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Soncarpas
Calle 46 No. 63b - 05 tel 2301259
info@soncarpas.com
Medellin
The design for these Dr Martens was inspired by the Op art of Bridget Riley. Early versions of this design followed the more precise geometry of Riley's work but recreating it on the boots proved to be too time consuming for a run of 125 pairs so this more irregular version was created.
On a sunny day these boots reflected a cool metallic green.
Taguatinga Centro, Taguatinga, Brasília, DF, Brasil 5/9/2016. Foto: Gabriel Jabur/Agência Brasília
Cinco hotéis que funcionam irregularmente no centro de Taguatinga foram fechados na manhã desta segunda-feira (5), em mais uma etapa da ação Centro Legal na região administrativa. Os estabelecimentos estavam com a licença de funcionamento cancelada e, em alguns casos, não tinham documentação adequada e apresentavam problemas sanitários.
Nechells Primary E-act Academy is located on Eliot Street in Nechells.
It used to be called Nechells Primary School.
Grade II Listed Building
Nechells School (Junior, Infant and Nursery)
Summary
A school building of 1879 designed by Martin and Chamberlain for the Birmingham School Board.
Description
Nechells Primary School is a brick building designed by Martin and Chamberlain with an irregular plan and Gothic in style. The school has single-storey, two-storey and three-storey elements, with a tower projecting from the south elevation. The principal facade faces south onto Eliot Street.
EXTERIOR: the front steps down from right to left, with a taller block of three-storeys to the right. This has two gables and each has four lancet lights at ground and first floor levels which are grouped under a running hoodmould at ground floor level and have a shared stone head to the first floor. To the gables are paired windows. To the left of this are the plenum tower and the porch. The tower has a large window to the ground floor with a relieving arch above and three lancets to the first floor. Above this there is a tall opening with mullion and transom and cusped heads to the lights, and a further lancet projecting into the gable, all with louvres. The east and west sides of the tower have tall, two-light windows with louvres and a gablet with bulls eye windows. To the left again are three gables with a doorway at left and paired lancets at ground floor level and sash windows with cambered heads to the first floor. A wall with arched yard door is at left again and the front ends with a gable at far left which has paired lancets and a cusped circular light all set beneath a relieving arch. The extension which is shown on the Ordnance Survey map of 1904 was formerly placed to the west, but this has been largely demolished, leaving the truncated lower walling to form the enclosure of a yard. This has six-bays, marked by pilaster buttresses. The rear (north) of the building fronts the schoolyard and has a large projecting block to the left. This is of three-storeys and its flanks have similar fenestration and motifs to those seen on the south front. The north front of this block has two gabled wings, in front of which a later-C19 or earlier-C20 extension of two-storeys was added, projecting northwards. This was subsequently largely demolished, leaving a plain brick wall which has been colour-washed. To left of this is a plain wall with doorway which leads to the covered courtyard. At right again a further projecting block has a large gable at right with a central two-light window with oculus to its head, which projects into the gable and is flanked by lancets. At the apex of the gable is a suspended, timber bell-cote. At far right is a flat-roofed extension of six-bays.
INTERIOR: the building is accessed via an arched entrance on the south elevation, to the west of the tower. From the entrance a lobby leads through to a covered courtyard which was previously open. The courtyard is located centrally within the building and all of the separate elements of the building are accessed from this area. The courtyard is covered by a modern timber and glass roof and has modern internal partitions to the north and west. The previously external windows have been retained and three brick arches are located to the south. To the north of the courtyard a small corridor leads to the hall to the east. The hall is a double height space with iron girders to the roof which have decorative piercing. At the east of the hall the space has been partitioned to provide a library which is entered from the internal courtyard. To the north of the hall are classrooms and a staircase to the first-floor which leads to the head teacher’s study. This underwent a scheme of renovation in the first half of the C20 and retains glazed and panelled doors and a fireplace of that date.
The majority of the classrooms, together with another larger staircase are located to the east of the courtyard and entrance. The classrooms retain windows, doors, door furniture and panelling throughout. The internal windows, which have four-pointed, arches are situated above the panelling and provide light and visibility between the rooms. At first-floor level the rooms are open to the roof with timber trusses and a timber panelled ceiling. Within this section of the building is a central hall with timber roof trusses, from which classrooms are accessed. This hall has glazed bricks set within the floor of the first-floor which provides some light to the hallway beneath.
