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Senior forward Chris Kellermann finished with a career-high 28 points and 13 rebounds in leading the Chippewas to a 55-53 season-opening win against Princeton.
Media Credit: John Brumbaugh
Berthe Morisot
Oil on canvas
Morisot took a model whose identity is unknown and adorned her with some of her own finery. This is the case with the fan from La Bergère et l'Oiseleur, a work produced in the second half of the 18th century, which is shown here wide open. In this way, Morisot provides essential information about her tastes.
Painted in 1875, this painting reminds us that Parisian social life that winter was marked by two balls given by the President of the Republic in the salons of the Élysée Palace, renovated in the style of the 18th century, Morisot, a young bride, had wanted to attend.*
From the exhibition
Berthe Morisot and the Art of the 18th Century
(18 October 2023 to 3 March 2024)
Morisot's work, which flourished mainly in the 19th century, reflects a fascination with modern life. However, many during her lifetime drew parallels between her work and that of the great French masters of the 18th century. It's no coincidence that Renoir described her as "the last elegant, feminine artist we've had since Fragonard". Paul Girard, at the artist's posthumous retrospective in 1896, had no hesitation in asserting: "This is the eighteenth century modernized".
The exhibition at the Musée Marmottan Monet focuses on this idea, presenting a series of carefully selected works. It invites us to discover the imprint of the eighteenth century on Morisot's work, juxtaposing her emblematic paintings with those of major figures such as Watteau, Boucher, Fragonard and Perronneau. A unique opportunity to understand the resonances between Impressionism and the Age of Enlightenment, and to plunge into the rich and complex world of Berthe Morisot.
[*Musée Marmottan Monet]
Taken in Musée Marmottan Monet
The mansion built for François Christophe Edmond Kellermann, duke of Valmy, who purchased the land (formerly a pleasure garden) in 1863; in 1882 it was sold to Jules Marmottan, inherited by his son Paul Marmottan in 1883. Marmottan decorated the building in the Empire style ("Le Style Empire"), bequeathing it and his collection to Académie des Beaux-Arts, on his death in 1932. Between 1940-7 Victorine Donop de Monchy donated her father's collection of Impressionist painting and then, in 1966, more than 100 Monets (including a number of large Water Lilies) were bequeathed by Michel Monet (son of Claude Monet).
In the 16th arrondissement
Umbau 2008/09
Lackierung Mattschwarz
Z-Lenker (Fehling)
Ritz Riser
Sitz neu umgepolstert
Heck original abgeschnitten
Kellermann Blinker
Rückleuchte LED
Kennzeichenhalter (RIZOMA)
Spiegel (Louis)
attrib. Maurice Quentin Delatour or Jean Valade
Pastel on paper
No one in the 19th century had any doubts that this pastel was by Maurice-Quentin Delatour, given its apparent closeness to signed portraits by the artist from the 1750s (such as the Comte de Coventry).
The work was acquired in 1873 by the banker and collector Auguste de Gas, who kept it in his collection until 1876. This was no doubt when his son, Edgar Degas, painted the oil copy. The widow of Édouard André, Nélie Jacquemart, herself a portrait painter, acquired the pastel in 1898 to decorate her townhouse on Boulevard Haussmann.
In 2011, the work was attributed to Jean Valade.*
From the exhibition
Berthe Morisot and the Art of the 18th Century
(18 October 2023 to 3 March 2024)
Morisot's work, which flourished mainly in the 19th century, reflects a fascination with modern life. However, many during her lifetime drew parallels between her work and that of the great French masters of the 18th century. It's no coincidence that Renoir described her as "the last elegant, feminine artist we've had since Fragonard". Paul Girard, at the artist's posthumous retrospective in 1896, had no hesitation in asserting: "This is the eighteenth century modernized".
The exhibition at the Musée Marmottan Monet focuses on this idea, presenting a series of carefully selected works. It invites us to discover the imprint of the eighteenth century on Morisot's work, juxtaposing her emblematic paintings with those of major figures such as Watteau, Boucher, Fragonard and Perronneau. A unique opportunity to understand the resonances between Impressionism and the Age of Enlightenment, and to plunge into the rich and complex world of Berthe Morisot.
