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"WHAT language is thine, O sea?"
"The language of eternal question."
"What language is thy answer, O sky?
"The language of eternal silence."
LISTEN, my heart, to the whispers of the world with which it makes love to you.
- Rabindranath Tagore( Nobel Laureate, Indian Poet)
Palermo’s Palazzo delle Poste e Telegrafi (1929–1934)
Your frontal composition is perfect for this building because it was conceived as a demonstration of strict order and modular clarity. Designed by Angiolo Mazzoni in the language of Italian Rationalism, the post-and-telegraph headquarters asserts itself on Via Roma with a deep, temple-like portico of ten colossal columns and a heavy entablature. Behind that disciplined façade is a reinforced-concrete frame clad in locally quarried Billiemi stone, laid out with rigorous symmetry around two side courtyards. The frontality of your shot heightens the building’s serial rhythm—the equal intercolumniation, the stacked horizontal bands, and the measured void of the portico—which are all about efficiency, legibility, and civic monumentality. Even small details were designed for coherence, from the custom metalwork to the calibrated lighting, and the entrance sequence pivots around a large elliptical staircase that dramatizes movement within an otherwise tightly ordered plan.
Wikipedia
Wikipedia
Balarm.it
dialecticsofmodernity.manchester.ac.uk
The interiors extend this programmatic clarity into a visionary register: the Conference Room carries five Futurist panels by Benedetta Cappa Marinetti—a cycle on land, sea, air, telegraph and radio communications—made specifically for this building, with additional works by Tato and Piero Bevilacqua, plus a bronze Diana cacciatrice by Corrado Vigni. Reading the architecture through your frontal view, you’re foregrounding exactly what the project celebrates: communication, modern services, and a state-of-the-art public machine expressed through proportion, repetition, and an almost didactic symmetry—without needing any extra scenography.
Wikipedia
(Key dates for reference: construction 1929–1934; inauguration 28 October 1934.)
Wikipedia
The language barrier become my difficulty to know his name, so this picture will allow me to ask somebody else on his name card later :-)
Taken @Summer palace, Beijing, China
31/52 Saturdays of Love
"Love is a language spoken by everyone, but understood only by a heart." ~ Shirley Rindani
Most of the 21 bothies on the Tay Estuary between Perth and Dundee are long abandoned, and now lie as ruins. In the 1850s though there was a thriving itinerant population who came to net the salmon for the large estates bordering the River Tay, and even in living memory Gaelic was often heard as the first language of these workers,
52 Weeks of Pix 2017
Week 5 of 52
Theme: Seven
Scrabble with seven seven times.
English - Seven
German - Sieben
French - Sept
Italian - Sette
Irish - Seacht
Welsh - Saith
Norwegian - Sju
Sorry for any errors but I'll blame Google Translate if there are any. ;-)
(My apologies if your favorite language was omitted.)
(EN) If you've been to North Beach, chances are you've seen the Language of the Birds, a permanent light installation linking Chinatown and North Beach. Each of the artwork's books mimics a bird in motion. At night, LED lights embedded in the books create stunning visual patterns. For the best viewing experience, head to the west side of Columbus Ave north of Broadway.
(ES) Si has estado en North Beach, lo más probable es que hayas visto la obra Language of the Birds (El Lenguaje de los Pájaros), una instalación de luz permanente que une el Barrio Chino y North Beach. Cada uno de los libros de la obra de arte imita un pájaro en movimiento. Por la noche, las luces LED incrustadas en los libros crean patrones visuales impresionantes. Justo en la esquina de la Brodway y Colombus se puede disfrutar de la mejor vista de esta obra de arte callejero.
Lily Wild lives among a collection of origami flowers which she has come to appreciate in a way that we can't. However, in her own language of love, she sends her thanks to her new friend, Dorothy, who seems to understand the power of plants.
The meaning of the four-petal flower in feng shui often relates to luck, happiness, and prosperity. The four petals are seen as a symbol of perfection and balance, with each petal representing an essential aspect of life: love, health, wealth, and career.
All of us in the Bigg family thank you Nancy, and your lovely Dorothy and Zyanya, for hosting a fantastic month.
🌹🌷💮🌷🌹
*Working Towards a Better World
Friendship is always a sweet responsibility, never an opportunity. - Khalil Gibran
The language of friendship is not words but meanings. -
Henry David Thoreau
Friendship is the only cement that will ever hold the world together. - Woodrow T. Wilson
This is the fifteenth in my new series, one which recognizes my friends here on Flickr. I wish to thank you for your friendship and your support! Some of you I work with, some of you I have worked with, some of you have given me opportunities and the rest of you my wonderful friends share an infinity with art and an ability to share our love, ideas and support thank you all!
D'ArcyG - D'Arcy Guerin Gue
mdunis - Milan Duniskvarić
www.flickr.com/search/?text=Milan%20Duniskvari%C4%87
daniele castellucchio
www.flickr.com/photos/120907923@N02/
Robert Goldstein
Pelerin Marie-Claude - Maïclo
www.flickr.com/photos/maiclo__1001/
Mary Ann Reilly
www.flickr.com/photos/maryannreilly/
jonesybewohner - Jonesy Bewohner
www.flickr.com/photos/110400696@N08/
halina.reshetova - Halina Reshetova
www.flickr.com/photos/63377227@N05/
♥DonnazMagicalPix♥
www.flickr.com/photos/donnazpix/
**James Lee* - James Lee
www.flickr.com/photos/leesjewel/
Rotzepotz
www.flickr.com/photos/rotzepotz/
SNARF 1962 - FRANS
www.flickr.com/photos/snarf1962/
BadMoodyNurse
www.flickr.com/photos/badmoodynurse/
taka_Q
www.flickr.com/photos/takayuki_tanaka/
"Cisco Kid” - Greg Lawler
www.flickr.com/photos/g-starr/
yokopakumayoko
www.flickr.com/photos/yokopakumayoko
Dominique Rolland
www.flickr.com/photos/126529397@N08/
Serdar Türkoğlu
music_px - R. R.
www.flickr.com/photos/pixel_fan
nick_warde
www.flickr.com/photos/nick_warde/
Verovix84 - Veronica C
www.flickr.com/photos/94946401@N06/
m!ngus photografer
www.flickr.com/photos/mingus1955/
kitchou1 - Kitchou BRY
www.flickr.com/photos/kitchou/
jospedro_cordeiro - José Pedro Cordeiro
www.flickr.com/photos/125768867@N04/
Xavier cuadrada.
www.flickr.com/photos/88317476@N02/
Charles Parker_ - Charles Parker
www.flickr.com/photos/charles_parker/
Rossy¨¨ - Rosalba Tarazona
www.flickr.com/photos/rotarazona/
boverybovery
www.flickr.com/photos/125904591@N07/
Michael Figdor - Much a do about nothing
www.flickr.com/photos/82624316@N06/
mattioli.cordula - Cordula Mattioli
www.flickr.com/photos/124336671@N05/
badfoodbutplentyofit - Rhio Hirsch
www.flickr.com/photos/115450003@N04/
KENSEI 31
www.flickr.com/photos/kenseiclary/
keith midson
www.flickr.com/photos/keithmidson/
Ian Jackson 1974
www.flickr.com/photos/102472425@N06/
Noel Z. Kondek
www.flickr.com/photos/63152591@N03/
sigio64 - Andreas
www.flickr.com/photos/sigio64/
teresopi
www.flickr.com/photos/62054184@N03/
JoyceCorey
www.flickr.com/photos/43944098@N03/
Lawef
Jurassic Blueberries
www.flickr.com/photos/jurassicblueberries/
xandram
www.flickr.com/photos/xandram/
-Reji
Daniel Arrhakis
www.flickr.com/photos/arrhakis/
WalrusTexas - Ron Masters
www.flickr.com/photos/22163926@N05/
rameshshahane
www.flickr.com/photos/97469364@N03/
Repangea - Brian
www.flickr.com/photos/53186149@N05/
lohyewkheong - loh yew kheong
www.flickr.com/photos/lohyewkheong/
Gashe - Gagik Hovhannisyan Գագիկ Հովհաննիսյան
www.flickr.com/photos/57618296@N05/
Angel Moreno Orge
www.flickr.com/photos/angelmorenoorge/
Bleem Belargio
www.flickr.com/photos/bleembelargio/
***** PLEASE UNDERSTAND, that there are so many of you who have befriended and supported me and I have tried my very best to include everyone who is active and on my list. I have not consciously left anyone out, but if you feel that your name should be included in my friendship series and is not, please contact me and I will gladly add another friendship work to the series.
Thank you for your kind visit. Have a wonderful and beautiful day! xo💜💜
‘Char’in Bengali language means ‘four’ and ‘Bangla’ in Bengali language has been derived from Bengal.On the other side of Murshidabad across River Bhagirathi, there lies a complex in Baronagar Ajimgange, surrounded by four temples, known as Char Bangla Temple. Just before entering temple complex you will find the Bhabaniswar temple of Shiva. Char Bangla temples were built under the patronage of Rani Bhabani in the years 1755-1760. It is an example of one of the best ornamental brick work in Bengal. She came from Nator (Now in Bangladesh). Rani Bhabani was a pious lady and she was also a loyal follower of Lord Shiva. So she constructed or patronized all the temples dedicating to Lord Shiva. The temple walls are the height of examples of exquisite art work of terracotta reflecting Hindu mythological stories in a unique style of it own. The works depicts about the daily life incidents to the North side temple at the down two rows. And others are about the epics “The Ramayana” and “The Mahabharata”. It is a must heritage tour in Bengal for world tourists having interests in archeology, art and history. It is said that Rani Bhavani wanted to build 108 temples here at Baronagar on the shore of the Ganges to lift the status of this settlement to that of Varanasi. She stopped at 107, for an unknown reason [See article of Mr. Shyamal Chatterji: www.chitrolekha.com/V2/n1/08_Iconography_Temples_Baronaga...]. Its definitely a chapter of art history in Bengal.
[Terracotta, from the Latin terra cocta, is a type of earthenware, and a clay-based unglazed or glazed ceramic, where the fired body is porous. Terracotta is used as a medium in sculpture, as in the Terracotta Army and Greek terracotta figurines. Glazed architectural terracotta and its unglazed version as exterior surfaces for buildings were used in Asia for some centuries before becoming popular in the West in the 19th century. ]
MURSHIDABAD – A HISTORICAL PLACE.
Murshidabad is a city in Murshidabad district of West Bengal state in India. The city is located on the eastern bank of the Bhagirathi, a tributary of the Ganges River.
HISTORY
Murshidabad was a town and district of British India, in the Bengal Presidency. In the Mughal period it was the capital of Bengal.
In 1704, Murshid Quli Khan, the Diwan of Bengal under Aurangzeb transferred the capital from Dacca (now Dhaka inBangladesh), and renamed the city Murshidabad after his own name. In 1716, he attained the title of Nawab (ruler) of the Subah(province) of Bengal, and Murshidabad became his capital.
The family of Jagat Seth maintained their position as state bankers at Murshidabad from generation to generation. Even after the conquest of Bengal by the British, Murshidabad remained for some time the seat of administration. Warren Hastings removed the supreme civil and criminal courts to Calcutta in 1772, but in 1775 the latter courts were brought back to Murshidabad again. In 1790, under Lord Cornwallis, the entire revenue and judicial staffs were moved to Calcutta. The town was still the residence of the nawab, who ranked as the first nobleman of the province with the style of Nawab Bahadur of Murshidabad, instead of Nawab Nazim of Bengal. The Hazarduari Palace, dating back to 1837, is a magnificent building. The city still bears memories of Nawabs with other palaces, mosques, tombs, and gardens, and retains such industries as carving in ivory, gold and silver embroidery, and silk-weaving.
The city is also famous for producing exotic mango and litchi. A narrow-gauge railway crosses the district, from the East Indian line at Nalhati to Azimganj. Baharampur, the capital of Murshidabad, has grown in importance, population & size; as of 2011 it is the 7th largest city in West Bengal.
Historic places
While it features extensively in history books, the large potential for heritage tourism has been somewhat neglected. Of historic interest are Nizamat Kila (the Fortress of the Nawabs), also known as the Hazaarduari Palace (Palace of a Thousand Doors), built by Duncan McLeod of the Bengal Engineers in 1837, in the Italianate style. It was built in the nineteenth century by architect Duncan Macleod, under the reign of Nawab Nazim Humayun Jah of Bengal, Bihar and Orissa (1824–1838). William Cavendish was the then Governor-General. Now, Hazarduari Palace is the most conspicuous building in Murshidabad. In 1985, the palace was handed over to the Archaeological Survey of India for better preservation.[
The Moti Jhil(Pearl Lake) just to the south of the palace, the Muradbagh Palace and the Khushbagh Cemetery, where the remains of Ali Vardi Khan and Siraj Ud Daulah are interred.
The legacy of Siraj ud-Daulah (1733 – July 2, 1757), was the last independent Nawab of Bengal. He was Iraqi Arab by ethnicity and Shi'ite in religion. The end of his reign marked the start of British East India Company rule over Bengal and later almost all of South Asia. Siraj succeeded his maternal grandfather, Alivardi Khan as the Nawab of Bengal in April 1756 at the age of 23. Betrayed by Mir Jafar, then commander of Nawab's army, Siraj lost the Battle of Plassey on 23 June 1757. The forces of the East India Company under Robert Clive invaded and the administration of Bengal fell into the hands of the Company.
The present Nizamat Imambara was built in 1847 AD by Nawab Nazim Mansoor Ali Khan Feradun Jah. It was built after the fires of 1842 and 1846 which burnt the wooden Imambara built by Nawab Siraj ud-Daulah. This Imambara is said to be the largest one in India.
The Katra Masjid (also known as Katra Mosque) is a mosque and the tomb of Nawab Murshid Quli Khan built between 1723 and 1724. It is located in the north eastern side of the city. Its importance lies not only as a great centre of Islamic learning but also for the tomb of Murshid Quli Khan, who is buried under the entrance staircase. The most striking feature is the two large corner towers having loopholes for musketry. At present it is maintained and protected by the Archaeological Survey of India and the Government of West Bengal.
Bacchawali Tope is a gun, rather cannon which lies in the Nizamat Fort Campus on the garden space between the Nizamat Imambara and the Hazarduari Palace and to the east of the old Madina Mosque. The cannon consists two pieces of different diameters. The cannon was made between the 12th and 14th century, probably by the Mohammeddan rulers of Gaur. It originally lied on the sand banks of Ichaganj. However, it is unknown that how it came in Ichaganj. It was used to protect the city of Murshidabad from north-western attacks. After the 1846 fire of the Nizamat Imambara the Imambara was rebuilt, then after the completion of the new Imambara the cannon was shifted to its present site by Sadeq Ali Khan, the architect of the sacred Nizamat Imambara under the suggestion of Sir Henry Torrens, the then agent of the Governor General at Murshidabad.
For autumn is your awakening,
While the world prepares for winter's sleep.
Summer has quickly slipped away,
While your colors of coral run deep.
Mark Anderson
On 21st of February in 1952 Pakistan authorities, refusing to grant Bangla --- the language spoken by people in the then East Pakistan --- let loose police to brutally thwart a movement by Bengalis over demand that Bangla become a state language. Several lives had been lost - students and others - in that savagery which eventually achieved Bangla its due honour in Pakistan and later the glory of International Mother Language.
Followed by cries of mothers who lost their children, hopelessness of women who lost their husbands, and others who lost their future in hands of political terrorists.
A detail of the top of the main hall of the Temple of Heaven and a blue sky behind.
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06/06/2016; After a relaxing day so far on the river cruise roundtrip, and a picnic at Letná Park afterwards (where the view was breathtaking as well, but unfortunately the backlight was too bright), the lovely Amy and I decided to go to Petřín Hill.
First we intended to go to this viewing platform that looked like a miniature Eiffel tower, only to find out as we arrived there the only way up was via a shedload of stairs, as there was no lift. We weren't really keen on that, so we decided to check out a few other locations on Petřín Hill. Which turned out to be a bad idea.
They had a map on various places on the hill, but it wasn't drawn very clear on how to get to the several sights to see over there. And there were some signs to lead you the way to the main sights on the hill, but the stuff we wanted to see weren't mentioned on those signs. So we just walked around for an hour, only to get frustrated because nothing we tried lead to anything good.
