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The arsenal in Ulm
The beginnings of the armory in Ulm lie in the 14th century. The first mention for the year 1433 is proven.
As usual for armories, utilized the free Imperial City of Ulm the building for centuries as an arsenal, where guns, bullets of stone and iron, grenades, bombs, various guns, as well as sulfur and saltpeter were stored. Temporarily the Ulmer (people) but also stored models of fortifications, bridges, mills, buildings, machinery, water pipes and the like in their armory. In addition, the building also had numerous other uses. Among other things, was here the Imperial Mint. On the square in front of the armory on important occasions town meetings were held.
The original construction of the armory has been extended several times: 1522, 1596, 1616 and 1667. The result was a sprawling complex of buildings. The built in 1667 New Armory shows a for the Baroque typical ashlar stone marking and facetted stones framing of the windows. Salient are also the decorated with Baroque and Renaissance motifs portals.
Late 18th century, one assessed the value of all that was kept in Ulmer armory with two million guilders. However, the Austrians in 1797 in advance of the Napoleonic Wars took the entire content in possession: that it did not fall the advancing Frenchmen in the hands? In Ulm they saw these objects after the battle of Elchingen (1805) never again. With the end of the Imperial City era the arsenal in 1808 was converted into barracks and used until 1919 as such.
During World War II, the Renaissance building, the Old Arsenal, fell victim to the heavy destructions. The remained untouched of war destruction parts of the building were restored in 1977. They bear bear still today witness of the economic prosperity that the free Imperial City of Ulm in the Middle Ages had attained.
Recently restored, the Lion and the Knight building for events can be rented.
2 rooms: largest room 384 sqm seating in a row: 200 exhibition space, 360 parking possibilites
Parking: circa 60 parking spaces (approx 2 min walk). Connections to public transportation: bus, train (stop: Willy-Brandt square).
Das Zeughaus in Ulm
Die Anfänge des Zeughauses in Ulm liegen im 14. Jahrhundert. Die erste urkundliche Erwähnung ist für 1433 belegt.
Wie allgemein für Zeughäuser üblich nutzte die Freie Reichsstadt Ulm das Gebäude über Jahrhunderte hinweg als Waffenlager, in dem Geschütze, Kugeln aus Stein und Eisen, Granaten, Bomben, verschiedene Gewehre, sowie Schwefel und Salpeter gelagert wurden. Zeitweilig bewahrten die Ulmer aber auch Modelle von Festungsbauten, Brücken, Mühlen, Gebäuden, Maschinen, Wasserleitungen und ähnlichem in ihrem Zeughaus auf. Daneben hatte das Gebäude auch vielfältige weitere Nutzungen. Unter anderem befand sich hier die Reichsstädtische Münze. Auf dem Platz vor dem Zeughaus wurden bei wichtigen Anlässen Bürgerversammlungen abgehalten.
Der ursprüngliche Bau des Zeughauses wurde mehrfach erweitert: um 1522, 1596, 1616 und 1667. So entstand ein weitläufiger Gebäudekomplex. Das 1667 errichtete Neue Zeughaus zeigt eine für den Barock typischen Putzquaderzeichnung und Facettensteineinfassung der Fenster. Hervorstechend sind auch die mit Barock- und Renaissancemotiven verzierten Portale.
Ende des 18. Jahrhunderts schätzte man den Wert dessen, was alles im Ulmer Zeughaus aufbewahrt wurde, auf zwei Millionen Gulden. Die Österreicher nahmen jedoch den gesamten Inhalt 1797 im Vorfeld der Koalitionskriege in Besitz: ?dass es nicht den anrückenden Franzosen in die Hände falle?. In Ulm sah man diese Gegenstände nach der Schlacht von Elchingen (1805) nie wieder. Mit dem Ende der Reichsstadtzeit wurde das Zeughaus 1808 in eine Kaserne umgewandelt und bis 1919 als solche genutzt.
Im Zweiten Weltkrieg fiel der Renaissancebau, das Alte Zeughaus, den schweren Zerstörungen zum Opfer. Die von Kriegszerstörung verschont gebliebenen Gebäudeteile wurden 1977 restauriert. Sie zeugen noch heute von der wirtschaftlichen Blüte, die die Freie Reichsstadt Ulm im Mittelalter erlangt hatte.
Jüngst restauriert können der Löwen- und der Ritterbau für Veranstaltungen gemietet werden.
