ramachandra.
Kandarya Mahadeva temple plan is 109 ft in length by 60 ft, and rises 116 ft above ground and 88 ft above its own floor. The central padas are surrounded by three rows of sculptured figures, with over 870 statues, most being half life size (2.5 to 3 feet). The spire is a self repeating fractal structure.
TEMPLE NAME - DEITY - YEAR COMPLETED
Chausath Yogini - Devi, 64 Yoginis - 885
Brahma - Vishnu - 925
Lalgun Mahadev - Shiva - 900
Matangeshwar - Shiva - 1000
Varaha - Vishnu - 950
Lakshmana - Vaikuntha Vishnu - 939
Parshvanath - Parshvanath - 954
Visvanatha - Shiva - 999
Devi Jagadambi - Devi, Parvati - 1023
Chitragupta - Sun, Chitragupta - 1023
Kandariya Mahadeva - Shiva - 1029
Vamana - Vamana - 1062
Adinath Jain Temple - Rishabha - 1027
Javeri - Vishnu - 1090
Chaturbhuja - Vishnu - 1110
Duladeo (Duladeva) - Shiva - 1125
Ghantai - Jain Tirthankara - 960
Vishnu-Garuda - Vishnu - 1000
Ganesha - Shiva - 1000
Hanuman - Hanuman - 922
Mahishasuramardini - Devi - 995
ARTS AND SCULPTURE
The Khajuraho temples feature a variety of art work, of which 10% is sexual or erotic art outside and inside the temples. Some of the temples that have two layers of walls have small erotic carvings on the outside of the inner wall. Some scholars suggest these to be tantric sexual practices. Other scholars state that the erotic arts are part of Hindu tradition of treating kama as an essential and proper part of human life, and its symbolic or explicit display is common in Hindu temples. James McConnachie, in his history of the Kamasutra, describes the sexual-themed Khajuraho sculptures as "the apogee of erotic art":
"Twisting, broad-hipped and high breasted nymphs display their generously contoured and bejewelled bodies on exquisitely worked exterior wall panels. These fleshy apsaras run riot across the surface of the stone, putting on make-up, washing their hair, playing games, dancing, and endlessly knotting and unknotting their girdles . . Beside the heavenly nymphs are serried ranks of griffins, guardian deities and, most notoriously, extravagantly interlocked maithunas, or lovemaking couples."
The temples have several thousand statues and art works, with Kandarya Mahadeva temple alone decorated with over 870. Some 10% of these iconographic carvings contain sexual themes and various sexual poses. A common misconception is that, since the old structures with carvings in Khajuraho are temples, the carvings depict sex between deities; however the kama arts represent diverse sexual expressions of different human beings. The vast majority of arts depict various aspects the everyday life, mythical stories as well as symbolic display of various secular and spiritual values important in Hindu tradition. For example, depictions show women putting on makeup, musicians making music, potters, farmers, and other folks in their daily life during the medieval era. These scenes are in the outer padas as is typical in Hindu temples.
There is iconographic symbolism embedded in the arts displayed in Khajuraho temples. Core Hindu values are expressed in multitude of ways. Even the Kama scenes, when seen in combination of sculptures that precede and follow, depict the spiritual themes such as moksha. In the words of Stella Kramrisch,
This state which is “like a man and woman in close embrace” is a symbol of moksa, final release or reunion of two principles, the essence (Purusha) and the nature (Prakriti).
— Stella Kramrisch, 1976
The Khajuraho temples represent one expression of many forms of arts that flourished in Rajput kingdoms of India from 8th through 10th century CE. For example, contemporary with Khajuraho were the publications of poems and drama such as Prabodhacandrodaya, Karpuramanjari, Viddhasalabhanjika and Kavyamimansa. Some of the themes expressed in these literary works are carved as sculpture in Khajuraho temples. Some sculptures at the Khajuraho monuments dedicated to Vishnu include the Vyalas, which are hybrid imaginary animals with lions body, and are found in other Indian temples. Some of these hybrid mythical art work include Vrik Vyala (hybrid of wolf and lion) and Gaja Vyala (hybrid of elephant and lion). These Vyalas may represent syncretic, creative combination of powers innate in the two.
TOURISM AND CULTURAL EVENTS
The temples in Khajuraho are broadly divided into three parts : the Eastern group, the Southern Group and the Western group of temples of which the Western group alone has the facility of an Audio guided tour wherein the tourists are guided through the seven eight temples. There is also an audio guided tour developed by the Archaeological Survey of India which includes a narration of the temple history and architecture.
The Khajuraho Dance Festival is held every year in February. It features various classical Indian dances set against the backdrop of the Chitragupta or Vishwanath Temples.
The Khajuraho temple complex offers a light and sound show every evening. The first show is in English language and the second one in Hindi. It is held in the open lawns in the temple complex, and has received mixed reviews.
The Madhya Pradesh Tourism Development has set up kiosks at the Khajuraho railway station, with tourist officers to provide information for Khajuraho visitors.
WIKIPEDIA
Gorkha District (Nepali: गोरखा जिल्ला, a part of Gandaki Zone, is one of the seventy-five districts of Nepal, a landlocked country of South Asia, and connected historically with the creation of the modern country of Nepal and the name of the legendary Gurkha soldiers. The district, with Pokharithok (Gorkha), later known as Prithivi Narayan Nagarpalika as its district headquarters, covers an area of 3610 km² and has a population (2001) of 288134. It is the location of the Manakamana Temple. Also, the temples of great sage Gorakh Nath and goddess Gorakh Kali temple is located in district, after which the district got its name. Four major rivers run within and along it, they are Chepe, Daraudi, Marsyangdi and Budhi Gandaki.
ORIGIN
The major legends associated with naming of "Gorkha":
- In Nepali, ‘Kharka’ means ‘Grass Land’. This land was believed to be like meadow in Ancient period. Thus it was named Kharka and later the term Kharka got modified to Garkha and Garkha changed to Gorkha.
- In Sanskrit Scripture, ‘Gorakshaa’ means the protection of cow. Since Nepal is a country where killing a Cow is condsidered unholy and a very serious crime, the land was named Goraksha and later it became Gorkha.
- Myth holds that a Saint named Gorakhnath appeared for the first in Nepal in Gorkha. There is still a cave with his paduka (feet) and idol of him in this place which supports the myth. Thus since the city was established in the place where Sage Gorakhnath appeared, it was named ‘Gorkha’.
PLACES TO VISIT
MANAKAMA TEMPLE
The Manakamana Temple situated in the Gorkha district of Nepal is the sacred place of the Hindu Goddess Bhagwati, an incarnation of Parvati. The name Manakamana originates from two words, “mana” meaning heart and “kamana” meaning wish. Venerated since the 17th century, it is believed that Goddess Bhagawati grants the wishes of all those who make the pilgrimage to her shrine to worship her.
GORAKHNATH
It lies ten meters down the southern side of Gorkha Palace which is visited with great devotion by Brahmans and Chhetris considering it to be the holy pilgrimage Site. Great fare is organized each year on the day of Baisakh Purnima(the full moon Day of Baisakh) in Gorakhnath Cave.
GORAKHKALI TEMPLE
This Temple is located at the west side of the Gorkha Palace.
CHEPE, Daraudi, Marsyangdi and Budhi Gandaki.
GORKHA KINGDOM
About 1700 steps leads you to the top of the hill at an altitude of 3281 ft. where Newar fashioned Gorkha Palace stands firm along with forts and temple boasting on its rich History. It is at 40–50 minutes of Walking Distance far from Gorkha Bazaar. One can view Manaslu (the 8th Highest Mountain of the World), Dhaulagiri and Ganesh Mountains from the Palace Complex.
MANASLU
LIGLIGKOT
and Lakhan Thapa Gaon are popular places in Gorkha for Hiking.
DHIKE DADA
is a new attraction for public from Gorkha,Tanahun and Lamjung.
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GORKHA KINGDOM
This article is about the Gorkha Kingdom which later became Nepal. Gorkhā is a former kingdom in the confederation of 24 states known as Chaubisi rajya located in present-day western Nepal. The Kingdom of Gorkha extended from the Marshyangdi River in the west to the Trishuli River in the east, which separated it from the kingdoms of Lamjung and Nepal respectively. The inhabitants of Gorkha were known as Gorkhali.
SHAH DYNASTY
From the 16th century, Gorkha was ruled by the Shah dynasty. The Shahs installed themselves as rulers of Gorkha taking advantage of the confusion of an annual race held at a place called Liglig. It was the tradition of the local Ghale people to choose as their king for the year the fastest runner in the competition. In 1559, Dravya Shah attacked and captured Liglig when the inhabitants were engrossed in the race. He displaced the Ghale king and became king of Gorkha.
