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New Pacific Airlines
1995 Boeing 757-2B7
N629NP
Harris/Walz campaign plane departing KPHL with Tim Walz after an event in Philadelphia, en route to KABE
A small speeder build based on the A-1 landspeeder seen briefly outside the Mos Eisley Cantina in Episode IV.
87 pieces
BEYTULLAH'TA BEN
Bir sancak altında kaç milyon insan,
Ne tenleri benzer, ne dilde lisan...
Olmuşlar... Tek yürek, tek beden de can;
İnsanlığı gördüm... Beytullah'ta ben...
Yedi bağın gülü, aynı destede,
Yetmiş iki millet, aynı listede,
Kaç milyon ''Âmin'' der, aynı bestede;
Tevhîd'le haşroldum... Beytullah'ta ben...
Sînelerde alev, ne kül ne duman,
Dillerde bir soru: ''Vuslat ne zaman?''
Cehennem söndürür, böylesi îman...
Aşk ne imiş gördüm... Beytullah'ta ben...
Okyanuslar aşmış, gelmiş nicesi,
Aç, susuz, uykusuz, gündüz gecesi...
Her nefes, dilinde Kur'ân hecesi;
Sevdâlılar gördüm... Beytullah'ta ben...
Rabb'in o davetli misafirleri;
Doldurmuş, Mekke'de her karış yeri.
Dillerinde dinmez, ''LEBBEYK'' sesleri,
Arş'a yollar gördüm... Beytullah'ta ben...
Bir damla misâli, kapılmış sele;
Zengin, fakir, paşa, nefer elele...
Yan yana secd'eder, sultanla köle;
Mahşerle tanıştım... Beytullah'ta ben...
Kimi görmez gözü, elinde âsâ;
Lâkin, kalp gözünü açmış devâsa...
Yüzünde tebessüm, ne gam, ne tasa,
Döner durur gördüm... Beytullah'ta ben...
Kimi, ayağında yarım çarığı;
Kaç yerinden kanar, topuk yarığı...
Meğerse; kefenmiş başta sarığı,
Ne âşıklar gördüm... Beytullah'ta ben...
Baktım... Sofrasında, nice melekler;
Bir tas zemzem suyu, kuru ekmekler,
Gözleri Kâbe'de iftarı bekler,
Tokluğuma yandım... Beytullah'ta ben...
Bir zerre gözü yok, dünya aşında,
Âhir rızkın arar, harman başında,
Rabb'in nazarını, Kâbe taşında;
Gören gözler gördüm... Beytullah'ta ben...
Kimi bahardadır, görmemiş yazı,
Kiminin geçiyor, Mevlâ'ya nazı;
Kılınır Kâbe'de vedâ namazı,
İmrendim.. El açtım, Beytullah'ta ben...
Kiminde kalmamış, derman bacakta;
İki büklüm yürür, gitmez kucakta...
Erimiş.. Kaybolmuş.. Cenâb-ı Hakk'ta
Pervaneler gördüm.. Beytullah'ta ben...
O kambur sırtında, eski torbası,
Torbasında sanki, Cennet urbası..
Hele bir, kıyamda var ki durması;
Göz göz oldum, doldum... Beytullah'ta ben...
Bin rütbeyi, bir secdede atlayan,
Bir secdeyi, yüz binlere katlayan,
Bu kârını meleklerle kutlayan,
Ne tâcirler gördüm... Beytullah'ta ben...
Hacerü'l-Esved'de adın yazdıran,
Îman pençesinde, nefsi ezdiren,
Yücelen ruhuna, Arş'ı gezdiren,
Ne veliler gördüm... Beytullah'ta ben...
Unutmuş... Dünyanın vefâ derdini,
Yıkmış... Kalbindeki, riyâ bendini,
Öyle teslim etmiş, Hakk'a kendini;
Canda Cânân gördüm... Beytullah'ta ben...
Bir sevdâ seli var, Safâ Merve'de;
Damlalar köpürmüş, vecde girmede.
Nice peygamberler, nice zirvede;
Durup bakar gördüm... Beytullah'ta ben...
İbrahim Makâmı, sultan sofrası;
Sunulur herkese, bir kevser tası...
Bir cennet şöleni, perde arkası,
Ne sahneler gördüm... Beytullah'ta ben...
Melekler almışlar, şölenden payı;
Sarmışlar, Kâbe'de bütün semayı.
Kalem anlatamaz, bu içtimayı,
Âciz bir kul oldum... Beytullah'ta ben...
Kaç yerden açılmış, gökte kapılar;
Ardında saraylar, zümrüt yapılar,
Vâdeleri sonsuz, nice tapular;
Elden ele gördüm... Beytullah'ta ben...
