View allAll Photos Tagged macrovision
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Pulsa L para verla más grande sobre negro.
Hit L to see big on black.
Gracias por la visita y por dejar tus comentarios.
Thanks for the visit and leave your comments.
Pulsa L para verla más grande sobre negro.
Hit L to see big on black.
We have been using LEGO to create a gritty film noir scene, using Adaptalux Studio, featuring Laser Lighting Arms! You can watch the how-to video on Youtube here - youtu.be/UpBwuMCMJ34
We set up this scene using LEGO modular building sets, the Detective's office and the Palace Cinema, along with a little mini-figure protagonist. All of the lighting was concealed in the street, around the corner from the cinema. The objective was to make the scene look like it has been lit using the light that would be available in the street.
A white Lighting Arm inside the cinema had light pouring out of the windows, and another in the upstairs window of the detective's office in the background. The streetlamp and the lights under the cinema entrance were created using lasers!
When you shine a laser into a translucent brick, it illuminates from within, as if the brick itself were creating the light. This effect means we could illuminate the street lamp without a lighting arm in the shot, and no strange shadows cast on the building by the light coming from an external source.
For a film noir look, the end result was turned to black and white, hiding the red glow created by the lasers, but a simple change of hue could have kept it in colour.
Setting up and shooting LEGO scenes like this is great fun, if you want to know more about how we did it, head over to our blog to read the walkthrough here - bit.ly/LegoNoir
After projects I keep the left overs and give them new life by smashing and cutting them till the color bleeds all over my light table.
Can you spot an alien-like #spider camouflaged & compacted perfectly with tree trunk, ready for its next kill.
Two long #spinnerets at rear give him the name #TwoTailedSpider
Took me forever to find a way to carefully control smash marbles here. Finally figured it out by heating them up in an oven on high for a while then using a vice to crush them. Painting Rose was the easiest part, all she did was lay down on the floor for an hour while I painted streaks on her
Nephila pilipes (northern golden orb weaver or giant golden orb weaver is a species of golden orb-web spider. It resides all over countries in East and Southeast Asia as well as Oceania. It is commonly found in primary and secondary forests and gardens. Females are large and grow to a body size of 30–50 mm (overall size up to 20 cm), with males growing to 5–6 mm.
EM1X 300f4
1/6400, f4, ISO1250
Rajgarh, Himachal Pradesh 30 October, 2022
Insect macro
#arthropod #arthropod_perfection #arthropodsofinstagram #arthropodsanonymous #insect #insects_macro #insectphotography #insectguru #insectsofinstagram #insectart #insectworld #insects_of_our_world #macro #macrophotography #macromood #macroclique #macro_kings #macro_brilliance #macro_perfection #macro_captures #macro_vision #macro_highlight #60mmmacro
There are no lines in nature, only areas of colour, one against another....🌺🌺🌺
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#bengaluru #sobangalore #flowerporn #flowerstagram #beautyfulflower #macro #macros #macro_vision #photography #photoart #igersbangalore #namabengaluru #karnataka #casualclick #clicks #pujaroom #puja #daily #twice #evening_clicks #admired #beauty #positivevibes #onlypositivevibes #macrophotography #macromadness
Pine cones are a quick and easy subject to shoot at home, so we thought we would take a look at how to get some cool and creative shots from a couple of pine cones in our latest tutorial video.
Watch it here - youtu.be/KyF3I8vjrNI
A lot of you may have seen the pine cone shot on our homepage, it's one of our favourite shots to demonstrate what the Adaptalux Studio can do. We used the same pine cone (and a new one) to get a few more interesting shots.
A shot like this is achieved by pointing two coloured Lighting Arms across each other, shining onto the pine cone. You can see more about the setup in the video or the blog post here - bit.ly/adaptaluxpines
The coloured lights shine off the spines of the pine cones really well. Depending on the angle of the camera and the lights, they can create some amazing highlights along the ridges of each spine and shadows deep in the pine cone where the light can't reach.
We think the addition of colour to a subject like this can really take your creativity to another level, what do you think to shooting pine cones in this style?
MacroVisioni
Mostra collettiva di fotografìa a cura di Paolo Vitale che avrà luogo a Napoli
nella Galleria, LineaDarte officina creativa, via S.Domenico Soriano 34
(pressi Piazza Dante).
Avrà la durata di 15 giorni, dal 19 Febbraio al 5 Marzo 2011.
Vernissage il giorno 19 Febbraio alle ore 18.30
L'idea è quella di mostrare fotografìe tra "macro" e "minimal", foto che, in pochi dettagli,
siano capaci di trasmettere emozioni, ed i partecipanti verranno selezionati sulla base
delle qualità tecnico/artistiche ed originalità delle opere che verranno presentate.
