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"The little boy nodded at the peony and the peony seemed to nod back. The little boy was neat, clean and pretty. The peony was unchaste, dishevelled as peonies must be, and at the height of its beauty.(...) Every hour is filled with such moments, big with significance for someone."
Robertson Davies
"Little red devils with fire in their skin and hell in their seeds."
James Street (1903–1954), “The Grains of Paradise”
Better think twice before taking this route through the forest by nightfall 😁 Ghost minifigure with some custom edits
© Ben Heine || Facebook || Twitter || www.benheine.com
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NEW: Buy high quality prints of the above photo.
His name is Reiki, he is a young baby...
and it's not a toy, it's a real donkey.
I took this picture in Braives, Belgium.
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For more information about my art: info@benheine.com
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I wrote the following poem in 2003, it's only available in French.
Une Première et Unique Fois
Par Ben Heine
Qu'il est divin d'aborder quelqu'un,
Les premiers jeux sont un festin,
Aucune gêne ne nous tiraille, ni restreinte.
Les gestes se veulent sincères, sans feinte.
Bien vite, une complicité s'installe,
Le plaisir nouveau est partagé,
La découverte se veut totale.
Tout cela d'abord sans crainte ni pitié.
Le rapport se veut paisible,
Les dialogues s'éternisent,
Une confiance naive s'organise.
Nous abordons les sujets sensibles.
Mais que dérape l'un ou l'autre,
Et on est entièrement déchirés,
Car une chance s'écroule. Navrés.
On devient pauvre.
Et puis, on se dit "à la prochaine",
Mais, en fait, tout est perdu.
On aimerait pardonner sans peine,
Car ça sent le "déjà vu".
For complete Credits visit my Blog:
My Sponsors:
Skin: Stray Dog – Livia
Bodyskin: Ethereal – Idol
Eyes: LOTUS – Elaisha
Body: Prima – Elite (Busty Vers.)
Dress: Prima – Antique rose
💫 Event: The Studio 2026 1st - 11th May 💫
Shadow-/Lighteffect: Koukla – Illumibeam
Pose: [WILDERIA] – Modelling Collection Vol. 11
Special Bokeh with hearts / no Photoshop . Not edited picture . Long exposure " Bulb " ( manual long exposure ) and my macro love together in this night picture .
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Spezial Bokeh mit Herzen / kein Photoshop . Nicht bearbeitet . Langzeitbelichtung mit Bulb Einstellung . Manuelle Langzeitbelichtung und meine Liebe zur Makrofotografie zusammen in dieser Nachtaufnahme .
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Schönen Start in das Wochenende ❤📷😊
Nice Start into this Weekend ❤📷😊 Christine
== in Explore 29.4.2022 / Thank you so much == pic. no. 94
“Happiness. Simple as a glass of chocolate or tortuous as the heart. Bitter. Sweet. Alive.”
Joanne Harris
Sweet are the peaches and bitter is an infusion of the bright yellow flowers of Helichrysum arenarium (also known as dwarf everlast, and as immortelle). Helichrysum arenarium is widely used for medicinal purposes.
A fresh espresso coffee in a classic white cup with saucer sits on a glass table top. Toned image with dramatic side lighting, and copy space.
Love never dies a natural death.
Anais Nin
'THE BEST OF MASTERPIECES' Magic Unicorn Masterpieces Front Page
ADMINS/MODERATORS' SELECTIONS: Batch #16
- Thanks a lot!
Monheim, View into a well with sound- and lighteffects
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Die Brunnen im Monheimer Marienburgpark wurden von dem amerikanischen Künstler Robert Wilson entworfen. Die Brunnen wurden mit Klang-, Licht- und Spiegeleffekten versehen.
Die Texte, die aus den Klangbrunnen ertönen, stammen von der Monheimer Autorin Ulla Hahn und wurden gemeinsam mit Kindern der Stadt eingesprochen.
Die Kunstinstallation „Yes There No Where“, die wir in enger Zusammenarbeit mit Robert Wilson realisieren durften, lädt Besucher des Marienburgparks in Monheim am Rhein zu einer sinnlichen Reise ein. Sie umfasst eine geheimnisvolle Hütte und interaktive Klangbrunnen, die die Sinne auf immersive Weise ansprechen.
Mehr info zum Künstler Robert Wilson:
www.arnold.de/de/art/kunstschaffende/robert-wilson
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The Wells have been designed by the american Artist Robert Wilson. The Wells have been endued with Sound-, Light- and Reflectioneffects.
The Lyrics have been created and spoken by the Monheim Author Ulla Hahn and children of the Town.
Four key events in the final hours of Jesus’ life are dramatically shown here (from left to right): Peter sheathing his sword after severing the ear of Malchus (seated), the high priest’s servant; Jesus miraculously restoring the ear; Judas betraying Jesus with a kiss; and Roman soldiers arresting Jesus. The compression of these events into one scene with its complex interweaving of figural masses creates a powerful sculptural statement.
In the medieval church the choir screen separated the nave and the choir area. By the thirteenth century these barriers often were decorated with extensive narrative themes, especially the Passion, the dramatic final events in the earthly life of Jesus. Because they hindered participation in church rituals by the laity, most European churches eventually eliminated them. The choir screen at the cathedral in Amiens was destroyed in 1755. This relief is one of the largest and best preserved narrative sculptures to survive.