EXPANSION CAMPAIGN
From 1736, the Gorkhalis engaged in a campaign of expansion started by king Nara Bhupal Shah, which was continued by his son, King Prithvi Narayan Shah and grandson Prince Bahadur Shah. Over the years, they conquered huge tracts of land to the east and west of Gorkha.
Among their conquests, the most important and valuable acquisition was the wealthy Newar confederacy of Nepal Mandala centered in the Kathmandu Valley. Starting in 1745, the Gorkhalis mounted a blockade in a bid to starve the population into submission, but the inhabitants held out.
The Newars appealed to the British East India Company for help, and in 1767, it sent an expedition under Captain Kinloch which ended in failure. The three Newar capitals of Kathmandu, Lalitpur and Bhaktapur fell to the Gorkhalis between 1768 to 1769. The Gorkhali king subsequently moved his capital to Kathmandu.
In 1788, the Gorkhalis turned their attention north and invaded Tibet. They seized the border towns of Kyirong and Kuti, and forced the Tibetans to pay an annual tribute. When the Tibetans stopped paying it, the Gorkhalis invaded Tibet again in 1791 and plundered the Tashilhunpo Monastery in Shigatse. This time the Chinese army came to Tibet's defence and advanced close to Kathmandu. The alarmed Gorkhalis appealed to the British East India Company for help, but they got none. Eventually, the Gorkhalis were forced to sign a peace treaty under which they had to pay tribute to Beijing every five years.
The Gorkha dominion reached its height at the beginning of the 19th century, extending all along the Himalayan foothills from Kumaon and Garhwal in the west to Sikkim in the east. They were made to return much of the occupied territories after their defeat in the Anglo-Nepalese War (1814–1816).
GORKHA TO NEPAL
The Gorkha dominion continued to be known as Gorkha Rajya (meaning Gorkha Kingdom) until the beginning of the 20th century. Since the 1930s, the name Nepal was used to refer to the entire country as the capital was located in Kathmandu. The name Gorkha Sarkar (meaning Gorkha government) was also changed to Nepal government.
Similarly, the Gorkhali language was renamed as Nepali in 1933. The term Gorkhali in the former national anthem entitled "Shreeman Gambhir" was changed to Nepali in 1951. The government newspaper, launched in 1901, is still known as Gorkhapatra (meaning Gorkha gazette).
The Shah dynasty ruled Nepal until 2008 when it became a republic following a people's movement. Today, Gorkha District, roughly corresponding to the old kingdom, is one of the 75 administrative districts of Nepal.
GURKHAS AND GORKHAS
Not to be confused with the inhabitants of the old Gorkha Kingdom, the Gurkhas are military units in the British or the Indian army (where they are known as Gorkhas) enlisted in Nepal. Their history goes back to the Anglo-Nepalese War and the Sugauli Treaty of 1816. It allowed the British East India Company to recruit men from the Nepalese hills to serve as soldiers under contract.
The British referred to all those who enlisted as Gurkhas regardless of their ethnic heritage or geographical origin in Nepal. These Gurkhas became part of the British Indian Army after its formation.
During World War I (1914–18), more than 200.000 Gurkhas served in the British Army, suffering approximately 20.000 casualties, and receiving almost 2000 gallantry awards.
During World War II (1939–45), a total of 250.280 Gurkhas served in 40 battalions, plus eight Nepalese Army battalions, plus parachute, training, garrison, and porter units. They earned 2734 bravery awards, and suffered around 32.000 casualties in all theatres.
Following Indian independence in 1947, the Gurkha regiments were split between Britain and India.
WIKIPEDIA
Chitragupta is a Hindu god assigned with the task of keeping complete records of actions of human beings on the earth. Upon their death, Chitragupta has the task of deciding heaven or the hell for the humans, depending on their actions on the earth.
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The Khajuraho Group of Monuments is a group of Hindu and Jain temples in Madhya Pradesh, India. About 175 kilometres southeast of Jhansi, they are one of the UNESCO World Heritage Sites in India. The temples are famous for their nagara-style architectural symbolism and their erotic sculptures.
Most Khajuraho temples were built between 950 and 1050 CE by the Chandela dynasty. Historical records note that Khajuraho temple site had 85 temples by 12th century, spread over 20 square kilometers. Of these, only about 20 temples have survived, spread over 6 square kilometers. Of the various surviving temples, the Kandariya temple is decorated with a profusion of sculptures with intricate details, symbolism and expressiveness of ancient Indian art.
The Khajuraho group of temples were built together but were dedicated to two religions namely Hinduism and Jainism - suggesting a tradition of acceptance and respect for diverse religious views among Hindus and Jains.
LOCATION
Khajuraho group of monuments are located in the Indian state of Madhya Pradesh, in Chhatarpur District, about 620 kilometres southeast of New Delhi. The temples are in a small town also known as Khajuraho, with a population of about 20,000 people (2001 Census).
Khajuraho is served by Khajuraho Airport (IATA Code: HJR), with services to Delhi, Agra and Mumbai. The site is also linked by Indian Railways service, with the railway station approximately six kilometer from the monuments entrance.
The monuments are about 10 kilometres off the east-west National Highway 75, and about 50 kilometres from the city of Chhatarpur, that is connected to Bhopal - the state capital - by the SW-NE running National Highway 86.
HISTORY
The Khajuraho group of monuments were built during the rule of Rajput Chandela dynasty. The building activity started almost immediately after the rise of their power, throughout their kingdom to be later known as Bundelkhand. Most temples were built during the reigns of the Hindu kings Yashovarman and Dhanga. Yashovarman's legacy is best exhibited by Lakshmana temple. Vishvanatha temple best highlights King Dhanga's reign.:22 The largest and currently most famous surviving temple is Kandariya Mahadeva built in the reign of King Ganda from 1017-1029 CE. The temple inscriptions suggest many of the currently surviving temples were complete between 970 to 1030 CE, with few more temples completed in decades thereafter.
The Khajuraho temples were built about 35 miles from the medieval city of Mahoba, the capital of Chandela dynasty, in Kalinjar region. In ancient and medieval literature, their kingdom has been called Jijhoti, Jejahoti, Chih-chi-to and Jejakabhukti.
Khajuraho were mentioned by Abu Rihan-al-Biruni, the Persian historian who accompanied Mahmud of Ghazni in his raid of Kalinjar in 1022 CE; he mentions Khajuraho as the capital of Jajahuti. The raid was unsuccessful, and a peace accord was reached when the Hindu king agreed to pay a ransom to Mahmud of Ghazni to end the attack and leave.
Khajuraho temples were in active use through the end of 12th century. This changed in the 13th century, after the army of Delhi Sultanate, under the command of the Muslim Sultan Qutb-ud-din Aibak, attacked and seized the Chandela kingdom. About a century later, Ibn Battuta, the Moroccan traveller in his memoirs about his stay in India from 1335 to 1342 CE, mentioned visiting Khajuraho temples, calling them “Kajarra” as follows:
...near (Khajuraho) temples, which contain idols that have been mutilated by the Moslems, live a number of yogis whose matted locks have grown as long as their bodies. And on account of extreme asceticism they are all yellow in colour. Many Moslems attend these men in order to take lessons (yoga) from them.
— Ibn Battuta, about 1335 CE, Riḥlat Ibn Baṭūṭah, Translated by Arthur Cotterell
Central Indian region, where Khajuraho temples are, remained in the control of many different Muslim dynasties from 13th century through the 18th century. In this period, some temples were desecrated, followed by a long period when they were left in neglect. In 1495 CE, for example, Sikandar Lodi’s campaign of temple destruction included Khajuraho. The remoteness and isolation of Khajuraho protected the Hindu and Jain temples from continued destruction by Muslims. Over the centuries, vegetation and forests overgrew, took over the temples.
In the 1830s, local Hindus guided a British surveyor, T.S. Burt, to the temples and they were thus rediscovered by the global audience. Alexander Cunningham later reported, few years after the rediscovery, that the temples were secretly in use by yogis and thousands of Hindus would arrive for pilgrimage during Shivaratri celebrated annually in February or March based on a lunar calendar. In 1852, Maisey prepared earliest drawings of the Khajuraho temples.
NOMENCLATURE
The name Khajuraho, or Kharjuravāhaka, is derived from ancient Sanskrit (kharjura, खर्जूर means date palm, and vāhaka, वाहक means "one who carries" or bearer). Local legends state that the temples had two golden date-palm trees as their gate (missing when they were rediscovered). Desai states that Kharjuravāhaka also means scorpion bearer, which is another symbolic name for deity Shiva (who wears snakes and scorpion garlands in his fierce form).
Cunningham’s nomenclature and systematic documentation work in 1850s and 1860s have been widely adopted and continue to be in use. He grouped the temples into the Western group around Lakshmana, Eastern group around Javeri, and Southern group around Duladeva.
