View allAll Photos Tagged koki

Taiyodo Koki Co. Reflex Beauty • Carl Zeiss Jena 1:2.8 F=8cm Tessar

Rollei R3 @ 100 ISO expired developed in Caffenol CLCS (Cold Start) stand 80min @ 15°-20°C

Scanned with Plustek OpticFilm 120 at 2400dpi with Silverfast AI Studio 9

 

Luxembourg

 

Caffenol CLCS

500 ml Filtered Water

8gr Anhydrous Washing Soda

5gr Vitamin C

0.5gr KBr

20gr Instant coffee ("Cora")

10 slow inversions then let stand for 80 minutes

Taiyodo Koki Co. Reflex Beauty • Carl Zeiss Jena 1:2.8 F=8cm Tessar

FujiFilm Neopan Acros II @200 ISO developed in Caffenol CLCS 80min stand @ 15-20°C

Scanned with Plustek OpticFilm 120 at 2400dpi with Silverfast AI Studio 9

 

Kirchberg • Luxembourg

 

Caffenol CLCS

500 ml Filtered Water

8gr Anhydrous Washing Soda

5gr Vitamin C

0.5gr KBr

20gr Instant coffee ("Cora")

10 slow inversions then let stand for 80 minutes

One of the sites to see on the Road to Hana

KONAIR (Yamato Koki Kogyo) Pax Ruby, Oriental SEAGULL 100, F3.5, 1/50sec, 千葉県, 船橋市

Two days ago I accidentally met Mati, a humble pale-eyed man from Ida-Viru county guarding an old Soviet era warehouse still in use despite the struggles to keep the decaying buildings and small businesses going that is reminiscent to this remote part of the country. His tired but still grasping eyes reflect the morning after a night shift when he has to put up with drug junkies coming to inject on dark corners of his territory or youngsters with their bashed up old BMWs drag racing or just making pictures of their babes in their cars in forbidden places. He is no police, just a low paid guard so he is helpless to do anything in a critical situation, but his immediately understandable character and elderly authority works wonders to keep things under control.

 

Such is the placement of Mati in life and I am glad I met him. Listening his stories felt like I found a missing tone in my own country I didn't know is there.

 

Press "L".

 

Musashino Kōki Rittreck 5x7", Fujinar tessar 25cm f4.5, Kodak Tri-X 320 developed in Ethol UFG 3 minutes, wet-mounted drumscan.

 

...::: 4nalog :::...

The rainwater rushing down from majestic Ko'olau Mountain on the windward side of Oahu in 1965 and 1969 caused major devastation to the inhabitants of Kâne'ohe on the coast with the loss of many homes. The United States Army Corps of Engineers was ordered to set up a flood control system. Part of this system was the laying out of a huge botanical garden called Ho'omaluhia (= making a place of peace and tranquillity). The 400-acre garden lives up to this name splendidly. It opened its gates in 1982, and is now one of the five Honolulu botantical gardens. It is indeed a magnificent, quiet place and a haven to many species of plants, some of which are severely endangered.

In the section of the garden called Kahua Lehua (=native Hawai'ian plants) I saw this delicate, native Hawai'ian hibiscus, labeled as Koki'o ke'oke'o and, in Latin, Hibiscus waimeae. It was first fully described in 1897 by Amos Arthus Heller (1867-1944), who early in his career visited Hawai'i. He later went on to become a major expert on and collector of Puerto Rican plants. There's a bit of confusion in the literature whether this hibiscus is the same as the White Kaua'i Rosemallow. If anyone can clear this up for me, please write!

First roll on the Rolleiflex, and Canary Wharf didn’t disappoint.

 

Ilford XP2 Super

koki'o 'ula 'ula.

 

They opened, and I was not disappointed! Very orange :)

 

The petals are quite thin and the flowers get pretty beat up in the strong winds I have, but I snapped these shots not long after they opened. Here is a bud before opening, it's curious that it looks so red at that stage.

 

I have been trying to track this down for years and years. It's a federally-listed endangered subspecies endemic to the Nā Pali coast of Kaua'i.

Film Kodak Porta 160

Camera Nikon F100

Lens Nikkor AF-S 50 1.8G

Date of photography

October 2015

Film scaner:

NORITSU KOKI QSS-3233

Taiyodo Koki Co. Reflex Beauty • Canter TKK 1:3.5 F=75mm

Bergger Pancro 400 film developed in Caffenol CL 75min stand @20°C

Scanned with Plustek OpticFilm 120 at 2400dpi with Silverfast AI Studio

 

Walferdange • Luxembourg

 

Caffenol CL

500 ml Filtered Water

8gr Anhydrous Washing Soda

5gr Vitamin C

0.5gr KBr

20gr Instant coffee ("Cora")

60 sec. slow agitations then let stand for 74 minutes

Taiyodo Koki Co. Reflex Beauty • Canter TKK 1:3.5 F=75mm

Bergger Pancro 400 film developed in Caffenol CL 75min stand @20°C

Scanned with Plustek OpticFilm 120 at 2400dpi with Silverfast AI Studio

 

Walferdange • Luxembourg

 

Caffenol CL

500 ml Filtered Water

8gr Anhydrous Washing Soda

5gr Vitamin C

0.5gr KBr

20gr Instant coffee ("Cora")

60 sec. slow agitations then let stand for 74 minutes

Dreaming of Maui.

Less than two months away, been working hard to get back on my feet. No way I am not going. This is Koki Beach and Alau Island in Hana.

This image is one that works a little better viewed large on black.

The Pacific coast at Koki Beach Park, located just off the Hana Highway a few miles south of Hana, Maui

Long exposure to tame the choppy surf.

Lomography 400 Film

Long exposure of the rocks at Koki Beach on the eastern side of Maui.

www.launchphotography.com/Hawaii_2016.html

Dedicacio on : for lilion *out of africa*

At Paris Jazz Festival 2021

Taiyodo Koki Co. Reflex Beauty • Carl Zeiss Jena 1:2.8 F=8cm Tessar

Bergger Pancro 400 film developed in Caffenol CLCS 80min stand @15°-20°C

Scanned with Plustek OpticFilm 120 at 2400dpi with Silverfast AI Studio 9.2

 

Panorama 2 photos stitched together with Microsoft ICE 2.0

 

Luxembourg

 

Caffenol CLCS

500 ml Filtered Water

8gr Anhydrous Washing Soda

5gr Vitamin C

0.5gr KBr

20gr Instant coffee ("Cora")

10 slow inversions then let stand for 80 minutes

Photo

Camera: Canon EOS-1V

Film: FUJI Velvia 100 (DIA)

 

Lens: Canon EF24-105mm f/4L IS II USM

Filter: HOYA UV&IR Cut

 

Film processing

Process: E-6

Labor: Pálvölgyi Fotó - Budapest

 

Digitization

Film scanner: NORITSU KOKI QSS-32_33

Canon EOS1-V code: 46-52

File: 230203_canon-1v_46-52-20

Half-Frame Moments in a London Summer

 

Film: Harman Phoenix 200 @iso100

Bronica SQ / Zenzanon 150mm / Polaroid Back / bleached Fuji FP 100C

simple pic wish all like it © all rght reserved by jojo batarfi 2012 my pictures is 4 all camera:canon EOS 500D

watercolor and colored pen/ Tokyo, Japan

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