2 Räume Größter Raum 384 qm Bestuhlung in Reihe: 200 Ausstellungsfläche 360 qm
Parkmöglichkeiten: ca. 60 Parkplätze (ca. 2 Min. Gehzeit). Anbindung an öffentliche Verkehrsmittel: Bus, S-Bahn (Haltestelle: Willy-Brandt-Platz).
infos-ulm.de/kategorien/staedtische-einrichtungen/zeughau...
This was the first time that I really felt what Hazabaza is always yammering on about with the lying places you shouldn't be lying. I felt at one with the surface and didn't want to get up. But I also didn't want to fall asleep and have a hobo steal my camera so I got the shot and got out of there.
Vết thương nào cũng cũng có thể chữa lành nhưng vết sẹo thì không thể, nó theo ta đến hết cuộc đời.
Anh đừng nghĩ em đã quên anh, anh biết không em luôn nhớ anh từng ngày
Miệng thì nói mình luôn hạnh phúc....lòng thì tự dối rằng mình đang rất vui vẻ!!\
Và giả vờ như.....chĩ xem anh là 1 người bạn...!!!
Your eyes, followed me here.
Your eyes, seamless and sure.
They leave me broken and, in need of a cure.
[Silhouette by Thrice]
Sie waren die Attraktion des diesjaehrigen Life, die Franzoesische Trommeltruppe "Mobile Homme", die schwebend ueber Schaan musizierte, aufgenommen am Samstag, 5. Juli 2014, beim Life Festival im SaL in Schaan. FOTO & COPYRIGHT: EDDY RISCH
Si fuera por mi serias tú el que me espera pero quisiste hacerlo así de forma compleja.
Y sin embargo se y tu también cuantas cenizas quedan, soy un adicto a ti y tu a mi.. adicto a tu traición!
Una vez mas y te olvido despues me voy, y queda prohibido pero solo dime como yo, le miento a este pobre corazón una vez mas...
Deja que en esta noche cruel las palabras sean perfectas sin hablar
no digas nada, eres mi perdición mi gran error, y yo tu excusa perfecta me mientes tu a mi y yo a ti..
me miente cuando dices que no.
Me mientes con tu boca, con tu piel cuando me tocas .
Me mientes con tu corazón, yo te miento con tus besos y te invento mil pretextos
pretendiendo que no es amor.
Mientes tu, miento yo cuando dices y digo que no.
White Lies
Pinkpop Festival 2017 - Day 1
Landgraaf, Megaland, Netherlands NL
3rd June 2017
This image is copyright © Roberto Finizio. All right reserved. This photo must not be used under ANY circumstances without written consent.
for info and photos visit my website www.robertofinizio.it
Questa immagine è protetta da copyright © Roberto Finizio. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza autorizzazione scritta dell'autore.
per info e materiale fotografico visita il mio sito www.robertofinizio.it
Lindos (/ˈlɪndɒs/; Ancient Greek: Λίνδος) is an archaeological site, a fishing village and a former municipality on the island of Rhodes, in the Dodecanese, Greece. Since the 2011 local government reform, it is part of the municipality Rhodes, of which it is a municipal unit.[2] The municipal unit has an area of 178.9 km2.[3] It lies on the east coast of the island. It is about 40 km south of the city of Rhodes and its fine beaches make it a popular tourist and holiday destination. Lindos is situated in a large bay and faces the fishing village and small resort of Charaki.
History
Main article: Lindus
According to myth, Lindos was founded by the Dorians led by the king Tlepolemus of Rhodes, who arrived in about the 10th century BC. It was one of six Dorian cities in the area known as the Dorian Hexapolis. The eastern location of Rhodes made it a natural meeting place between the Greeks and the Phoenicians, and by the 8th century Lindos was a major trading centre. In the 6th century it was ruled by Cleobulus, one of the Seven Sages of Greece. The importance of Lindos declined after the foundation of the city of Rhodes in the late 5th century BC.
In classical times the acropolis of Lindos was dominated by the massive temple of Athena Lindia, which attained its final form in around 300 BC. In Hellenistic and Roman times the temple precinct grew as more buildings were added. In early medieval times these buildings fell into disuse, and in the 14th century they were partly overlaid by a large fortress built on the acropolis by the Knights of St John to defend the island against the Ottomans.
Acropolis
The acropolis
Above the modern town rises the acropolis of Lindos, a natural citadel which was fortified successively by the Greeks, the Romans, the Byzantines, the Knights of St John and the Ottomans. This makes the site difficult to excavate and interpret archaeologically. The acropolis has views of the surrounding harbours and coastline.
