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Postman is clearing letters into sack from open pillar box. Sign on top of pillar box is pointing towards Post Office, 1936
The global is but the local on world tour. On this tour the local is not preserving identity – be that cultural, political, or social, but it is (re-)inventing itself, as art, activism, or enterprise. The local even aims at becoming a global subject, without knowing what forces – be that swarm, viral, or whatever, this depends on. The local is more or less ignorant about the www processes, but it is ready to get itself into anything – be that souvenirs, ruins, folklorisms, vernaculars, clichés, promises, romanticisms, naturalisms, exotisms. Junk Jet N°6 is crazy about things of local time and place, in the form of objects, images, gifs, videos, sounds, architectures, or reflecting texts. Junk Jet comes with works from your localhost, or your local wifi kebab shop ...
With contributions by:0100101110101101, Adam Cruces, Agathe Andre, Aids-3d, Alberto Bustamante, Alejandro Crawford, Aline Otte, Andreas Angelidakis, Angela Genusa, Angelo Plessas, Aude Debout, Aureliano Segundo, Blinking Girls, Caspar Stracke, Christine Nasz and Stefanie Hunold, Clement Valla, Cornelia and Holger Lund, Emilio Gomariz, ET AL., ETC., Francesca Gavin, Golgotha, Hugo Scibetta, Jennifer Chan, JODI, Jon Rafman, Julien Lacroix, Kareem Lotfy, Kim Asendorf, Laimonas Zakas, Louis Doulas, m-a-u-s-e-r, Metahaven, Neil McGuire, Nicholas O’Brien, Nilgün Serbest, Olia Lialina and Dragan Espenschied, Patrick Cruz, Sophia Al-Maria, Superpool, Tomas Klassnik
Edited by Mona Mahall and Asli Serbest m-a-u-s-e-r.net/
N°6 comes with a sticker and a digital mixtape "Terrorismo Mexicano".
A water-borne postman returning to the peninsular of Scoraig after delivering the mail to a mail van at Badluarach, Inverness, 1972
The global is but the local on world tour. On this tour the local is not preserving identity – be that cultural, political, or social, but it is (re-)inventing itself, as art, activism, or enterprise. The local even aims at becoming a global subject, without knowing what forces – be that swarm, viral, or whatever, this depends on. The local is more or less ignorant about the www processes, but it is ready to get itself into anything – be that souvenirs, ruins, folklorisms, vernaculars, clichés, promises, romanticisms, naturalisms, exotisms. Junk Jet N°6 is crazy about things of local time and place, in the form of objects, images, gifs, videos, sounds, architectures, or reflecting texts. Junk Jet comes with works from your localhost, or your local wifi kebab shop ...
With contributions by:0100101110101101, Adam Cruces, Agathe Andre, Aids-3d, Alberto Bustamante, Alejandro Crawford, Aline Otte, Andreas Angelidakis, Angela Genusa, Angelo Plessas, Aude Debout, Aureliano Segundo, Blinking Girls, Caspar Stracke, Christine Nasz and Stefanie Hunold, Clement Valla, Cornelia and Holger Lund, Emilio Gomariz, ET AL., ETC., Francesca Gavin, Golgotha, Hugo Scibetta, Jennifer Chan, JODI, Jon Rafman, Julien Lacroix, Kareem Lotfy, Kim Asendorf, Laimonas Zakas, Louis Doulas, m-a-u-s-e-r, Metahaven, Neil McGuire, Nicholas O’Brien, Nilgün Serbest, Olia Lialina and Dragan Espenschied, Patrick Cruz, Sophia Al-Maria, Superpool, Tomas Klassnik
Edited by Mona Mahall and Asli Serbest m-a-u-s-e-r.net/
N°6 comes with a sticker and a digital mixtape "Terrorismo Mexicano".
The global is but the local on world tour. On this tour the local is not preserving identity – be that cultural, political, or social, but it is (re-)inventing itself, as art, activism, or enterprise. The local even aims at becoming a global subject, without knowing what forces – be that swarm, viral, or whatever, this depends on. The local is more or less ignorant about the www processes, but it is ready to get itself into anything – be that souvenirs, ruins, folklorisms, vernaculars, clichés, promises, romanticisms, naturalisms, exotisms. Junk Jet N°6 is crazy about things of local time and place, in the form of objects, images, gifs, videos, sounds, architectures, or reflecting texts. Junk Jet comes with works from your localhost, or your local wifi kebab shop ...
