Isolette, PXP, eco film developer, Agfa Record Rapid N112 in SE15 Polychrome (Lith&Siena)

Lith print on Ilfomar Paper.

Holga 120N / Foma 400

Return to Waterloo

Zero image 612B, Tmax 400, prescysol-ef dev., Foma classic MG 131, Moersch SE5 lith +Omega and finished in Selenium toner.

Attempting lith printing. After some hours in the darkroom this was the only one that came out. And its a bit pale and rather skew in the border (paper is very curly). But it looks nice.

Fomabrom 123 Zweibad SE5 Lith und Lith G (Glycine)

efke varycon and arista premium AB lith developer

great

Holga 120N, Efke IR820 in efd,

MGIV in SE2 Warm, copper sulfate bleach - two tray redevelopment

Easy Lith 1+80 1 minute followed by a hot water bath 1 minute and

glycin developer: 600ml water 1ml Lith G + 1,5ml Ammonium chloride 20% + 2ml Lith B 90 seconds

r3@800 in RHS

Lithprint on Brovira (BH1)

Sports Obscura - it's my new genre!

This is Stockholm Marathon shot with the SOLSTICKAN matchbox pinhole camera.

The day was sunny and hot and the exposures were a little under a second.

Kodak Signet 35

Ilford HP5, f11 1/50, yellow filter

Lith print on Haloid paper (expired in 1959!)

Scanned lith print.

Zeiss Ikon Super Ikonta 531/16 w/ Novar-Anastigmat 75 mm/f3.5.

Early morning Aug 23, 2025.

Fomapan 100 in Rodinal 1+100, semistand 1 h.

Lith printed on Foma Retrobrom 151 Sp and developed in Moersch Easy Lith.

Untoned.

A lith printed variant of this neg.

The Retrobrom green tinted shadows are obvious here.

A slightly different take on a old favourite photo subject.

West Pier remains, Brighton Sussex -UK

HP5 ID11 1+1 13min

Fomatone Lith in SE5 1+20

Fomatone MG Classic 132 Matt

Moersch SE5 Lith (1+15)

13 min base exposure f8

Holga with Neopan, Rodinal

Moersch Easy lith 30-30-1000+50

Silver bromide Palpaper

Holga 120N, Tri-x in Tanol, Variotone matt in SE2 Warm, Copper sulfate bleach, Easy Lith 5+5+1600ml 30 seconds, followed by a hot water bath (2 mins) to develop the lights.

Rolleicord, neopan in HC110

Lith

Paper Kodak Bromesko

Canon EOS 5 (semi-pro segment 1992-2000, 5 eye-controlled focus points) w/ Canon IS L 24-105 mm.

Fomapan 100 in Rodinal 1+100, semistand 1 h (my first Fomapan 100 135-film!)

Lith printed on Kosmos Bromega 18x24, developed in Moersch SE5 (25A+25B+20D+700H2O) and toned in Se 1+4, 30 sec.

A presentation of recently bought (and fogged in various grades) old photo papers.

The take home message is that fogged paper is almost always usable with lith or lumen printing!

Lith print on Fomatone 133

One summer in Indiatlantic Florida

I found some old Lodima in my darkroom so I thought I'd try making a few lith prints. Definately a beginner's print but it sure beats the orange ones that I made last time I tried.

Moersh SE5 1/20 and Omega Lith 1/100.

Maco Expo, Easy Lith, Kodak Portra 160/Rolleiflex

30x20 cm lith print on Unibrom 160, untoned

Minolta X-700, 28mm

Rollei Superpan, f8 1/125

Lith print on Kodak Ektamatic paper.

lith print on expired Bromortrait, untoned, dev. D-85

Scanned 2nd pass IR print.

Rolleiflex T w/ Tessar 75 mm/f3.5 + Rollei IR filter (cutting @ 700 nm).

Morning of Oct 12, 2024.

Rollei IR 400 in Adox Adonal 1+100, semistand 1 h.

Printed on Foma Fomatone 132 FB and developed in Moersch SE2 Warmtone.

Bleached in Moersch Copper Bleach for Lith Redevelopment and redeveloped in Moersch Easy Lith (2,5A+2,5B+800H2O) @ 35°C.

Untoned.

Spoiler alert: All analog photo papers can be turned into lith papers by the 2nd pass lith process.

Even the (previously) "lost" Fomatone.

lith print

30x15 cm lith print on expired Bromportret, untoned