View allAll Photos Tagged lith
Crop from 6x9 negative (by an ancient Box Brownie) developed in Moersch Easy Lith and Moersch Omega lith enhancer, on Fomatone MG 131.
Taken with a Holga with a homemade lens.
Lith print on Rollei Vintage Creative 132, Vintage Creative dev, 1+16 @ 25°C.
Lith print made from a contact print of a 5x7 negative shot with Watson. I used some Ansco Indiatone Kashmir paper that expired in 1952 which is the best freaking paper ever. The lith prints came out great, but just a regular print from this paper is awesome, so I'll probably use it more for that than this.
FP4 in LC29
Lith in SE5 on Fomatone 133 (current)
25+25+850+100OB+Omega+MT10gold.
Using Omega does get colour but at this dilution lith was a bit green. So I tried gold which has sent it a bit pink maybe.
Scanned lith print.
Hvaler, Norway. 27 April, 2019.
Mamiya 645 ProTL, Mamiya-SekorC 210mm/f4.
Fomapan 400 in Fomadon R09 1+100, semistand 1 hour.
Lith printed on Fomatone MG 133 (24x30 cm). Moersch Easy Lith 25A+25B+some OB+950 H2O.
Untoned.
Iskra camera, fixed 75 mm lens
Foma pan 200 film, f8 1/60
lith printed on Oriental Seagull warmtone resin-coated paper.
On 26 May 2017, there was an attack on a commuter train near Hollywood Station in Portland. An impromptu memorial sprang up at the station.
Franka Solida Record.
Fortepan 400, Caffenol C-H.
Lith print on Forte Bromofort BN 5 from 1989, Rollei VC Dev 1+16 @ 28°C.
Minolta X-700, 58mm
Maco Eagle film, f5.6 1/125 with circular polarizer.
Lith print on Ektalure G with selenium toning.
Pu'u Loa area of Volcano Park, Hawai'i.
First experience gold toning lith prints described here... remorseblog.blogspot.com/2022/03/gold-toner.html
Holga 120 S.
Agfa Isopan F ca. 1960. Guesstimated ISO 2.
Lith print on Bergger Vario NB, Rollei Superlith 1 + 15 @ 27°C.