With contributions by:0100101110101101, Adam Cruces, Agathe Andre, Aids-3d, Alberto Bustamante, Alejandro Crawford, Aline Otte, Andreas Angelidakis, Angela Genusa, Angelo Plessas, Aude Debout, Aureliano Segundo, Blinking Girls, Caspar Stracke, Christine Nasz and Stefanie Hunold, Clement Valla, Cornelia and Holger Lund, Emilio Gomariz, ET AL., ETC., Francesca Gavin, Golgotha, Hugo Scibetta, Jennifer Chan, JODI, Jon Rafman, Julien Lacroix, Kareem Lotfy, Kim Asendorf, Laimonas Zakas, Louis Doulas, m-a-u-s-e-r, Metahaven, Neil McGuire, Nicholas O’Brien, Nilgün Serbest, Olia Lialina and Dragan Espenschied, Patrick Cruz, Sophia Al-Maria, Superpool, Tomas Klassnik
Edited by Mona Mahall and Asli Serbest m-a-u-s-e-r.net/
N°6 comes with a sticker and a digital mixtape "Terrorismo Mexicano".
The global is but the local on world tour. On this tour the local is not preserving identity – be that cultural, political, or social, but it is (re-)inventing itself, as art, activism, or enterprise. The local even aims at becoming a global subject, without knowing what forces – be that swarm, viral, or whatever, this depends on. The local is more or less ignorant about the www processes, but it is ready to get itself into anything – be that souvenirs, ruins, folklorisms, vernaculars, clichés, promises, romanticisms, naturalisms, exotisms. Junk Jet N°6 is crazy about things of local time and place, in the form of objects, images, gifs, videos, sounds, architectures, or reflecting texts. Junk Jet comes with works from your localhost, or your local wifi kebab shop ...
With contributions by:0100101110101101, Adam Cruces, Agathe Andre, Aids-3d, Alberto Bustamante, Alejandro Crawford, Aline Otte, Andreas Angelidakis, Angela Genusa, Angelo Plessas, Aude Debout, Aureliano Segundo, Blinking Girls, Caspar Stracke, Christine Nasz and Stefanie Hunold, Clement Valla, Cornelia and Holger Lund, Emilio Gomariz, ET AL., ETC., Francesca Gavin, Golgotha, Hugo Scibetta, Jennifer Chan, JODI, Jon Rafman, Julien Lacroix, Kareem Lotfy, Kim Asendorf, Laimonas Zakas, Louis Doulas, m-a-u-s-e-r, Metahaven, Neil McGuire, Nicholas O’Brien, Nilgün Serbest, Olia Lialina and Dragan Espenschied, Patrick Cruz, Sophia Al-Maria, Superpool, Tomas Klassnik
Edited by Mona Mahall and Asli Serbest m-a-u-s-e-r.net/
N°6 comes with a sticker and a digital mixtape "Terrorismo Mexicano".
A girl telegram messenger, new to the job, is shown the way by a policeman. This photo was taken in 1942 to promote the GPO's wartime services.
The global is but the local on world tour. On this tour the local is not preserving identity – be that cultural, political, or social, but it is (re-)inventing itself, as art, activism, or enterprise. The local even aims at becoming a global subject, without knowing what forces – be that swarm, viral, or whatever, this depends on. The local is more or less ignorant about the www processes, but it is ready to get itself into anything – be that souvenirs, ruins, folklorisms, vernaculars, clichés, promises, romanticisms, naturalisms, exotisms. Junk Jet N°6 is crazy about things of local time and place, in the form of objects, images, gifs, videos, sounds, architectures, or reflecting texts. Junk Jet comes with works from your localhost, or your local wifi kebab shop ...