Khajuraho is one of the four holy sites linked to deity Shiva (the other three are Kedarnath, Kashi and Gaya). Its origin and design is a subject of scholarly studies. Shobita Punja has proposed that the temple’s origin reflect the Hindu mythology in which Khajuraho is the place where Shiva got married; with Raghuvamsha verse 5.53, Matangeshvara honoring ‘’Matanga’’, or god of love.
DESCRIPTION
The temple site is within Vindhya mountain range in central India. An ancient local legend held that Hindu deity Shiva and other gods enjoyed visiting the dramatic hill formation in Kalinjar area. The center of this region is Khajuraho, set midst local hills and rivers. The temple complex reflects the ancient Hindu tradition of building temples where gods love to play.
The temples are clustered near water, another typical feature of Hindu temples. The current water bodies include Sib Sagar, Khajur Sagar (also called Ninora Tal) and Khudar Nadi (river). The local legends state that the temple complex had 64 water bodies, of which 56 have been physically identified by archeologists so far.
All temples, except one (Chaturbhuja) face sunrise - another symbolic feature that is predominant in Hindu temples. The relative layout of temples integrate masculine and feminine deities and symbols highlight the interdependence. The art work symbolically highlight the four goals of life considered necessary and proper in Hinduism - dharma, kama, artha and moksha.
Of the surviving temples, 6 are dedicated to Shiva and his consorts, 8 to Vishnu and his affinities, 1 to Ganesha, 1 to Sun god, 3 to Jain Tirthanks. For some ruins, there is insufficient evidence to assign the temple to specific deities with confidence.
An overall examination of site suggests that the Hindu symbolic mandala design principle of square and circles is present each temple plan and design. Further, the territory is laid out in three triangles that converge to form a pentagon. Scholars suggest that this reflects the Hindu symbolism for three realms or trilokinatha, and five cosmic substances or panchbhuteshvara. The temple site highlights Shiva, the one who destroys and recycles life, thereby controlling the cosmic dance of time, evolution and dissolution.
The temples have a rich display of intricately carved statues. While they are famous for their erotic sculpture, sexual themes cover less than 10% of the temple sculpture. Further, most erotic scene panels are neither prominent nor emphasized at the expense of the rest, rather they are in proportional balance with the non-sexual images. The viewer has to look closely to find them, or be directed by a guide. The arts cover numerous aspects of human life and values considered important in Hindu pantheon. Further, the images are arranged in a configuration to express central ideas of Hinduism. All three ideas from Āgamas are richly expressed in Khajuraho temples - Avyakta, Vyaktavyakta and Vyakta.
The Beejamandal temple is under excavation. It has been identified with the Vaidyanath temple mentioned in the Grahpati Kokalla inscription.
Of all temples, the Matangeshvara temple remains an active site of worship. It is another square grid temple, with a large 2.5 metres high and 1.1 metres diameter lingam, placed on a 7.6 metres diameter platform.
The most visited temple, Kandariya Mahadev, has an area of about 6,500 square feet and a shikhara (spire) that rise
s 116 feet.
Jain templesThe Jain temples are located on east-southeast region of Khajuraho monuments. Chausath jogini temple features 64 jogini, while Ghantai temple features bells sculptured on its pillars.
ARCHITECTURE OF THE TEMPLES
Khajuraho temples, like almost all Hindu temple designs, follow a grid geometrical design called vastu-purusha-mandala. This design plan has three important components - Mandala means circle, Purusha is universal essence at the core of Hindu tradition, while Vastu means the dwelling structure.
The design lays out a Hindu temple in a symmetrical, concentrically layered, self-repeating structure around the core of the temple called garbhagriya, where the abstract principle Purusha and the primary deity of the temple dwell. The shikhara, or spire, of the temple rises above the garbhagriya. This symmetry and structure in design is derived from central beliefs, myths, cardinality and mathematical principles.
The circle of mandala circumscribe the square. The square is considered divine for its perfection and as a symbolic product of knowledge and human thought, while circle is considered earthly, human and observed in everyday life (moon, sun, horizon, water drop, rainbow). Each supports the other. The square is divided into perfect 64 sub-squares called padas.
Most Khajuraho temples deploy the 8x8 padas grid Manduka Vastupurushamandala, with pitha mandala the square grid incorporated in the design of the spires. The primary deity or lingas are located in the grid’s Brahma padas.The architecture is symbolic and reflects the central Hindu beliefs through its form, structure and arrangement of its parts. The mandapas as well as the arts are arranged in the Khajuraho temples in a symmetric repeating patterns, even though each image or sculpture is distinctive in its own way. The relative placement of the images are not random but together they express ideas, just like connected words form sentences and paragraphs to compose ideas. This fractal pattern that is common in Hindu temples. Various statues and panels have inscriptions. Many of the inscriptions on the temple walls are poems with double meanings, something that the complex structure of Sanskrit allows in creative compositions. All Khajuraho temples, except one, face sunrise, and the entrance for the devotee is this east side.
Above the vastu-purusha-mandala of each temple is a superstructure with a dome called Shikhara (or Vimana, Spire). Variations in spire design come from variation in degrees turned for the squares. The temple Shikhara, in some literature, is linked to mount Kailash or Meru, the mythical abode of the gods.
In each temple, the central space typically is surrounded by an ambulatory for the pilgrim to walk around and ritually circumambulate the Purusa and the main deity. The pillars, walls and ceilings around the space, as well as outside have highly ornate carvings or images of the four just and necessary pursuits of life - kama, artha, dharma and moksa. This clockwise walk around is called pradakshina.
Larger Khajuraho temples also have pillared halls called mandapa. One near the entrance, on the east side, serves as the waiting room for pilgrims and devotees. The mandapas are also arranged by principles of symmetry, grids and mathematical precision. This use of same underlying architectural principle is common in Hindu temples found all over India. Each Khajuraho temple is distinctly carved yet also repeating the central common principles in almost all Hindu temples, one which Susan Lewandowski refers to as “an organism of repeating cells”.
CONSTRUCTION
The temples are grouped into three geographical divisions: western, eastern and southern.
The Khajuraho temples are made of sandstone, with a granite foundation that is almost concealed from view. The builders didn't use mortar: the stones were put together with mortise and tenon joints and they were held in place by gravity. This form of construction requires very precise joints. The columns and architraves were built with megaliths that weighed up to 20 tons. Some repair work in the 19th Century was done with brick and mortar; however these have aged faster than original materials and darkened with time, thereby seeming out of place.
The Khajuraho and Kalinjar region is home to superior quality of sandstone, which can be precision carved. The surviving sculpture reflect fine details such as strands of hair, manicured nails and intricate jewelry.
While recording the television show Lost Worlds (History Channel) at Khajuraho, Alex Evans recreated a stone sculpture under 4 feet that took about 60 days to carve in an attempt to develop a rough idea how much work must have been involved. Roger Hopkins and Mark Lehner also conducted experiments to quarry limestone which took 12 quarrymen 22 days to quarry about 400 tons of stone. They concluded that these temples would have required hundreds of highly trained sculptors.
CHRONOLOGY
The Khajuraho group of temples belong to Vaishnavism school of Hinduism, Saivism school of Hinduism and Jainism - nearly a third each. Archaeological studies suggest all three types of temples were under construction at about the same time in late 10th century, and in use simultaneously. Will Durant states that this aspect of Khajuraho temples illustrates the tolerance and respect for different religious viewpoints in the Hindu and Jain traditions. In each group of Khajuraho temples, there were major temples surrounded by smaller temples - a grid style that is observed to varying degrees in Hindu temples in Angkor Wat, Parambaran and South India.
The largest surviving Saiva temple is Khandarya Mahadeva, while the largest surviving Vaishnava group includes Chaturbhuja and Ramachandra.
Kandarya Mahadeva temple plan is 109 ft in length by 60 ft, and rises 116 ft above ground and 88 ft above its own floor. The central padas are surrounded by three rows of sculptured figures, with over 870 statues, most being half life size (2.5 to 3 feet). The spire is a self repeating fractal structure.
