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Lith print, contact from 5x7 negative
Kodak commercial 4127 film (exp.: 2003)
EasyLith: 1+25, 15% OB
Kodabromide F-2 paper
This is a darkroom print on Ilford Warmtone FB with Moersch Easy Lith. The black grain and stains indicate a technical problem during the process, but I find in this case it actually makes the print more... interesting, so to say.
Lith print on Fomatone Classic 532 FB, developed in Rollei Superlith. I used a fair amount of dodging in the lower half and the left and right pillars.
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Taken with a Holga with a homemade lens.
Lith print on Rollei Vintage Creative 132, Vintage Creative dev, 1+16 @ 25°C.
On the left an Omega Lith on Select Ivory from 2009, developed as usual, first Lith then Omega 1+100.
However, if you return from the Omega bath to the Lith, a solarisation occurs in the deepest tones. I had also scanned such a failed attempt (as a warning example). Yesterday I made a digital print negative of this scan for a Kallitype. It's just a gimmick, not an attempt at any kind of improvement.
On the right a toned Kallitype.
MT3 Vario followed by MT7 Iron Blue.
Scanned lith print.
Mamiya 645 ProTL w/ M-S 120 mm/f4 macro.
Jan 17, 2025.
Fomapan 100 in Adonal 1+100, semistand 1 h.
Lith printed on Foma Retrobrom 151 Sp and developed in Moersch Easy Lith and Lith Omega.
Untoned.
Scanned IR lith print
Rolleiflex T, Tessar 75 mm 1:3,5 with Rollei Infrarot filter (700 nm)
Rollei IR 400 exp @ iso 2, developed in Tetenal Ultrafin liquid 1+19, 6,5 min
Fomatone MG 132 in 2 bath lith:
1. Moersch Easy Lith (25A+25B+950H2O)
2. Moersch Lith Omega 1:100
Fresh omega...
Agfa MC111 FB paper. Getting the snatch point properly timed. I just watch the blacks and everything turns out with the dry down,
2/2
Rolleiflex T w/Tessar 75 mm/f3.5 + Rollei IR filter.
Rollei IR 400 in Rodinal 1+100, semistand 1 h.
Lith printed on "old" lithable Fomatone MG 133 and developed in Moersch Easy Lith (15A+15B+H2Oqs700).
Untoned.
Third print in the lith soup, exp 120 sec and developing time 10 min.
Compare with the same neg below. Longer exposure and longer development should lead to less contrast and more colours. I don't know, this business is so multi-factorial that it's hard to do comparisons. For more adequate comparison I should probably have snitched the print earlier. Nevertheless, I'm satisfied with the result.
Railroad in Hikkaduwa (Sri Lank).
Scan from print on Fomatone PE paper.
two bath development,
1. developer high diluted moersch warm
2. developer moersch easylith
Film Rollei Superpan 200 in Moersch Finol
Train from the Roundhouse Community Center. This photo was taken on July 4 2013 and lith process printed Jan 21 2025. It looks like I had the perfect temperature (32 C) for the developer as it turned out very well.
Scanned lith print.
Mamiya 645 ProTL w/ M-S 120 mm/f4 macro.
Aug 8, 2021.
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Lith printed on Maco Expo G2 FB (Moersch Easy Lith/SE 5) and toned in Moersch MT7 Iron Blue toner (incl the clearing supplied with the kit). Finally toned in Lead Acetate 1+1 (Moersch).
Nov 2022.
PS borders.
EOS 500N, FP4 in efd,
Fomatone 111
SE5 Lith A+B+D+water 50+50+35+1000ml 5 mins, followed by Lith B/water 30+1000ml 2 mins
Lith print (8x12cm) using Moersch Easy Lith 20+20+960 on expired Kodabrome II.
Notes: generous overexposure of 3-4 stops at least, followed by relatively short development time (for Lith).
Camera: Nikon F2 (1976) with Nikkor 50mm/f1.8 AI
Lith contact print
Ansco 70 homebrew on Forte Bromofort.
Bromofort, an anti- depressant? Anyway works for me.