On the acropolis of Lindos today parts of the following buildings may still be seen:
Rhodian trireme
The Doric Temple of Athena Lindia, dating from about 300 BC, built on the site of an earlier temple. Inside the temple is the table of offerings and the base of the cult statue of Athena.
The Propylaea of the Sanctuary, also dating from the 4th century BC. A monumental staircase leads to a D-shaped stoa and a wall with five door openings.
The Hellenistic stoa with lateral projecting wings, dating from about 200 BC. The stoa was 87 metres long and consisted of 42 columns.
The well-known relief of a Rhodian trireme (warship) cut into the rock at the foot of the steps leading to the acropolis. On the bow stood a statue of General Hagesander, the work of the sculptor Pythokritos. The relief dates from about 180 BC.
The Hellenistic staircase (2nd century BC) leading to the main archaeological area of the acropolis.
Remains of a Roman temple, possibly dedicated to the Emperor Diocletian and dating from about 300 AD.
The Acropolis is surrounded by a Hellenistic wall contemporary with the Propylaea and the stairway leading to the entrance to the site. A Roman inscription says that the wall and square towers were repaired at the expense of P Aelius Hagetor, the priest of Athena in the 2nd century AD.
The Castle of the Knights of St John, built some time before 1317 on the foundations of older Byzantine fortifications. The walls and towers follow the natural conformation of the cliff. A pentagonal tower on the south side commanded the harbour, the settlement and the road from the south of the island. There was a large round tower on the east facing the sea and two more, one round and the other on a corner, on the northeast side of the enceinte. Today one of the towers at the southwest corner and one to the west survive.
The Greek Orthodox Church of St John, dating from the 13th or 14th century and built on the ruins of a previous church, which may have been built as early as the 6th century.
Some scenes of the well-known film, The Guns of Navarone, were filmed here....Wikipedia
"Time for lust, time for lie
Time to kiss your life goodbye
Send me money, send me green
Heaven you will meet
Make a contribution
And you'll get a better seat.
Lie."
lies always come back to haunt us, we feel guilt and if we do not tell the truth we feel suffocated by the untold truths.
Ann Arbor July 28, 2009:
Once Upon a Time,
there was another world far
from this here
A world where few could find.
Wars were waged, songs were song, and tales
were told of this faerie land.
DO you my friend, do you have one?
Marc Ribot’s Ceramic Dog
Hnita Jazz Club Heist op den berg
3-Jul-2023
Liveshow on VRT Klara radio
Marc Ribot - Guitar, vocals
Shahzad Ismaily - Bass, guitar, electronics, drums, vocals
Ches Smith - Drums, percussion, electronics vocals
© Patrick Van Vlerken 2023
LIER-UP participants. Councilman and City representative Rik Verwaest, welcoming artist and participants.
Ahhh...this female jaguar is lying on her back, catching the sunbeams, just like any domestic house cat - domestic, not domesticated!
Unfortunately the metal cage wire is very difficult to remove from the photos, and it spoils an otherwise very good portrait opportunity.
A very rare opportunity to photograph the jaguars in near clear conditions.
Normally the two jaguars are well hidden by the thick foliage replicating Amazon rainforest, and the thick cage wire.
I have only a handful of clear photos of these beautiful cats.
These jaguars are very easy to tell apart - this is the female, the male is black!
The female was sitting in the sunshine at the relative open of the front of the enclosure.
As it happens, she was really flirting, and making herself available - the male caught on, and they demonstrated how rough big cat sex is!
And I managed a few good shots of the female jaguar - usually impossible due to the thick jungle foliage and the thick bars of the enclosure.
For a change, she was sitting/lying in the relative open at the front of the enclosure, so I got some pretty good shots.
As it proved, it was for a definite reason - she was being very flirtatious - and the male jaguar caught on and obliged with mating.
"What's it doing, Mummy?" - several young kids asked - "Eh...ah...fighting!"
Made me smile! Mind you, big cat mating isn't a new age tantric mumbo - its definitely wham, bang, roar! The female manages a heavy paw swipe as the male dismounts.
And perhaps 2 minutes later, they "fight" again. And of course, she actually, really is asking for it....
An education indeed!
Royal Melbourne Zoo, Parkville, Victoria, Australia
I finally have something to show for my term and a half at Goldsmiths! The project is on implied truth and lies, so at the moment i'm experimenting with symbols of truth, in this case roses and eye contact.
I love the quality of black and white film; so much better than digital. It's nice to be back in the dark room.