View allAll Photos Tagged loadingdock

Hipstamatic for Iphone

Lens: Melodie

Film: Kodot XGrizzled

Flash: Off

The end of the line.

 

Oscar Mayer Plant

Shot this down in Lowertown, St Paul. The architecture gave us tons of unique options for portraits and the somewhat cloudy sky made for perfect lighting (like an enormous softbox)!

 

Technique: Shot wide open to blur the background, added vignette in Lightroom and a yellowish split tone on top of the original colors to give it a unique coloring.

Title: Valve Manifold at Dock

 

Creator: Richie, Robert Yarnall (1908-1984)

 

Date: July 19, 1957

 

Part Of: Robert Yarnall Richie photograph collection

 

Place: Harbor Island, Texas

 

Description: Shown is a valve manifold at a dock.

 

Physical Description: 1 negative: film, black and white; 11.8 x 10.0 cm

 

File Name: ag1982_0234_4497_036_atlanticrefiningco_sm_opt.jpg

 

Rights: Please cite DeGolyer Library, Southern Methodist University when using this file. A high-resolution version of this file may be obtained for a fee. For details see the sites.smu.edu/cul/degolyer/research/permissions/ web page. For other information, contact degolyer@smu.edu.

 

For more information and to view the image in high resolution, see: digitalcollections.smu.edu/cdm/ref/collection/ryr/id/2127

 

View Robert Yarnall Richie photograph collection at: digitalcollections.smu.edu/cdm/search/collection/ryr

Bricks, Brews & Crews GRAFFITI ART Murals Project at The Loading Dock at 2 North Kresson Street in Baltimore MD on Friday afternoon, 16 August 2019 by Elvert Barnes Photography

 

Bricks, Crews & Brews September 2018 event page at www.facebook.com/events/1676696389125389/

 

Learn about the September 2018 Monument City Brewing Company Graffiti Art Murals Project at loadingdock.org/INVENTORY_pages/partnerships/index.htm

 

Follow THE LOADING DOCK at www.facebook.com/theloadingdockinc

 

Elvert Barnes PUBLIC ART 2019 at elvertbarnes.com/PublicArt2019.html

 

Elvert Barnes BMORE 2019 at elvertbarnes.com/Bmore2019.html

Can anyone tell me about the breed of the horse? April 22, 1938 was written on the back. This was apparently taken in Tucson, Arizona, where the Southwest Pump Co. is located.

The day before our chilly, 6am Urban Phoenix Photowalk takes place, figured I'd drop one more image from one of my excursions down there before Christmas. We'll probably be walking by this building once again and I'm hoping to find something new and different about it that I missed before.

 

Before I go on...I figured I'd talk a bit about clouds. Not a surprise right?

 

My buddy Bob Lussier (whom I apparently am in love with since I've now linked to him twice this week) is just finishing up a series he calls "Off-Season." It's a fantastic look at what the wintery season looks like up in Massachusetts and the New England area when things close down. Check out one of his latest shots.

 

The reason I bring it up is because without the moody, cloudy skies, I don't think he'd get the same "abandoned, off-season, winter" feelings that he conveys through those shots.

 

Clouds are important to the photography I enjoy. I hate blue skies. If I find a building or structure that I'm dying to shoot...I'm going to wait until I get the skies to go with it. The entire reason I was out the morning I took the above shot was the clouds. There is something magical and beautiful about the morning sun creating textures and depth in clouds like this. It draws me and moves me.

 

While I was setting up to take this shot, I noticed how close the airplanes were on their decent into Sky Harbor, so I waited to snap my brackets until another one was flying over. I like the image with or without the airplane, but I think it just adds something extra.

 

(exif: rebel xsi, tamron 17-35mm, 17mm, f/8.0, iso100)

Received a donation of 75 chairs from Mark Travel this morning!

We left the foggy hills of the Marin Headlands in Sausalito, California and crossed the Golden Gate bridge back into San Francisco. The Palace of Fine Arts was along the way so we stopped and shot a few, in spite of the harsh light of the midday sun. Yes, the sun was shining in the Marina district but not at the Marin Headlands.

 

We went and did other things (not shooting) to kill time and picked up the camera again a couple of hours before sunset. This time we were at Treasure Island, in the middle of San Francisco bay, to shoot some of the things the US Navy left behind when they closed their facility on this island. There are lots of old dilapidated structures, numerous signs warning against entry, hazardous material warnings and countless broken window glass.

 

This is an image of an old military loading dock on Treasure Island. Like many currently usable buildings here, this one houses several businesses, one a wine business with a tasting room and another that looks like a printing company. Many small businesses are drawn here because of the relatively cheap rent and lots of space for things like parking.

 

Commercial development on Treasure Island will soon commence, so most of these old structures will be demolished, the area cleaned up and de-toxified, and modern structures built.

 

This photo is part of a series of images captured during an urban decay photowalk on Treasure Island, San Francisco, California in February of 2011.

 

View large in lightbox.

 

Copyright ©2011 - C. Roy Yokingco, aka Nextier Photography

All Rights Reserved. Please do not use my images without prior consent.

 

West Town

Chicago, IL

Title: [Unloaded Railroad Freight Cars Beside Seatrain Louisiana, Seatrain Lines]

 

Creator: Richie, Robert Yarnall, 1908-1984

 

Date: May 5, 1952

 

Place: Texas City, Galveston County, Texas

 

Part Of: Robert Yarnall Richie photograph collection

 

Physical Description: 1 negative: film, black and white; 10 x 12.8 cm

 

File: ag1982_0234_3532_32_seatrainlines_sm_opt.jpg

 

Rights: Please cite DeGolyer Library, Southern Methodist University when using this file. A high-resolution version of this file may be obtained for a fee. For details see the sites.smu.edu/cul/degolyer/research/permissions/ web page. For other information, contact degolyer@smu.edu.

 

For more information, see: digitalcollections.smu.edu/cdm/ref/collection/ryr/id/3234

 

View the full series: digitalcollections.smu.edu/cdm/search/collection/ryr/sear...

 

View Robert Yarnall Richie Photograph Collection: digitalcollections.smu.edu/all/cul/ryr/

Rite Aid #3934 (closed) [11,922 square feet]

2447 George Washington Memorial Highway, Hayes, VA

Built and opened in 1996, closed/relocated in fall 2007

After capturing photos of the Ringling Brothers, Barnum and Bailey Circus Parade in Tampa on Tuesday January 5, 2016, a week later, on Wednesday, January 13, 2016, I took Photographs of the Ringling Bros. & Barnum Bailey Circus (aka: Feld Entertainment) Circus Train in Orlando, Florida, while the Circus was performing at the Amway Center in Downtown Orlando, Florida.

 

The Amway Center is bordered on the North by W. Church Street, on the East by S. Hughey Ave. and I-4, on the South by W. South Street and on the West by S. Division Ave. The Amway Center Postal address is 400 W. Church St. #200, Orlando, FL 32801.

 

These photos show the Circus Wagons that were all around the AMWAY Center, some were behind the Center on South Street (along with a Trailer with some Motorcycles), some were in a parking lot located on the Southwest corner of South St. & Division St., diagonally across from the Center, and some were in a Plaza at the Southeast Corner of Church Street and Division Street.

Title: Atlantic Navigator at Dock

 

Creator: Richie, Robert Yarnall (1908-1984)

 

Date: July 19, 1957

 

Part Of: Robert Yarnall Richie photograph collection

 

Place: Harbor Island, Texas

 

Description: Shown is the docking of the Atlantic Refining Company vessel, SS Atlantic Navigator.

 

Physical Description: 1 negative: film, black and white; 12.4 x 10.0 cm

 

File Name: ag1982_0234_4497_023_atlanticrefiningco_sm_opt.jpg

 

Rights: Please cite DeGolyer Library, Southern Methodist University when using this file. A high-resolution version of this file may be obtained for a fee. For details see the sites.smu.edu/cul/degolyer/research/permissions/ web page. For other information, contact degolyer@smu.edu.

 

For more information and to view the image in high resolution, see:

digitalcollections.smu.edu/cdm/ref/collection/ryr/id/2120

 

View Robert Yarnall Richie photograph collection at:

digitalcollections.smu.edu/cdm/search/collection/ryr

Loading dock at the downtown Palo Alto post office

Bricks, Brews & Crews GRAFFITI ART Murals Project at The Loading Dock at 2 North Kresson Street in Baltimore MD on Friday afternoon, 16 August 2019 by Elvert Barnes Photography

 

Bricks, Crews & Brews September 2018 event page at www.facebook.com/events/1676696389125389/

 

Learn about the September 2018 Monument City Brewing Company Graffiti Art Murals Project at loadingdock.org/INVENTORY_pages/partnerships/index.htm

 

Learn more about this project at www.charmcitystreets.com/bricks-brews-crews-paint-jam-25-...

 

Follow THE LOADING DOCK at www.facebook.com/theloadingdockinc

 

Elvert Barnes PUBLIC ART 2019 at elvertbarnes.com/PublicArt2019.html

 

Elvert Barnes BMORE 2019 at elvertbarnes.com/Bmore2019.html

While I was framing this shot, I was approached by a security guard. He wanted to know why I was taking pictures; I told him because I like to take pictures, I take pictures every day.

 

He told me that because of terrorism concerns photography of the building is not allowed. I told him thanks, but since I am on a public sidewalk I will continue taking photos.

 

At that point, he got on his radio and announced that they had a "terroist". I had to laugh at that.

 

Soon two other guards came out and told me that I was not allowed to take photographs of the building. They threatened to call the police; I invited them to do so. I continued taking pictures, shooting the rear of the building, the window washers, and continuing to the front of the building.

 

As I was finishing with the shots I wanted to get, Security Supervisor Nicholas Torres came out and gave me a "Courtesy Card" explaining their photography policy. I told him that it didn't matter what their policy was, it does not change what my rights are. He acknowledged that I had the right to take photographs from the sidewalk (which contradicts what the card he gave me says, and what the other guard was telling me), but then said that they do not want me to take photographs of the exterior of the building, and that I could not take pictures from the plaza, even though it is designated as a Privately Owned Public Open Space (POPOS).

 

I have shot here several times in the past, including the public plaza. The guards usually are keeping an eye on things, but they have never been this agressive before. It's disappointing that the property managers and/or the security service, Universal Protection Service, have adopted a policy of harassment.

 

Photography is not a crime.

 

Troy Holden was harassed there as well. He has contacted the building management company and will update his post with results.

Local Accession Number: 06_11_003031

Title: Overlooking the ore docks, Two Harbors, Minn

Genre: Stereographs; Photographic prints

Created/Published: Meadville, Pa. ; New York, N.Y. ; Portland, Oregon ; London, Eng. ; Sydney, Aus. : Keystone View Company, manufacturers publishers

Copyright date: 1906

Physical description: 1 photographic print on curved stereo card : stereograph ; 9 x 18 cm.

General notes: Title from item verso.; No. 6974.; Image caption: Overlooking the ore docks, Two Harbors, Minn., U.S.A.

Subjects: Ore industry; Loading docks

Collection: Stereographs

Location: Boston Public Library, Print Department

Shelf locator: Minnesota

Rights: No known copyright restrictions.

Saturday, February 5, 2011

 

Tonight I worked a long evening at a dance in Jacksonville. After we loaded up the van I crouched down for a low angle perspective of the garage. This would be a good place to film a movie scene.

 

---

One year ago today, I covered my first event as a freelance photojournalist for the local newspaper.

Loading systems is specialised in total solutions for loading and unloading service on dock equipment and industrial doors

Olympus XA, Fuji Provia 100

 

It's the side view of this scene, posted earlier.

Local Accession Number: 11_07_003663

Title: Loading boxes at Polaroid Corporation warehouse, Cambridge

Creator/Contributor: Grant, Spencer, 1944- (Photographer)

Genre: Slides

Date created: 1977

Physical description: 1 slide : color ; 35 mm.

General notes: Title from photographer caption.

Subjects: Loading docks; Shipping; Polaroid Corporation

Collection: Spencer Grant Collection

Location: Boston Public Library, Print Department

Rights: Copyright (c) Spencer Grant

After capturing photos of the Ringling Brothers, Barnum and Bailey Circus Parade in Tampa on Tuesday January 5, 2016, a week later, on Wednesday, January 13, 2016, I took Photographs of the Ringling Bros. & Barnum Bailey Circus (aka: Feld Entertainment) Circus Train in Orlando, Florida, while the Circus was performing at the Amway Center in Downtown Orlando, Florida.

 

The Amway Center is bordered on the North by W. Church Street, on the East by S. Hughey Ave. and I-4, on the South by W. South Street and on the West by S. Division Ave. The Amway Center Postal address is 400 W. Church St. #200, Orlando, FL 32801.

 

These photos show the Circus Wagons that were all around the AMWAY Center, some were behind the Center on South Street (along with a Trailer with some Motorcycles), some were in a parking lot located on the Southwest corner of South St. & Division St., diagonally across from the Center, and some were in a Plaza at the Southeast Corner of Church Street and Division Street.

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