TEMPLE NAME - DEITY - YEAR COMPLETED
Chausath Yogini - Devi, 64 Yoginis - 885
Brahma - Vishnu - 925
Lalgun Mahadev - Shiva - 900
Matangeshwar - Shiva - 1000
Varaha - Vishnu - 950
Lakshmana - Vaikuntha Vishnu - 939
Parshvanath - Parshvanath - 954
Visvanatha - Shiva - 999
Devi Jagadambi - Devi, Parvati - 1023
Chitragupta - Sun, Chitragupta - 1023
Kandariya Mahadeva - Shiva - 1029
Vamana - Vamana - 1062
Adinath Jain Temple - Rishabha - 1027
Javeri - Vishnu - 1090
Chaturbhuja - Vishnu - 1110
Duladeo (Duladeva) - Shiva - 1125
Ghantai - Jain Tirthankara - 960
Vishnu-Garuda - Vishnu - 1000
Ganesha - Shiva - 1000
Hanuman - Hanuman - 922
Mahishasuramardini - Devi - 995
ARTS AND SCULPTURE
The Khajuraho temples feature a variety of art work, of which 10% is sexual or erotic art outside and inside the temples. Some of the temples that have two layers of walls have small erotic carvings on the outside of the inner wall. Some scholars suggest these to be tantric sexual practices. Other scholars state that the erotic arts are part of Hindu tradition of treating kama as an essential and proper part of human life, and its symbolic or explicit display is common in Hindu temples. James McConnachie, in his history of the Kamasutra, describes the sexual-themed Khajuraho sculptures as "the apogee of erotic art":
"Twisting, broad-hipped and high breasted nymphs display their generously contoured and bejewelled bodies on exquisitely worked exterior wall panels. These fleshy apsaras run riot across the surface of the stone, putting on make-up, washing their hair, playing games, dancing, and endlessly knotting and unknotting their girdles . . Beside the heavenly nymphs are serried ranks of griffins, guardian deities and, most notoriously, extravagantly interlocked maithunas, or lovemaking couples."
The temples have several thousand statues and art works, with Kandarya Mahadeva temple alone decorated with over 870. Some 10% of these iconographic carvings contain sexual themes and various sexual poses. A common misconception is that, since the old structures with carvings in Khajuraho are temples, the carvings depict sex between deities; however the kama arts represent diverse sexual expressions of different human beings. The vast majority of arts depict various aspects the everyday life, mythical stories as well as symbolic display of various secular and spiritual values important in Hindu tradition. For example, depictions show women putting on makeup, musicians making music, potters, farmers, and other folks in their daily life during the medieval era. These scenes are in the outer padas as is typical in Hindu temples.
There is iconographic symbolism embedded in the arts displayed in Khajuraho temples. Core Hindu values are expressed in multitude of ways. Even the Kama scenes, when seen in combination of sculptures that precede and follow, depict the spiritual themes such as moksha. In the words of Stella Kramrisch,
This state which is “like a man and woman in close embrace” is a symbol of moksa, final release or reunion of two principles, the essence (Purusha) and the nature (Prakriti).
— Stella Kramrisch, 1976
The Khajuraho temples represent one expression of many forms of arts that flourished in Rajput kingdoms of India from 8th through 10th century CE. For example, contemporary with Khajuraho were the publications of poems and drama such as Prabodhacandrodaya, Karpuramanjari, Viddhasalabhanjika and Kavyamimansa. Some of the themes expressed in these literary works are carved as sculpture in Khajuraho temples. Some sculptures at the Khajuraho monuments dedicated to Vishnu include the Vyalas, which are hybrid imaginary animals with lions body, and are found in other Indian temples. Some of these hybrid mythical art work include Vrik Vyala (hybrid of wolf and lion) and Gaja Vyala (hybrid of elephant and lion). These Vyalas may represent syncretic, creative combination of powers innate in the two.
TOURISM AND CULTURAL EVENTS
The temples in Khajuraho are broadly divided into three parts : the Eastern group, the Southern Group and the Western group of temples of which the Western group alone has the facility of an Audio guided tour wherein the tourists are guided through the seven eight temples. There is also an audio guided tour developed by the Archaeological Survey of India which includes a narration of the temple history and architecture.
The Khajuraho Dance Festival is held every year in February. It features various classical Indian dances set against the backdrop of the Chitragupta or Vishwanath Temples.
The Khajuraho temple complex offers a light and sound show every evening. The first show is in English language and the second one in Hindi. It is held in the open lawns in the temple complex, and has received mixed reviews.
The Madhya Pradesh Tourism Development has set up kiosks at the Khajuraho railway station, with tourist officers to provide information for Khajuraho visitors.
WIKIPEDIA
Uttarakhand is a major pilgrimage center of Hindus. This offers superfluity of holy temples in powerful Himalayas. There are several temples of attention in the Uttaranchal that host devotees throughout the year round.Some of the important temples in Uttarakhand are: Rudranath temple, Madmaheshwar Temple, Badrinath temple, Kedarnath temple, Baji Nath temple, Naina Devi temple, Mansa Devi temple, Lakha Mandal Temple, Har ki Pauri, Gangotri Temple, Gaurikund, Yamunotri temple, Chandi Devi temple, Patalbhubanshwari temple Gangotri temple, Hemkund Saheb, Neelkanth Mahadev are some of them.
uttarakhandtouristplaces.wordpress.com/2013/01/25/temples...
The Sharneshwar Temple is dedicated to Lord Shiva and was built in the 15th century A.D.
The Polo Forest region of Gujarat is a quiet retreat, nestled in the Aravalli hills bordering Gujarat and Rajasthan. The word "Polo" is derived from "Pol" which means "gateway" in Sanskrit. The forest was a gateway between Gujarat and Rajasthan.
The Polo Forest region played host to the ancient kingdom of Vijayanagar. Polo Forest conceals a number of amazing temples built during the 10th to 15th century A.D.
View the Polo Forest Slideshow
Gorkha District (Nepali: गोरखा जिल्ला, a part of Gandaki Zone, is one of the seventy-five districts of Nepal, a landlocked country of South Asia, and connected historically with the creation of the modern country of Nepal and the name of the legendary Gurkha soldiers. The district, with Pokharithok (Gorkha), later known as Prithivi Narayan Nagarpalika as its district headquarters, covers an area of 3610 km² and has a population (2001) of 288134. It is the location of the Manakamana Temple. Also, the temples of great sage Gorakh Nath and goddess Gorakh Kali temple is located in district, after which the district got its name. Four major rivers run within and along it, they are Chepe, Daraudi, Marsyangdi and Budhi Gandaki.
ORIGIN
The major legends associated with naming of "Gorkha":
- In Nepali, ‘Kharka’ means ‘Grass Land’. This land was believed to be like meadow in Ancient period. Thus it was named Kharka and later the term Kharka got modified to Garkha and Garkha changed to Gorkha.
- In Sanskrit Scripture, ‘Gorakshaa’ means the protection of cow. Since Nepal is a country where killing a Cow is condsidered unholy and a very serious crime, the land was named Goraksha and later it became Gorkha.
- Myth holds that a Saint named Gorakhnath appeared for the first in Nepal in Gorkha. There is still a cave with his paduka (feet) and idol of him in this place which supports the myth. Thus since the city was established in the place where Sage Gorakhnath appeared, it was named ‘Gorkha’.
PLACES TO VISIT
MANAKAMA TEMPLE
The Manakamana Temple situated in the Gorkha district of Nepal is the sacred place of the Hindu Goddess Bhagwati, an incarnation of Parvati. The name Manakamana originates from two words, “mana” meaning heart and “kamana” meaning wish. Venerated since the 17th century, it is believed that Goddess Bhagawati grants the wishes of all those who make the pilgrimage to her shrine to worship her.
GORAKHNATH
It lies ten meters down the southern side of Gorkha Palace which is visited with great devotion by Brahmans and Chhetris considering it to be the holy pilgrimage Site. Great fare is organized each year on the day of Baisakh Purnima(the full moon Day of Baisakh) in Gorakhnath Cave.
GORAKHKALI TEMPLE
This Temple is located at the west side of the Gorkha Palace.
CHEPE, Daraudi, Marsyangdi and Budhi Gandaki.
GORKHA KINGDOM
About 1700 steps leads you to the top of the hill at an altitude of 3281 ft. where Newar fashioned Gorkha Palace stands firm along with forts and temple boasting on its rich History. It is at 40–50 minutes of Walking Distance far from Gorkha Bazaar. One can view Manaslu (the 8th Highest Mountain of the World), Dhaulagiri and Ganesh Mountains from the Palace Complex.
MANASLU
LIGLIGKOT
and Lakhan Thapa Gaon are popular places in Gorkha for Hiking.
DHIKE DADA
is a new attraction for public from Gorkha,Tanahun and Lamjung.
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GORKHA KINGDOM
This article is about the Gorkha Kingdom which later became Nepal. Gorkhā is a former kingdom in the confederation of 24 states known as Chaubisi rajya located in present-day western Nepal. The Kingdom of Gorkha extended from the Marshyangdi River in the west to the Trishuli River in the east, which separated it from the kingdoms of Lamjung and Nepal respectively. The inhabitants of Gorkha were known as Gorkhali.
SHAH DYNASTY
From the 16th century, Gorkha was ruled by the Shah dynasty. The Shahs installed themselves as rulers of Gorkha taking advantage of the confusion of an annual race held at a place called Liglig. It was the tradition of the local Ghale people to choose as their king for the year the fastest runner in the competition. In 1559, Dravya Shah attacked and captured Liglig when the inhabitants were engrossed in the race. He displaced the Ghale king and became king of Gorkha.
EXPANSION CAMPAIGN
From 1736, the Gorkhalis engaged in a campaign of expansion started by king Nara Bhupal Shah, which was continued by his son, King Prithvi Narayan Shah and grandson Prince Bahadur Shah. Over the years, they conquered huge tracts of land to the east and west of Gorkha.
Among their conquests, the most important and valuable acquisition was the wealthy Newar confederacy of Nepal Mandala centered in the Kathmandu Valley. Starting in 1745, the Gorkhalis mounted a blockade in a bid to starve the population into submission, but the inhabitants held out.
The Newars appealed to the British East India Company for help, and in 1767, it sent an expedition under Captain Kinloch which ended in failure. The three Newar capitals of Kathmandu, Lalitpur and Bhaktapur fell to the Gorkhalis between 1768 to 1769. The Gorkhali king subsequently moved his capital to Kathmandu.
In 1788, the Gorkhalis turned their attention north and invaded Tibet. They seized the border towns of Kyirong and Kuti, and forced the Tibetans to pay an annual tribute. When the Tibetans stopped paying it, the Gorkhalis invaded Tibet again in 1791 and plundered the Tashilhunpo Monastery in Shigatse. This time the Chinese army came to Tibet's defence and advanced close to Kathmandu. The alarmed Gorkhalis appealed to the British East India Company for help, but they got none. Eventually, the Gorkhalis were forced to sign a peace treaty under which they had to pay tribute to Beijing every five years.
The Gorkha dominion reached its height at the beginning of the 19th century, extending all along the Himalayan foothills from Kumaon and Garhwal in the west to Sikkim in the east. They were made to return much of the occupied territories after their defeat in the Anglo-Nepalese War (1814–1816).
GORKHA TO NEPAL
The Gorkha dominion continued to be known as Gorkha Rajya (meaning Gorkha Kingdom) until the beginning of the 20th century. Since the 1930s, the name Nepal was used to refer to the entire country as the capital was located in Kathmandu. The name Gorkha Sarkar (meaning Gorkha government) was also changed to Nepal government.
Similarly, the Gorkhali language was renamed as Nepali in 1933. The term Gorkhali in the former national anthem entitled "Shreeman Gambhir" was changed to Nepali in 1951. The government newspaper, launched in 1901, is still known as Gorkhapatra (meaning Gorkha gazette).
The Shah dynasty ruled Nepal until 2008 when it became a republic following a people's movement. Today, Gorkha District, roughly corresponding to the old kingdom, is one of the 75 administrative districts of Nepal.
GURKHAS AND GORKHAS
Not to be confused with the inhabitants of the old Gorkha Kingdom, the Gurkhas are military units in the British or the Indian army (where they are known as Gorkhas) enlisted in Nepal. Their history goes back to the Anglo-Nepalese War and the Sugauli Treaty of 1816. It allowed the British East India Company to recruit men from the Nepalese hills to serve as soldiers under contract.
The British referred to all those who enlisted as Gurkhas regardless of their ethnic heritage or geographical origin in Nepal. These Gurkhas became part of the British Indian Army after its formation.
During World War I (1914–18), more than 200.000 Gurkhas served in the British Army, suffering approximately 20.000 casualties, and receiving almost 2000 gallantry awards.
During World War II (1939–45), a total of 250.280 Gurkhas served in 40 battalions, plus eight Nepalese Army battalions, plus parachute, training, garrison, and porter units. They earned 2734 bravery awards, and suffered around 32.000 casualties in all theatres.
Following Indian independence in 1947, the Gurkha regiments were split between Britain and India.
WIKIPEDIA
Close-up street double portrait of two young Sanskrit philosophers aka Brahmin boys with their signature sikha haircut and tripundra on their foreheads, kidding around during a well-deserved break from their earnest religious studies;
Kedareshwar Mahadev Mani Temple, Lakeside, Pokhara, Nepal.
More context:
Doubling Down on Doubles (photo blog),
Flashing the V Sign All Over Asia (photo blog).
Kandariya Mahadev Temple
The temples at Khajuraho were built between 950 and 1050AD by the Chandela kings
En Khajuraho se encuentra el mayor conjunto de templos hinduistas de India, famosos por sus esculturas eróticas. Los templos están considerados por la UNESCO como Patrimonio de la Humanidad, desde el año 1986. El nombre de la ciudad proviene de la palabra Kajur que en idioma hindi significa "palmera datilera". Entre los siglos X y XII fue la capital religiosa de los Chandella, una dinastía que gobernó esta parte de la India y a la que se les debe estas construcciones.
Los templos se construyeron en un espacio de tiempo de unos cien años, entre el 950 y el 1050. Toda la zona está amurallada, con ocho puertas que permiten la entrada al recinto. Cada una de estas puertas está flanqueada por dos palmeras. Originalmente había unos 80 templos de los que quedan 22 en buen estado de conservación. Toda la zona ocupa un área total de 21 km². Tal vez por encontrarse en una zona poco habitual para la construcción de templos (lejos del Ganges), consiguieron sobrevivir a la destrucción masiva de elementos hinduistas llevada a cabo por el Imperio Mogol musulmán. Poco a poco los templos fueron quedando abandonados y permanecieron ocultos en medio de la vegetación. Fueron redescubiertos en 1838 por el capitán I. S. Burt, ingeniero del ejército británico.
Los templos están situados sobre plataformas elevadas, de una anchura considerable, pensadas para facilitar el paseo ritual alrededor del templo que deben realizar los fieles antes de entrar a orar. Las torres de los templos se elevan sobre estas plataformas, dando una sensación de verticalidad si se observan desde lejos. Están orientados según los puntos cardinales, estando la entrada en dirección Este para facilitar la entrada de la primera luz solar. Fueron construidos con bloques de granito y arenisca roja traídos especialmente hasta la zona. Las uniones de los diferentes bloques se realizaron mediante abrazaderas metálicas. Las paredes de los templos de Khajuraho tienen una forma ondulada ya que están formadas por numerosos salientes. Además, los muros están divididos en franjas horizontales mediante molduras y bajorrelieves.
Las esculturas que decoran los templos de Khajuraho se pueden clasificar en cinco tipos diferentes. Por un lado están los dibujos geométricos y florales, utilizados en los techos, molduras y en la decoración de las columnas. Otro tipo de esculturas son las que representan la vida de la corte, como los bailes o la música, así como actividades cotidianas o la guerra. Un tercer grupo está compuesto por las figuras de animales, que suelen estar colocadas en las molduras exteriores e inferiores de los templos. Las imágenes de dioses y diosas forman el cuarto grupo y suelen estar situadas al fondo del templo o en los nichos situados en diferentes enmarcaciones por las fachadas de los templos. Finalmente se encuentran las figuras femeninas y las que representan a parejas amatorias.
No se sabe a ciencia cierta cuál fue el motivo por el que los templos se decoraron con diversos motivos eróticos. Algunos estudiosos creen que la decoración tenía un motivo educativo: enseñar el Kāmasūtra a los más jóvenes; para otros, los templos son un homenaje al matrimonio entre Śiva y Pārvātī.
Los 22 templos que aún quedan en pie están distribuidos en tres grupos: Oeste, Este y Sur.
En el grupo del Oeste destacan: el Templo Lakshmana (año 954) dedicado a Vişņu; el Templo Varāha, dedicado a la encarnación del dios Vişņu en forma de jabalí; el Templo Matangesvara, dedicado al dios Śiva; el Templo Visvanatha (950-1002) dedicado a Śiva; el Templo Nandi (950-1002) comparte plataforma con el de Visvanatha, y en su interior se encuentra una estatua del toro Nandi, que sirve de montura al dios Śiva; el Templo Kandariya Mahadeva (1025), dedicado a Śiva consta de 872 estatuas diferentes; el Templo Devi Jagadambi (1000), dedicado a Pārvātī, y el Templo Chitragupta (1010), dedicado a Sūrya, dios del sol.
El grupo del Este está compuesto por tres templos hinduistas y tres jainistas. Y de ellos cabe destacar el Templo Parsvanatha, dedicado al 23 Tirthankara Jaina, y el Templo de Adinatha, dedicado al primer Tirthankara Jaina.
El grupo del Sur está situado a un kilómetro del grupo Este y consta de dos templos de pequeño tamaño: el Templo Duladeo, decorado con esculturas eróticas, y el Templo Chaturbhuja que contiene una estatua de Vişņu de tres metros de altura.
Beautiful carvings on the Sharneshwar Temple at Abhapur.
The Sharneshwar Temple is dedicated to Lord Shiva and was built in the 15th century A.D.