History
The Birmingham School Board was brought into being by the Elementary Education Act of 1870; the Act, which empowered school boards to create new schools and pay the fees of the poorest children, was largely the result of campaigning by the Birmingham-centred National Education League. By 1902, when the Education Act abolished school boards and passed the responsibility for education to local authorities, the Birmingham School Board had built fifty-two new schools. All but four of these schools were designed by the architectural practice Martin and Chamberlain – from 1900 Martin and Martin – appointed Architect to the Board in 1870.
John Henry Chamberlain (1831-83) and William Martin (1828-1900) formed the practice Martin and Chamberlain in 1864. Following the death of Chamberlain, Martin was joined by his son, Frederick Martin, and the practice continued under the same name until the death of William Martin when the practice was renamed Martin and Martin. The board schools operated as focal points within each district, serving as symbols of municipal pride and civic achievement. Martin and Chamberlain created a house-style for their schools, which were characterised by their red-brick construction, tall ventilation towers, proliferation of gables, and decorative use of terracotta displaying naturalistic forms. Chamberlain believed that school architecture might offer children some compensation for drab homes, and in 1894 the Pall Mall Gazette commented that, ‘In Birmingham you may generally recognise a Board School by its being the best building in the neighbourhood… with lofty towers which serve the utilitarian purpose of giving excellent ventilation, gabled windows, warm red bricks and stained glass, the best of the Birmingham Board Schools have quite an artistic finish'.
J. H. Chamberlain, the leading creative force within Martin and Chamberlain, was profoundly influenced by Ruskin and his promotion of Venetian Gothic; Chamberlain had a unique impact on Birmingham's civic architecture during the 1860s and 1870s, helping shape the city's celebrated movement of social and artistic improvement. Chamberlain was responsible for a number of other important public buildings – most of those which survive are listed – but the board schools represent perhaps the most significant and lasting element of his work.
Nechells Primary School, built in 1879, and originally named Hutton Street Board School, was designed by the architects Martin and Chamberlain and is illustrated on the first edition (1889) Ordnance Survey map fronting Hutton Street. The school is illustrated as two irregular buildings with a central connecting element. Both buildings have irregular plans and the building to the west is roughly rectangular with a large semi-circular bay on the west elevation. The eastern building has a small semi-circular bay to the east and is recessed to the rear. The School was renamed Nechells Board School in 1897 and by the second edition (1904) Ordnance Survey map the name of the street on which the building is situated has been changed to Eliot Street. The 1904 map reveals that the building to the east has been extended with a large rectangular addition and a canted bay to the south. The plan of the school remains largely constant on the map of 1916 but has been further extended to the west by the 1938 Ordnance Survey map. The 1930s alterations to the building coincide with the reorganisation of the school into separate senior, junior and infant departments.
Comparison with the modern OS map demonstrates that the large addition built to the rear of the eastern building and present on the 1904 map has been removed but the adjacent canted bay remains. The central section of the building has been filled in and the western end of the building has undergone considerable alteration with the removal of the large semi-circular bay and the addition of the rectangular western elevation.
Reasons for Listing
Nechells Primary School is designated at Grade II for the following principal reasons:
* Architectural merit: the building is a good example of the architectural work of Martin and Chamberlain, combining a dramatic outline which can be seen across its local neighbourhood, together with good detailing and careful planning.
* Intactness: despite some alterations and additions, the building retains much of its original fabric and many original fittings.
* Historical interest: one of twenty-six surviving schools built by the Birmingham School Board, which together form one of the most important groups of board schools in the country.
Forward coat of arms shield and school sign
Four Interlocking Irregular Parabiaugmented Polarly Diminished Crossed Triangular Antiprisms 48 units
3-fold view.
Daniel and Aaron have been waiting for these for awhile, but the rest of you have been out of the loop, so I'll try to explain this is simply as possible. Several months back, I discovered this shape- the shape of an individual frame by seeing this as a triangular form of a single "2 tetrahedron compound" from Daniel's 6 tetrahedra model. 3 "spokes" radiate out of each pole instead of the 4 in Daniel's model. And I figured 4 should be possible, but without povray, I just couldn't figure out what to do, so until the convention this layed dormant. Then, Daniel and I worked on this and rendered two different compounds. This was the first. At the time, both were just named "4 triangular thingies", but considering my love for geometric names, I had to think up a relatively accurate description for the shape, and thus we have this.
Designed by me.
Folded out of copy paper.
Irregular Hexagons Tessellation
I'm not completely up on all of the world's tessellations, but could this possibly be the first hexagon tiling from a square grid?
I will look around for others.
Designed by me.
Folded out a 32 grid of 10" kami.
Irregular section in brick wall of The Vyne, a Tudor country house in Hampshire, England. Owned by the National Trust.
please link to: www.exsulto.com
The site exhibits standard patterns of decay: peeling, oxidation, debris, overgrowth, archaic vernacular. Prior inhabitants may have been driven to cannibalism through toxic lead exposure. Wait, the windows are clean.
Galen "Doc" Garrity, Xander "Skirmish" Ventura, Asher "Thunder" Boldt, Brock "Stony" Sedgwick, Brooke "Fletcher" Beursault, Josef "Babyface" Nagant, Clifton "Zydeco" Cleveland
Five Irregular Octahedra
Here is the POV-ray rendering for the polar compound of 5 octahedra. I'm proud of this rendering, as it is the first I have done completely from scratch, without any basis. Finding the coordinates wasn't hard, but rotation took a little thought. I figured it out like this: the basis for this design was 5 squares, and I know the dimensions for that to be 1:2.75, so I set the width at that, and adjusted the x and y parameters accordingly. Of course, the z coordinates is simply a full rotation (360) dived by 5, as there are 5 frames, so of course they were increments of 72.
shoes by irregular choice are, mostly, far from comfortable but beautiful to look at!!!
that's why I bought this flat, rather than a fancy pair. :D
irregular choice flats from ebay. they have an odd, thick, platform that makes them kind of hard to walk in (which is probably why they were on ebay...) so i'm not sure if i'm keeping them.
even though this photo is a few weeks old, it's appropriate that i am uploading it today, since it's the first day that really feels like spring.
30 Interlocking Irregular Triangular Prisms 270 units
5-fold view.
When I first folded Daniel Kwan’s 10 Triangular Prisms, I considered it to be the pinnacle of technical difficulty in wireframe design. While it’s complexity has been surpassed since by numerous designs (including several by Daniel himself), the original 10 Triangular Prisms remains (in my opinion) one of the most elegant and complex wireframes ever designed. When I began extending the Macro-Polygon design series through polyhedral projections (including prisms, though incidentally, no antiprism expansions yet!) five or six years ago, a compound high on my list was an expansion of 10 triangular prisms. After all, when 10 Triangular Prisms is already one of the most difficult compounds to construct, why not make it 3x more complex?
This compound is the first successful iteration realizing a variation of the goal of a Macro-Polygon expansion of 10 Triangular prisms. I say “a variation” because I had a specific internal weaving relationship in mind which I designed the structure around, and adjusted the external triangular faces to accommodate this internal structure. As a result, the triangular faces are not equilateral, but rather scalene triangles that are nearly right triangles. Each of the 3 triangular prisms which together form one macro prismatic structure contribute one side edge whose weaving with respect to other units of identical type constitute the same pattern as the original 10 Triangular Prisms. The other 60 prism side edges have a different relationship.
The completed model is very sturdy and rigid in its present form, and while a second version might slim the proportions slightly, any visible issues of pressure bending are almost certainly due to angular discrepancies. These occurred because the units were emended a few times from the initial vision of equilateral triangular faces on the bases of each prism. This “trial and error” procedure is inherent in designing compounds of irregular shapes, particularly without the assistance of software.
Designed by me.
Folded out of copy paper. (4 different paper proportions, 5 different unit types. You might astutely observe that I wrote that the triangular faces were scalene, and thus that there should be 5 paper proportions. However, although the shorter two units are the same length when unfolded, one has an extra paper consuming tab, and hence the folded units are not identical in length.)
Conjugation tables for Welsh Verbs:-
Bod, Gwybod, Adnabod, Cydnabod, Canfod etc.
Mynd, Dod, Gwneud, Cael, Gadael.
Sistema modular THUO que inclui carrinho de passeio, ovo e lançadeira dobrável.
Posição elevada do banco, longe da poluição e mais perto da mãe e do pai. Estrutura de alumínio muito leve (7,7 kg) e manobrabilidade incomparável. Sistema inovador de dobragem que permite que o carrinho seja aberto e fechado em um gesto rápido. Os acoplamentos de fluidos permitem o fácil intercâmbio de carrinho de criança, ovo e lançadeira, mesmo com o bebê no interior.A direção fácil e as rodas grandes garantem a máxima manobrabilidade mesmo em superfícies irregulares e irregulares.
DETALHES
Peso da Armação: 7,7 kg
Peso do assento: 3,2 kg
Peso do translado: 3,8 kg
Peso de uso: 3,2 kg
Dimensões da moldura dobrada apenas: 83 cm x 49 cm x 27 cm
Dimensões dobradas com assento e rodas traseiras: 97 cm x 64 cm x 37 cm
Rodas traseiras: 30 cm de diâmetro, insuflável, amovível, com travão de estacionamento central
Rodas dianteiras: 18 cm de diâmetro, almofadadas, desmontáveis, giratórias ou fixas
Cesto de armazenamento: 40 cm x 35 cm, carga máxima 2 kg
Saco: 30 cm x 32 cm
Quadro de alumínio e plástico
Tecido de poliéster e poliuretano
Cobertura transparente de PVC sem ftalatos
Malha mosquiteira em poliéster
Certificações para carrinhos de criança e traslado: EN 1888, ISO 9001-2000
Certificação de ovos: ECE R44 / 04
O kit inclui: armação, lançadeira, bolsa, mosquiteiro, tampa de perna, assento, ovo, montagem e instruções de uso
DIMENSÕES
Carrinho: altura do assento 62 cm do chão, largura 30 cm,
costas 40 cm, profundidade do assento 25 cm,
profundidade do apoio para os pés 16 cm, recomendado de 6 meses a 15 kg
Shuttle: 32 cm x 77 cm, adequado para crianças de 0 a 6 meses
Ovo/bebè confort: 65 cm x 34 cm, Grupo 0+ (0 a 13 kg)
CARACTERÍSTICAS
Carrinho de criança, transporte e ovo podem ser posicionados de frente para a mãe e de frente para a rua
Encosto do carrinho ajustável em 3 posições: dormir, descansar e ativo
Alça única, ajustável em altura e ângulo, oferece uma ampla gama de posições
O apoio para os pés ajustável elimina o problema de pernas penduradas, permitindo que a criança se mova e mude de posição quando está sentado
Abertura da ventilação do exaustor para impedir a temperatura excessiva para dentro; abertura protegida por mosquiteiro
Visor para maior proteção contra o vento e a luz, pode ser dobrado ou retirado do capô graças a um zíper conveniente
Cintos de segurança ajustáveis em altura com correias de ombro acolchoadas
Freio de estacionamento simultâneo no rack de ambas as rodas traseiras
Cintos de segurança de 5 pontos com bloqueio
Braço dianteiro facilmente removível
Sistema de ancoragem muito fluido para o quadro: travar e destravar com um dedo
VÍDEO - APRESENTAÇÃO: youtu.be/_zjCLns2rhY
Sistema modulare THUO che comprende passeggino, ovetto e navetta pieghevole.
Posizione alta della seduta, lontana dall’inquinamento e più vicina a mamma e papà. Telaio in alluminio molto leggero (7,7 kg) e manovrabilità senza eguali. Innovativo sistema di piegatura che consente di aprire e chiudere il passeggino, in un rapido gesto. Innesti fluidi permettono di intercambiare passeggino, ovetto e navetta con molta facilità anche con il bimbo all’interno Lo sterzo agevole e le grandi ruote garantiscono la massima facilità di manovra anche su fondi accidentati e irregolari.
DETTAGLI
Peso del telaio: 7.7 kg
Peso del seggiolino: 3.2 kg
Peso della navetta: 3.8 kg
Peso dell'ovetto: 3.2 kg
Dimensioni del solo telaio piegato: 83 cm x 49 cm x 27 cm
Dimensioni piegato con seggiolino e ruote posteriori: 97 cm x 64 cm x 37 cm
Ruote posteriori: diametro 30 cm, gonfiabili, rimovibili, con freno di stazionamento centrale
Ruote anteriori: diametro 18 cm, ammortizzate, rimovibili, piroettanti o fisse
Cesto portaoggetti: 40 cm x 35 cm, carico massimo 2 kg
Borsa: 30 cm x 32 cm
Telaio in alluminio e plastica
Tessuto del rivestimento in poliestere e poliuretano
Parapioggia trasparente in PVC privo di ftalati
Zanzariera Mesh in poliestere
Certificazioni passeggino e navetta: EN 1888, ISO 9001-2000
Certificazioni ovetto: ECE R44/04
Il kit comprende: telaio, navetta, borsa, zanzariera, coprigambe, seduta, ovetto,istruzioni montaggio e uso
DIMENSIONI
Passeggino: altezza seduta 62 cm da terra, larghezza 30 cm,
schienale 40 cm, profondità seduta 25 cm,
profondità poggiapiedi 16 cm, consigliato dai 6 mesi ai 15 kg
Navetta: 32 cm x 77 cm, adatto per bambini dai 0 ai 6 mesi
Ovetto: 65 cm x 34 cm, Gruppo 0+ (da 0 a 13 kg)
CARATTERISTICHE
Passeggino, navetta e ovetto posizionabili fronte mamma e fronte strada
Schienale passeggino regolabile in 3 posizioni: nanna, riposo e attiva
Maniglione unico, regolabile in altezza e angolazione, offre un'ampia gamma di posizioni
Il poggiapiedi regolabile elimina il problema delle gambe a penzoloni, consentendo al bambino di muoversi e cambiare posizione quando è seduto
Apertura di ventilazione della cappottina per impedire una temperatura eccessiva all’interno; apertura protetta da zanzariera
Visierina per una maggiore protezione dal vento e dalla luce, può essere ripiegata o staccata dalla cappotta grazie a una comoda cerniera
Cinture di sicurezza regolabili in altezza con spallacci imbottiti
Freno di stazionamento simultaneo sulla cremagliera di entrambe le ruote posteriori
Cinture di sicurezza a 5 punti con bloccaggio
Bracciolo frontale facilmente estraibile
Sistema di ancoraggio al telaio molto fluido: blocco e sblocco con un dito
VIDEO - PRESENTAZIONE: youtu.be/_zjCLns2rhY
Four Interlocking Irregular Hyperboloidal Omnitruncated Digonal Dihedra, designed by Byriah Loper
I thought it's time for me to practice my assembly skills, so I did this. This model is very simple and easy, so I made this in about an hour or something, but the assembly was still pretty difficult, with some tabs unhooking from the pockets. I think I'm the first to replicate this model, but strangely, I don't know why anyone don't do this model.
Made with copy paper.
Las irregularidades denunciadas en el manejo institucional del Banco de Materiales fue tema central de la sesión de la Comisión de Fiscalización realizada hoy viernes. Asistieron a informar Eduardo Flores Cotrina, jefe del Organo de Control Institucional del BANMAT; el ex presidente de la institución, José Ortiz Rivera; y el también ex presidente Augusto Castro Rojas.
You can find more details about ayurvedic treatment for irregular menstruation at
www.holisticayurveda.in/product/herbal-treatment-for-irre...
Dear friend, in this video we are going to discuss about ayurvedic treatment for irregular menstruation. Ayurvedic treatment for irregular menstruation with MCBC capsules gives long lasting results.
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Ayurvedic Treatment For Irregular Menstruation
Sin intenciones de mejorar, así es de repente la luz
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Sin edición.
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Time elapsed: 23 days
Irregular, reddish or brownish or orangish-brown iron oxide banding is commonly seen in many porous rocks, particularly sandstones and pebbly sandstones. These have been almost universally referred to as “Liesegang banding”, representing precipitation lines of iron-rich minerals (e.g., hematite, limonite, goethite, etc.) at & along groundwater chemical interfaces. But, according to Neil Wells of Kent State University, the original concept of Liesegang banding (Liesegang, 1896) does not match up with what is seen in the rock record (see Wells et al., 2003).
True Liesegang banding refers to parallel bands of precipitate formed by diffusion along a single chemical gradient during one event. What's seen in the rock record often consists of sets of irregularly concentric iron bands, with different sets of bands quite frequently oriented in different directions, and showing cross-cutting and dissolution of older sets. Iron oxide banding in the rock record is clearly the result of numerous precipitation events over long periods of time by moving groundwater (Wells et al., 2003). Iron oxide mineralization along these bands appears to be induced by the presence of either a redox interface (change from reducing to oxidizing conditions in the groundwater) or a pH interface (change in acidity).
Because Neil Wells is the first (apparently) to point out that what geologists have been calling Liesegang banding really isn’t, a renaming seems to be in order. It was jokingly suggested in 2003 that the iron oxide banding discussed above be called “Wells Banding”. I’m all for that.
Provenance: undetermined
Locality: facing stone at Mammoth Cave visitor center, Kentucky, USA
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References:
Liesegang, R.E. 1896. Ueber einige Eigenschaften von Gal-lerten [On some properties of gelatin]. Naturwissenschaftliche Wochenschrift 11: 353-362. (see also: Liesegang, R.E. 1945. Geologische Bänderungen durch Diffusion und Kapillarität [Geologic banding by diffusion and capillarity]. Chemie der Erde, Zeitschrift der Chemischen, Mineralogie, Petrographie, Geologie und Bodenkunde 15: 420-423.)
