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Au bal, 1875
Berthe Morisot
Oil on canvas
Morisot took a model whose identity is unknown and adorned her with some of her own finery. This is the case with the fan from La Bergère et l'Oiseleur, a work produced in the second half of the 18th century, which is shown here wide open. In this way, Morisot provides essential information about her tastes.
Painted in 1875, this painting reminds us that Parisian social life that winter was marked by two balls given by the President of the Republic in the salons of the Élysée Palace, renovated in the style of the 18th century, Morisot, a young bride, had wanted to attend.*
From the exhibition
Berthe Morisot and the Art of the 18th Century
(18 October 2023 to 3 March 2024)
Morisot's work, which flourished mainly in the 19th century, reflects a fascination with modern life. However, many during her lifetime drew parallels between her work and that of the great French masters of the 18th century. It's no coincidence that Renoir described her as "the last elegant, feminine artist we've had since Fragonard". Paul Girard, at the artist's posthumous retrospective in 1896, had no hesitation in asserting: "This is the eighteenth century modernized".
The exhibition at the Musée Marmottan Monet focuses on this idea, presenting a series of carefully selected works. It invites us to discover the imprint of the eighteenth century on Morisot's work, juxtaposing her emblematic paintings with those of major figures such as Watteau, Boucher, Fragonard and Perronneau. A unique opportunity to understand the resonances between Impressionism and the Age of Enlightenment, and to plunge into the rich and complex world of Berthe Morisot.
[*Musée Marmottan Monet]
Taken in Musée Marmottan Monet
The mansion built for François Christophe Edmond Kellermann, duke of Valmy, who purchased the land (formerly a pleasure garden) in 1863; in 1882 it was sold to Jules Marmottan, inherited by his son Paul Marmottan in 1883. Marmottan decorated the building in the Empire style ("Le Style Empire"), bequeathing it and his collection to Académie des Beaux-Arts, on his death in 1932. Between 1940-7 Victorine Donop de Monchy donated her father's collection of Impressionist painting and then, in 1966, more than 100 Monets (including a number of large Water Lilies) were bequeathed by Michel Monet (son of Claude Monet).
In the 16th arrondissement
Last year I was gifted an opportunity to bike around the entire UP in 16 days (Project Adventrus). I was drawn to the Northeast section of the UP, specifically Lake Culhane and beyond. On 5/28 my supportive family dropped me off at Upper T Falls and I headed out on my first solo backpacking adventure. I made it to Munising on 6/2, averaging 20 miles per day. This trip was ~130 miles. Recently my family returned to the Porkies where we hiked an additional 6 miles. Grateful for the NCT!
Umbau 2008/09
Lackierung Mattschwarz
Z-Lenker (Fehling)
Ritz Riser
Sitz neu umgepolstert
Heck original abgeschnitten
Kellermann Blinker
Rückleuchte LED
Kennzeichenhalter (RIZOMA)
Spiegel (Louis)
Displaying Monet's painting
Taken in Musée Marmottan Monet
The mansion built for François Christophe Edmond Kellermann, duke of Valmy, who purchased the land (formerly a pleasure garden) in 1863; in 1882 it was sold to Jules Marmottan, inherited by his son Paul Marmottan in 1883. Marmottan decorated the building in the Empire style ("Le Style Empire"), bequeathing it and his collection to Académie des Beaux-Arts, on his death in 1932. Between 1940-7 Victorine Donop de Monchy donated her father's collection of Impressionist painting and then, in 1966, more than 100 Monets (including a number of large Water Lilies) were bequeathed by Michel Monet (son of Claude Monet).
In the 16th arrondissement
Claude Monet
Oil on canvas
Taken in Musée Marmottan Monet
The mansion built for François Christophe Edmond Kellermann, duke of Valmy, who purchased the land (formerly a pleasure garden) in 1863; in 1882 it was sold to Jules Marmottan, inherited by his son Paul Marmottan in 1883. Marmottan decorated the building in the Empire style ("Le Style Empire"), bequeathing it and his collection to Académie des Beaux-Arts, on his death in 1932. Between 1940-7 Victorine Donop de Monchy donated her father's collection of Impressionist painting and then, in 1966, more than 100 Monets (including a number of large Water Lilies) were bequeathed by Michel Monet (son of Claude Monet).
