View allAll Photos Tagged kenny
When Kenny Belaey shows up to the bike trials group ride, you get to see some awesome riding. His new custom bike looks just as cool in person, and he seems to be getting along with it like an old friend.
Nikon Z6II, Minolta 35-70mm f/3.5 Macro
Kenny Bräck was fast all weekend, P2 on the grid, dominated the race, but wasn't able to close the deal at the end, when Dixon showed his now trademark fuel making skills.
Championship Auto Racing Teams (CART)
2001 Lehigh Valley Grand Prix Presented by Toyota
Nazareth Speedway, Nazareth, Pennsylvania, USA
May 6, 2001
his story was like so many others: death, betrayal, depression, alcohol. all the elements that left him homeless.
kenny was standing on the sidewalk near the first congregational church looking lost.
he was cowed and hunched as if he was trying to sink into himself, become smaller, easier to overlook. don’t make eye contact. stay out of the way.
as i came near i smiled. he looked frightened.
i said, “come on, you have to smile back when someone smiles at you. it’s ok.”
so smile he did, revealing a mouth full of rotten or broken teeth — or spaces where teeth should be.
being on the street must be incredibly scary. when i met james a while back, he too looked afraid, as did bobby. fear and depression, a common denominator. street people are intimidated, too frightened to smile at the nice lady with the camera.
i explained my project, as i do to everyone i photograph and asked if he would talk with me; would he mind if i took his picture.
we sat on the wall in front of the church. in a quiet voice he explained how he ended up where he was — it all started with the death of his wife.
many of the men i talk to seemed to have lost their way when they lost their wives. women are more resilient. men break easier.
he reached for a cigarette but looked at me and put it away. i told him please, go ahead.
he smoked and we talked. he wasn’t sleeping rough he said, he went to desert manna, the homeless shelter, at night. during the day, he just sat somewhere or wandered around downtown.
“we have a close community down here [north of main street.] most of them [the homeless] don’t want to be bad people. lots of street people volunteer at local charities,” he said proudly.
“i’m not a normal street person.”
you see, he has hopes and plans of getting a job, living in a house; each plan dependent on the success of the other. if one fails, the rest topple like dominoes and kenny remains homeless.
although he may talk of hope, the catch in his voice says there is no cause for optimism. he put on a tough face when i photographed him.
music from the church whispered in the air.
“praise-the-lord kind of music,” kenny said.
last shot taken of Kenny's glorious Fro.
Taken with Yashica Mat 124.
Kodak Portra
Negative digitized with Canon 5dmkii.
Model : Kenny Nguyễn
Photographer : Anh Tuấn ( Kyo Phan )
Retouch : Kenny Nguyễn
Tel : 0908.677.840
Facebook : Kenny Nguyễn ( Mì Xủi Cảo )
Google + : Kenny Nguyễn
Y!M : welcome_to_my_life_1984
Made by : Glamour studio | www.glamour-studio.com
Location : Ho Chi Minh city
Time : 6/8/2011
when Paul Kenny invites you to photograph a mushroom, you kind of feel obliged to do it 'his way'.
Just back form a wonderful workshop with Paul Kenny and Doug Chinnery
i tink KENNY is telling CARTMAN wat you said abot him, so you better run while you can ! :P
ohhhhhhhhh and hide the food. xD
Whenever I've heard The Local mentioned, it has almost always been in the sentence "having burgers at The Local." Today, for the first time, I did just that, opting for the lamb and haggis burger with a whisky and mustard dressing. With a 2 for 1 offer that means a single burger - with chips and a side of homemade coleslaw - works out at £4.50, it's bloody good value for a hungover Sunday lunch that hit the spot.
Glasgow, 2010.
Professional lighting or use of stands in Times Square is illigal without going to the city and acquiring a permit. Because we didnt have the time or the budget for a permit on this particular shoot we used a loop hole in the system.
My main light was camera left it was a white lightning x1600 with a 4ft octabank. we didnt use a stand because that would result in a fine instead I had one of my assistants hold the light up over his head by hand with the vagabond in his backpack.
My second light came from camera right almost behind the subject and was just an ex2 battery flash also held by an assistant.
We paid the cab driver $20 to illegally stop in the bus zone for 5 minutes to get the shot.
