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From the museum label: Queen Mariana of Austria was the first official portrait of the queen consort of Spain by famed painter Diego Velázquez. Produced shortly after the birth of Mariana's first child with King Philip IV, the work exemplifies Velázquez's astute yet energetic approach to characterizing the monarch's new wife. Mariana was just 17 years old when she posed for this painting, but she had already developed a courtly personality, described at the time as deeply pious yet fun-loving. These qualities are legible here in her sober expression and splendid costume: a beribboned wig and colossal feathered headpiece paired with a silver-trimmed dress, worn over the rigid support structure known in Spain as a guardainfante—so-called because its dramatically wide hips could skillfully mask pregnancy. Her costume suggests a playful rebuff to her husband, the king, who once banned the garment for its erotic exaggeration of the female silhouette. Thanks to the success of portraits like this one, which circulated widely in the form of copies, the look became Mariana's signature style, introducing her to the public as the new face of Spain's monarchy.
From the museum label: Queen Mariana of Austria was the first official portrait of the queen consort of Spain by famed painter Diego Velázquez. Produced shortly after the birth of Mariana's first child with King Philip IV, the work exemplifies Velázquez's astute yet energetic approach to characterizing the monarch's new wife. Mariana was just 17 years old when she posed for this painting, but she had already developed a courtly personality, described at the time as deeply pious yet fun-loving. These qualities are legible here in her sober expression and splendid costume: a beribboned wig and colossal feathered headpiece paired with a silver-trimmed dress, worn over the rigid support structure known in Spain as a guardainfante—so-called because its dramatically wide hips could skillfully mask pregnancy. Her costume suggests a playful rebuff to her husband, the king, who once banned the garment for its erotic exaggeration of the female silhouette. Thanks to the success of portraits like this one, which circulated widely in the form of copies, the look became Mariana's signature style, introducing her to the public as the new face of Spain's monarchy.
Soviet Mikoyan-Gurevich MiG-15bis "Fagot B"
The Mikoyan-Gurevich Design Bureau emerged in the early Cold War era as a key designer of Soviet jet fighters, most notably the MiG-15. First flown in 1947, the MiG-15 answered Joseph Stalin’s call for an advanced, high-altitude day interceptor. With its dramatic deployment in the Korean War, the MiG-15 impressed westerners with its speed, maneuverability, and heavy armament. While a unique Soviet design, it used an adaptation of the Rolls Royce Nene jet engine, produced by the Soviets as the RD-45.
During the Korean War, the MiG-15 challenged U.S. F-80 and F-86 jet fighters for air dominance. It was the first operational Soviet swept-wing jet fighters equipped with a pressurized cockpit and ejection seat. The MiG-15 series is believed to be the most widely produced jet fighter, with around 17,000 variants. This MiG-15 operated as a Chinese F-2. The Smithsonian acquired the aircraft in 1985.
Wingspan:
10.1 m (33 ft 2 in)
Length:
10.1 m (33 ft 2 in)
Height:
3.4 m (10 ft 10 in)
Weight, empty:
3,523 kg (7,767 lb)
Weight, gross:
5,405 kg (11,916 lb)
Top speed:
1,050 km/h (652 mph)
Engine:
RD-45F centrifugal flow turbojet, 2,270 kg (4,994 lb) thrust
Armament:
One NS 37 mm and two NS 23 mm cannons
Manufacturer:
Mikoyan-Gurevich
For more info: en.wikipedia.org/wiki/Mikoyan-Gurevich_MiG-15
Facts about Expedition Everest:
Expedition EVEREST Disney officially Opened April 7, 2006
This attraction is 200 feet high making it the highest "mountain" in Florida
FASTPASS available (and highly recommended)
44" Height Restriction
Overview: Walt Disney World guests will discover for themselves the fearsome legend of the Yeti when experiencing Expedition EVEREST. This high-speed train adventure combines coaster-like thrills with the excitement of a close encounter with the Abominable Snowman.
The Expedition EVEREST adventure begins when guests board an old mountain railway destined for Mount Everest. As the train heads for the snowy mountain peak, it passes through bamboo forests, waterfalls and fields of glaciers.
The excitement begins when it's discovered that the train tracks end in a twisted wreck of metal. From here, the train careens backwards and forwards through darkness, frigid canyons and treacherous caverns. A face to face encounter with the legendary Yeti (guardian of the Himalayas) brings this tumultuous train ride to its dramatic conclusion.
Animal Kingdom in Orlando Florida 3-20-09
Smailholm Tower is a peel tower at Smailholm, around five miles west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside.
The Massif of Mont Blanc is the most renowned of the French Alps because of its dramatic relief, crystalline rocks and glacial morphology. The dome of the great White Mountain is visible from the town of Chamonix. The summit, at 15,775 ft, is the highest in the Alps and Western Europe.
The mountain lies between the regions of Aosta Valley, Italy, and Haute-Savoie, France. The location of the summit itself is a subject of controversy between the two countries, as each tends to place it within its own boundaries on maps.
The Monastery and Church of Sant Joan de las Abadeses captures the essence of Catalán/Benedictine spirituality in the Pyrenees, if not in all of Spain.Its dramatic sculpture Descent from the Cross - the ensemble is considered by some as the ultimate expression of Romanesque art in Spain.The altarpiece is also known by the name of the Most Holy Mystery because in 1426 some remains of consecrated hosts were found incorruptible in a reliquary hidden inside the head of Christ.
Din Harris
A Romanesque Pyrenees Experience
Chīori: Talk by Alex Kerr
www.japanhouselondon.uk/whats-on/2020/chiori-talk-by-alex...
Iya Valley, a secluded mountainous region in Tokushima Prefecture is often referred to as Togenkyō (lit. utopia) thanks to its dramatic landscapes and lush nature, which boasts precipitous gorges and hundreds of old thatched houses perched on its hillsides.
In this event, Japan House London dedicates an evening to explore regional revitalization and preservation of cultural traditions which have been carried over throughout centuries to the present day.
With contributions from members of Tokushima Prefecture and author Alex Kerr, this panel discussion chaired by Japan House London Programming Director Simon Wright discusses various aspects of culture in Tokushima, such as the awa-odori dance, and investigates Alex Kerr’s approach towards the renovation of Chīori (‘House of the Flute’), a wooden house with thatched roof, to help preserve the local lifestyle and the hundreds of kominka (lit. ‘old house’) in the area.
The book ‘Lost Japan’ by Alex Kerr will be available to purchase in The Shop at the Ground Floor on the day. Guests who purchase the book in The Shop have the opportunity to have their copy signed by the author during the drinks reception following this event, which features a selection of sake from Tokushima Prefecture.
About the Speaker
Alex Kerr came to Yokohama with his family as a child in 1964 and has lived in Kameoka (near Kyoto) since 1977. Alex writes in both English and Japanese, and is author of numerous books on Japan, including Lost Japan (1993), Dogs and Demons (2001), Nippon Keikanron ‘Theory of Japanese Landscape’ (2014), Another Kyoto (2016) and Kanko Bokokuron (2019).
In addition to his involvement in Japanese arts in Kyoto, Alex worked as Japan representative of American real estate developer Trammell Crow in the 1980s. He is known for his work on restoration of old houses, having restored over forty houses in towns around Japan. Alex speaks to groups across Japan about ways to revive their local economies by preserving cultural heritage and developing sustainable tourism.
Spatter print of human hand on the sandstone walls behind Fallen Roof Ruin, with its dramatic evidence of Ancestral Puebloan habitation, Bears Ears National Monument, southern Utah, USA
Ahu Tongariki, on Easter Island, is the island’s largest ceremonial platform, showcasing 15 imposing moai statues standing in a striking row against the Pacific Ocean. Located on the southeastern coast, this iconic site was restored after a devastating tsunami in 1960, highlighting the resilience of Rapa Nui culture. The towering stone figures, some reaching 30 feet with their pukao topknots, face inland, symbolizing ancestral protection. Its dramatic setting and historical significance make it a must-see landmark.