Per ulteriori info/partecipazioni contattare
Paolo Vitale al seguente indirizzo e-mail
vitale.p.66@gmail.com
Tel. 3398193235
Elenco degli artisti che sarà aggiornato con i nuovi partecipanti..:
Alessandro della Pietra (Italia)
Andrè Gonçalves (Brasile)
Astrid Hoffmann (Germania)
Claudia Nordino (Italia)
Daniele Zaffonato (Italia)
Donatella Muggianu (Italia)
Elisabetta Paoletti Perini (Italia)
Francesco Boschi (Italia)
Lida Arzaghi (Inghilterra)
Paola Pellegrino (Italia)
Paula França (Brasile)
Enista (Riëtte te Loo) (Olanda)
Roberta Camilli (Italia)
Ronnj Medini (Italia)
1) Sujeto: Retratos de una mosca / Fly portraits
2) Cámara: Sony a6000
3) Objetivo: Amscope 4x
4) Aumento: 4x
5) Config. Lente: exposición 1/15” - ISO 100 - F/-
6) Número de fotos: 35
7) Iluminación: 2 led 6W y difusor DYD
8) Procesado: Zs, PS
9) Carril: Qool rail 250
Sujeto: Gorgojo / Naupactus cervinus
Cámara: Canon 77D
Objetivo: Amscope 4x
Magnificación: 4x
Pasos: 60 µm
Número de fotos: 92
Exposición: 1/250”
Iso: 100
Carril: manual
Asahi Pentax Auto Bellows
Iluminación: flash yongnuo frontal y difusor DYD
Apilado: Zs, PS
Pine cones are a quick and easy subject to shoot at home, so we thought we would take a look at how to get some cool and creative shots from a couple of pine cones in our latest tutorial video.
Watch it here - youtu.be/KyF3I8vjrNI
A lot of you may have seen the pine cone shot on our homepage, it's one of our favourite shots to demonstrate what the Adaptalux Studio can do. We used the same pine cone (and a new one) to get a few more interesting shots.
A shot like this is achieved by pointing two coloured Lighting Arms across each other, shining onto the pine cone. You can see more about the setup in the video or the blog post here - bit.ly/adaptaluxpines
The coloured lights shine off the spines of the pine cones really well. Depending on the angle of the camera and the lights, they can create some amazing highlights along the ridges of each spine and shadows deep in the pine cone where the light can't reach.
We think the addition of colour to a subject like this can really take your creativity to another level, what do you think to shooting pine cones in this style?
After projects I keep the left overs and give them new life by smashing and cutting them till the color bleeds all over my light table
We have been using LEGO to create a gritty film noir scene, using Adaptalux Studio, featuring Laser Lighting Arms! You can watch the how-to video on Youtube here - youtu.be/UpBwuMCMJ34
We set up this scene using LEGO modular building sets, the Detective's office and the Palace Cinema, along with a little mini-figure protagonist. All of the lighting was concealed in the street, around the corner from the cinema. The objective was to make the scene look like it has been lit using the light that would be available in the street.
A white Lighting Arm inside the cinema had light pouring out of the windows, and another in the upstairs window of the detective's office in the background. The streetlamp and the lights under the cinema entrance were created using lasers!
When you shine a laser into a translucent brick, it illuminates from within, as if the brick itself were creating the light. This effect means we could illuminate the street lamp without a lighting arm in the shot, and no strange shadows cast on the building by the light coming from an external source.
For a film noir look, the end result was turned to black and white, hiding the red glow created by the lasers, but a simple change of hue could have kept it in colour.
Setting up and shooting LEGO scenes like this is great fun, if you want to know more about how we did it, head over to our blog to read the walkthrough here - bit.ly/LegoNoir
After projects I keep the left overs and give them new life by smashing and cutting them till the color bleeds all over my light table.
We have been using LEGO to create a gritty film noir scene, using Adaptalux Studio, featuring Laser Lighting Arms! You can watch the how-to video on Youtube here - youtu.be/UpBwuMCMJ34
We set up this scene using LEGO modular building sets, the Detective's office and the Palace Cinema, along with a little mini-figure protagonist. All of the lighting was concealed in the street, around the corner from the cinema. The objective was to make the scene look like it has been lit using the light that would be available in the street.
A white Lighting Arm inside the cinema had light pouring out of the windows, and another in the upstairs window of the detective's office in the background. The streetlamp and the lights under the cinema entrance were created using lasers!
When you shine a laser into a translucent brick, it illuminates from within, as if the brick itself were creating the light. This effect means we could illuminate the street lamp without a lighting arm in the shot, and no strange shadows cast on the building by the light coming from an external source.
For a film noir look, the end result was turned to black and white, hiding the red glow created by the lasers, but a simple change of hue could have kept it in colour.
Setting up and shooting LEGO scenes like this is great fun, if you want to know more about how we did it, head over to our blog to read the walkthrough here - bit.ly/LegoNoir
Pine cones are a quick and easy subject to shoot at home, so we thought we would take a look at how to get some cool and creative shots from a couple of pine cones in our latest tutorial video.
