View allAll Photos Tagged magiclantern
Dans l'optique d'une future vidéo, voici un petit test de la fonction "Override FPS" de Magic Lantern sur Canon 5D Mark II, réglée sur 4fps.
Ce mode est particulièrement utile en basse lumière puisqu'il utilise un temps d'exposition de 1/4 de seconde par image (shutter speed 1/4), ce qui permet de diminuer la sensibilité ISO du capteur, et de fermer un peu plus le diaphragme pour une PDC (Profondeur De Champ) plus grande. A 4fps on gagne environ l'équivalent de 3 stops par rapport au mode vidéo natif du 5D (limité à un shutter de 1/30e sec).
Ce mode est donc plutôt dédié au timelapse, de par sa faible cadence d'image. Il est tout de même réglable, de 4 à 25fps (les valeurs supérieures - jusqu'à 35fps - ne sont pas encore fonctionnelles).
Tourné avec le PictureStyle CineStyle de Technicolor, monté et étalonné avec Final Cut X (la vitesse des rushes a été multipliée par 2 en montage).
N'hésitez pas à commenter et à poser des questions, j'y répondrai si je le peux.
PS : le "dé-zoom" et le pano sont faits à la main, donc pas très fluides, c'est juste un test rapide ^^
Website : lvalenciaphoto.wordpress.com/
Canon 5d Mark 2
Canon 24-105mm
Magic lantern dualiso 50-800 iso
Website : lvalenciaphoto.wordpress.com/
Canon 5d mark 2
Canon 24-105mm
Magic lantern dualiso 100/1600 iso
Polarized filter
Tous droits réservés © L. VALENCIA
Merci de ne pas utiliser cette photo sans mon autorisation.
another neat trick from the magic lantern firmware replacement.
focus stacking.
I couldn't get this to work at first, but it turns out that you have to have the camera in live view before the feature will activate. I never would have persevered, but one of my flickr contacts got it to work, so I knew it must be possible. it's always easier to figure out something you know is possible.
this is about 42 exposures processed through Helicon Focus. it's a pretty nice program that comes with a 30 full feature trial. I think it's about $50 to buy, and I'd think about it.
I used a 100mm f2.8 canon macro lens and focused it in front of the coin and then stepped through the focus range until just past the coin. not sure if it's a feature or a side effect, but helicon seems to have picked out the subject and left some blur on the background, including a 'frame' of sorts around the whole image (which I cropped out)(but you can still see some of the blur behind the coin).
A stunning photo I captured last night of the thin 17% waxing crescent Moon at Frosty Drew Observatory in Charlestown, Rhode Island, USA.
Photo Details:
Camera: Canon 60D MagicLantern
4000mm
f/10
ISO: 1250
Exposure: 1/200 second
Process: This photo is a panoramic stitch of 6 photos.
-Scott MacNeill
Website : lvalenciaphoto.wordpress.com/
Canon 5d Mark 2
Canon 24-105mm
Magic lantern dualiso 50-800 iso
Philadelphia, PA, est. 1682; pop. 1,567,442
Marker:
"Siegmund Lubin. A motion picture pioneer, famed as the first movie mogul. In optical shop here in 1897, began his empire of six studios in five states. His technical genius and marketing skill did much to popularize the medium. Bankrupt by 1916; died in obscurity."