We were about to give up already when I finally figured out where one of the things we wanted to see was, but that plan seemed to have failed as well, however at least then there was still that view...
So yeah, a good advice; if getting lost in a city you don't know where they speak a language you don't speak, I can totally recommend Petřín Hill as a non-Czech person.
Please (also) follow me on my...
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Michele di Matteo (Bologna, doc. 1409-1470) Crucifix (Shaped cross with the Eternal Father, Our Lady of Sorrows, St. John and St. Mary Magdalene) - tempera on panel (1435-45) - National Gallery Bologna
legato ai modi di Giovanni da Modena, anche se cercò un rinnovamento del linguaggio gotico locale.
questo crocifisso è situabile tra il 1430 ed il 1435 o in date prossime al soggiorno veneziano.
related to the manner of Giovanni da Modena, although he sought a renewal of the local Gothic language.
this crucifix can be located between 1430 and 1435 or at dates close to his Venetian sojourn.
Lightshow on barque Passat, Travemünde Week 2019
"Passat is a German four-masted steel barque and one of the Flying P-Liners, the famous sailing ships of the German shipping company F. Laeisz. She is one of the last surviving windjammers. (The name "Passat" is German for trade wind.)
Passat was launched in 1911 at the Blohm & Voss shipyard, Hamburg. She began her maiden voyage on Christmas Eve 1911 toward Cape Horn and the nitrate ports of Chile. She was used for decades to ship general cargo outbound and nitrate home. [...]
In 1957, a few weeks after the tragic loss of Pamir in mid-Atlantic and shortly after having been severely hit by a storm, Passat was decommissioned. She had almost experienced the same fate as the Pamir when her loose barley cargo shifted.
Passat was purchased in 1959 by the Baltic Sea municipality of Lübeck and is now a youth hostel, venue, museum ship, and landmark moored at Travemünde, a borough of Lübeck in the German federal state of Schleswig-Holstein. [...]"
(Wikipedia)
We should have known that the John Brothers Piano Company was going to be playing in the gallery at Local Language when we saw this piano. But it was the horn that lead us back after we circled the block.
This adolescent moose has been handing around our neighborhood for a couple of weeks. With the deep snow with a layer of embedded ice is limiting their movement.
I've been told the word "moose" comes from the Algonquin Language that means "Twig Eater". in this shot he's chowing down on twigs.
I always describe the moose here as Clydesdales on stilts. When they are on a road like this you get a sense of how long their legs are.
It looks like a young bull to me.
Indigenous Language and Culture Day- Where we participate in activities related to the indigenous people around Yellowknife. Now it is how fast they can make a fire and brew some tea!
A nice multiview postcard, my first one from Brno! It looks like a city worth visiting. The postcard is in Czech language. Ahoj, Blanka! ;)
My first language is Cebuano and I thought my vocabulary of the language is adequate. Was I wrong. Recently, in the Cebu Pool, we discussed the meaning of mabulokon, as in the traditional greeting Mabulokong Bag-ong Tuig for the new year. I argued that the word means meaningful. Later on, I learned mabulokon really means colorful. So to you all, Mabulokong Bag-ong Tuig! (And we have 5 hours more left here in New York- tick tock...)
Astoria, Queens, New York, the US
more pics and journeys in colloidfarl.blogspot.com/
Harlech is a seaside resort and community in Gwynedd within the historic boundaries of Merionethshire in north-west Wales. It lies on Tremadog Bay in the centre of Gwynedd, within the Snowdonia National Park. Of a population of 1,447, 51 per cent habitually speak the Welsh language. Its best-known landmark, Harlech Castle, was begun in 1283 by Edward I of England, captured by Owain Glyndwr, and later served as a stronghold for Henry Tudor. It was built next to the sea, but coastline changes mean it now lies on a cliff face, about half a mile (800 m) inland. The town has developed housing estates in the low town area and hillside housing in the high town around the shopping street, church, and castle. The two are linked by a steep, winding road called "Twtil".
Otto-Knapp’s distinctive pictorial language conveys a sense of scale and movement in her luminous greyscale depictions of bodies in flux and repose. Here, silhouettes stretch, tumble and crawl, their tightly knit bodies recalling the all-women ensembles of avant-garde choreographers Martha Graham and Yvonne Rainer. The figures’ synchronized postures suggest a warmup for a dance performance or exercise. Contrasting visual effects – surface and depth, figure and ground, darkness and light – allow the two dimensional painting to function as a stage for kinetic activation.
