View allAll Photos Tagged linework
so, i got a sketchbook a while ago, and i decided that i would write one positive thing about myself. actually, this was more at the encouragement of melissa (thank you so much) who told me to write one positive thing about myself everyday. i haven't kept up with it too well, but i do try to everyday, or every other day. however, this one is by far my favorite of the mix.
Nearly finished the linework #zentagle #doodleart #doodle #zenspiration #joannefink #zenspirations #zendoodle #fineliner #drawings #drawing #steadtler #pigmentliner #sakura #pigmasensei #notebook #wip #workinprogress
Linework for my version of trippy xmass card. Santa and space cake gingerbread people... ;) I will try to find time to introduce some colour to it.
dandelion-tattoo-flower-whispy-whisps--tattoo-beautiful-pretty-cute-tina-marie-decarlo-tattoo-body-graphics-tattoo-southst
Artwork courtesy of Jason Turner.
Check out the accompanying article by Kevin De Vlaming at The Fabler Blog.
The Fabler, We love comics as much as LARPers love tinfoil.
Commissioned piece done for a friend of mine for his graduation.
piece measures 14" x 54" (3 canvases)
Finally, I'm re-starting MSCED! It's good to be back :)
I've always loved Beatrix Potter, and Alice in wonderland. Perhaps I should have given him a pocketwatch?
Conductors were pulled in last week and anchored to a dead-end. The newer poles are taller since they were set on slightly higher ground.
(Il s'agit au départ d'une proposition pour le magazine pour enfants "Anorak", mais j'ai bien peur de ne pas avoir fait quelque-chose d'assez .... "fun"!)
Artwork courtesy of Jason Turner.
Check out the accompanying article by Kevin De Vlaming at The Fabler Blog.
The Fabler, We love comics as much as LARPers love tinfoil.
After an hour of linework, I was keen to add colour - 60mins other page, 30mins this page with another 30mins for colour on both, approx 10am till noon.
I took this photo at the beginning of the session and you can see the obvious attraction of the 'path of light' leading to the lit-up pub facade. Normally I would have focussed on the wonderful architectural detail, but opted today for a streetscape 'painting' because I'm trying more consciously to fill the entire page these days in my 'slow' architectural sketches.
The intersection and the former shop/surrounding houses were quite at odds with each other; ideally they would have been done as separate, unconnected sketches. I liked the intersecting planes of solid colour in the crumbling walls, relatively rare corrugated iron roof and 19th-century chimneys.
Lots of locals stopped to look and comment, obviously very proud of the architectural diversity they live amongst. The inclusion of the ANZAC Bridge was very fortuitous but I didn't do it justice. The streets were very quiet, but most Inner West businesses don't open till 11am on weekends because everyone sleeps in after the busy working week.
Sketching colleagues produced an amazing array of views and vignettes (what Paul Hogarth would call "memorabilia" for use in his composite/"improvised" pen drawings) and a group of us went off to see the Francis Bacon exhibition, lugubrious and visceral, before it closes next weekend.
sketchblog gasp2011.wordpress.com
I had so much fun making this picture! Drawing these fireflies with eyes instead of their "lamps" was very good
Dutch pop-art painter Ottograph.
Ottograph who graduated from the Rietveld Academy in Amsterdam, started to paint at the young age of ten, he liked the idea of painting on the walls of the streets of Amsterdam and has never stopped doing so. Now Ottograph’s art can be seen in galleries, on wall’s, in bars and shops around the world and not to mention the wall’s of the Modern Art Museum of Antwerpen, MoMu in Belgium.
Ottograph’s work is full of color and life. What Ottograph paints is something that reflects to society in general and is something that people can relate to.
On his own or to gether with his fellow artist/friends Ottograph has also set up several successful projects such as CIA (Central Illustration Agencey), which speaks for it self as well as KMDG a group of artist with a backround in illustration, graffiti and street-art who bring together artist from around the world to paint walls and commissions together.
Over the years Ottograph has accumulated several important client’s such as Nike, Mars, MercedesBenz, and Apple i-pod and i-phone just to name a few…
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In Las Palmas noemen ze alle VJ's VJ. Behalve Ottograph, dat is de Kunstenaar. Zijn voornaamste bezigheid is namelijk schilderen, en dat zie je terug in zijn animaties, waarin beeld - en niet techniek - de hoofdrol speelt. Ooit was Otto Kruijsen, oftewel Ottograph, nachtenlang in de weer met spuitbussen, om een vette piece neer te zetten op trein of muur. Daar kreeg ie genoeg van, en na diverse omzwervingen meldde Otto zich in 1993 aan op de Rietveld Academie, om schilder te worden. Al snel besefte hij dat hij allang wist wat hij wilde en kon, en helemaal geen zin had om voor de zoveelste keer van voren af aan te beginnen. Tabe Rietveld dus. Een goeie zet, want sindsdien is het Otto voor de wind gegaan.
Zijn eerste expositie, samen met een paar vrienden, was een groot succes: ze verkochten hun doeken in een galerie verbouwd tot supermarkt, met o.a. een echte kassa bij de deur. Naar aanleiding van deze expositie werd Ottograph gevraagd om prints voor t-shirts en kleding van Bodyglove te ontwerpen. Een toffe maar heftige job, omdat hij alles met de hand deed. Hierna schafte Otto de computer aan. Vele ontwerpopdrachten volgden, en Otto leefde zich jarenlang uit in illustraties en logo's. En hij legde zich toe op het VJ-en. Het schilderen verdween in die tijd naar de achtergrond, de reden waarom hij het ontwerpwerk en illustreren op den duur weer heeft afgestoten.