With contributions by:0100101110101101, Adam Cruces, Agathe Andre, Aids-3d, Alberto Bustamante, Alejandro Crawford, Aline Otte, Andreas Angelidakis, Angela Genusa, Angelo Plessas, Aude Debout, Aureliano Segundo, Blinking Girls, Caspar Stracke, Christine Nasz and Stefanie Hunold, Clement Valla, Cornelia and Holger Lund, Emilio Gomariz, ET AL., ETC., Francesca Gavin, Golgotha, Hugo Scibetta, Jennifer Chan, JODI, Jon Rafman, Julien Lacroix, Kareem Lotfy, Kim Asendorf, Laimonas Zakas, Louis Doulas, m-a-u-s-e-r, Metahaven, Neil McGuire, Nicholas O’Brien, Nilgün Serbest, Olia Lialina and Dragan Espenschied, Patrick Cruz, Sophia Al-Maria, Superpool, Tomas Klassnik
Edited by Mona Mahall and Asli Serbest m-a-u-s-e-r.net/
N°6 comes with a sticker and a digital mixtape "Terrorismo Mexicano".
Mobile Post Offices offering a range of services were set up in bombed areas.
The global is but the local on world tour. On this tour the local is not preserving identity – be that cultural, political, or social, but it is (re-)inventing itself, as art, activism, or enterprise. The local even aims at becoming a global subject, without knowing what forces – be that swarm, viral, or whatever, this depends on. The local is more or less ignorant about the www processes, but it is ready to get itself into anything – be that souvenirs, ruins, folklorisms, vernaculars, clichés, promises, romanticisms, naturalisms, exotisms. Junk Jet N°6 is crazy about things of local time and place, in the form of objects, images, gifs, videos, sounds, architectures, or reflecting texts. Junk Jet comes with works from your localhost, or your local wifi kebab shop ...
With contributions by:0100101110101101, Adam Cruces, Agathe Andre, Aids-3d, Alberto Bustamante, Alejandro Crawford, Aline Otte, Andreas Angelidakis, Angela Genusa, Angelo Plessas, Aude Debout, Aureliano Segundo, Blinking Girls, Caspar Stracke, Christine Nasz and Stefanie Hunold, Clement Valla, Cornelia and Holger Lund, Emilio Gomariz, ET AL., ETC., Francesca Gavin, Golgotha, Hugo Scibetta, Jennifer Chan, JODI, Jon Rafman, Julien Lacroix, Kareem Lotfy, Kim Asendorf, Laimonas Zakas, Louis Doulas, m-a-u-s-e-r, Metahaven, Neil McGuire, Nicholas O’Brien, Nilgün Serbest, Olia Lialina and Dragan Espenschied, Patrick Cruz, Sophia Al-Maria, Superpool, Tomas Klassnik
Edited by Mona Mahall and Asli Serbest m-a-u-s-e-r.net/
N°6 comes with a sticker and a digital mixtape "Terrorismo Mexicano".
The global is but the local on world tour. On this tour the local is not preserving identity – be that cultural, political, or social, but it is (re-)inventing itself, as art, activism, or enterprise. The local even aims at becoming a global subject, without knowing what forces – be that swarm, viral, or whatever, this depends on. The local is more or less ignorant about the www processes, but it is ready to get itself into anything – be that souvenirs, ruins, folklorisms, vernaculars, clichés, promises, romanticisms, naturalisms, exotisms. Junk Jet N°6 is crazy about things of local time and place, in the form of objects, images, gifs, videos, sounds, architectures, or reflecting texts. Junk Jet comes with works from your localhost, or your local wifi kebab shop ...
With contributions by:0100101110101101, Adam Cruces, Agathe Andre, Aids-3d, Alberto Bustamante, Alejandro Crawford, Aline Otte, Andreas Angelidakis, Angela Genusa, Angelo Plessas, Aude Debout, Aureliano Segundo, Blinking Girls, Caspar Stracke, Christine Nasz and Stefanie Hunold, Clement Valla, Cornelia and Holger Lund, Emilio Gomariz, ET AL., ETC., Francesca Gavin, Golgotha, Hugo Scibetta, Jennifer Chan, JODI, Jon Rafman, Julien Lacroix, Kareem Lotfy, Kim Asendorf, Laimonas Zakas, Louis Doulas, m-a-u-s-e-r, Metahaven, Neil McGuire, Nicholas O’Brien, Nilgün Serbest, Olia Lialina and Dragan Espenschied, Patrick Cruz, Sophia Al-Maria, Superpool, Tomas Klassnik
Edited by Mona Mahall and Asli Serbest m-a-u-s-e-r.net/
N°6 comes with a sticker and a digital mixtape "Terrorismo Mexicano".