[*Musée Marmottan Monet]
Taken in Musée Marmottan Monet
The mansion built for François Christophe Edmond Kellermann, duke of Valmy, who purchased the land (formerly a pleasure garden) in 1863; in 1882 it was sold to Jules Marmottan, inherited by his son Paul Marmottan in 1883. Marmottan decorated the building in the Empire style ("Le Style Empire"), bequeathing it and his collection to Académie des Beaux-Arts, on his death in 1932. Between 1940-7 Victorine Donop de Monchy donated her father's collection of Impressionist painting and then, in 1966, more than 100 Monets (including a number of large Water Lilies) were bequeathed by Michel Monet (son of Claude Monet).
In the 16th arrondissement
© Mathias Kellermann 2012 - Please do not copy, reproduce or use this image in any way without my written permission.
More description in French & English will follow on the album page : www.flickr.com/photos/matkeller-as-titus1st/sets/72157630...
Berthe Morisot
Oil on canvas
For her self-portrait, Morisot struck an emblematic pose, her bust in profile, her face turned towards the viewer, as if walking past us. She treated it as a pochade, a term that referred to "free or swiftly sketched efforts." This evoked the taste among 18th-century art lover for the sketch form.*
From the exhibition
Berthe Morisot and the Art of the 18th Century
(18 October 2023 to 3 March 2024)
Morisot's work, which flourished mainly in the 19th century, reflects a fascination with modern life. However, many during her lifetime drew parallels between her work and that of the great French masters of the 18th century. It's no coincidence that Renoir described her as "the last elegant, feminine artist we've had since Fragonard". Paul Girard, at the artist's posthumous retrospective in 1896, had no hesitation in asserting: "This is the eighteenth century modernized".
The exhibition at the Musée Marmottan Monet focuses on this idea, presenting a series of carefully selected works. It invites us to discover the imprint of the eighteenth century on Morisot's work, juxtaposing her emblematic paintings with those of major figures such as Watteau, Boucher, Fragonard and Perronneau. A unique opportunity to understand the resonances between Impressionism and the Age of Enlightenment, and to plunge into the rich and complex world of Berthe Morisot.
[*Musée Marmottan Monet]
Taken in Musée Marmottan Monet
The mansion built for François Christophe Edmond Kellermann, duke of Valmy, who purchased the land (formerly a pleasure garden) in 1863; in 1882 it was sold to Jules Marmottan, inherited by his son Paul Marmottan in 1883. Marmottan decorated the building in the Empire style ("Le Style Empire"), bequeathing it and his collection to Académie des Beaux-Arts, on his death in 1932. Between 1940-7 Victorine Donop de Monchy donated her father's collection of Impressionist painting and then, in 1966, more than 100 Monets (including a number of large Water Lilies) were bequeathed by Michel Monet (son of Claude Monet).
In the 16th arrondissement
The mansion built for François Christophe Edmond Kellermann, duke of Valmy, who purchased the land (formerly a pleasure garden) in 1863; in 1882 it was sold to Jules Marmottan, inherited by his son Paul Marmottan in 1883. Marmottan decorated the building in the Empire style ("Le Style Empire"), bequeathing it and his collection to Académie des Beaux-Arts, on his death in 1932. Between 1940-7 Victorine Donop de Monchy donated her father's collection of Impressionist painting and then, in 1966, more than 100 Monets (including a number of large Water Lilies) were bequeathed by Michel Monet (son of Claude Monet).
In the 16th arrondissement
clignotant led kellermann bullet atto noir verre fonce, disponible chez idealmoto www.idealmoto.com/fr/clignotants/2711-clignotant-led-kell...
North County High School Algebra teachers Mrs. Russell and Mr. Kellermann shared what they learned while working with roster artist Christina Delgado to help teach Algebra 1 concepts.
The pair led an exercise in digital photography and, with the math department, brainstormed ways in which the teachers can further integrate photography into their lessons.
Umbau 2008/09
Lackierung Mattschwarz
Z-Lenker (Fehling)
Ritz Riser
Sitz neu umgepolstert
Heck original abgeschnitten
Kellermann Blinker
Rückleuchte LED
Kennzeichenhalter (RIZOMA)
Spiegel (Louis)
Kellermann setzt nach wie vor auf Minimalismuns und Technik; präsentiert wird der Blinker Bullet-Atto-Dark, der am Fahrzeug beinah verschwindet
www.atv-quad-magazin.com/kellermann-blinker-bullet-atto-d... #kellermann #blinker #handel #atvquadmagazin