View allAll Photos Tagged learningexperience
...will cause you to see part of the shutter, hurrying to get out of the way before the flash pops and your exposure is created. At one point during the shoot I inadvertently bumped the shutter adjustment dial and wound up taking it to 1/400. Since the max flash sync speed on a D200 is 1/250 sec. I caught the shutter in flight, adding the dark bar to my photograph and slightly underexposing part the image.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
From discovering ancient pottery to diving with exotic ocean life, Southern students make the most of a wide range of study tours. Share in their experience through photos.
From discovering ancient pottery to diving with exotic ocean life, Southern students make the most of a wide range of study tours. Share in their experience through photos.
MRCC has come up with a series of podcasts focused on solving corporate onboarding challenges. Here we are launching the second podcast of the series where Rinkesh Sharma, Corporate Learning Solutions Expert at MRCC talks about delayed onboarding training, its impact, and how you can overcome this challenge. Rinkesh shares his insights on how to achieve enhanced efficiencies through a wide variety of highly experiential and practice-based onboarding programs. To learn more, connect with our experts now at sales.learning@mrccsolutions.com #podcast #onboarding #corporatetraining
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
From discovering ancient pottery to diving with exotic ocean life, Southern students make the most of a wide range of study tours. Share in their experience through photos.
no, no, no, no..... no.
Cotton perle, 3/2, Old Gold
10dpi, 66ends
6" x 57"
I don't like this. At all. sigh.
These little devils are the ones that did me in with a massive chemical burn.
If you're looking for a solution to a hot pepper burn (capacsin), when people say cold milk, it's true. Takes the pain out immediately as long as you stay soaking in it.
Depending on the amount of exposure, that may do you. I was exposed to about 3 pounds of peppers (insides, taking out the seeds and chopping them), which, granted, is my own daft fault, but still, none of the normal treatments were cutting it.
I couldn't use my hands at all, any pressure was an intensification of the heat. Such heat! Like holding a flame.
Eventually I read that Maalox worked for someone, a 20 minute soak. I soaked my left hand for 20 very painful minutes (the Maalox does NOT dull the flame, and seemed to intensify it), then washed my hand off and put it in the cold milk bath.
Where 20 minutes prior the milk felt like it was was room temperature, when I put the Maalox soaked hand into the milk, it felt like it truly was - ice cold and hard to endure. While I was attempting to soak the left hand in the milk, the right hand was happily in it up to the wrist as if it were a lukewarm bath.
About 20-30 minutes after the Maalox soak, my left hand was no longer on fire. It felt muffled and swollen, but not on fire.
So I put my right hand in, and soaked it for 20 very painful minutes as well. Same results.
So! If you get a severe hot pepper burn, consider using an anti-acid solution to ease it!
It took a few days before I could use my hands properly. Typing was a bit hit or miss as my hands were acting as if gloved and were aching some (but not on fire).
Moral of the story: always wear gloves while chopping peppers. And keep Maalox and cold milk around for any burns!
January 15, 2020 - We had a Bandoneon and Tango learning experience in Plaza Bomberos Voluntarios de La Boca after our free time exploring the La Boca neighborhood. Buenos Aires, Argentina.
Online learning has gained increasing popularity, and for the right reasons. Over the last few years, intuitive learning software has seen leaps in offering a complete learning experience that is fun, interactive, and ultimately engaging. Take your organization’s learning efficiency to the next level with Gyrus LMS.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
Online learning has gained increasing popularity, and for the right reasons. Over the last few years, intuitive learning software has seen leaps in offering a complete learning experience that is fun, interactive, and ultimately engaging. Take your organization’s learning efficiency to the next level with Gyrus LMS.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
January 15, 2020 - We had a Bandoneon and Tango learning experience in Plaza Bomberos Voluntarios de La Boca after our free time exploring the La Boca neighborhood. Buenos Aires, Argentina.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
Our latest #podcast with MRCC’s VP Educational Publishing, Michael Wegerbauer, is all about drawing a connection with Modern Learners via #animation. With 20+ years of experience, Mike weighs in on the benefits of animation in a modern learning environment and its ability to captivate learners through visually-rich storytelling. With a growing demand for online learning, Mike also shares his insights on how publishers can leverage animations to offer #learning that is enriching and engaging.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
A curious girl watches intently as a rhinoceros iguana lounges at the Berlin Zoo, creating a moment of wonder.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
kerala, india
july 14 & 15
Nikon FE nikkor 28mm 3.5
T-MAX 400 @ 800
D-76 @ 82 degrees (!)
negatives shot on a lightbox
with a Canon G11
*
So many things went awry with these rolls that it's difficult to sort it all out. massive, ugly grain, no definition and extreme contrast, poorly exposed. . . many were overexposed due to sloppy metering, I should have gotten out the nd filter, and then there were troubles getting the rolls on the reels. developing at 82 degrees (can't get around this), possibly too much time in the soup. plus, my method of scanning negatives leaves a lot to be desired! but I think I might have learned some things.
January 15, 2020 - We had a Bandoneon and Tango learning experience in Plaza Bomberos Voluntarios de La Boca after our free time exploring the La Boca neighborhood. Buenos Aires, Argentina.
We aims to create awesome learning experience to engage the learners.
For more information, please visit: Custom eLearning
Pimpin' the list
I have discovered that the calendar of what's on in April in the Hunter Valley, that's run by *Out of my Mind* is an excellent resource; very handy, and it gets me out of the house to go and in place for the opportunity for interesting photos.
**
Another shot from the Supernatural performance in Birdwood park.
A salvaged image, not originally conceived as a silhouette. (But fun to have nonetheless). Shooting people on trapezes is an excellent exercise in... something.
I guess the lessons I learned from this are:
1) The importance of anticipation. Performances are a bit like sports photography.
2) When there is a predictable path of travel, letting the subject come to you, rather than being a tennis spectator, can yield a much higher number of usable shots.
3) The autofocus on the 350D when through f5 and up, can not handle this sort of situation, especially when a dark subject is moving against a dark background, then suddenly swinging up into the light
4) My manual focus isn't much better. ;)
5) Wider shots are probably the way to go until technique is refined and the lighting is favourable.
A panorama of the Mass Ave bridge that I cludged together from 4 shots. Considering this was my first attempt, I can live with the results.
Still working on improving my DoF techniques.
Here's one of the branch tip of a cedar tree.
18/365: 18 January 2011
I actually started the muxtape cover with this. While I was listening to it, I was doodling the "Blues Time Machine" thing, and was just going to go with that.
Then I realized I just didn't care for it that much.
January 15, 2020 - We had a Bandoneon and Tango learning experience in Plaza Bomberos Voluntarios de La Boca after our free time exploring the La Boca neighborhood. Buenos Aires, Argentina.
This is the shot that proved to me that I'm finally thinking like a photographer. I was stood on the step at high tide (you can see the railing in the foreground) at dusk, trying to get a good shot of the surf breaking for five minutes. My mate, Bruce was four steps behind me. I had promised I wouldn't get the camera wet. But, when Bruce warned me of a huge wave coming in, I didn't move to protect the camera, or hide it under my jacket. No, I started shooting, looking for the shot that would make me. Both me and the camera got drenched with salt water, but I knew what it meant... I cared more about the shot that the camera and lens. And, that, my friends, strikes me as a good way to be.