Durdum da, tavâfı seyrettim hayran;
Gördüm: Bir kâinat misâli devran...
Hangisi melektir, hangisi insan?
Şaşırdım çok zaman... Beytullah'ta ben...
Bir sağnak misâli selâm yağmuru,
Gönüller yıkanmış, kalpler dupduru.
İhlâs ateşinde, nice hamuru;
Pişiyorken gördüm... Beytullah'ta ben...
Yaş desem... Yaş değil, gözlerden akan,
Bir sel ki, günahlar bendini yıkan...
Kâbe göklerinden, semaya çıkan;
Merdivenler gördüm... Beytullah'ta ben...
Dağlar, taşlar, vecde gelmiş kavrulur,
Kum tanesi, ''Allah'' diye savrulur...
Göz nereye baksa, Rahman'ı bulur,
Ne zikirler duydum... Beytullah'ta ben...
Ter döktüm.. Susadım, nefsimden yana,
Başkası bir lezzet vermedi bana;
Dediler: ''Bu zemzem, şifadır cana''
İçtim kana kana... Beytullah'ta ben...
Mescid-i Haram'da dokuz minâre;
Diyor ki: ''Bendedir, gaflete çâre''
Bir günde beş kere, yürek bin pâre;
Ezanlar dinledim... Beytullah'ta ben...
Bir mânâ sarayı, Mescid-i Haram;
O ne ince nakış, o ne ihtişam...
Her kalbe, Muhammed Aleyhisselâm;
Bin taht kurmuş gördüm... Beytullah'ta ben...
Vah ki bana! Bunca yıldır gülmezdim,
Gözlerimden böyle yaşlar silmezdim.
Vah ki bana! Huşû nedir bilmezdim;
Tattım o lezzeti... Beytullah'ta ben...
Yıllar geçti, aramakla özümü;
Dünya malı kör etmişti gözümü,
Unutmuştum, ''Kâlû Belâ'' sözümü;
Gör ki hatırladım... Beytullah'ta ben...
Çekildi kapımdan, şeytân-ı kebir,
Çekildi kanımdan, zorbalık cebir,
Ne bir hased kaldı, ne gurur kibir;
Yerle yeksan oldum... Beytullah'ta ben...
Bir zaman derdim ki: ''Yâ Rabbî neden,
Bir daha istiyor, bir kere giden?''
Meğer bilemezmiş, insan gitmeden;
Aldım cevabımı... Beytullah'ta ben...
Gördüm ki; bu dünya bir oyalanma,
Halime bakıp da, mutluyum sanma.
Bedenim Kâbe'den uzakta amma;
Gönlümü bıraktım... Beytullah'ta ben...
CENGİZ NUMANOĞLU
Segundo día, a cuatro ojos en un mejor spot con buen clima, nenas lindas y los panas de siempre.... Quito-Colombia: Saludos para Afan. Props para mi chica y los perrinis de la city.
öyle güzel çekimlerim yok :) fotoğraflada çok uğraşmadım dolu dolu geçen bir 15 günden kalan güzel anlardan bir kare...
Ben açım, rızık sendedir
Yokluk heybesindendir ihsanın
Ben muhtacım, ihtiyaçlarım sendedir
Varlık bir hecesidir kelamının
Ben yoksulum, aradıklarım sendedir,
Cennet bir parıltısıdır kereminin
Ben rızıklanıyorum; rızık veren sensin
Sonsuzluk sofrasıdır rahmetin
S. Demirci
For today's Flickr Group Roulette challenge, "Music and Sugar", I figured I'd copy a great album by the Red Hot Chili Peppers (probably their best), "Blood. Sugar. Sex. Magik."
I also have this album on my mind because it's going to be available to download tomorrow for Rock Band!
See the original here.
LEGO 75290 Mos Eisley Cantina
Star Wars 2020
A New Hope
Luke Skywalker
Obi-Wan Kenobi
Han Solo
Chewbacca
R2-D2
C-3PO
Sandtrooper Squad Leader
Sandtrooper
Bith Musicians
Wuher
Greedo
Ponda Baba
Dr. Evazan
Garindan
Labria (Kardue'sai'Malloc)
Hrchek Kal Fas
Momaw Nadon
Jawa
Kabe
Ubrikkian 9000 Landspeeder
V-35 Courier Landspeeder
This caravan from Norway, being towed by a Toyota Hilux, was travelling up Utbremer Straße in Bremen. This was the second Norwegian trailer-series plate I could catch. I had spotted a trailer from Oslo in the UK prior to this, but not got around to uploading it, and have since spotted many other Norwegian trailer plates in Germany, none quite as 'exotic' as this though. This exampe was registered to the town of Sortland, located on the east coast of the island of Langøya in the north of the county of Nordland, well within the Arctic Circle in northern Norway, nearly 1,800km north of Bremen.