• Siegmund (Lubszynski) Lubin (1841-1923), aka "Sig," "Pop," "Professor Lubin" • born in Breslau, Germany • graduated Heidelberg University as an ophthalmologist • immigrated to the U.S., 1876 • married Annie Abrams, his landlady's eldest daughter • traveling the country by train with Annie, made a living selling eyeglasses at fairs • settled in Philadelphia, 1883 • opened an optical shop
• as his business grew, Lubin added branches in Baltimore, MD & Wilmington, DE • to capitalize on the popularity of magic lantern slide shows [illustration], he took up photography • created, sold & distributed slides from his stores • to differentiate his product & boost sales, he offered hand tinted slides • this painstaking work was performed almost exclusively by women, as was silent era film editing [photo] • a serial inventor, he owned numerous patents which he marketed effectively [magazine ad]
• in the early 1890s Lubin was enthralled by demonstrations of trailblazing moving image projectors such as Muybridge's Zoopraxiscope & C.F. Jenkins' Phantoscope • purchased a Jenkins camera in 1896, then shot his 1st film, a horse eating hay behind his house • video: Muybridge's Zoopraxiscope (4:04)
• enlisted the aid of Jenkins to construct his first Cineograph moving picture projector, the "Marvel" [illustration], which he manufactured, marketed & sold from 1897 to 1910 • the 1st prototype, built to minimize vibration, weighed about a ton
• Lubin motion picture projectors had a stereopticon slide projector built in [illustration] so that (hopefully) his movies could be added to a slide program
• Lubin continued making Magic Lantern song slide sets, which illustrated & promoted popular tunes • one of the most famous was In the Baggage Coach Coach Ahead (1896), a lachrymose ballad written by Gussie Lord Davis (1863-1899) • the Ohio-born Pullman porter was among the earliest successful black American artists, & 1st to gain fame on Tin Pan Alley as a composer of pop music • claimed the song was based on an actual event he had witnessed
• the slides were shot on a Baltimore & Ohio Pullman Palace train • the principal character, a bereaved widower traveling with his children, was played by Broadway actor Ed Dreiser (aka Ed Dresser), brother of author Theodore Dreiser • listen: In the Baggage Coach Ahead, sung by Smiley Bates —The Effect is Quite Startling, Joseph P. Eckhardt
• in March, 1897, the Veriscope Co. announced a delay in the release of its heavily publicized documentary, The Corbett-Fitzsimmons Fight • while exhibitors and the public clamored for the film, Lubin rushed to fill the vacuum with a fake Corbett-Fitzsimmons movie • hired a wrestler & a sheriff's office employee to play the boxers • used newspaper accounts of the fight as a script • shot the reenactment on a platform in his backyard …more, —The Orphan Film Symposium
• Lubin rushed his "fac simile" into theaters a week before the Veriscope's premier • typical reactions were negative: "…the fighters maul each other in unscientific fashion and the supposititious knockout in the fourteenth round is a palpable burlesque. Several patrons of the performance protested yesterday and were informed by the gentleman in charge that they were 'lobsters.' 'We advertise a facsimile of the fight,' he declared, 'and that's what we give. What do you expect for 10 cents, anyhow?'" —Phonoscope, June 1897
• "Several policemen were on hand but they could no more restrain the impatient and thoroughly exasperated crowd from rushing pell-mell at the box office than human hands could push back the Johnstown flood." —Little Rock Gazette
• Veriscope's Corbet-Fitzsimmons film, shot on March 17, premiered on May 31 • running over 100 minutes, it was the longest film released to date & is considered the world's 1st known feature film as well as the 1st widescreen film (63mm) • while contemporary women rarely if ever attended live boxing events, they showed up in droves to watch the two sweaty, semi-nude pugilists duke it out film video: Corbett-Fitzsimmons Fight (20:24)
• in 1899 Lubin opened his first theater, a small wooden building with an elaborate façade that he named Lubin's Cineograph • it was located on the midway of Philadelphia's 1899 National Export Exposition • built to showcase Lubin's song slides & movies, but was also another step in the vertical integration that would soon encompass movie production, distribution, exhibition & equipment manufacture [Lubin Films rooftop studio, 1899 photo]
• in 1902: Lubin founded the Lubin Manufacturing Co. & moved into distribution with his first film exchange • 1907: moved into the Lubin Building at 926 Market, announced "A New Film Every Week"; by Sep. were releasing 3 a week • 1908: joined Edison & other film manufacturers to create the Motion Picture Patents Company; after interviewing director D.W. Griffith, then a director of short films, decided not to hire him
• 1910: built "Lubinville," a state of the art studio at Indiana & 20th; expanded to Jacksonville, FL, Los Angeles & Coronado, CA • 1912: built Betzwood, a 350 acre studio complex in Montgomery Cty [studio photo] [studio tour] • 1913: production reached 5 releases per week • opened a studio in Los Angeles, employed then actor Henry King • 1914: rescued Lasky, DeMille & Goldfish aka (Goldwyn) by repairing the misaligned sprockets of The Squaw Man, the 1st feature film produced in Hollywood • video: Lubinville, PA (5:04)
• Betzwood's greatest success was the Toonerville Trolley series of films with 6'3 actor Wilna Hervey (1894-1979) in the role of "The Powerful Katrina" [photo]
• capitalizing on the popularity of minstrel shows, "race movies" such as Thomas Edison's Ten Pickaninnies (1904) & The Wooing and Wedding of a Coon (1905), featuring "genuine negro" actors or white actors in blackface, were moneymakers • Edison touched off a watermelon film craze with his 1896 Watermelon Eating Contest (0:19) , 1900 Watermelon Contest (2:03), & 1905 The Watermelon Patch (10:41) • Lubin, of course, produced similar films and others such as Coon Town Suffragettes, In Zululand & Mandy's Chicken Dinner
• in 1903 he played Simon Legree in his own version of Uncle Tom's Cabin, a week after the Thomas Edison version opened to large audiences • video: Edison's Uncle Tom's Cabin (19:03) —Before the Nickelodeon, Charles Musser
• S. Lubin 1905 catalogue: synopsis & photos of the Uncle Tom's Cabin • direct comparison of corresponding frames of the Edison & Lubin versions of the film • though Lubin was sued by Edison on multiple occasions, they later struck up a friendship • video: Sigmund Lubin: Film Pirate (5:04)
• Lubin became one of most prolific producers of films featuring blackface & black stereotypes & was the first producer to put black actors under a multi-picture contract • credited with bringing Rastus — a lazy black man with a yen for chicken & watermelon — & Sambo to the screen • produced thirty “darky fare” shorts marketed as The Colored Comedies between 1913-1915 • featured black vaudeville stars John Edwards (1868–1929) & Mattie Edwards (1866-1944) [photo] • Mattie would go on to make appearances in two films by the black director Oscar Micheaux (1884-1951) —Forgotten Legacy: The Rise and Fall of Movie King Siegmund Lubin, Sharon Joseph
If you want one of the best,
See a Lubin.
If you want your cares to rest,
See a Lubin.
If you've got a splitting head,
If you're feeling fit for bed,
Try a hearty laugh instead —
See a Lubin —Philadelphia Inquirer, 01 Jun, 1984
• Lubin was one of the first producers to commercialize movies • his mass marketing transformed them from novelty to business • by 1904, he was producing about one fiction feature a month • with all manner of "Life Motion Picture" venues" springing up throughout the U.S., he added theater supplies to his catalogue • offered $99 packages with everything necessary to open a movie exhibition business, e.g., his storefront theater package consisted of pressed metal theater fronts, posters, tickets, window cards & banners —The King of the Movies: Film Pioneer Siegmund Lubin by Joseph P. Eckhardt
• now a major American motion picture producer, Lubin stepped up his "remakes" of his competitors' hit movies and expanded his line of exhibitor start up packages: the Showman's Outfit, for example, included a 1905 Exposition Model Cineograph, & Stereopticon slide projector, 2 Cineophone films, 100' each and to accompany the movies, 2 Monarch records & — FREE OF CHARGE — and a Victor Talking Machine complete with horn —A Million and One Nights, Terry Ramsaye
• in 1904 Lubin introduced the Cineophone projector & films [ad] which offered primitive synchronization of image & sound • the films were similar to his magic lantern song slides but with movement & rudimentary lip sync:
"The films are taken together with phonograph records… Thus the illusion is so perfect as if the man on the screen was playing the piece. Every finger motion corresponds with the phonograph record, and the effect is quite startling" —Siegmund Lubin
• Banjo 'Lize, loosely based on a 1903 recording of phonographic theater by Len Spencer and Vess Ossman, was one of the five Cineophone titles Lubin advertised:
"You see the Black Face Comedian in Life-motion Pictures on the screen, and you hear him talk and sing at the same time." —Lubin ad, Silent Film Sound, Rick Altman
• in 1905 Lubin, said to be the 1st movie producer to realize the importance of owning theaters, opened new ones in Philadelphia, Baltimore, Cincinnati & Reading • his chain eventually peaked at over 100 screens
• introduced a new Cineograph camera which was basically a Charles Pathé studio camera with a tachometer added • in the early days of life motion photography, many cameramen maintained a constant frame rate by turning the camera's crank to the tempo of music played in their heads • the persistent beat of the Anvil Chorus from Il trovatore made it a popular choice • to avoid distraction, some cinematographers would plug their ears when music was played on the set
• the Cineograph's tachometer added the ability to know rather than estimate the camera's operating speed • this provided an important competitive advantage because like fabric, films were priced by length • Lubin not only charged just 9 to 12 cents per foot vs. Edison's 15 cents, each foot of a Lubin film yielded more screen time than Edison's because it was shot — and therefore exhibited — at a slower speed • video: hand cranked projection of Lubin's 1912 film His Mistake (6:29)
• a 1909 government study estimated cost per finished foot of film to be about 6 cents with raw stock alone costing 3 cents, processing & overhead 1 cent • "manufacturing the negative," i.e., production, including talent, sets, props, crew, etc. cost 2 cents —Congressional Serial Set
• in 1907 filmmaker Lyman Howe's "Moving Pictures That Talk" opened in Baltimore at Ford's Opera House • talented actors & sound imitators behind the translucent screen added dialog and sound effects • the "talking picture," a huge hit, ran 4 wks.
• Lubin moved quickly to respond, most notably with a silent song film of Grace Powers & the Four Rosebuds performing the song, It's Great to be a Soldier Man• when the film was exhibited, Grace & her Rosebuds, concealed behind the translucent screen, performed the song • attempted to maintain synchronization with the image by following the lip movement on the screen • thus a genuine live performance was concealed behind a silent movie of the same performers
• in 1914 an explosion & fire in the film vault at Lubinville destroyed most of the Lubin Films negatives • WW I eliminated the company's foreign markets • Lubin closed his studios one by one • after creditors seized control in 1916, he returned to his work as an optician, died in 1923 • S. Lubin filmography
• this is also the site of one of the 1st photo studios in the U.S.
Marker:
"Robert Cornelius. This metallurgist and brass founder opened one of the world's first photographic studios here in the spring of 1840. His collaboration with chemist Paul Beck Goddard in successful experiments to reduce exposure times made it possible to use the camera in portraiture."
• Robert Cornelius (1809-1893) [photo] • American pioneer of photography & lamp manufacturer • gallery of photos
Canon 5D Mark III + Canon EF 70-200mm f/2.8L IS II USM + Canon EF 2x III + Magic Lantern 5x zoom = 2000mm
This was taken at the Nautical twilight. The Sun was 12 degrees below the horizon. I set the camera's shutter speed to 45-seconds in Magic Lantern. The capture revealed offshore movement in the clouds, a flattened ocean, and light just visible to the naked eye. Venus is seen in the upper right, trailing across the sky (even through the thin clouds). I love chasing light!
Surprisingly, the calm wind barely rustled the sea oat stalk in the foreground.
after few years finaly i get Moon and Sun in one Frame with one shoot ... ( not including Eclipses ) ... still is not perfect but it will be. shoots taken with Gradual filter ..
Website : lvalenciaphoto.wordpress.com/
Canon 5d mark 2
Tokina 16-28 mm
Magic lantern dualiso 100-800 iso
3 shots panorama
Dates: ca. 1900
Maker: McIntosh Stereopticon Co.
Place: USA
Donor: Collection of the Scottish Rite Masonic Museum & Library
Photographer Credit: Scottish Rite Masonic Museum & Library
For more information on Magic Lanterns, check out our blog!
Melbourne Museum ... The Melbourne Story .. Cobb & Co Mail Coach 1880-1916 [faster than today's mail?] .
Standen (National Trust) ... this tree was decorated with little Demitasse cups, and they all seemed to be different.
Website : lvalenciaphoto.wordpress.com/
Entrée du jardin japonais
Canon 5d mark 2
Canon 24-105mm
Magic Lantern dual-iso 100-800
Tous droits réservés © L. VALENCIA
Merci de ne pas utiliser cette photo sans mon autorisation.