The Polo Forest region of Gujarat is a quiet retreat, nestled in the Aravalli hills bordering Gujarat and Rajasthan. The word "Polo" is derived from "Pol" which means "gateway" in Sanskrit. The forest was a gateway between Gujarat and Rajasthan.
The Polo Forest region played host to the ancient kingdom of Vijayanagar. Polo Forest conceals a number of amazing temples built during the 10th to 15th century A.D.
View the Polo Forest Slideshow
the Angareshwar mahadev temple is Dabhoi from (sinor) Malasar village is located approximately three kilometers from the Narmada River. Please like and follow Gujarat Tourist Guide in Social media and get update:-
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Uttarakhand is a major pilgrimage center of Hindus. This offers superfluity of holy temples in powerful Himalayas. There are several temples of attention in the Uttaranchal that host devotees throughout the year round.Some of the important temples in Uttarakhand are: Rudranath temple, Madmaheshwar Temple, Badrinath temple, Kedarnath temple, Baji Nath temple, Naina Devi temple, Mansa Devi temple, Lakha Mandal Temple, Har ki Pauri, Gangotri Temple, Gaurikund, Yamunotri temple, Chandi Devi temple, Patalbhubanshwari temple Gangotri temple, Hemkund Saheb, Neelkanth Mahadev are some of them.
uttarakhandtouristplaces.wordpress.com/2013/01/25/temples...
Uttarakhand is a major pilgrimage center of Hindus. This offers superfluity of holy temples in powerful Himalayas. There are several temples of attention in the Uttaranchal that host devotees throughout the year round.Some of the important temples in Uttarakhand are: Rudranath temple, Madmaheshwar Temple, Badrinath temple, Kedarnath temple, Baji Nath temple, Naina Devi temple, Mansa Devi temple, Lakha Mandal Temple, Har ki Pauri, Gangotri Temple, Gaurikund, Yamunotri temple, Chandi Devi temple, Patalbhubanshwari temple Gangotri temple, Hemkund Saheb, Neelkanth Mahadev are some of them.
uttarakhandtouristplaces.wordpress.com/2013/01/25/temples...
Kathmandu Durbar Square (Nepali: वसन्तपुर दरवार क्षेत्र, Basantapur Darbar Kshetra) in front of the old royal palace of the former Kathmandu Kingdom is one of three Durbar (royal palace) Squares in the Kathmandu Valley in Nepal, all of which are UNESCO World Heritage Sites.
Several buildings in the Square collapsed due to a major earthquake on 25 April 2015. Durbar Square was surrounded with spectacular architecture and vividly showcases the skills of the Newar artists and craftsmen over several centuries. The Royal Palace was originally at Dattaraya square and was later moved to the Durbar square.
The Kathmandu Durbar Square held the palaces of the Malla and Shah kings who ruled over the city. Along with these palaces, the square surrounds quadrangles, revealing courtyards and temples. It is known as Hanuman Dhoka Durbar Square, a name derived from a statue of Hanuman, the monkey devotee of Lord Ram, at the entrance of the palace.
CONTENTS
HISTORY AND CONSTRUCTION
The preference for the construction of royal palaces at this site dates back to as early as the Licchavi period in the third century. Even though the present palaces and temples have undergone repeated and extensive renovations and nothing physical remains from that period. Names like Gunapo and Gupo, which are the names referred to the palaces in the square in early scriptures, imply that the palaces were built by Gunakamadev, a King ruling late in the tenth-century. When Kathmandu City became independent under the rule of King Ratna Malla (1484–1520), the palaces in the square became the Royal Palaces for its Malla Kings. When Prithvi Narayan Shah invaded the Kathmandu Valley in 1769, he favored the Kathmandu Durbar Square for his palace. Other subsequent Shah kings continued to rule from the square until 1896 when they moved to the Narayan Hiti Palace.
The square is still the center of important royal events like the coronation of King Birendra Bir Bikram Shah in 1975 and King Gyanendra Bir Bikram Shah in 2001.
Though there are no written archives stating the history of Kathmandu Durbar Square, construction of the palace in the square is credited to Sankharadev (1069–1083). As the first king of the independent Kathmandu City, Ratna Malla is said to have built the Taleju temple in the Northern side of the palace in 1501. For this to be true then the temple would have had to have been built in the vihara style as part of the palace premise surrounding the Mul Chok courtyard for no evidence of a separate structure that would match this temple can be found within the square.
Construction of the Karnel Chok is not clearly stated in any historical inscriptions; although, it is probably the oldest among all the courtyards in the square. The Bhagavati Temple, originally known as a Narayan Temple, rises above the mansions surrounding it and was added during the time of Jagajaya Malla in the early eighteenth century. The Narayan idol within the temple was stolen so Prithvi Narayan Shah replaced it with an image of Bhagavati, completely transforming the name of the temple.
The oldest temples in the square are those built by Mahendra Malla (1560–1574). They are the temples of Jagannath, Kotilingeswara Mahadev, Mahendreswara, and the Taleju Temple. This three-roofed Taleju Temple was established in 1564, in a typical Newari architectural style and is elevated on platforms that form a pyramid-like structure. It is said that Mahendra Malla, when he was residing in Bhaktapur, was highly devoted to the Taleju Temple there; the Goddess being pleased with his devotion gave him a vision asking him to build a temple for her in the Kathmandu Durbar Square. With a help of a hermit, he designed the temple to give it its present form and the Goddess entered the temple in the form of a bee.
His successors Sadasiva (1575–1581), his son, Shiva Simha (1578–1619), and his grandson, Laksmi Narsingha (1619–1641), do not seem to have made any major additions to the square. During this period of three generations the only constructions to have occurred were the establishment of Degutale Temple dedicated to Goddess Mother Taleju by Shiva Simha and some enhancement in the royal palace by Laksminar Simha.
UNDER PRATAP MALLA
In the time of Pratap Malla, son of Laksminar Simha, the square was extensively developed. He was an intellectual, a pious devotee, and especially interested in arts. He called himself a Kavindra, king of poets, and boasted that he was learned in fifteen different languages. A passionate builder, following his coronation as a king, he immediately began enlargements to his royal palace, and rebuilt some old temples and constructed new temples, shrines and stupas around his kingdom.During the construction of his palace, he added a small entrance in the traditional, low and narrow Newari style. The door was elaborately decorated with carvings and paintings of deities and auspicious sings and was later transferred to the entrance of Mohan Chok. In front of the entrance he placed the statue of Hanuman thinking that Hanuman would strengthen his army and protect his home. The entrance leads to Nasal Chok, the courtyard where most royal events such as coronation, performances, and yagyas, holy fire rituals, take place. It was named after Nasadya, the God of Dance, and during the time of Pratap Malla the sacred mask dance dramas performed in Nasal Chok were widely famed. In one of these dramas, it is said that Pratap Malla himself played the role of Lord Vishnu and that the spirit of the Lord remained in the king's body even after the play. After consulting his Tantric leaders, he ordered a stone image of Lord Vishnu in his incarnation as Nara Simha, the half-lion and half-human form, and then transferred the spirit into the stone. This fine image of Nara Simha made in 1673 still stands in the Nasal Chok. In 1650, he commissioned for the construction of Mohan Chok in the palace. This chok remained the royal residential courtyard for many years and is believed to store a great amount of treasure under its surface. Pratap Malla also built Sundari Chok about this time. He placed a slab engraved with lines in fifteen languages and proclaimed that he who can understand the inscription would produce the flow of milk instead of water from Tutedhara, a fountain set in the outer walls of Mohan Chok. However elaborate his constructions may have been, they were not simply intended to emphasize his luxuries but also his and the importance of others' devotion towards deities. He made extensive donations to temples and had the older ones renovated. Next to the palace, he built a Krishna temple, the Vamsagopala, in an octagonal shape in 1649. He dedicated this temple to his two Indian wives, Rupamati and Rajamati, as both had died during the year it was built. In Mohan Chok, he erected a three roofed Agamachem temple and a unique temple with five superimposing roofs. After completely restoring the Mul Chok, he donated to the adjoining Taleju Temple. To the main temple of Taleju, he donated metal doors in 1670. He rebuilt the Degutale Temple built by his grandfather, Siva Simha, and the Taleju Temple in the palace square. As a substitute to the Indreswara Mahadeva Temple in the distant village of Panauti he built a Shiva temple, Indrapura, near his palace in the square. He carved hymns on the walls of the Jagannath Temple as prayers to Taleju in the form of Kali.
At the southern end of the square, near Kasthamandap at Maru, which was the main city crossroads for early traders, he built another pavilion named Kavindrapura, the mansion of the king of poets. In this mansion he set an idol of dancing Shiva, Nasadyo, which today is highly worshipped by dancers in the Valley.