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This fishmonger uses some kind of sign language to communicate with his colleagues across the aisle.
Shot at the Mercado Central Atarazanas in Málaga, Andalucía. A nice and busy market, check out my video taken there on:
Rovingian Council - Rovingian Council - Exploring the Universal Language of Symbols and Forms by Daniel Arrhakis (2026)
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Exploring the Universal Language of Symbols and Forms (I)
Introduction to the Rovingian Quest: The Language of Silence
Rovingian nomadic monks are known for their dedication to the quest for sacred symbols and geometries, transcending the boundaries of traditional ritualistic patterns. For these monks, the spiritual world does not express itself through alphabetic languages, whether spoken or written. Instead, they believe that spiritual communication manifests itself through a visual language composed of geometric forms and patterns that are incorporated into the very structure of Nature and the Universe.
The Language of Silence
By rejecting spoken languages, Rovingians aim to eliminate cultural and mental barriers, seeking a direct and intuitive connection with the cosmos. This connection is achieved through the study and contemplation of sacred geometries, symbols, and ritualistic patterns. Thus, they pave the way for silent communication, a truly profound visual language that allows for a dialogue with the universe without the limitations of words.
The Visual Language: While words vary and disappear over time, the ways in which the triangle or spiral maintains mathematical meaning anywhere in the universe highlight its universal and timeless value.
The Geometric Source Code of the Universe
Rovingians believe that the universe is governed by a fundamental geometric code. Understanding this code allows one to unravel the hidden order of reality. For them, studying sacred geometry is a way to reconnect with the cosmos, treating nature as a true living temple, and the universe as a symbolic book, open to interpretation.
The Living Temple: For the monks, the world does not contain temples; the world is the temple itself. Natural elements, such as a nautilus shell or a quartz crystal, are seen as sacred scriptures. For example, the quartz crystal is not just a mineral, but a geometric lesson on order, clarity, and repetition.
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Explorando a Linguagem Universal dos Símbolos e Formas (I)
1 - Introdução à Busca Rovingiana: A Linguagem do Silêncio
Os monges nómadas rovingianos são conhecidos pela sua dedicação à procura de símbolos e geometrias sagradas, ultrapassando as fronteiras dos padrões ritualísticos tradicionais. Para estes monges, o mundo espiritual não se expressa através das línguas alfabéticas, sejam elas faladas ou escritas. Em vez disso, acreditam que a comunicação espiritual se manifesta por uma linguagem visual composta por formas e padrões geométricos que estão incorporados na própria estrutura da Natureza e do Universo.
A Linguagem do Silêncio
Ao rejeitarem as línguas faladas, os rovingianos pretendem eliminar barreiras culturais e mentais, buscando uma ligação direta e intuitiva com o cosmos. Essa conexão é alcançada através do estudo e contemplação das geometrias sagradas, símbolos e padrões ritualísticos. Assim, abrem caminho para uma comunicação silenciosa, uma verdadeira linguagem visual profunda, que permite um diálogo com o universo sem as limitações das palavras.
A Linguagem Visual: Enquanto as palavras variam e desaparecem com o tempo, formas como o triângulo ou a espiral mantêm o significado matemático em qualquer parte do universo, evidenciando o seu valor universal e intemporal.
O Código-Fonte Geométrico do Universo
Os Rovingianos acreditam que o universo é regido por um código geométrico fundamental. Compreender esse código permite desvendar a ordem oculta da realidade. Para eles, estudar as geometrias sagradas é um caminho para se reconectar ao cosmos, tratando a natureza como um verdadeiro templo vivo, e o universo como um livro simbólico, aberto à interpretação.
O Templo Vivo: Para os monges, o mundo não contém templos; o mundo é o próprio templo. Elementos naturais, como uma concha de nautilus ou um cristal de quartzo, são vistos como escrituras sagradas. Por exemplo, o cristal de quartzo não é apenas um mineral, mas sim uma lição geométrica sobre ordem, clareza e repetição.