The global is but the local on world tour. On this tour the local is not preserving identity – be that cultural, political, or social, but it is (re-)inventing itself, as art, activism, or enterprise. The local even aims at becoming a global subject, without knowing what forces – be that swarm, viral, or whatever, this depends on. The local is more or less ignorant about the www processes, but it is ready to get itself into anything – be that souvenirs, ruins, folklorisms, vernaculars, clichés, promises, romanticisms, naturalisms, exotisms. Junk Jet N°6 is crazy about things of local time and place, in the form of objects, images, gifs, videos, sounds, architectures, or reflecting texts. Junk Jet comes with works from your localhost, or your local wifi kebab shop ...
With contributions by:0100101110101101, Adam Cruces, Agathe Andre, Aids-3d, Alberto Bustamante, Alejandro Crawford, Aline Otte, Andreas Angelidakis, Angela Genusa, Angelo Plessas, Aude Debout, Aureliano Segundo, Blinking Girls, Caspar Stracke, Christine Nasz and Stefanie Hunold, Clement Valla, Cornelia and Holger Lund, Emilio Gomariz, ET AL., ETC., Francesca Gavin, Golgotha, Hugo Scibetta, Jennifer Chan, JODI, Jon Rafman, Julien Lacroix, Kareem Lotfy, Kim Asendorf, Laimonas Zakas, Louis Doulas, m-a-u-s-e-r, Metahaven, Neil McGuire, Nicholas O’Brien, Nilgün Serbest, Olia Lialina and Dragan Espenschied, Patrick Cruz, Sophia Al-Maria, Superpool, Tomas Klassnik
Edited by Mona Mahall and Asli Serbest m-a-u-s-e-r.net/
N°6 comes with a sticker and a digital mixtape "Terrorismo Mexicano".
Loading mails at the dock in London. 1934 was also on display at Northfield Post Office, Birmingham in 1938.
Many postal services around the world have carried mail using pneumatic tubes. This car comes from an underground pneumatic tube system built in London in 1863 by the Pneumatic Despatch Company. The system linked the post office in Evershot Street with Euston Station, and later, GPO headquarters in St Martins-le-Grand. The railcars were packed with mailbags and then sucked or blown at 35 miles per hour through the tunnels.
Trials of this system ended in 1866 when the Pneumatic Despatch Comedy ran into financial difficulties. Despite a brief recovery by the company, and further carriage of mail from 1872, the Post Office declined to enter into a permanent agreement and the last mail was carried in 1874.
Trolleys like these are familiar sites in British streets. This version has three pouches, which hold pre-sorted letters.
This photo taken in 1943 shows members of the Polish Forces using the Post Office Savings Bank.
Pillar boxes were first trialled on the Channel Islands in 1852. The trails were overseen by Anthony Trollope, a Post Office employee at the time, but later a famous novelist. Pillar boxes proved successful on the Channel Islands and were extended to the mainland the following year. Many early boxes were painted green in order to fit into the landscape.
This box was erected in Guernsey in 1853 but was later presented to the British Post Office in 1969. It was then installed outside Mercury House, the South Western Postal Region's Headquarters in Bristol, before coming into the collection of the BPMA.
The Post Office was responsible for mail sent to all theatres of war, including ships, and to prisoners of war. A special sorting office – the Home Depot – was built to deal with mail to the troops.
At the start of the war, mail for the Western Front was sorted into the army units in France. It was soon realised it would be better to do this in Britain. The Post Office built the Home Depot in Regent’s Park in London to use as a sorting office in December 1914. The volume of mail to be processed was so large that they constructed what was then the largest wooden building in the world.
Find this on the BPMA's online catalogue
This image was used as part of the exhibition Last Post: Remembering the First World War
The Central Telegraph Office was bombed in 1940. Within two days services had been restored. This photo from 1942 shows the CTO from the North East.