We are drawing a line against further mining and burning of coal, one of the biggest cause for climate change and its dramatic impacts. Considering the urgency of the climate issue, we consider it both necessary and appropriate to go one step further – from public protest to civil disobedience.
So I took my antique gold frame and removed the touristy images of Italy and replaced them with dinosaurs in acrylic ink on watercolour paper with Japanese patterned washi paper (known as chiyogami or yuzen paper). Who doesn't need miniature dinosaur portraits on their bedroom walls?
This image is a styrocosaurus, a type of short-frilled ceratopsian with six spikes on its dramatic frill, on blossom-pattern Japanese chiyogami paper.
Patagonia, a region in southern Chile, is celebrated for its breathtaking natural landscapes, including the iconic Torres del Paine National Park. Known for its dramatic mountains, glaciers, and vast expanses of untouched wilderness, Patagonia offers a haven for outdoor enthusiasts and nature lovers seeking adventure and serene beauty.
The beautiful and now tranquil setting of Augustinian Lanercost Priory belies an often troubled history. Standing close to Hadrian's Wall, it suffered frequent attacks during the long Anglo-Scottish wars, once by Robert Bruce in person. The mortally sick King Edward I rested here for five months in 1306-7, shortly before his death on his final campaign.
The east end of the 13th-century church survives to its full height, housing within its dramatic triple tier of arches some fine monuments.
Westmorland Dales In The Yorkshire Dales National Park
This is an area of tremendous history and there are stone circles, remains from the romans and medieval villages to be found.
In the Mallerstang valley you will find the atmospheric ruins of Pendragon Castle with its reputed connection to Uther Pendragon – the father of King Arthur. Towering over the castle is Wild Boar Fell where Sir Richard de Musgrave is thought to have killed the last wild boar in Britain. There could be something in this as his tomb is in Kirkby Stephen church and, when it was examined, in addition to his bones there were two wild boar tusks.
More modern history was created by the building of railways. The Settle to Carlisle railway cuts through the Westmorland Dales as part of its dramatic journey through the Dales with its stunning examples of Victorian engineering. There was also Stainmore Railway which was built to bring coal from the Tees Valley over to Cumbria for use in making iron. Although this railway closed in the 1960s it has left some tremendous reminders of its existence such as the viaducts over Podgill and Smardale and the station at Kirkby Stephen East.
Iceland, a Nordic island nation, is defined by its dramatic volcanic landscape of geysers, hot springs, waterfalls, glaciers and black-sand beaches. The capital, Reykjavik, home to the majority of the population, runs on geothermal power and offers a renowned nightlife scene as well as Viking history museums. The glaciers in Vatnajökull and Snæfellsnes national parks are popular for ice climbing, hiking and snowmobiling.
From the museum label: Rubens captures a moment, full of affection, in its dramatic climax: Horses rear up and lash out with their hooves while huntsmen thrust their spears into the lion. One draws back his sword and is about to strike down the quarry. The focal point of the scene is the motif of the rider being attacked by a lion and pulled off his horse, as already shown in the Munich oil sketch (inv. no. 15475). The motif of the claws that the lion digs into the horse's body has been taken from Classical art and the horses themselves are influenced by Leonardo da Vinci's ‘Battle of Anghiari'.
The Westmorland Dales In The Yorkshire Dales National Park
This is an area of tremendous history and there are stone circles, remains from the romans and medieval villages to be found.
In the Mallerstang valley you will find the atmospheric ruins of Pendragon Castle with its reputed connection to Uther Pendragon – the father of King Arthur. Towering over the castle is Wild Boar Fell where Sir Richard de Musgrave is thought to have killed the last wild boar in Britain. There could be something in this as his tomb is in Kirkby Stephen church and, when it was examined, in addition to his bones there were two wild boar tusks.
More modern history was created by the building of railways. The Settle to Carlisle railway cuts through the Westmorland Dales as part of its dramatic journey through the Dales with its stunning examples of Victorian engineering. There was also Stainmore Railway which was built to bring coal from the Tees Valley over to Cumbria for use in making iron. Although this railway closed in the 1960s it has left some tremendous reminders of its existence such as the viaducts over Podgill and Smardale and the station at Kirkby Stephen East.
All Saints in Pavement, York is distinguished by its dramatic octagonal tower, a major landmark of the city and masterpiece of late medieval architecture. The church itself is of mainly 14th/15th century date, though lost its chancel in the following centuries. The west window contains reset late 14th century panels depicting the Passion.
This church is generally open and welcoming to visitors.
Llyn Llech Owain Country Park is is a stunning 158-acre expanse of woods and lakeland near Cross Hands with nature trails, an adventure area and visitor centre. At the heart of this spectacular park is its dramatic lake which is surrounded by peat bog and there’s a lovely myth associated with Llyn Lech Owain. Legend has it that Owain Lawgoch ("Owain of the Red Hand" - who led an army of French mercenaries against the English in the Hundred Years' War), was entrusted to look after a well on the mountain named Mynydd Mawr. Each day, after extracting enough water for himself and his horse, Owain was always careful to replace the stone but on one occasion he forgot and a torrent of water poured down the side of the mountain. The resultant lake was hence named Llyn Lech Owain - the lake of Owain’s slab. Today, specially constructed paths allow for safe access over the bog and around the lake. The paths are well-surfaced and accessible to wheelchair-users. A forest track provides a longer walk or cycle ride around the country park and there’s a rough mountain bike trail for the more adventurous cyclist. Much of the park consists of coniferous woodland, planted by the Forestry Commission during the 1960s and there are also areas of dry heath and broad-leaved woodland.
Soviet Mikoyan-Gurevich MiG-15bis "Fagot B"
The Mikoyan-Gurevich Design Bureau emerged in the early Cold War era as a key designer of Soviet jet fighters, most notably the MiG-15. First flown in 1947, the MiG-15 answered Joseph Stalin’s call for an advanced, high-altitude day interceptor. With its dramatic deployment in the Korean War, the MiG-15 impressed westerners with its speed, maneuverability, and heavy armament. While a unique Soviet design, it used an adaptation of the Rolls Royce Nene jet engine, produced by the Soviets as the RD-45.
During the Korean War, the MiG-15 challenged U.S. F-80 and F-86 jet fighters for air dominance. It was the first operational Soviet swept-wing jet fighters equipped with a pressurized cockpit and ejection seat. The MiG-15 series is believed to be the most widely produced jet fighter, with around 17,000 variants. This MiG-15 operated as a Chinese F-2. The Smithsonian acquired the aircraft in 1985.
Wingspan:
10.1 m (33 ft 2 in)
Length:
10.1 m (33 ft 2 in)
Height:
3.4 m (10 ft 10 in)
Weight, empty:
3,523 kg (7,767 lb)
Weight, gross:
5,405 kg (11,916 lb)
Top speed:
1,050 km/h (652 mph)
Engine:
RD-45F centrifugal flow turbojet, 2,270 kg (4,994 lb) thrust
Armament:
One NS 37 mm and two NS 23 mm cannons
Manufacturer:
Mikoyan-Gurevich
For more info: en.wikipedia.org/wiki/Mikoyan-Gurevich_MiG-15
Pace is a leading technology developer for the global payTV industry.
Our brief was to design publicity material for the launch of their latest set-top receiver - a product which only differs from its predecessor by having a more stylish exterior casing. Apart from its shape, it is exactly the same product.
