View allAll Photos Tagged lith

Same neg as second last one.

 

Print digitalized with DSLR.

 

Camera: Linhof Technika 13x18

Lens: Voigtländer Heliar 300mm f4.5 @ f16

Film: Fomapan 100 @ 64 asa

Dev.: Moersch Tanol 1:1:100, 10min @ 20°C, Rotation "F" in Jobo CPA 2

 

printed on Fomatone MG 132.

Moersch Easylith 20+20+1000ml,

selenium toning 1:10, 4 min

  

lith print on expired Bromortret, untoned

Lith print, D-9 on single weight Kodabromide paper.

Portal de Santa Madrona in sunny Barcelona.

 

Handheld matchbox pinhole camera, T-max 100, a little less than a second's exp.

 

Lith printed on Rollei Vintage 132 paper, Rollei Vintage Creative dev, 1+15, @27° C.

Lith A+B+D 50+50+1000+30ml

Lith G 500ml + 5ml G + 4ml NH4Cl 20% + Lith B 2ml

lith print on expired Bromortret, untoned

Lith print on Kentona paper.

Von Zeit zu Zeit versuche ich mich am Art 300. Bei normal verdünnten Lithentwicklern entsteht kein tiefes Schwarz mit klarer Kante zu den Mitteltönen. Fette Ansätze bei kurzen Zeiten (3-5 Minuten) bringen Ergebnisse, die mit Wohlwollen als Lith bezeichnet werden könnten. Ein geringer Zusatz von Lith E erhöht die Schwärzung, es entsteht aber auch eine deutliche Struktur in Lichtern und Schatten.

SE5 Lith 75+75+1000ml + 2ml Lith E 4 Minuten. Schwarz zeigt sich erst im Fixierbad.

  

lith print 18x18 cm

old bulgarian photographic paper Fohar

Fujica Drive diptych shot on 1980s Svema 250 film. Lith print on Unibrom paper from the 1970s; Moersch Easy Lith 1+25 @ 26 °C.

view large for texture

 

Plus-X in efd, Lithprint onto Kentmere WT

30x20 cm lith print on Unibrom 160, untoned

efke varycon, arista premium ab lith developer [1+15 dilution each.]

  

lith print on expired Bromportret, dev. D-85, untoned

 

In the depths of the archive I found a negative from the 1980s. At that time I was working as a commercial photographer and had just set up my studio.

It was a first shot Just for practice of silver jewellery on a slate plate. Sinar P 4x5 and Broncolor studio flash unit.

The colour slide is lost, the black and white negative has never been printed.

Second attempt Lithprint on Foma Retrobrom

Minolta X-700, 28mm

Rollei Superpan, f16 1/60, orange filter

 

Lith print on Kodak Ektalure G, toned in selenium

30x20 cm lith print on Unibrom 160, untoned

Lith Print. PInhole. Still life.

Fomatone 131

SE5 Lith 1+9 followed by VGT-A 20ml + water 1000ml + NH4Cl (20%) 10ml + Lith B 15ml

Lith Print. Moersch SE5 on Brovira

SE5 lith process / Slavitch paper

street graffiti/ не знаю авторов этого граффити :((( если, вдруг вы увидите, отзовитесь! я обязательно вас укажу

Made some more lith prints of this castle-ish house the other night. So rewarding!

 

Olympus OM-1 - Zuiko 135mm f/3.5

️ AgfaPhoto APX100

Adox Rodinal 1+25

 

📄 Agfa Brovira-speed 310 @ 4x6"

Moersch Easy Lith @ 1+1+50

Scanned at 300 ppi in Silverfast, no postprocessing.

Lith print, from 6x6 negative

Lith print on Agfa Premium 312 RC. Contact print from digital negative.

ANSCO-70 (DIY) 20+20+400

print available at alexandersdarkroom.etsy.com/listing/1828054762

Matchbox type pinhole camera. Lith print on Ilfomar A118. Rollei Superlith 1+16 @ 30°C.

photo: Holga+ acros 100+ agfa/ansco 17 1+1

print: lith print on agfa brovira satino with homemade kodak D8

 

inveraray scotland

 

UK RT 2015

 

lith print on expired Bromortrait, untoned, dev. D-85

I don't know what happened exactly; I was just going to mature the developer, the paper was old... and I just loved it.

Question is: is it repeatable?

 

Valencia , Dic. 2006

 

Retro 400 a 400 ASA

Rev. High Speed 1:7 6'30''

Forte PW15 - Vintage Creative

Mamiya 645 ProTL w/ M-S 45 mm/f2.8.

April 2013.

 

Adox CMS 20 in Adox Adotol II.

 

Lith printed on Kodak Ortho Lith (single weight FB) and developed in Moersch Easy Lith (25A+25B+800H2O@35 °C).

 

Untoned.

 

Oct 6, 2024.

 

Winter Fishing in/on(?) the river Klarälven, alone. Serenity.

 

Paper credit to my dear friend in the US, Travis Doane, Portland, Oregon.

  

Matchbox pinhole camera, Fomapan 400 film.

Lith print on Ilford Ilfomar paper, Moersch Easy Lith 1+ 25 @ 28 °C.

Rolleiflex 3.5E

Planar 75mm 3.5

Rolleinar 2

Ilford HP 5

Developed in Kodak HC-110 (B)

 

Scan from print

Paper: Fomatone MG 131

Lith developer: Rollei Super Lith

Toned in selenium

1 2 ••• 10 11 13 15 16 ••• 79 80