Bremen, Germany
The whole gang! A warm day and another snowstorm, plus lots of unbroken trail made for some hard work and hot dogs. Pickle running lead with Beluga - Buds now.
Solar Impulse 2 is seen just before touchdown at Lehigh Valley International Airport (KABE) on May 25, 2016.
I just found out that today (September 21st at Japan time) is Aoto's birthday. So, I decided to take Aoto & Lila's photos.
This action is called "Kabe-Don" which is supposed to be very affective to use when guys tell girls how they feel about them. :D
At the veterinarian. We have a great vet, she’s respectful of all life. Wrinkle received a chiropractic adjustment, and had a shot of adequan. She was already much improved and the Vet thinks she might have some minor arthritis, I can relate to that. Thus concludes my little Wrinkle series. (go to beginning)
Chinese postcard. Toshiro Mifune and Tatsuya Nakadai (left) in Yojimbo (Akira Kurosawa, 1961).
On 8 November 2025, Japanese actor Tatsuya Nakadai (1932-2025) passed away at the age of 92. He was a star actor in films by Akira Kurosawa and Masaki Kobayashi. He was top-billed in a double role in Kurosawa's epic Kagemusha (1980) and played the dying king, modelled on Lear, in Ran (Kurosawa, 1985). In his over seven-decade career, he appeared in more than 160 films and received numerous accolades.
Tatsuya Nakadai was born Motohisa Nakadai in 1932 in Tokyo, in the Japanese Empire. His father worked as a bus driver, and after he died in 1941, the family moved to Aoyama. He had no university education or training as an actor. Tall and handsome Nakadai was working as a shop assistant in Tokyo when fledging Shochiku Studios director Masaki Kobayashi discovered him by chance and gave him a small, uncredited role in Kabe atsuki heya / The Thick-Walled Room (Masaki Kobayashi, 1953-1956). The release of the film was delayed for three years due to its controversial subject matter. Around the same time, Nakadai played an uncredited samurai in Shichinin no samurai / The Seven Samurai (Akira Kurosawa, 1954). Reportedly, director Kurosawa spent more than 5 minutes lecturing on how to walk correctly as a wandering samurai for an appearance that totals about 4 seconds in duration. After the embarrassing grilling by Kurosawa, the then 19-year-old Nakadai decided to work very hard on his acting skills so as to be able to reject any future offer by the director. His official acting debut was in Hi no tori / Phoenix (Umetsugu Inoue, 1956). Soon followed roles in Kuroi kawa / Black River (Masaki Kobayashi, 1957), Arakure / Untamed (Mikio Naruse, 1957), Enjo / Conflagration (Kon Ichikawa, 1958), Hadaka no taiyo / Naked Sun (Miyoji Ieki, 1958), Kagi / The Key / Odd Obsession (Kon Ichikawa, 1959). Nakadai had his breakthrough in Masaki Kobayashi's epic anti-war trilogy Ningen no jōken / The Human Condition (1959–1961), based on the novel of the same name by Junpei Gomikawa. The trilogy, subtitled No Greater Love (1959), Road to Eternity (1959), and A Soldier's Prayer (1961), follows the life of Kaji, a Japanese pacifist and socialist, as he tries to survive in the totalitarian and oppressive world of World War II-era Japan. In the same period, Nakadai appeared in several films by Mikio Naruse, including Onna ga kaidan o noboru toki / When a Woman Ascends the Stairs (Mikio Naruse, 1960), Musume tsuma haha / Daughters, Wives and a Mother (Mikio Naruse, 1960), Tsuma to shite onna to shite / As a Wife, As a Woman (Mikio Naruse, 1960). Tatsuya Nakadai was top-billed in Aoi yaju / The Blue Beast (Hiromichi Horikawa, 1960),
By 1960, Tatsuya Nakadai had more than twenty feature films on his Shochiku résumé. He next played Unosuke, Toshiro Mifune's formidable gun-wielding opponent in the classic Yojimbo (Akira Kurosawa, 1961). That same year, he starred in the Oscar-nominated Eien no hito / Immortal Love / Bitter Spirit (Keisuke Kinoshita, 1961). He reunited with Kurosawa for the sequel to Yojimbo, Tsubaki Sanjuro / Sanjuro (Akira Kurosawa, 1961), and the kidnapping thriller Tengoku to jigoku / High and Low (Akira Kurosawa, 1963), in which he played the police inspector. With Kobayashi, he made Karami-ai / The Inheritance (Kobayashi, 1962). He won the Blue Ribbon Award for Best Actor for his performance as the ageing and vengeful ronin in Seppuku / Harakiri (Masaki Kobayashi, 1962), a role he considered his finest. He played a samurai in his 50s while he was 33. His other notable credits of the 1960s included Dai-bosatsu Toge / The Sword of Doom (Kihachi Okamoto, 1966), Tanin no kao / The Face of Another (Hiroshi Teshigahara, 1966), and the comedy Kiru / Kill! (Kihachi Okamoto, 1968) and Goyokin / Official Gold (Hideo Gosha, 1969). In Italy, he acted in the Spaghetti Western Oggi a me… domani a te / Today We Kill… Tomorrow We Die (Tonino Cervi, 1968) with Brett Halsey and Bud Spencer. It was the directorial debut of Tonino Cervi, who co-wrote the film with Dario Argento.
