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Today is the birthday of my cousin whom I'm extremely close with.
Tomorrow we're going to have a lunch party to celebrate.
So me and the little ones are busy finishing up this huge banner we made for her to show how much we love her.
Rebuild of the M-68 landspeeder from the Solo movie.
Compared to the 75209 Lego set, this one is 2 studs narrower, 3 studs shorter in length, and 1 brick smaller in height.
The black and white stripes at the front are take from official Lego sticker sheets and cut from their borders.
The front panel can open so that tools and weapons can be stored inside the landspeeder.
Little M is not so little any more.
Here's she is looking out the window with her beautiful understated smile.
Camera X-T1. SOOC jpg
Lens: XF55-200mmF3.5-4.8 R LM OIS
OIS is pretty impressive!
gr.835-203 FS monumento presso la stazione di Genova Bolzaneto
attualmente e' stata spostata presso il casello autostradale della A7 a Bolzaneto
Everything there is M mount, but there is no real Leica stuff. I could afford the real thing but then I would have to sacrifice a lot of other parts in my life. I do suffer from Leica envy inasmuch as I'd love to have some lenses. But I've no interest in a M9. I don't think that the rangefinder technology is my cup of tea.
I've presented all the lenses here before. They are Heliar 15mm f/4.5, 25mm f/2.8 ZM-Biogon and M-Rokkor 40mm f/2 The small black camera is a Ricoh GXR body with Mount A12 sensor. It takes the same lens family as Leica M. And it is modern digital mirrorless camera with an electronic view-finder. My F- lenses are eagerly awaiting a new adapter. Here's some reading for those who are interested:
Ashwin Rao describes how he is able to do manual focus fast enough to do sports photography. That impressed me, and that was one of the factors that settled the issue for me.
Sean Reid was the one who convinced me that anti-aliasing filters are detrimental for image quality. Luminous Landscape's The field report convinced me about the user interface.
Having used it over the weekend I can ensure you that I expected a lot of this little black beastm but that its capabilities have exceeded all my expectations.
Je m'amuse à chercher des positions différentes pour ma simple girafe. Le + de ce modèle :un ligne respectant l'esprit de la girafe, et simple à plier. Les - de modèles: soit 2 oreilles bien distinctes et une imitation d'une ossicône ,ou 2 ossicônes et sans oreilles, ou encore 1 oreille et 1 ossicône.
Papier kraft extra-fin traité à la gomme arabique + pigments. 17 x 17cm.
I am having fun looking for different positions for my simple giraffe. The + of this model: a line respecting the spirit of the giraffe, and simple to fold. The - models: either 2 distinct ears and an imitation of an ossicone, or 2 ossicones and without ears, or 1 ear and 1 ossicone.
Extra-fine kraft paper treated with gum arabic + pigments. 17 x 17cm.
Kingfisher (M)
An often posted photo of a Kingfisher on a perch. I've usually preferred perched shots with a plain clear background but quite like the colours in this portrait.
Hii ...
Ma 9aDDaGT KhaBar Enna Her FraGranCe PerFume NzaLaT ........
Kinna Nan6erHa Na6Ra .... Chan aKhame6LY Cham Wa7Da ... OoOO
KhaSheeT'hom 3nDi ... Bs GeLT aShareKom eB WanasTY .. w a9aWwerLKom
Cham LaQ6a ... HaThe aWwaL ShOT ... wL-YaYaaT InShaLa Be6ereeJ ...
EnJoY =)
KJD87P Leyland Fleetline FE30ALR/Park Royal H44/32F. New April 1976, acquired by M&D December 1982. This vehicle represents twenty former London DMS Dailmer Fleetlines acquired in the early Eighties from Ensign, to replace the MCW Metropolitan and Volvo Ailsa trial vehicles. They were converted to single door and had new destination displays fitted. KJD87P entered service in May 1983 at Tunbridge Wells wearing Autocar livery, which it carried until October 1985. During 1986 M&D vehicles received a strapline under the fleet name that read -'75 Years of Service'.
Please don't use this image on websites, blogs or other media without my explicit permission. If you wish to use this image, please, contact me through flickrmail or at vicenc.feliu@gmail.com. © All rights reserved...
When Virginia's General Assembly created Williamsburg in 1699, it ordered that its main street "in honor of his Highness William Duke of Gloucester shall for ever hereafter be called and knowne by the Name of Duke of Gloucester Street." When President Franklin Roosevelt visited 275 years later to dedicate Duke of Gloucester Street's reconstruction, he said it "rightly can be called the most historic avenue in all America."
To walk down Duke of Gloucester Street today is to step into the 18th century. Between the Wren Building and the Capitol, in a stroll of less than a mile, among the sights the visitor may enjoy are the Harnessmaker-Saddler; Bruton Parish Church, Palace Green, the John Greenhow Store, the James Geddy House, the Mary Dickinson Store, the Shoemaker's Shop, Market Square, the Courthouse, the Magazine and Guardhouse, Chowning's Tavern, the Ludwell-Paradise House, the Printing Office, the Prentis Store, the Post Office and Bookbindery, M. Dubois Grocer's Store, the Mary Stith Shop, Tarpley's Store, Wetherburn's Tavern, the Milliner, the Silversmith, the Raleigh Tavern with its Bake Shop, the King's Arms Tavern, the Pasteur & Galt Apothecary Shop, and the Public Records Office.
MSN 955
A340-313E / A340 / A340-300
GLOBAL JET LUXEMBOURG
NCE AIRPORT
EX BOURKHAN GROUP AS M-ABUS / KLARET AVIATION AS M-IABU
Design by M Moser Associates
When workspace designer M Moser redesigned its Hong Kong office, it was determined to visibly demonstrate the benefits of migrating to a more technologically sophisticated, collaborative and Sustainable style of working. The doubling of existing meeting spaces and integration of shared areas such as team hubs, plus ‘heads down’ rooms for more private working and meetings ensured enhanced knowledge sharing. Collaboration was further improved by the seamless integration of new technologies. Incorporating optimised natural daylight, plus energy-efficient individually-lit, island style personal workstations and extensively recycling existing fittings and furnishings, the new office shortly expects to receive LEED certification.
Lead Designer: Karen Wong
Photography: Vitus Lau, Stefan Ripperger
Text: W. Frederic Nitschke