The global is but the local on world tour. On this tour the local is not preserving identity – be that cultural, political, or social, but it is (re-)inventing itself, as art, activism, or enterprise. The local even aims at becoming a global subject, without knowing what forces – be that swarm, viral, or whatever, this depends on. The local is more or less ignorant about the www processes, but it is ready to get itself into anything – be that souvenirs, ruins, folklorisms, vernaculars, clichés, promises, romanticisms, naturalisms, exotisms. Junk Jet N°6 is crazy about things of local time and place, in the form of objects, images, gifs, videos, sounds, architectures, or reflecting texts. Junk Jet comes with works from your localhost, or your local wifi kebab shop ...
With contributions by:0100101110101101, Adam Cruces, Agathe Andre, Aids-3d, Alberto Bustamante, Alejandro Crawford, Aline Otte, Andreas Angelidakis, Angela Genusa, Angelo Plessas, Aude Debout, Aureliano Segundo, Blinking Girls, Caspar Stracke, Christine Nasz and Stefanie Hunold, Clement Valla, Cornelia and Holger Lund, Emilio Gomariz, ET AL., ETC., Francesca Gavin, Golgotha, Hugo Scibetta, Jennifer Chan, JODI, Jon Rafman, Julien Lacroix, Kareem Lotfy, Kim Asendorf, Laimonas Zakas, Louis Doulas, m-a-u-s-e-r, Metahaven, Neil McGuire, Nicholas O’Brien, Nilgün Serbest, Olia Lialina and Dragan Espenschied, Patrick Cruz, Sophia Al-Maria, Superpool, Tomas Klassnik
Edited by Mona Mahall and Asli Serbest m-a-u-s-e-r.net/
N°6 comes with a sticker and a digital mixtape "Terrorismo Mexicano".
Telegraphs and telephones were the main means of communication between the front line and Headquarters during battle. Over 11,000 Post Office engineers worked to make this possible throughout the war, using the skills they had acquired as civilians.
Find this on the BPMA's online catalogue
This image was used as part of the exhibition Last Post: Remembering the First World War
The global is but the local on world tour. On this tour the local is not preserving identity – be that cultural, political, or social, but it is (re-)inventing itself, as art, activism, or enterprise. The local even aims at becoming a global subject, without knowing what forces – be that swarm, viral, or whatever, this depends on. The local is more or less ignorant about the www processes, but it is ready to get itself into anything – be that souvenirs, ruins, folklorisms, vernaculars, clichés, promises, romanticisms, naturalisms, exotisms. Junk Jet N°6 is crazy about things of local time and place, in the form of objects, images, gifs, videos, sounds, architectures, or reflecting texts. Junk Jet comes with works from your localhost, or your local wifi kebab shop ...
With contributions by:0100101110101101, Adam Cruces, Agathe Andre, Aids-3d, Alberto Bustamante, Alejandro Crawford, Aline Otte, Andreas Angelidakis, Angela Genusa, Angelo Plessas, Aude Debout, Aureliano Segundo, Blinking Girls, Caspar Stracke, Christine Nasz and Stefanie Hunold, Clement Valla, Cornelia and Holger Lund, Emilio Gomariz, ET AL., ETC., Francesca Gavin, Golgotha, Hugo Scibetta, Jennifer Chan, JODI, Jon Rafman, Julien Lacroix, Kareem Lotfy, Kim Asendorf, Laimonas Zakas, Louis Doulas, m-a-u-s-e-r, Metahaven, Neil McGuire, Nicholas O’Brien, Nilgün Serbest, Olia Lialina and Dragan Espenschied, Patrick Cruz, Sophia Al-Maria, Superpool, Tomas Klassnik
Edited by Mona Mahall and Asli Serbest m-a-u-s-e-r.net/
N°6 comes with a sticker and a digital mixtape "Terrorismo Mexicano".
The car in the centre shows another example of popular culture, Snoopy. He is driving a US Mail car with a rounded top and paw prints on the side. The other model post cars are also part of the Wilkinson Collection.
Sorting staff pose for a photo in the temporary parcels office, Mount Pleasant, in 1944.
A special posting box and stamp vending machine were made available at the meeting of the United Nations Relief and Rehabilitation Administration at New County Hall, London in 1945.