A lifelong stage actor, Tatsuya Nakadai founded the acting school Mumeijuku with his wife Yasuko Miyazaki in 1975. He continued performing on stage into his nineties. His films of the 1970s include Inochi bonifuro / Inn of Evil (Masaki Kobayashi, 1971), the crime film Shussho iwai / The Wolves (Hideo Gosha, 1971), Fumo chitai / Barren Zone (Satsuo Yamamoto, 1976), and Ni hyaku san kochi / The Battle of Port Arthur (Toshio Masuda, 1980). Nakadai appeared in two more Kurosawa films in the 1980s. In the epic Kagemusha / Shadow Warrior (Akira Kurosawa, 1980), Nakadai plays both the titular thief turned body-double and the famous daimyō Takeda Shingen, whom the thief is tasked with impersonating. This dual role helped him win his second Blue Ribbon Award for Best Actor. The film won the Palme d'Or at the 1980 Cannes Film Festival (tied with All That Jazz). It was also nominated for the Academy Award for Best Foreign Language Film and received other honours. In the historical epic Ran (Akira Kurosawa, 1985), Nakadai plays another daimyō, Hidetora Ichimonji, an ageing Sengoku-period warlord who decides to abdicate as ruler in favour of his three sons. The role is loosely based on King Lear from Shakespeare's play 'King Lear' and inspired by the historical daimyō Mōri Motonari. Nakadai also appeared in the British war film Return from the River Kwai (Andrew V. McLaglen, 1988) about POWs of the Japanese in World War II and starring Edward Fox and Denholm Elliott
Tatsuya Nakadai co-starred with Jacky Cheung in the Science Fiction film Yiu sau dou sih / The Wicked City (Peter Mak alias Mak Tai-kit, 1992). It is a live-action film adaptation of the Japanese anime of the same name, which in turn is based on the first novel of the series of the same name by Hideyuki Kikuchi. The film was produced by Tsui Hark, who actually directed many scenes himself. Remarkable is also the Japanese Western East Meets West (Kihachi Okamoto, 1995). With Okamoto, he made many films, including Sukedachiya Sukeroku / Vengeance for Sale (Kihachi Okamoto, 2002). He also appeared in the project left behind by Kurosawa, Ame agaru / After the Rain (Takashi Koizumi, 1999). His final films included Otoko-tachi no Yamato / Yamato (Junya Sato, 2005), Haru to no tabi / Haru’s Journey (Masahiro Kobayashi, 2010), Jinrui shikin / Human Trust (Junji Sakamoto, 2013), Umibe no ria /Lear on the Shore (Masahiro Kobayashi, 2017) and Kikyo / Kikyo – The Return (Shigemichi Sugita, 2019). In 1996, he received the Medal with Purple Ribbon, and in 2015, he received the Order of Culture. His final stage performance was in May 2025 in Noto, Ishikawa, as part of a stage tour. Nakadai died from pneumonia in a Tokyo hospital on 8 November 2025, at the age of 92. His daughter was at his side at the time of his death. His death was disclosed three days later, on 11 November.
Sources: Chuck Stephens (In Focus), Hans Beerekamp (Het Schimmenrijk - Dutch), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Primer encuentro en Quito. -Compartiendo con buenos artistas y excelentes personas como mi perro Kabe, Aperino & Snob....
-Cabe mencionar que fuimos abaleados desde un auto rojo desconocido. y días siguientes la prod fue producto de sabotaje-----> no falta el cizañero envidioso, ya saben como es esto! así que lo que nos quedo fue esta fotografía y una muy bella experiencia de hecho...... Total, agradecimientos al SGM Ecuador, a los artistas invitados que dejaron la buena actitud, Skipy y demás organizadores...... Máximo Respeto!
-Bienvenidos siempre a La Perla del Otún....