In the 16th arrondissement
Vivid Black +70 Voodoo kit with light bar, Kellermanns & our stealth Sidemount ,, oh and our Nitro 11" shocks on s Fatbob... Ready to roll #dyna #voodoofender #deathsquad #dynafender #fatbob #rocketbobsfenderkits #dynasrule
70 Likes on Instagram
5 Comments on Instagram:
brents_coloured_in: Hey mate, do u make a fender like this to suit a 1993 softail custom?? 130mm wide tyre???
rocketbobs: @brentdobson we do, but at the moment we don't have a production one. Currently we need the bike in the shop, which probably doesn't help as we are in the UK ?
sonnywon: @j_mac1119_
sonnywon: @rocketbobs can you guys make this voodoo kit for an 04' sportster???
rocketbobs: @sonnywon not yet but we are working on one ;)
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Berthe Morisot
Oil on canvas
From the exhibition
Berthe Morisot and the Art of the 18th Century
(18 October 2023 to 3 March 2024)
Morisot's work, which flourished mainly in the 19th century, reflects a fascination with modern life. However, many during her lifetime drew parallels between her work and that of the great French masters of the 18th century. It's no coincidence that Renoir described her as "the last elegant, feminine artist we've had since Fragonard". Paul Girard, at the artist's posthumous retrospective in 1896, had no hesitation in asserting: "This is the eighteenth century modernized".
The exhibition at the Musée Marmottan Monet focuses on this idea, presenting a series of carefully selected works. It invites us to discover the imprint of the eighteenth century on Morisot's work, juxtaposing her emblematic paintings with those of major figures such as Watteau, Boucher, Fragonard and Perronneau. A unique opportunity to understand the resonances between Impressionism and the Age of Enlightenment, and to plunge into the rich and complex world of Berthe Morisot.
[*Musée Marmottan Monet]
Taken in Musée Marmottan Monet
The mansion built for François Christophe Edmond Kellermann, duke of Valmy, who purchased the land (formerly a pleasure garden) in 1863; in 1882 it was sold to Jules Marmottan, inherited by his son Paul Marmottan in 1883. Marmottan decorated the building in the Empire style ("Le Style Empire"), bequeathing it and his collection to Académie des Beaux-Arts, on his death in 1932. Between 1940-7 Victorine Donop de Monchy donated her father's collection of Impressionist painting and then, in 1966, more than 100 Monets (including a number of large Water Lilies) were bequeathed by Michel Monet (son of Claude Monet).
In the 16th arrondissement
The mansion built for François Christophe Edmond Kellermann, duke of Valmy, who purchased the land (formerly a pleasure garden) in 1863; in 1882 it was sold to Jules Marmottan, inherited by his son Paul Marmottan in 1883. Marmottan decorated the building in the Empire style ("Le Style Empire"), bequeathing it and his collection to Académie des Beaux-Arts, on his death in 1932. Between 1940-7 Victorine Donop de Monchy donated her father's collection of Impressionist painting and then, in 1966, more than 100 Monets (including a number of large Water Lilies) were bequeathed by Michel Monet (son of Claude Monet).
In the 16th arrondissement
Ist es nicht großartig, sich vorzustellen, dass Sie dafür bezahlt werden, wenn Sie die eigenen Produkte Ihres eigenen Unternehmens verwenden?
Bekommen Sie von Colgate, Palmolive, Henkel, oder Wilkinson Geld zurück für das verwenden der Produkte?
Ist es nicht erstaunlich, dass unser Hauptlieferant Amway dies aber genau tut?
Bei Interesse & Fragen, kontaktieren Sie uns, wir sind immer für Sie da: