TOYO 45A

Rodenstock Sironar-N 210mm F5.6

SHANGHAI BW 100

KODAK T-MAX 1:4 20C 7min

The Children's Grand Park in South Korea

FKD 13x18

Fujinon 210mm

Tintype. Wet Plate Collodion

cyanotype experiment on color paper, self portrait

Une photo inspirée par la morosité actuelle... Pour cette prise de vue, j'ai utilisé mon vénérable et magnifique Burke & James 8x10 équipé du non moins vénérable et magnifique objectif Gunlach Radar 12 pouces F4.5. Vu son âge, il ne possède pas de prise synchro flash, il faut donc revenir aux sources et utiliser un éclairage continu. Pour ce faire, j’ai exposé mon film Delta 100 Pro à F16 et 1/15 s en utilisant deux Lowel Omni-Light 500 W et un réflecteur pour remplir les ombres.

4x5 large format film

Ektachrome E100

Žiga Koritnik, a photographer specialized in jazz concert photography. I photographed him with an old large format camera Linhof Technika. You can see behind the scene pictures and explanations how the picture was done on my blog:

borutpeterlin.wordpress.com/2012/02/29/new-portraits-with...

First time with dryplates and such low iso.

Camera: Intrepid 4x5 mk4

Lens: Wollensak Raptar 135mm f.4.7

Shutter: Wollensak Rapax shutter

Film: Zebra dry plate

Development: d76/Rapid fixer

4x5 Ektar 100 film

Large Format, 4x5. Toyo Field View Camera. Scanned C- Fiber Print 2012.

Friend of mine posing with his LF camera on workshops. Made with Polish Start 66 TLR from the 70's. Lens: PZO Emitar 1:3,5/75mm.

Rollei Retro 400@320, R09 OneShot 1:100/20C/27'

Copyright: Bolek Rosiński 2010.

Please do not use without permission.

www.derekkeatonphoto.com

@derekkeatonphoto

www.flickr.com/derek_animal

(828) 423-8924

Imacon Color Scanner

Lensless camera co.150mm f/420 40 second exposure.

Here's my 'new' Thornton Pickard half frame camera dating to circa 1902. It has a Thornton Pickard Time and Instant shutter and a C P Goerz f180 lens. Unfortunately, the ground glass is missing, but I'm sure I'll be able to get (or even make) one. It is in a good condition, the bellows being completely light tight, but needs cleaning and a little TLC.

And yes, the TV made way for it... but now I'll have to find an antique tripod to put it properly on display.

Large Format, 4x5. Toyo Field View Camera. Scanned C- Fiber Print 2012.

This was taken by a Large Format camera, using polaroid (5x4"), hard light.

Renato Mello Figueiredo's european equipment.

This 4x5 Polaroid is from my 'Drag King Series.' Yes that's me, and my drag king name is Johnny Cocksville. For a long time I desperately wanted to perform under that name, but the only D.K. club was shut down and is now a shitty scroungie bar.

At this angle Kodax Tri-X Pan exp 1975 no telling what kind of results I was going to get.

Opposite - FEEL FREE TO SHARE!

I'm very fortunate to be friends with an incredibly talented landscape and large format photographer who lives in Las Vegas, NV. Tony is my great friend and nature photography mentor, and he is responsible for my love for Death Valley. He took me there for the first time two years ago, and it's that trip and his teaching that I credit with my "awakening" with regards to landscape photography. He photographs most everything with a 4x5 or 8x10 large format view camera (the cameras Ansel Adams used!); this means that the film he uses is much larger than the 35mm film to which society is accustomed. When you look through a view camera, the view is upside down and backwards, so its somewhat difficult to adapt. On this year's trip to Death Valley, I decided to take an interesting shot of what Tony sees each time he takes a photograph. In this photo, you will see his panoramic adapter that he built specifically for his 4x5 view camera. I hope you enjoy, and stay tuned for more photos coming up from Death Valley...from the salt flats!

Connect with me!

Website: www.cathyandersonphotography.com

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Taken from a 1950 press publication. It`s not recorded if the American Institute of Ophthalmologists approved this.

at Brean Down Fort

cyanotype experiment on color paper, self portrait

Most all the old buildings in downtown Tampa are gone for good. There are still some left standing.

FKD 13x18

Fujinon 210mm

Tintype. Wet Plate Collodion