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The famous Dutch criminal Willem Holleeder is being treated for heart problems. He was about to stand trial for extortion of real estate traders and owners, but he developed problems with his heart valves. His family say he was poisoned. The Public Prosecutor claimed today that Holleeder could leave the hospital in about two weeks.
Entreehal Leids Universitair Medisch Centrum
Anna Thalia Benus heeft een opleiding Monumentale Vormgeving en Vrije Schilderkunst gevolgd op de Akademie St.Joost te Breda. Na haar eindexamen in 1983 heeft ze nog een aantal jaren geschilderd waarna ze zich vanaf 1990 heeft gericht op opdrachten voor Beeldende Kunst in de Openbare Ruimte.
Vanaf het begin is de betekenis en geschiedenis van plek en gebouw uitgangspunt geweest in het zoeken naar meer universele thema’s die beeldend uitgewerkt worden. Opmerkelijk is dat ze het werk vaak opbouwt door het te spreiden over meerdere ruimtes in een gebouw. Zo ontstaat een ’verhaal’ dat de beschouwer ook op langere termijn kan verrassen of boeien.
De technieken die ze gebruikt zijn divers; grote dia-werken, staal, hout, koper, fineer, geluid; in principe kan elk materiaal als drager van betekenissen dienen. Toch wordt vaak een fotografisch beeld als uitgangspunt gebruikt, en is ze absoluut geen beeldhouwer. De juiste inbedding in de architektuur lijkt ze als een vanzelfsprekend gegeven te zien.
The Human Genetics department is a broadly oriented research department, zooming in on the genetic aspects of monogenous, multifactorial, and acquired diseases. Translating basic scientific findings into clinical relevance is pivotal to the department’s translational focus. Leiden, The Netherlands
The neonatal intensive care unit (NICU) reunion picnic took place at Loyola University Medical Center on June 24, 2018. Families reunited with caregivers, enjoying food, games and a magic show. (Photo: Natalie Battaglia)
From left, Leonidas, 2, and his sister Marina, 8, during the neonatal intensive care unit (NICU) reunion picnic at Loyola University Medical Center on June 24, 2018. Families reunited with caregivers, enjoying food, games and a magic show. (Photo: Natalie Battaglia)
Installation on disappearance
Het Kunstlab
Galerie LUMC, Leiden 2011
Yerry Ydema has an interest in the power of storytelling and the hidden stories behind objects. In her work she uses several stories, mostly about unexplained disappearances, superstition, the sea and her mysteries. Through installation, earplay or video she will show the viewer her own, personal transformed version of these stories.
The neonatal intensive care unit (NICU) reunion picnic took place at Loyola University Medical Center on June 24, 2018. Families reunited with caregivers, enjoying food, games and a magic show. (Photo: Natalie Battaglia)
From left, Penelope, 3, Tom and his wife Lucia, Leonidas, 2, and Marina, 8, during the neonatal intensive care unit (NICU) reunion picnic at Loyola University Medical Center on June 24, 2018. Families reunited with caregivers, enjoying food, games and a magic show. (Photo: Natalie Battaglia)
A statue called "Liquid Light XL" which is placed in 2015 by artist Adam Colton. Leiden, The Netherlands
Installation on disappearance
Het Kunstlab
Galerie LUMC, Leiden 2011
Yerry Ydema has an interest in the power of storytelling and the hidden stories behind objects. In her work she uses several stories, mostly about unexplained disappearances, superstition, the sea and her mysteries. Through installation, earplay or video she will show the viewer her own, personal transformed version of these stories.
Entreehal Leids Universitair Medisch Centrum
Anna Thalia Benus heeft een opleiding Monumentale Vormgeving en Vrije Schilderkunst gevolgd op de Akademie St.Joost te Breda. Na haar eindexamen in 1983 heeft ze nog een aantal jaren geschilderd waarna ze zich vanaf 1990 heeft gericht op opdrachten voor Beeldende Kunst in de Openbare Ruimte.
Vanaf het begin is de betekenis en geschiedenis van plek en gebouw uitgangspunt geweest in het zoeken naar meer universele thema’s die beeldend uitgewerkt worden. Opmerkelijk is dat ze het werk vaak opbouwt door het te spreiden over meerdere ruimtes in een gebouw. Zo ontstaat een ’verhaal’ dat de beschouwer ook op langere termijn kan verrassen of boeien.
De technieken die ze gebruikt zijn divers; grote dia-werken, staal, hout, koper, fineer, geluid; in principe kan elk materiaal als drager van betekenissen dienen. Toch wordt vaak een fotografisch beeld als uitgangspunt gebruikt, en is ze absoluut geen beeldhouwer. De juiste inbedding in de architektuur lijkt ze als een vanzelfsprekend gegeven te zien.