But history shows that sometimes a simple change in shape is enough to create a retail bestseller.
Our solution was to recall examples of where a change in a product's shape was responsible for its dramatic increase in popularity. We illustrated these examples - these design classics - and applied them to publicity posters, advertisements and launch invitations - and refrained from showing the new product altogether, so as to create anticipation at the launch event.
This object is a souvenir of the tomb of Madame Langhans, the wife of the pastor of the church of Hindelbank in Bern, Switzerland, who died in childbirth on Easter night in 1751.
Her tomb was considered an essential stop on the Grand Tour in the 18th and early 19th centuries because of its dramatic rendition of the resurrection of Madame Langhans, depicted as bursting through the slab.
In succeeding generations it was taken up as an icon of the Romantic Movement (late 1700s-early 1800s) and major figures of that movement (Goethe and Schopenhauer) made visits to the tomb.
Porcelain factories in Francy and Nyon, near Geneva, made reductions of it in biscuit (unglazed) porcelain.
© All rights reserved, don't use without permission
Stolby Nature Reserve is a Russian strict nature reserve located 10 km south of the city of Krasnoyarsk and known for its dramatic complexes of rocks.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
While exploring the Pennington Bog in northern Minnesota, I came across three examples of one of Minnesota's most beautiful native orchids, the Dragon's Mouth (Arethusa bulbosa). Standing only a few inches high, it doesn't seem to deserve such a fearsome name, but if one gets up close, as a pollinator would, it begins to appear more dragon-like. Its dramatically spotted and spiky labellum, ruffled all around the edges, draws one inward.
Canyonlands National Park in southeastern Utah is known for its dramatic desert landscape carved by the Colorado River. Island in the Sky is a huge, flat-topped mesa with panoramic overlooks. Other notable areas include the towering rock pinnacles known as the Needles, the remote canyons of the Maze and the Native American rock paintings in Horseshoe Canyon. Whitewater rapids flow through Cataract Canyon.
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
Smailholm Tower is a peel tower at Smailholm, around five miles west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside.
Smailholm Tower is a peel tower at Smailholm, around five miles west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside.
West Hollywood, California
Designed in 1929 by architect Leland A. Bryant, the Sunset Tower (as originally called) was a trendsetter from the moment it opened. Its dramatic setting on the Sunset Strip and elegant Art Deco styling, together with its proximity to famous restaurants and nightclubs of the 1930s & ’40s, contributed to its landmark status. West Hollywood has always catered to celebrities wishing to draw attention to their star power. The Sunset Tower embodied these aspirations, counting among its former residents Howard Hughes, John Wayne, Billie Burke, Marilyn Monroe, Errol Flynn, Elizabeth Taylor, Frank Sinatra, Paulette Goddard, Zasu Pitts, and even gangster Bugsy Siegel. Leland Bryant specialized in luxury apartments, but the Sunset Tower was his crowning achievement. His work was predominantly in Period Revival, but with this building he proved that he was equally adept with the then contemporary Deco style. To attract a demanding clientele, the Sunset Tower incorporated the latest in both technology and design. There were modern conveniences, like outlets in every bathroom for electric shavers, and the windows were made larger to take advantage of the spectacular views.
The Sunset Tower is a Hollywood landmark. Up to the 1950s it was as much a tourist attraction as the Hollywood sign itself. It has appeared in a number of films, including The Italian Job, Get Shorty, The Player and Strange Days. Its first literary mention was in Raymond Chandler's Farewell, My Lovely (1940). The film version of that novel, Murder, My Sweet, released four years later, was its first screen reference.
Smailholm Tower is a peel tower at Smailholm, around five miles west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside.
The beautiful and now tranquil setting of Augustinian Lanercost Priory belies an often troubled history. Standing close to Hadrian's Wall, it suffered frequent attacks during the long Anglo-Scottish wars, once by Robert Bruce in person. The mortally sick King Edward I rested here for five months in 1306-7, shortly before his death on his final campaign.
The east end of the 13th-century church survives to its full height, housing within its dramatic triple tier of arches some fine monuments.
More photos of Lanercost Priory here: www.flickr.com/photos/davidambridge/albums/72157624989399623
The Sleeping Giant is a formation of mesas and sills on Sibley Peninsula which resembles a giant lying on its back when viewed from the west to north-northwest section of Thunder Bay, Ontario, Canada. As one moves southward along the shoreline toward Squaw Bay the Sleeping Giant starts to separate into its various sections. Most distinctly in the view from the cliffs at Squaw Bay the Giant appears to have an Adam's Apple. The formation is part of Sleeping Giant Provincial Park. Its dramatic steep cliffs are among the highest in Ontario (250 m). The southernmost point is known as Thunder Cape, depicted by many early Canadian artists such as William Armstrong.
One Ojibway legend identifies the giant as Nanabijou, who was turned to stone when the secret location of a rich silver mine now known as Silver Islet was disclosed to white men.[3]
The GE Building at 30 Rockefeller Plaza
The centerpiece of the Center, the GE Building is one of the world's most famous and most honored office buildings. Designed by the great skyscraper architect Raymond Hood, it takes its shape from his belief in the virtues of natural light. To guarantee all office space was no more than 27 feet from a window, Hood chose not to build any enclosed space above each elevator bank. This gives the façade its dramatic sculptural effect, narrowing and drawing back as it climbs. One critic called it "the largest frozen fountain ever built.”
Since the building opened in 1933 (it was called the RCA Building then, after its lead tenant), it has been home to some of the most important and well-known companies in America. The fifty-sixth floor is the private offices of the Rockefeller family itself. The "father” of Rockefeller Center, John D. Rockefeller Jr., was not a particular fan of modern architecture, and his personal office was decorated in 16th century wood paneling and leaded-glass bookcases with an ancient fireplace was vented into the Manhattan sky.
Signed picture of Cosmonaut Boris Volynov
Boris Valentinovich Volynov is a Soviet cosmonaut who flew two space missions of the Soyuz programme: Soyuz 5, and Soyuz 21. He was the first Jewish cosmonaut to enter space, preceding Judith Resnik in the United States. Following the death of Alexei Leonov in October 2019, he is the last surviving member of the original group of cosmonauts.
After being bumped from the crew of the Voskhod 1 mission and training for Voskhod 3 prior to its cancellation, Volynov finally flew as Commander of Soyuz 5. Launched on 15 January 1969, it docked with Soyuz 4 in orbit. It was the first docking of two crewed spacecraft of any nation.
The flight was also memorable for its dramatic re-entry. The craft's service module did not separate, so it entered the atmosphere nose-first, leaving cosmonaut Boris Volynov hanging by his restraining straps. As the craft aerobraked, the atmosphere burned through the module. But the craft righted itself before the escape hatch was burned through. Then, the parachute lines tangled and the landing rockets failed, resulting in a hard landing which broke Volynov's teeth.
The capsule came down in the Ural Mountains, far short of its target landing site in Kazakhstan. The local temperature was −38 °C, and knowing that it would be many hours before rescue teams could reach him, Volynov abandoned the capsule and walked for several kilometers to find shelter at a local peasant's house. It would be seven years until Volynov flew again, on Soyuz 21.
Years later, speaking about the Soyuz 5 experience, Volynov said that “there was no fear but a deep-cutting and very clear desire to live on when there was no chance left.”
On 6 July 1976 Volynov and Flight Engineer Vitaliy Zholobov were launched on board Soyuz 21 to spend between 54 and 66 days aboard the space station Salyut 5. Following a deterioration in the health of Zholobov, the decision was made to return the crew at the earliest available opportunity and they boarded their Soyuz on 24 August. However, as Volynov tried to undock from Salyut, the latch failed to release properly. As he fired the jets to move the spacecraft away, the docking mechanism jammed, resulting in the Soyuz being undocked but still linked to Salyut. As the two spacecraft moved out of range of ground communications, only the first set of emergency procedures was received. Volynov tried a second time to undock but managed only to slightly loosen the latches. This situation persisted for an entire orbit (90 minutes), then the final set of emergency procedures were received and the latches finally disengaged.
Because Soyuz 21 was returning early, it was outside the normal recovery window, and encountered strong winds as it descended, which caused uneven firing of the retrorockets. It made a hard landing around midnight 200 km southwest of Kokchetav, Kazakhstan. Zholobov's illness was apparently caused by nitric acid fumes leaking from the Salyut's propellant tanks.
After resigning from the space program in 1982, he spent eight years as a senior administrator at the Gagarin Cosmonaut Training Centre. After 30 years of service in Star City, in 1990, he retired in the rank of colonel due to age limit.
All Saints in Pavement, York is distinguished by its dramatic octagonal tower, a major landmark of the city and masterpiece of late medieval architecture. The church itself is of mainly 14th/15th century date, though lost its chancel in the following centuries. The west window contains reset late 14th century panels depicting the Passion.
This church is generally open and welcoming to visitors.
The Westmorland Dales In The Yorkshire Dales National Park
This is an area of tremendous history and there are stone circles, remains from the romans and medieval villages to be found.
In the Mallerstang valley you will find the atmospheric ruins of Pendragon Castle with its reputed connection to Uther Pendragon – the father of King Arthur. Towering over the castle is Wild Boar Fell where Sir Richard de Musgrave is thought to have killed the last wild boar in Britain. There could be something in this as his tomb is in Kirkby Stephen church and, when it was examined, in addition to his bones there were two wild boar tusks.
More modern history was created by the building of railways. The Settle to Carlisle railway cuts through the Westmorland Dales as part of its dramatic journey through the Dales with its stunning examples of Victorian engineering. There was also Stainmore Railway which was built to bring coal from the Tees Valley over to Cumbria for use in making iron. Although this railway closed in the 1960s it has left some tremendous reminders of its existence such as the viaducts over Podgill and Smardale and the station at Kirkby Stephen East.
A National Historic Landmark
New York County, NY
Listed in NR: 01/17/1975
Designated an NHL: 12/08/1976
Constructed in the early 20th century, this monumental Beaux-Arts structure is a triumph of architecture, planning, and engineering. Its dramatically lit grand concourse centers a complex transportation network and provides an unrivaled first impression of New York to countless commuters and travelers. Grand Central made preservation history in 1978, when – thanks to efforts of Jacqueline Kennedy Onassis and others – the U.S. Supreme Court decreed that its status as a New York City Landmark protected it from demolition. This decision upheld the rights of local authorities across the country to protect and preserve their landmarks. The terminal was restored in 1998 and now appears every bit as grand as it did when it first opened.
Smailholm Tower is a peel tower at Smailholm, around five miles west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside.
Ronda is a very popular tourist town in Malaga Province in Andalucia north of Marbella on the Costa del Sol. It is a very attractive town for visitor with its spectacular gorge and mountain views. Unfortunately it does tend to be overrun with tourist, even in winter, most of whom are obsessed with taking selfies against the beautiful back drops.
Despite being a growing town Ronda retains much of its historic charm, particularly its old town. It is famous worldwide for its dramatic escarpments and views, and for the deep El Tajo gorge that carries the rio Guadalevín through its centre. Visitors make a beeline for the 18th century Puente Nuevo 'new' bridge, which straddles the 100m chasm below, before taking in the views from the Alameda out over the Serranía de Ronda mountains.
is a canyon system of the Caprock Escarpment located in the Texas Panhandle near the city of Amarillo, Texas, United States. As the second largest canyon in the United States, it is roughly 193 km (120 mi) long and has an average width of 10 km (6.2 mi), but reaches a width of 32 km (20 mi) at places. Its depth is around 250 m (820 ft), but in some locations it can increase up to 304 m (997 ft). Palo Duro Canyon has been named "The Grand Canyon of Texas" both for its size and for its dramatic geological features, including the multicolored layers of rock and steep mesa walls similar to those in the Grand Canyon.