In the process of beautifying his palace, he added fountains, ponds, and baths. In Sundari Chok, he established a low bath with a golden fountain. He built a small pond, the Naga Pokhari, in the palace adorned with Nagakastha, a wooden serpent, which is said he had ordered stolen from the royal pond in the Bhaktapur Durbar Square. He restored the Licchavi stone sculptures such as the Jalasayana Narayana, the Kaliyadamana, and the Kala Bhairav. An idol of Jalasayana Narayana was placed in a newly created pond in the Bhandarkhal garden in the eastern wing of the palace. As a substitute to the idol of Jalasayana Narayana in Buddhanilkantha, he channeled water from Buddhanilkantha to the pond in Bhandarkhal due bestow authenticity. The Kalyadana, a manifestation of Lord Krishna destroying Kaliya, a water serpent, is placed in Kalindi Chok, which is adjacent to the Mohan Chok. The approximately ten-feet-high image of terrifyingly portrayed Kal Bhairav is placed near the Jagannath Temple. This image is the focus of worship in the chok especially during Durga Puja.
With the death of Pratap Malla in 1674, the overall emphasis on the importance of the square came to a halt. His successors retained relatively insignificant power and the prevailing ministers took control of most of the royal rule. The ministers encountered little influence under these kings and, increasingly, interest of the arts and additions to the square was lost on them. They focused less on culture than Pratap Malla during the three decades that followed his death, steering the city and country more towards the arenas of politics and power, with only a few minor constructions made in the square. These projects included Parthivendra Malla building a temple referred to as Trailokya Mohan or Dasavatara, dedicated to Lord Vishnu in 1679. A large statue of Garuda, the mount of Lord Vishnu, was added in front of it a decade later. Parthivendra Malla added a pillar with image of his family in front of the Taleju Temple.
Around 1692, Radhilasmi, the widowed queen of Pratap Malla, erected the tall temples of Shiva known as Maju Deval near the Garuda image in the square. This temple stands on nine stepped platforms and is one of the tallest buildings in the square. Then her son, Bhupalendra Malla, took the throne and banished the widowed queen to the hills. His death came early at the age of twenty one and his widowed queen, Bhuvanalaksmi, built a temple in the square known as Kageswara Mahadev. The temple was built in the Newari style and acted as a substitute for worship of a distant temple in the hills. After the earthquake in 1934, the temple was restored with a dome roof, which was alien to the Newari architecture.
Jayaprakash Malla, the last Malla king to rule Kathmandu, built a temple for Kumari and Durga in her virginal state. The temple was named Kumari Bahal and was structured like a typical Newari vihara. In his house resides the Kumari, a girl who is revered as the living goddess. He also made a chariot for Kumari and in the courtyard had detailed terra cotta tiles of that time laid down.
UNDER THE SHAH DYNASTY
During the Shah dynasty that followed, the Kathmandu Durbar Square saw a number of changes. Two of the most unique temples in the square were built during this time. One is the Nautale, a nine-storied building known as Basantapur Durbar. It has four roofs and stands at the end of Nasal Chok at the East side of the palace. It is said that this building was set as a pleasure house. The lower three stories were made in the Newari farmhouse style. The upper floors have Newari style windows, sanjhya and tikijhya, and some of them are slightly projected from the wall. The other temple is annexed to the Vasantapur Durbar and has four-stories. This building was initially known as Vilasamandira, or Lohom Chok, but is now commonly known as Basantapur or Tejarat Chok. The lower floors of the Basantapur Chok display extensive woodcarvings and the roofs are made in popular the Mughal style. Archives state that Prthivi Narayan Shah built these two buildings in 1770.
Rana Bahadur Shah was enthroned at the age of two. Bahadur Shah, the second son of Prithvi Narayan Shah, ruled as a regent for his young nephew Rana Bahadur Shah for a close to a decade from 1785 to 1794 and built a temple of Shiva Parvati in the square. This one roofed temple is designed in the Newari style and is remarkably similar to previous temples built by the Mallas. It is rectangular in shape, and enshrines the Navadurga, a group of goddesses, on the ground floor. It has a wooden image of Shiva and Parvati at the window of the upper floor, looking out at the passersby in the square. Another significant donation made during the time of Rana Bahadur Shah is the metal-plated head of Swet Bhairav near the Degutale Temple. It was donated during the festival of Indra Jatra in 1795, and continues to play a major role during the festival every year. This approximately twelve feet high face of Bhairav is concealed behind a latticed wooden screen for the rest of the year. The following this donation Rana Bahadur donated a huge bronze bell as an offering to the Goddess Taleju. Together with the beating of the huge drums donated by his son Girvan Yudha, the bell was rung every day during the daily ritual worship to the goddess. Later these instruments were also used as an alarm system. However, after the death of his beloved third wife Kanimati Devi due to smallpox, Rana Bahadur Shah turned mad with grief and had many images of gods and goddesses smashed including the Taleju statue and bell, and Sitala, the goddess of smallpox.
In 1908, a palace, Gaddi Durbar, was built using European architectural designs. The Rana Prime Ministers who had taken over the power but not the throne of the country from the Shahs Kings from 1846 to 1951 were highly influenced by European styles. The Gaddi Durbar is covered in white plaster, has Greek columns and adjoins a large audience hall, all foreign features to Nepali architecture. The balconies of this durbar were reserved for the royal family during festivals to view the square below.
Some of the parts of the square like the Hatti Chok near the Kumari Bahal in the southern section of the square were removed during restoration after the devastating earthquake in 1934. While building the New Road, the southeastern part of the palace was cleared away, leaving only fragments in places as reminders of their past. Though decreased from its original size and attractiveness from its earlier seventeenth-century architecture, the Kathmandu Durbar Square still displays an ancient surrounding that spans abound five acres of land. It has palaces, temples, quadrangles, courtyards, ponds, and images that were brought together over three centuries of the Malla, the Shah, and the Rana dynasties. It was destroyed in the April 2015 Nepal earthquake.
VISITING
Kathmandu's Durbar Square is the site of the Hanuman Dhoka Palace Complex, which was the royal Nepalese residence until the 19th century and where important ceremonies, such as the coronation of the Nepalese monarch, took place. The palace is decorated with elaborately-carved wooden windows and panels and houses the King Tribhuwan Memorial Museum and the Mahendra Museum. It is possible to visit the state rooms inside the palace.
Time and again the temples and the palaces in the square have gone through reconstruction after being damaged by natural causes or neglect. Presently there are less than ten quadrangles in the square. The temples are being preserved as national heritage sites and the palace is being used as a museum. Only a few parts of the palace are open for visitors and the Taleju temples are only open for people of Hindu and Buddhist faiths.
At the southern end of Durbar Square is one of the most curious attractions in Nepal, the Kumari Chok. This gilded cage contains the Raj Kumari, a girl chosen through an ancient and mystical selection process to become the human incarnation of the Hindu mother goddess, Durga. She is worshiped during religious festivals and makes public appearances at other times for a fee paid to her guards.
WIKIPEDIA
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#Trishultattoo #Mahadevtattoo #Rudrakshatattoo #Omtattoo #Trishultattoo #MahadevTrishultattoo #combinedtattoo #Trishultattoo done by #rtattoo_Studio Mumbai Ghatkopar
Nandi bull is believed to be the carrier (primary vehicle) of Lord Shiva. An idol of Nandi facing every Shiv temple represents the gate keeper of the shrine.
Outside the Achaleshwar Mahadeva temple, sits the life size brass Nandi guarding the temple, built in 1412 A.D. This Shiv temple is located 11 km north of Mount Abu and has a deep hole, inside the temple, believed to be the toe of Shiva. Normally the Shiv temple has a Lingam instead of this deep hole, said to be extended all the way to Pataal (the underworld).
Mythology has it that, during the Samudra Manthan (churning of the oceans), which took place as a result of the struggle between the Devas and the Rakshasas to achieve immortality, the holy cow of gods, Kamdhenu came out of the ocean. Lord Shiva directed the snake Arbuda to go and rescue the celestial cow. The deferential snake raised the huge section of the earth on which the cow was standing. The raised piece of earth came to be known as Arbudanchal, the present Mount Abu.
Khajuraho was a capital of the Chandela kings from the 9th to the 11th century. During that period, approximately 85 temples were constructed there of which almost 20 remain in good to excellent condition. Khajuraho continued its religious importance until the 14th century but was afterwards largely forgotten and was overgrown by forests. Its remoteness probably saved it from the desecration of human images that Muslim conquerors traditiaonally inflicted on Hindu monuments. In 1838, British army captain, T.S. Burt, "discovered" the temples during a day trip. Burt' immediately recognized the historical value of the temples even though his Victorian sensibilities were shocked by the explicit and erotic sculptures that covered the walls of the temples.