The roof of the reconstructed Mount Pleasant Sorting Office, London in 1944.
The global is but the local on world tour. On this tour the local is not preserving identity – be that cultural, political, or social, but it is (re-)inventing itself, as art, activism, or enterprise. The local even aims at becoming a global subject, without knowing what forces – be that swarm, viral, or whatever, this depends on. The local is more or less ignorant about the www processes, but it is ready to get itself into anything – be that souvenirs, ruins, folklorisms, vernaculars, clichés, promises, romanticisms, naturalisms, exotisms. Junk Jet N°6 is crazy about things of local time and place, in the form of objects, images, gifs, videos, sounds, architectures, or reflecting texts. Junk Jet comes with works from your localhost, or your local wifi kebab shop ...
With contributions by:0100101110101101, Adam Cruces, Agathe Andre, Aids-3d, Alberto Bustamante, Alejandro Crawford, Aline Otte, Andreas Angelidakis, Angela Genusa, Angelo Plessas, Aude Debout, Aureliano Segundo, Blinking Girls, Caspar Stracke, Christine Nasz and Stefanie Hunold, Clement Valla, Cornelia and Holger Lund, Emilio Gomariz, ET AL., ETC., Francesca Gavin, Golgotha, Hugo Scibetta, Jennifer Chan, JODI, Jon Rafman, Julien Lacroix, Kareem Lotfy, Kim Asendorf, Laimonas Zakas, Louis Doulas, m-a-u-s-e-r, Metahaven, Neil McGuire, Nicholas O’Brien, Nilgün Serbest, Olia Lialina and Dragan Espenschied, Patrick Cruz, Sophia Al-Maria, Superpool, Tomas Klassnik
Edited by Mona Mahall and Asli Serbest m-a-u-s-e-r.net/
N°6 comes with a sticker and a digital mixtape "Terrorismo Mexicano".
Great news (March 17th 2009) - iPhone Bluetooth comes to everybody with iPhone OS 3.0 - www.ubiqkom.org/blog/?cat=9
Blog entry at www.ubiqkom.org/blog/?p=51
An updated version of the "typing on the iPhone using a Bluetooth keyboard" video.
Both the keys and the display are in camera focus at the same time, iPhone is in Airplane Mode (so WLAN is intentionally off here) and it uses a simplified mechanism for key event injection (so there is no "VNC running on localhost" icon any longer).
1st version is at www.flickr.com/photos/56083335@N00/3296868407/
The Database configuration screen is most likely important part for joomla installation. You do need select the Database Type is Mysql argument. If you doing joomla installation on local server for the Host Name enter localhost, otherwise your installation hosting provider's server for the Host Name enter localhost or something else.
Next field User Name is root or something else. Next Password field is empty or something else, Last field Database Name enter create a new database name (such as joomla). You don't need to change anything else under the Advanced tab.
Finally you can click the Next button to Ftp Configuration step.
With the increase in the volume of mail after the introduction of the uniform penny post in 1840, the Post Office sought technological developments to speed up sorting and cancelling. The first cancelling machine was designed by Pearson Hill, the son of postal reformer Rowland Hill. It was treadle-powered and fitted with an electric motor.
This replica was commissioned in 1991 to celebrate the 25th anniversary of the National Postal Museum (a predecessor of the BPMA). As no working drawings were available, the replica was modelled on patent drawings.
Mixed media on canvas 23 x 35"
Tim Pyles, known to San Diegans as the Mayor Of Local Music, recently asked me to do a portrait of him. If you live in San Diego, CA, you’ve no doubt heard Tim on the radio as host for 94.9 FM and 91X or playing DJ at local parties and events. Tim has been supporting the independent music scene and local bands for many years. So, here’s to Tim, local legend, music fan and supporter—and all around cool guy!
Cardboard letter box Bridge marker. Where the collection plate would be is a rotating dial showing either 'No trumps' or the symbol for hearts, clubs, diamonds or spades. Beneath this is printed 'De La Rue's Playing Cards'. There is a boy to the side of the letter box dressed in a stripey dress, ruff and tights.
A postman carries his delivery bag over his shoulder while leading a pony and trap down a lane, 1938