Yara plays with her 3-year old daughter Amaziah during the neonatal intensive care unit (NICU) reunion picnic at Loyola University Medical Center on June 24, 2018. Families reunited with caregivers, enjoying food, games and a magic show. (Photo: Natalie Battaglia)
The neonatal intensive care unit (NICU) reunion picnic took place at Loyola University Medical Center on June 24, 2018. Families reunited with caregivers, enjoying food, games and a magic show. (Photo: Natalie Battaglia)
On the elusiveness of time
Het Kunstlab
Galerie LUMC, Leiden 2011
Since starting the program, Xandra has developed a fascination for analog, tactile work. Constantly driven by the idea of structure, every work contains contradiction between emotion/aesthetics and (generated) data- cycles or strict systems.
Graduating graphic design in 2008 with a graphic score and interactive performance, Xandra decided to continue her research in image and sound as an ArtScientist. For her work she received the Paul Schuitema-prize and participated in many festivals and collaborations. Hosts include: Hong Kong Business of Designweek, Theater Zeebelt, Theater de Brakke Grond, Scheltema, Theater Frascati and others.
Her final work shows the process of decay and the human incapability to overcome it. It is a spacious, analog installation with a 4-day cycle, guided by a very slow, continuous performance of assisting the installation in order for it to work, resulting in strong graphic, 4m long prints.
Crowds gathered to watch a magic show during the neonatal intensive care unit (NICU) reunion picnic at Loyola University Medical Center on June 24, 2018. Families reunited with caregivers, enjoying food, games and a magic show. (Photo: Natalie Battaglia)
Detail van het Onderwijsgebouw aan het Hippocratespad in Leiden. Het gebouw, ontworpen door EGM architecten uit Dordrecht, is onderdeel van het Leids Universitair Medisch Centrum (LUMC).
LUMC hospital entrance
"Homunculus Loxodontus" (2016) - Margriet van Breevoort
www.nrc.nl/nieuws/2017/02/05/hoe-een-nederlandse-kunstwer...
Crowds gathered to watch a magic show, performed by 15-year old, Anthony W. Stockton during the neonatal intensive care unit (NICU) reunion picnic at Loyola University Medical Center on June 24, 2018. Families reunited with caregivers, enjoying food, games and a magic show. (Photo: Natalie Battaglia)
Leonidas, 2, during the neonatal intensive care unit (NICU) reunion picnic at Loyola University Medical Center on June 24, 2018. Families reunited with caregivers, enjoying food, games and a magic show. (Photo: Natalie Battaglia)
JDRF Informatieavond in Apeldoorn op 08-09-2016, met uitreiking van een onderzoeksgrant aan Dr. Aart van Apeldoorn. Sprekers: Dr. Aart van Apeldoorn (Maastricht University), Veerle Huigen (JDRF Nederland), Olof King (DVN), Prof. Dr. Eelco de Koning (LUMC Leiden), Philip van Lookeren Campagne (JDRF Nederland), Prof. Dr. Bruce Wolffenbuttel (UMCG Groningen). Aan Dr. Aart van Apeldoorn werd een onderzoeksgrond van 899.999 dollar uitgereikt.
Lambda print
Galerie LUMC
Festival Key of Life 2010, Leiden
Huub Schilte ('53) and Jacqueline Portielje ('58) work and live in Rotterdam.
After they met in 1975, both opted for an art study. Schilte initially became an architectural designer, Portielje graduated as a painter.
Soon after they each got their own studio in the same building (± ‘85) Schilte definitely chose the path of the autonomous art by making monumental murals.
Portielje was already combining photography with painting. From the very beginning, they inspired each other and were closely involved in each other's work.
Since ‘94 onwards, they both intensively explored the rich possibilities of the computer as an artistic medium, using it as a photography dark room and a drawing/painting tool. Their ideas about art were so complementary that creating works of art together became the rule rather than the exception. That's why since 1997 they present their work under the composite names Schilte & Portielje.
They prefer to work without a preconceived plan or subject. They both select fragments of images from a digitalized library they have built over the years .
Then, still independently from each other, they start to investigate whether the selected image-fragments can be composed into a concept for a new work. During this time-consuming process of transforming, drawing, painting, adding and subtracting, new possibilities and ideas are generated constantly.They frequently exchange the works at hand so that the one continues where the other has left off. It is an intuitive way of working in which they are equal, depending heavily on each other's critical vision.
When in the end, an image-concept continues to convince, they jointly develop it further, both technically and artistically.
The reasons for working in black and white are manifold. First of all they want their work to hold the middle between photography and drawing or painting. At the same time, they value the contrasting combination between advanced computer techniques and the slightly nostalgic feel of black and white images which enables them to increase the distance between art and reality. As their work deals with the fundamental aspects of human existence, be it man or woman, sexual identity is not their issue.
Ambiguity however, is very important for them by creating room for interpretation and identification.
In the end they deliberately eschew meaningful titles and expository texts because they feel these steer the perception of the spectator. As creation, identity and freedom are considered fundamental human needs, art should be a healthy element of differentiation. As artists Schilte & Portielje feel the challenge to reflect in a visual way up on the in their adventure complicated world. After that, for them the interpretation of the result is up to the beholder.