This is a Glass Slide showing Grey Street, Newcastle upon Tyne.
The Slide is from some time between the late 19th and early 20th Century.
The slide would have been viewed through a Magic Lantern, an early type of image projector.
This image is part of the Tyne & Wear archives & museums set South Shields Art Gallery Social History collection.
(Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email adam.bell@twmuseums.org.uk
Took this photo with my 6D and Magic Lantern loaded with Nightly Build version 29 Jan 2015.
Whats special about this picture
Magic Lantern has added a new feature of Dual ISO which further boosts the dynamic range of the sensor by upto 2 to 3 stops. In the comments i have attached a SOOC version.
I am giving original DNG so use it abuse it and share here how much details u have recovered.
DNG: www.dropbox.com/s/rradcr7tonrggv0/IMG_0868-dualiso.DNG?dl=0
EXIF
Canon 6D - Samyang 14mm f2.8 - Apperture f11 - Shutter Speed 1/1000 - ISO 100-1600 - Magic Lantern
Forming a small tornado -- but nothink happend :/ :C
File Name_MG_0158.CR2
Camera ModelCanon EOS REBEL T3i
FirmwareFirmware Version 1.0.2
Shooting Date/Time5/24/2013 7:30:00 PM
AuthorAlfaShedar
Copyright NoticeMzytengaM
Owner's Name
Shooting ModeManual Exposure
Tv(Shutter Speed)1/60
Av(Aperture Value)9.5
Metering ModeEvaluative Metering
ISO Speed125
Auto ISO SpeedON------ LOL this was OFF O,o
LensEF-S18-55mm f/3.5-5.6 IS II
Focal Length18.0mm
Image Size5184x3456
Aspect ratio3:2
Image QualityRAW
FlashOff
FE lockOFF
White Balance ModeAuto
AF ModeManual focusing
AF area select modeManual selection
Picture StyleAuto
Sharpness4
Contrast0
Saturation1
Color tone0
Color SpaceAdobe RGB
Long exposure noise reduction2:On
High ISO speed noise reduction2:Strong
Highlight tone priority0:Disable
Auto Lighting OptimizerStandard
Peripheral illumination correctionEnable
Dust Delete DataNo
File Size21276KB
Drive ModeSingle shooting
Live View ShootingON
Camera Body No.xxx
Comment
This is the image projected from an 1870's vintage Magic Lantern slide set depicting astronomical phenomena. These were hand painted on two pieces of round glass and mounted inside a wooden slide holder. The slide holder had a hand crank which turned a gear that is affixed to one of the glass plates. In this case turning the crank moves the moon through its phases. Magic lanterns of this type was a means of showing movement projected onto a screen. This one was in a set of 9 slides used in a school.
www.fluidr.com/photos/laurent_valencia/interesting
Canon 5d Mark 2
Canon 24-105mm
HDR 4 Takes
Press "L" for a better view
Website : lvalenciaphoto.wordpress.com/
Plage de Fos s/ Mer
Canon 5d mark 2
Canon 24-105mm
Polarized filter
Tous droits réservés © L. VALENCIA
Merci de ne pas utiliser cette photo sans mon autorisation.
Forest - Green Auras
none photoshop...only DPP and just two steps of sharpnes up + aberration removing..none editing or processing photo..
This is a glass slide telling the comic tale of a young boy playing tricks.
The slide is from some time between the late 19th century and early 20th century. It would have been viewed using a magic lantern, an early type of image projector.
This image is part of the Tyne & Wear Archives & Museums set Playing Tricks.
(Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email adam.bell@twmuseums.org.uk
Website : lvalenciaphoto.wordpress.com/
Jardin japonais
Canon 5d mark 2
Canon 24-105mm
Magic Lantern dual-iso 100-800
Tous droits réservés © L. VALENCIA
Merci de ne pas utiliser cette photo sans mon autorisation.
Website : lvalenciaphoto.wordpress.com/
Canon 5d mark 2
Canon 24-105mm
Magic lantern dualiso 250-800 iso
Tous droits réservés © L. VALENCIA
Merci de ne pas utiliser cette photo sans mon autorisation