Wells, N.A., D.A. Waugh & A.M. Foos. 2003. Some notes and hypotheses concerning iron and iron remobilization features in the Sharon Formation (Summit County, Ohio). in Pennsylvanian Sharon Formation, past and present: sedimentology, hydrogeology, and historical and environmental significance, a field guide to Gorge Metro Park, Virginia Kendall Ledges in the Cuyahoga Valley National Park, and other sites in northeast Ohio. Ohio Division of Geological Survey Guidebook 18: 33-37.
Frank Matcham, 1903-04. Edwardian Baroque theatre with polished red sandstone ashlar. 7 irregular bays with curving lower domed angle bay to Elmbank Street. Wide 2nd and 5th bays, flanked by broad channelled pilasters with medallions. Entrance in 2nd bay, dummy entrance in 5th; semi-circular arches above with recessed windows; shallow bowed and pilastered arched tripartite windows above capped with balustrade; bold, ball finials over pilasters; recessed pediments behind main body of theatre. Entrance bays flanked by narrow bays. 2 central bays with large recessed, multi-pane 1st floor windows and curved balconies; parapet with urns.
The King's Theatre opened on 12 September 1904 and it is an important example of an Edwardian theatre by the renowned theatre architect, Frank Matcham. It was commissioned by the famous theatre owning and production company, Howard & Wyndham Ltd. It remains largely intact and it is one of the finest examples of a Matcham theatre in Scotland. The imposing street elevation was designed to attract an audience now that in the Edwardian period theatre going was a respectable entertainment. The three tiers of horseshoe-shaped balconies are cutting edge in their cantilevered construction method as this allowed for an unobstructed view of the stage and also created more space for paying customers. When built the King's had seating capacity for 1841.
Guía 5 - Diseño y composición fotográfica.
Esta fotografía tiene composición Asimétrica ya que las plantas tienen una distribución libre.
We don't get as many flowers off this gorgeous hibiscus as we should -- it needs a bit more TLC (it seems to prefer it by the kitchen sink!). But every few months it produces a small number of these large and impressive blooms.
Material: Lace
Color Option: Red
Size: Free Size
Front Clothes Length: 74cm, Back Clothes Length: 94cm, Bust: 70cm, Sleeve Length: 46cm, Shoulder Width: 33cm, Waist: 56cm
www.buytrends.com/Products/sexy-lace-irregular-draped-zip...
Important Note:
1. The size refers to clothing dimensions, NOT your body measurements.
2. Please check the measurement chart carefully. Because of different producing batches, there may be deviation of 2~3 cm.
3. Due to limitations in photography and the inevitable differences in monitor settings, the colors shown in the photograph may not correspond 100% to those in the items themselves.
Curto com base reta laterais e parte de traz desfiadas para tirar volume e dar movimento, o franjão também foi irregular e feito com desfiador.
6 Intersecting Irregular Hyperboloidal Dodecahedra 196 units
4-fold view.
I have long thought that the 6-compounds which have been discovered in the past (6 Irregular Tetrahedra, 6 Irregular Cubes, 6 Irregular Octahedra, etc.) could be extended to larger shapes. I rendered this compound on POV-ray a month or two back and finally got around to folding it. Models like this require a considerable amount of prep work, since all of the paper proportions and pocket angles are approximated on the basis of calculations. The dodecahedral faces consist of three different types of extremely irregular hyperboloidal pentagons. Three pairs of two dodecahedra have modelled intersections at the center of opposite 4-fold axes, but unlike some of the compounds of 6 irregular cubes I have folded previously, the 3 sets of 2 frames do not share any modelled intersections with each other. The interior edges have some very wide (and hence somewhat weaker) pocket angles, but the tension imposed by the exterior units holds the interior edges very rigidly in place. I really appreciate the 4-sided pseudo-axes that appear on all four sides of each actual 4-fold axis.
I remember when I first folded Daniel Kwan’s 6 Irregular Dodecahedra (with dodecahedral symmetry).I always loved its structure and irregularity, and hoped that I could design another compound of exactly 6 Irregular Dodecahedra at some point in the future.
Designed by me.
Folded out of copy paper. (9 different paper proportions.)