The Kandariya Mahadev Temple is dedicated to Shiva. It is the largest temple in Khajuraho. More than 800 images
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If you are into #peoplephotography have the resources best place to shoot #kumbhmelas and a few #Sufi events like #Chadiyan walk from Delhi to Ajmer .
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#hinduism
Gorkha District (Nepali: गोरखा जिल्ला, a part of Gandaki Zone, is one of the seventy-five districts of Nepal, a landlocked country of South Asia, and connected historically with the creation of the modern country of Nepal and the name of the legendary Gurkha soldiers. The district, with Pokharithok (Gorkha), later known as Prithivi Narayan Nagarpalika as its district headquarters, covers an area of 3610 km² and has a population (2001) of 288134. It is the location of the Manakamana Temple. Also, the temples of great sage Gorakh Nath and goddess Gorakh Kali temple is located in district, after which the district got its name. Four major rivers run within and along it, they are Chepe, Daraudi, Marsyangdi and Budhi Gandaki.
ORIGIN
The major legends associated with naming of "Gorkha":
- In Nepali, ‘Kharka’ means ‘Grass Land’. This land was believed to be like meadow in Ancient period. Thus it was named Kharka and later the term Kharka got modified to Garkha and Garkha changed to Gorkha.
- In Sanskrit Scripture, ‘Gorakshaa’ means the protection of cow. Since Nepal is a country where killing a Cow is condsidered unholy and a very serious crime, the land was named Goraksha and later it became Gorkha.
- Myth holds that a Saint named Gorakhnath appeared for the first in Nepal in Gorkha. There is still a cave with his paduka (feet) and idol of him in this place which supports the myth. Thus since the city was established in the place where Sage Gorakhnath appeared, it was named ‘Gorkha’.
PLACES TO VISIT
MANAKAMA TEMPLE
The Manakamana Temple situated in the Gorkha district of Nepal is the sacred place of the Hindu Goddess Bhagwati, an incarnation of Parvati. The name Manakamana originates from two words, “mana” meaning heart and “kamana” meaning wish. Venerated since the 17th century, it is believed that Goddess Bhagawati grants the wishes of all those who make the pilgrimage to her shrine to worship her.
GORAKHNATH
It lies ten meters down the southern side of Gorkha Palace which is visited with great devotion by Brahmans and Chhetris considering it to be the holy pilgrimage Site. Great fare is organized each year on the day of Baisakh Purnima(the full moon Day of Baisakh) in Gorakhnath Cave.
GORAKHKALI TEMPLE
This Temple is located at the west side of the Gorkha Palace.
CHEPE, Daraudi, Marsyangdi and Budhi Gandaki.
GORKHA KINGDOM
About 1700 steps leads you to the top of the hill at an altitude of 3281 ft. where Newar fashioned Gorkha Palace stands firm along with forts and temple boasting on its rich History. It is at 40–50 minutes of Walking Distance far from Gorkha Bazaar. One can view Manaslu (the 8th Highest Mountain of the World), Dhaulagiri and Ganesh Mountains from the Palace Complex.
MANASLU
LIGLIGKOT
and Lakhan Thapa Gaon are popular places in Gorkha for Hiking.
DHIKE DADA
is a new attraction for public from Gorkha,Tanahun and Lamjung.
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GORKHA KINGDOM
This article is about the Gorkha Kingdom which later became Nepal. Gorkhā is a former kingdom in the confederation of 24 states known as Chaubisi rajya located in present-day western Nepal. The Kingdom of Gorkha extended from the Marshyangdi River in the west to the Trishuli River in the east, which separated it from the kingdoms of Lamjung and Nepal respectively. The inhabitants of Gorkha were known as Gorkhali.
SHAH DYNASTY
From the 16th century, Gorkha was ruled by the Shah dynasty. The Shahs installed themselves as rulers of Gorkha taking advantage of the confusion of an annual race held at a place called Liglig. It was the tradition of the local Ghale people to choose as their king for the year the fastest runner in the competition. In 1559, Dravya Shah attacked and captured Liglig when the inhabitants were engrossed in the race. He displaced the Ghale king and became king of Gorkha.
EXPANSION CAMPAIGN
From 1736, the Gorkhalis engaged in a campaign of expansion started by king Nara Bhupal Shah, which was continued by his son, King Prithvi Narayan Shah and grandson Prince Bahadur Shah. Over the years, they conquered huge tracts of land to the east and west of Gorkha.
Among their conquests, the most important and valuable acquisition was the wealthy Newar confederacy of Nepal Mandala centered in the Kathmandu Valley. Starting in 1745, the Gorkhalis mounted a blockade in a bid to starve the population into submission, but the inhabitants held out.
The Newars appealed to the British East India Company for help, and in 1767, it sent an expedition under Captain Kinloch which ended in failure. The three Newar capitals of Kathmandu, Lalitpur and Bhaktapur fell to the Gorkhalis between 1768 to 1769. The Gorkhali king subsequently moved his capital to Kathmandu.
In 1788, the Gorkhalis turned their attention north and invaded Tibet. They seized the border towns of Kyirong and Kuti, and forced the Tibetans to pay an annual tribute. When the Tibetans stopped paying it, the Gorkhalis invaded Tibet again in 1791 and plundered the Tashilhunpo Monastery in Shigatse. This time the Chinese army came to Tibet's defence and advanced close to Kathmandu. The alarmed Gorkhalis appealed to the British East India Company for help, but they got none. Eventually, the Gorkhalis were forced to sign a peace treaty under which they had to pay tribute to Beijing every five years.
The Gorkha dominion reached its height at the beginning of the 19th century, extending all along the Himalayan foothills from Kumaon and Garhwal in the west to Sikkim in the east. They were made to return much of the occupied territories after their defeat in the Anglo-Nepalese War (1814–1816).
GORKHA TO NEPAL
The Gorkha dominion continued to be known as Gorkha Rajya (meaning Gorkha Kingdom) until the beginning of the 20th century. Since the 1930s, the name Nepal was used to refer to the entire country as the capital was located in Kathmandu. The name Gorkha Sarkar (meaning Gorkha government) was also changed to Nepal government.
Similarly, the Gorkhali language was renamed as Nepali in 1933. The term Gorkhali in the former national anthem entitled "Shreeman Gambhir" was changed to Nepali in 1951. The government newspaper, launched in 1901, is still known as Gorkhapatra (meaning Gorkha gazette).
The Shah dynasty ruled Nepal until 2008 when it became a republic following a people's movement. Today, Gorkha District, roughly corresponding to the old kingdom, is one of the 75 administrative districts of Nepal.
GURKHAS AND GORKHAS
Not to be confused with the inhabitants of the old Gorkha Kingdom, the Gurkhas are military units in the British or the Indian army (where they are known as Gorkhas) enlisted in Nepal. Their history goes back to the Anglo-Nepalese War and the Sugauli Treaty of 1816. It allowed the British East India Company to recruit men from the Nepalese hills to serve as soldiers under contract.
The British referred to all those who enlisted as Gurkhas regardless of their ethnic heritage or geographical origin in Nepal. These Gurkhas became part of the British Indian Army after its formation.
During World War I (1914–18), more than 200.000 Gurkhas served in the British Army, suffering approximately 20.000 casualties, and receiving almost 2000 gallantry awards.
During World War II (1939–45), a total of 250.280 Gurkhas served in 40 battalions, plus eight Nepalese Army battalions, plus parachute, training, garrison, and porter units. They earned 2734 bravery awards, and suffered around 32.000 casualties in all theatres.
Following Indian independence in 1947, the Gurkha regiments were split between Britain and India.
WIKIPEDIA
Paravati baag is the last milestone during Shrikhand Mahadev Yatra. Shrikhand is around 7KMs away from this place and this the last Stop for the night stay during the journey.
Title: Kandariya Mahadeva
Other title: Kandariya Mahadeva (Khajuraho, India)
Date: circa 1000-1025
Current location: Khajuraho, Madhya Pradesh , India
Description of work: Khajuraho is the site of numerous Jain and Hindu temples, separated into three sections (eastern, western, and southern). Today 25 temples remain. The Kandariya Mahadeva temple is a Hindu temple dedicated to Shiva, located in the western group, and shares a platform with the Devi Jagadamba temple and the Mahadeva temple.
Description of view: Close view of the side of the temple entrance porch.
Work type: Architecture and Landscape
Style of work: Asian: South Asian: Indian: Post-Gupta: Candella
Culture: Indian
Materials/Techniques: Stone
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: 10/29/2008
Resource type: Image
File format: JPEG
Image size: 2304H X 3072W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2008-0596 Kandariya.jpg
Record ID: WB2008-0596
Sub collection: religious buildings: temples
Copyight holder: Copyright Henry Pisciotta