View allAll Photos Tagged kentmere100,
The Ian Curtis mural. Ian was the frontman of the band Joy Division.
Voigtlander Bessa folding camera
Skopar 105 mm f/4.5 lens
Kentmere 100 film
Lab develop & scan
000069760001_0001
Photographed with a Nikon F5 and 20mm f2.8 Nikkor.
Film is Kentmere 100. October 2022. Hampton, Virginia.
The famous birch tree triangle in the winter garden. When I’ve captured it before it was in winter, when it’s packed with people, and difficult to get a clear shot. In spring, I was the only person there, so could take all the time in the world lining up the right tree.
Minolta Autocord, Kentmere 100, Caffenol CL-CS, 15C starting temperature, 60 minutes.
A classic little view of the centre of Harringworth, with the war memorial in the middle of the little traffic island.
Voigtlander Bessa folding camera from 1937
Skopar 105 mm f/4.5 lens
Kentmere 100 film
Lab develop & scan
000069770001_0001
Handmade cowboy boot shop in Abilene, Texas. See
www.flickr.com/photos/jenniferjune/albums/72157607991234868
for past photos of inside of this shop.
Camera: Minox 35 GL with Minotar f2.8 35mm lens. Circa 1979.
Film: Kentmere 100
Developing: Kodak HC-110, dilution H
Canon lV SB (1952)
Canon 50mm f 1:8 (m39)
San Juan, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Kentmere 100
Kodak D-76
A winter walk in Pettibone Park, LaCrosse, Wisconsin.
Maxxum 700si w/Minolta AF 24-85mm, Kentmere 100@100, Xtol 1+1 18C for 14 min.
Sprocket-hole photo of West Central Texas pasturelands with longhorn.
Camera: Kodak Six-16 Brownie box camera adapted to take 35mm film. www.flickr.com/photos/194048042@N06/51746340684/in/album-...
Film: Kentmere 100, 35mm
Developing: Caffenol CM stand development, 70 min., room temperature (about 72F).
One neat thing about that old Leica mount Nikkor-HC 50mm f2.0 I got the other day is the fact that it will focus closer than 3.5 feet. Most Leica lenses can't focus closer than that without adding weirdly named Leitz contraptions to the camera. This Nikkor focuses down to 1.5 feet, but you have to use a measuring tape, as the rangefinder won't work that close to the subject. Regarding this color... I usually pull any residual color out of my camera scans before posting, but this plum tone right off the rig seemed right for rotten fruit. Leotax T2 with Kentmere 100 devved in D76 stock solution. Scanned with a D-SLR on a Marron Carrel scan rig using a Tominon 75mm process lens, macro bellows, and an Omega color head as a light source. Post production with Darktable.
Fed 1 (1955)
Fed 50mm F:3.5
San Juan, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Kentmere 100
Kodak D-76
Nikon F (1970)
50mm f/1.4 Nikkor-S (1963) (yellow filter)
Kentmere 100 in Paranol-S (semi-stand)
-- Boy, that sign must've offended somebody. Almost more holes then metal.
Trying out cheap closeup lenses for the Autocord. Not great results, all sharpness and detail is lost from the normally sharp Rokkor. I can see why people pay more than the cost of the camera to get Rollinar closeup lenses!
Minolta Autocord, Aico No. 2 closeup lens, Kentmere 100. Perceptol 1+2, 17.5 mins @20°C.
Mamiya C330, Mamiya Sekor 80mm f/2.8, Neewer 1/4 black mist filter, Kentmere 100 @ISO 100, 45 minutes in Caffenol CL-CS @15-20°C, Zone Imaging Eco Zonefix.
Utility equipment lines the wall of the alley next to a high-rise apartment building. Who knows the history and purpose of all this stuff? But it gives a nice modern-art-sculpture appearance. Photo taken with "The world's smallest full-frame 35mm camera."
Camera: Minox 35 GL with Minotar f2.8 35mm lens. Circa 1979.
Film: Kentmere 100
Developing: Kodak HC-110, dilution H
A section of a Harley Davidson motorbike.
Canon eos 500n
Canon ef 50mm f1.8 stm
Kentmere 100
Caffenol C-H-L
Ilford rapid fixer
Negative scanned with a Canon 5D MK III and a Sigma 50mm f2.8 macro lens.
Exakta ll (1949)
Domiplan 50mm F:2.8
San Juan, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Nik Silver Efex Pro 2
Lightroom 3
Long-abandoned pickup truck entwined with mesquite trees in an abandoned lot. Anson, Texas, USA. Who knows what year or brand this was?
Camera: 1952 Agfa Solinette, 50mm f3.5 Apotar lens. View at www.flickr.com/photos/194048042@N06/51872856988/in/album-...
Film: Kentmere 100, 35mm
Developing: Kodak HC-110, dilution b, 5:45 min.
All that remains of a 1955 Pontiac Star Chief. It its prime it must have been a beautiful automobile. Now rusting slowly in a West Central Texas salvage yard.
Camera: 1954 Kodak Signet 35 rangefinder with Ektar 44mm f3.5 lens. www.flickr.com/photos/194048042@N06/53050728626/in/datepo...
Film: Kentmere 100
Developing: HC-110, dil. H, 16 min.
In 1941, when all the world had gone to war, Ford continued to produce pickup trucks for civilians (apparently until early 1942). Ford factories increasingly produced bombers, jeeps, tank engines, etc. as the war progressed. The 1941 line of Ford pickup trucks featured a flat-head V8 engine with a standard capacity of 3.6 L. This pickup spotted at Gasoline Alley Classics in Sapulpa, Oklahoma, USA.
Camera: Exakta Varex VX 35mm camera made by Ihagee, Dresden, East Germany in the early 1950s. Meyer Gorlitz Primopan lens, 58mm, f1.9 www.flickr.com/photos/194048042@N06/51596719672/in/album-...
Film: Kentmere 100 ISO
Developing: HC-110, dil. H, 11:30 min.
A bare tree of ‘Kasumi-zakura’ waiting for spring. Taken on and duplicated digitally from KENTMERE Pan 100 black and white negative film.
Cerasus leveilleana (‘Kasumi-zakura’ in Japanese) is a wild Sakura native to wooded regions in Japan.
The HolzhausenÂ-schlöÃchen. At the end of the XIXth century, it was still in the countryside, but the city has phagocyted it long ago.
Agfa Optima Parat and its Agfa Color-Solinar 1:2.8/30, Agfa APX 100 in Rodinal 1+50 for 12 min @ 20°C, digitalized using kit zoom with macro rings.
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