Watch it here - youtu.be/KyF3I8vjrNI
A lot of you may have seen the pine cone shot on our homepage, it's one of our favourite shots to demonstrate what the Adaptalux Studio can do. We used the same pine cone (and a new one) to get a few more interesting shots.
A shot like this is achieved by pointing two coloured Lighting Arms across each other, shining onto the pine cone. You can see more about the setup in the video or the blog post here - bit.ly/adaptaluxpines
The coloured lights shine off the spines of the pine cones really well. Depending on the angle of the camera and the lights, they can create some amazing highlights along the ridges of each spine and shadows deep in the pine cone where the light can't reach.
We think the addition of colour to a subject like this can really take your creativity to another level, what do you think to shooting pine cones in this style?
Watch Concert: www.youtube.com/watch?v=6yurIU1JznU First CD from 1987 of 80's teen queen Tiffany she was about I think 16 years old in that picture, autograph is from july 10th, 2009 during a concert at Universal Citywalk Hollywood.
Biography
In addition to scoring several big bubblegum pop hits in the late '80s, teen queen Tiffany also helped pave the way for the decade's ultimate (and most successful) teenybopper band, the New Kids on the Block. Born Tiffany Renee Darwish on October 2, 1971, in Oklahoma, Tiffany began singing at an early age, but it wasn't the light pop style that she would eventually become known for. The young singer started off performing country & western songs, eventually getting discovered by country music veterans Hoyt and Mae Axton during the early '80s, while performing at a country nightclub in Los Angeles. For the next few years, Tiffany appeared on TV (including an appearance on Ed McMahon's Star Search), continued to perform concerts (including opening a show for Jerry Lee Lewis and George Jones in Texas), and recorded several demos, in hope of landing a recording contract. In early 1986, Tiffany signed on with manager George Tobin, which would lead to problems later when it became known in that Tobin had "absolute control" over her career (since she was a minor at the time, Tiffany's mother signed for her, and later regretted having a divorce lawyer examine the papers instead of an entertainment lawyer). But Tobin did get the still-teenaged singer a recording contract with MCA, which issued Tiffany's self-titled debut in early 1987. The album was promoted initially by a concert tour of U.S. malls, but it wasn't until later in the year that the album began to catch on with the young pop audience, when MTV and radio latched on to a cover of "I Think We're Alone Now," which soon pushed the album to the number one spot on the Billboard album charts (and in less than year, was certified quadruple platinum). A follow-up single, "Could've Been," proved to be just as successful, as it peaked at the top spot of the Billboard singles chart. But despite Tiffany's runaway success, this period proved to be troubling personally, as her mother filed a missing person's report for the singer, while Tiffany in return filed for legal emancipation (although Tiffany's mother claimed to be concerned about Tobin's "exploitative treatment" of Tiffany, Tiffany decided to stand by Tobin's side). A cover of the Beatles' "I Saw Her Standing There" (reworked as "I Saw Him Standing There") proved to be Tiffany's last major hit, peaking at number seven in the spring of 1988, as the singer gave the opening spot on a U.S. tour to a then-unknown teeny band, the New Kids on the Block (supposedly after the group auditioned for Tiffany backstage one night prior to a show). Tiffany's sophomore effort, 1988's Hold an Old Friend's Hand, was another hit (earning platinum certification), but didn't match the success of its predecessor, as it signaled that her audience was shifting their focus to other similarly styled bands (namely the New Kids on the Block). When her third release, New Inside, sunk from sight almost immediately after its release in 1990, it was clear that Tiffany's 15 minutes were up, as she faded from the public's view. Despite her much lower profile, Tiffany continued to issue albums on a sporadic basis, including 1993's Dreams Never Die, 2000's The Color of Silence, and 2007's Just Me (while a collection, Greatest Hits, was released in 1996). Tiffany's public profile increased slightly around the dawn of the 21st century, as the singer was the subject of an episode of VH1's Behind the Music series (in which she disclosed a reconciliation with her mother) and, probably biggest of all, she posed for a 2002 issue of Playboy magazine. ~ Greg Prato, All Music Guide
Information provided by Macrovision Corporation © 2009. All Rights Reserved.
Macroglossum stellatarum, especie de polilla que realiza un vuelo idéntico a los pequeños colibríes.
Gracias por la visita y por dejar tus comentarios.
Thanks for the visit and leave your comments.
Pulsa L para verla más grande sobre negro.
Hit L to see big on black.
After projects I keep the left overs and give them new life by smashing and cutting them till the color bleeds all over my light table.
Gracias por la visita y por dejar tus comentarios.
Thanks for the visit and leave your comments.
Pulsa L para verla más grande sobre negro.
Hit L to see big on black.
It's #insectsaturday - It may not be a thing but now it is. 😀 This little fella has the cutest little antenna, and stood still for its portrait while drying off after falling in a puddle. || Shot with @Canon 5d3 + 180mm f/3.5L on a @reallyrightstuf Pocket Pod
|| #macro #macroworld #insect #moth #cute
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