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encircling this tree is a labyrinth of stones: only when you have followed the passage can you get to the center bench...a lot of reflection is involved
Aowin Municipal Assembly Chief Executive Samuel Adu-Gyamfi at the Inter-Regional Knowledge Sharing on Child Labour and Working Conditions in the Artisinal and Small-Scale Gold Mining (ASGM) held in Manila from 28 to 30 May 2019. Experts and global actors from Africa, Asia, and the Americas joined the 3-day forum provided a venue to exchange knowledge, technologies, practices and challenges to put forward concrete solutions to address child labour and poor working conditions in the ASGM sector.
To learn more, visit bit.ly/asgm2019
Photo © ILO/L. Gonzalez
The work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/license/by-nc-nd/3.0/igo/deed.en_US
"but of the tree of knowledge of good and evil thou shalt not eat of it, for in the day thou eatest thereof thou shalt surely die"
FMP book of illustrations based on quotes from the Twilight series. The print out is more pink, and less radioactive purple :S
Perfect knowledge.......
"Perfect knowledge means to know one's own self and to know the Supreme Self. The Supreme Self and the individual self, although one in quality, are different in quantity.
This analytical understanding of knowledge is perfect. Simply to understand, "I am not matter; I am spirit," is not perfect knowledge. The real religious principle is devotional
service, or bhakti. This is confirmed in the Bhagavad-gita. Lord Krsna says, "Give up all other religious principles and simply surrender unto Me." Therefore, the term dharma
applies only to the vaisnava-dharma or bhagavad-dharma, following which all other good qualities and advancements in life are automatically achieved."
Videos from Kartik 2010 and parikrama from Sri Navadvip 2010.All in HD quality please send them to all your friends!!!!!
Your servant
Markandeyarishy das
Eugenia Morpurgo - Office of Shared Knowledge
How can digital fabrication be utilized more widely for social innovation processes?
Although digital production methods and the Maker Movement have been designated as the basis for radical changes in production and for a third industrial revolution, the fact remains that the movement is still a niche phenomenon. In the Office of Shared Knowledge, Eugenia Morpurgo endeavours to bridge the gap that divides open source knowledge and production systems from potential users. The creation of an office space in MANUFACTUUR 3.0 shifts the focus away from the makers, designers, Fab Labs and their communities, towards a wider public and diversity of users in need of specific services. Their ideas, needs and proposals are then fed back to the Maker Movement through open calls for projects.
How can new digital fabrication models play a fundamental role in social innovation processes, for example in heath care and environmental policy? How can the government facilitate open source projects of this kind?
In collaboration with FabLab Genk
photo by Kristof Vrancken
Young performers from Teatrong Sikreto ang Pangalan caps the 3-day forum with an outstanding performance. The Inter-Regional Knowledge Sharing on Child Labour and Working Conditions in the Artisinal and Small-Scale Gold Mining (ASGM) held in Manila from 28 to 30 May 2019. Experts and global actors from Africa, Asia, and the Americas joined the 3-day forum provided a venue to exchange knowledge, technologies, practices and challenges to put forward concrete solutions to address child labour and poor working conditions in the ASGM sector.
To learn more, visit bit.ly/asgm2019
Photo © ILO/L. Gonzalez
The work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/license/by-nc-nd/3.0/igo/deed.en_US
THE KNOWLEDGE EMPORIUM in Tavistock Piazza, 250-252 Portobello Road, London, W11 1AN [Image © Richard Dufty]
03 October 2017, Manila, Philippines: Doljinsuren Jambal, Director, Department of Policy and Planning, Mongolia, Integrated Water Sector Pilot at Regional Knowledge Exchange. #Action2030 Photo: Cheryl Gagalac/UNDP Philippines
The Forty-Fourth Session of WIPO's Intergovernmental Committee on Intellectual Property and Genetic Resources, Traditional Knowledge and Folklore (IGC) took place in Geneva, Switzerland from September 12 to September 16, 2022 in hybrid form – with delegates and observers attending physically in Geneva, Switzerland, and via remote participation from around the world.
Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
"I am very thankful to the Mahatmas for uplifting me during that hard time. I felt that its Pujya Dadashri who has lifted me out of that bad situation. With the help of this knowledge, I was able to keep separation even in that situation of grief and when sometimes it becomes worse I start talking to file 1. The biggest wish is "May this satsang never end".
To know more please click on:
In English:https://www.dadabhagwan.org/self-realization/video-experiences/
In Gujarati:https://www.dadabhagwan.in/self-realization/video-experiences/
In Hindi:https://hindi.dadabhagwan.org/self-realization/video-experiences/"
The term "collective memory" denotes the aggregate of memories and knowledge, that a social group holds, which is intrinsically linked to the group's identity. Maurice Halbwachs, a philosopher and sociologist, developed this concept in his 1925 work, «Les cadres sociaux de la mémoire». Various social collectives can create, disseminate, and inherit collective memory.
Contrary to the term "collective memory, the notion of "collective memories" is inherently problematic. Memories are the results of the individual acts of recollection, making the idea of "collective memories" paradoxical. Diffusion models, utilizing vast amounts of data, including historical and personal old photographs, may be seen as involved in the prompts-driven singular acts of remembrance, producing images that paradoxically represent "collective memories," something otherwise unfeasible and ultimately, non-existent.