One of the most amazing places that I have ever seen! The Lighthouse Trail was awesome and unforgettable!
More information:
English: en.wikipedia.org/wiki/Palo_Duro_Canyon
German: de.wikipedia.org/wiki/Palo_Duro_Canyon
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Smailholm Tower is a peel tower at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is located at grid reference NT637346, just west of Sandyknowe farm, and is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.
Photo by: Tanz Der Vampire,
Tanz der Vampire, More details on Wcities.com. Inspired by Roman Polanski's 1967 film, Tanz der Vampire is a German-language musical set in the heart of Transylvania. Michael Kunze's music and lyrics explore a Gothic underworld populated by vampires and vampire hunters, innkeepers and innocents. It centers around a vampire pursuer and his bumbling assistant who takes to the innkeeper's daughter at the inn where they stay. When she is kidnapped by a vampire, a haunting chase ensues. The musical has been widely performed around the world, a hit with audiences for its dramatic visuals and music, transporting audiences to the dark world of mythical Transylvania.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
Pace is a leading technology developer for the global payTV industry.
Our brief was to design publicity material for the launch of their latest set-top receiver - a product which only differs from its predecessor by having a more stylish exterior casing. Apart from its shape, it is exactly the same product.
But history shows that sometimes a simple change in shape is enough to create a retail bestseller.
Our solution was to recall examples of where a change in a product's shape was responsible for its dramatic increase in popularity. We illustrated these examples - these design classics - and applied them to publicity posters, advertisements and launch invitations - and refrained from showing the new product altogether, so as to create anticipation at the launch event.
Mystical Bronze Age site of Bryn Cader Faner
"Bryn Cader Faner is a small cairn just 8m across and less than 1m high, but around the edge is a ring of tall, thin slabs set at an angle, projecting from the mass of the cairn like the rays of the sun, or as some say the "Welsh Crown of Thorns". The monument may be classified as a cairn circle, and was probably a site of burial rather than ceremonial function. It has been disturbed and a hole in the centre no doubt indicates the position of a cist or grave, the content of which is unknown. The army, on manoeuvres before the second world war, pulled out stones on the east side but, miraculously, the striking silhouette remained intact.
It is a monument of simple but brilliantly effective design, placed with sophisticated precision in its dramatic setting so as to achieve maximum impact on travellers approaching from the south. It is arguably the most beautiful Bronze Age monument in Britain."
Acknowledgement: A guide to ancient and historic Wales by Frances Lynch
Wald bodykit for the BMW 3-series
Wald’s 3-series bodykit is something of a change of pace, then, although its dramatic looks definitely let onlookers know this is not a stock BMW.
Available in white (pictured) and gun-metal grey, the Wald E90 Sport Line 3-series appearance kit features side-skirts, a trunk-lid spoiler, a completely reworked front and rear appearance, plus four fog lamps. Custom 19in wheels with low-profile tires five the Wald the mean stance that befits its aggressive new trim.
A custom exhaust system offers a high-performance sound, though that’s the extent of the driveline modifications, so don’t expect to go running down M3s, despite the car’s mean look.
Ahu Tongariki, on Easter Island, is the island’s largest ceremonial platform, showcasing 15 imposing moai statues standing in a striking row against the Pacific Ocean. Located on the southeastern coast, this iconic site was restored after a devastating tsunami in 1960, highlighting the resilience of Rapa Nui culture. The towering stone figures, some reaching 30 feet with their pukao topknots, face inland, symbolizing ancestral protection. Its dramatic setting and historical significance make it a must-see landmark.