View allAll Photos Tagged macro_captures
Minervarya agricola (common name: common Indian cricket frog) is a species of frog that is native to Indian subcontinent.
Sujeto: Gorgojo / Naupactus cervinus
Cámara: Canon 77D
Objetivo: Amscope 4x
Magnificación: 4x
Pasos: 60 µm
Número de fotos: 92
Exposición: 1/250”
Iso: 100
Carril: manual
Asahi Pentax Auto Bellows
Iluminación: flash yongnuo frontal y difusor DYD
Apilado: Zs, PS
Hoverfly
EM1 mk10 60mm 2.8f pro
1/200, f11, ISO200
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First attempts at #macrophotography #hitchinlavender #bees #savethebees #lavender #nature #naturephotography #sony📷 #sonyworldclub #sonyphoto #closeup #sonya6300 #sonyalphaclub #sonyalpha #macro #macro_captures_ @hitchinlavender #sony90mmmacro #macrophotographylove #ukwildlife #bbcearth #wildlifeonearth #macro_kings #macrolife #ukshots #bokehphotography #bokeh #lavenderfields #sonybbcearth #macrobee
3D crossview picture with the 2 cameras vertical.
This macro closeup picture is the result of a falling waterdrop and a few objects together with waterfigures. The waterfigures are a result from an special type wave on a speaker, the correct amplitude and frequency and form of the wave. This form is a digital signal into the flash of my hardware controller. Cameras are prefect synchronized in spite of that they are different types. See the setup.
www.flickr.com/photos/fotoopa_hs/4260310208/sizes/o/
Macro capture of waterfigures in 3D crossview.
The projectile touch a falling waterdrop and fly through the drop and make a splash. On the bottom, multiple figures rise upwards to the projectile.
Technical data:
D300 + D200 Nikon DSLR camera.
Camera space 100mm vertical.
Macro lenses 2 x Nikor AF105/2.8D micro.
Frame real live size : 80 x 120mm
F29 diafragma, manual bulb shutter mode.
4 Flashes SB-80-DX TTL controlled by the central hardware controller.
1 DE1 FPGA cyclone II mainboard at 50MHz clock.
Digital waveforms into a flash at high speed PWM, digital powercontrol, frequentie control and type waveform.
2 laser detector systems.
How to see 3D photos:
This drawing gives a lot of information why an external fast shutter is needed. The drawing shows different macro capture formats. Each circle shows a shutter-lag. Central we start with a shutter lag of 3.5 ms. To edge this time increased to 50 ms. The illustration is an insect moving at a speed of 2m/sec or 7.2 km/h. The shutter lag is the time elapsing between pressing the button and taking the picture. The higher the shutter lag is how the insects can travel more distance. Central includes drawing a macro ratio of 2:1 or 18x12mm picture frame. You can clearly see that this macro setting is not large enough to fully display the bug. So you need at least a macro ratio of 1:1 in order to fully display the bug. In a larger shutter-lag, you use a larger frame. The speed of 2 m/sec is not abnormally high because many insects fly much faster. A DSLR camera usually has a shutter lag of around 50 msec, so you see that a frame of 180mmx120mm is too small to keep the insect in picture. Many insects fly with a speed between 2 and 4m/s or 7 to 15 km/h. A shutter lag of 3.5 ms is very well suited for macro shooting up to 1:1. Do you want closer shots then you are lucky that the insect is still in full screen. This is why I try the shutter lag so low. For larger insects, the shutter lag can be longer because the recording frame is also larger. An external shutter is especially necessary for smaller insects and closeup shots.
A small insect sitting inside a red flower. Macro capture using focus stacking to get maximum details.
Having only a monopod with us, it was rather difficult to take a macro capture of this sleepy fly. The sun had already set behind the hills of Algiers and holding the camera still was bit tricky. Taken with 1/25sec and with ISO500 this is the best shot we could do. Enjoy! //A
Photo made by me (Amberinsea Photography) in the Jardin d'Essai Algiers - Camera Canon EOS 7D provided by Firas Photographe.
A real step back in time. Here we see the The Counting House at Abbeydale Industrial Hamlet, Sheffield. A steel-working site with a history going back to around the 13th century.
Well worth a visit if you're in the area.
3D crossview picture with the 2 cameras vertical.
This macro closeup picture is the result of a falling waterdrop and a few objects together with waterfigures. The waterfigures are a result from an special type wave on a speaker, the correct amplitude and frequency and form of the wave. This form is a digital signal into the flash of my hardware controller. Cameras are prefect synchronized in spite of that they are different types. See the setup.
www.flickr.com/photos/fotoopa_hs/4260310208/sizes/o/
Macro capture of waterfigures in 3D crossview.
The projectile touch a falling waterdrop and fly through the drop and make a splash. On the bottom, multiple figures rise upwards to the projectile.
Technical data:
D300 + D200 Nikon DSLR camera.
Camera space 100mm vertical.
Macro lenses 2 x Nikor AF105/2.8D micro.
Frame real live size : 80 x 120mm
F29 diafragma, manual bulb shutter mode.
4 Flashes SB-80-DX TTL controlled by the central hardware controller.
1 DE1 FPGA cyclone II mainboard at 50MHz clock.
Digital waveforms into a flash at high speed PWM, digital powercontrol, frequentie control and type waveform.
2 laser detector systems.
How to see 3D photos: