View allAll Photos Tagged kodakektachrome
Silas Condict Park shot on August 1985 expired Kodak Ektachrome 160 Tungsten Slide Film.
Due to the film age, I exposed at iso 28.
Canon T60 35mm slr camera
Canon FD 20mm f/2.8 lens
April 6, 2014
E-6 processing by TheDarkroom.com
Tungsten Film
en.wikipedia.org/wiki/Tungsten_film
Shoot film!
Home. Photo by John Lishamer Photography (www.johnlishamer.com) All Rights Reserved. Nikon F3. Nikkor 35mm f1.4 ais. Kodak Ektachrome.
I'm really digging this new Ektachrome. The colors are amazing!
In the evening light, shadows claw their way across the tree trunks, jittering in the icy breeze.
Do you take the time to appreciate their progress in the fading light?
Committed to expired Kodak Ektachrome 100 using a Hasselblad 503CX and 100 mm f3.5 lens. Developed using an E6 kit from Ars-Imago and scanned using an Epson V850 using Silverfast.
Classic cars shot with my Mamiya 7ii and Kodak Ektachrome E100.
Mamiya 7ii
Mamiya N 80mm f4 L
Kodak Ektachrome E100
Bellini E-6 six bath kit
Epson V850
Lightroom
Runswick Bay, first time trying Kodak Ektachrome. Loving the saturated colours and contrast. I’m starting to get a feel for my Leica M6 now and seem to prefer people shots rather than grand vistas.
Ektachrome E100SW in the Xpan II
I've purchased a bunch of Ilford Delta 3200 and PanF+ with the intention of running them through this Xpan, so hopefully we'll start seeing those shots here before too long.
One of Fiona's cameras + Kodak Ektachrome 64T (expired 01/07) + Conventional double exposure + Redscaled + Vivitar Ultra Wide & Slim + 3rd exposure + Cross Processing. (!)
The crazily marvellous results of an inadvertent multiple exposure collaboration between myself and the wonderfully mad (& very lovely) ~fiona~ once again. She thinks she might have shot the roll through twice by accident in Melbourne and New York - possibly three times - then passed it on to me. I definitely only shot it once - in Barcelona.
As far as I am concerned, this will always be known as our 'Two Seasons, Three Continents & Forever Crazy' Roll!
We did not plan individual frames, and had no idea what the other would shoot, what camera they would use, nor did we attempt to line up the frames. There are a few occasions when I've felt the need to crop, but not much and not on many from this roll. Apart from some cropping, these are unedited supermarket scans.
Camera: Pentacon Six TL
Lense: Carl Zeiss, Flektogon, 50mm, F4.0
Film: Kodak Ektachrome E100
Processing: E-6 by PS13, digitized with Epson V850 Pro
of many.
Is an individual special? Are all individuals? Only viewed in isolation, or even as one of many very similar beings? When you don't see their personalities, their scars, are they easier to ignore?
Committed to expired Kodak Ektachrome 100 using a Hasselblad 503CX and 100 mm f3.5 lens. Developed using an E6 kit from Ars-Imago and scanned using an Epson V850 using Silverfast.
Hasselblad 500 C
Sonnar 150mm 4.0
Zwischenring / extension tube
Kodak Ektachrome ISO 100 (long expired)
Scan from slide
Having deposited ash ballast in Denman Hill cutting, No.30 has reattached hopper B3952 to a loaded coal train, and restarts the run back to East Greta Junction.
Camera: Rolleicord Va
Lense: Schneider-Kreuznach XENAR, 75mm, F3.5
Film: Kodak Ektachrome 100
Processing: E-6 by PS13, digitized with Epson V850 Pro
Camera: Rolleicord Va
Lense: Schneider-Kreuznach XENAR, 75mm, F3.5
Film: Kodak Ektachrome 100
Processing: E-6 by PS13, digitized with Epson V850 Pro
Olympus XA3 + Olympus XA3 + Kodak Ektachrome 64T + Cross Processing + Double Exposure.
Double Exposure Collaboration with the very lovely ξαβλ.
To be more specific, a film AND camera swap this time:
ξαβλ shot the first roll through his Olympus XA3 whilst in St Ives, Cornwall. When the roll was finished, he rewound the film back to the beginning and handed the camera (including the film) to me. I shot the roll through again in London. We did not collaborate regarding what specifically we might be shooting.
E' una delle 36 "mera-Ville" di Santa Maria di Leuca, il comune più a sud della Puglia.
Realizzata nel 1876 in stile neogotico, deve il suo nome al proprietario, Filippo Mellacqua.
Zenit E + Helios 44-2 2/58mm
Kodak Ektachrome 100
CanoScan 9000F Mark II
I diritti delle mie immagini sono riservati. E' vietato qualsiasi uso, senza il mio preventivo consenso:
mattia.camellini@alice.it
Still from my Super 8 epic from 1984!
Shot on the Bell & Howell 672 XL camera / Kodak Ektachrome 160 Type G
Discussed on
Film Photography Podcast
Episode 224 - June 7, 2019
In this episode of the Film Photography Podcast, Michael Raso, Owen McCafferty, Mark O'Brien, John Fedele, and Leslie Lazenby sit down to chat about the newest sensation to hit the FPP: Movie film!
filmphotographyproject.com/podcast/2019/06/film-photograp...
Though not a true triptych, these three pix were meant to be seen together. In putting these up, I see flickr sometimes presents 2-wide, not always 3; so I added a short vid below. Thanks to www.flickr.com/photos/bluemooncamera/, who develop, scan and print odd stuff like Dean's Aerochrome or 60-year-old 828, as well as regular film like the Ektachrome here.