View allAll Photos Tagged interviewing
Richard Gasquet after winning his 3rd round match with Tommy Haas, 6-7, 6-3, 6-0, 6-0.
Day 7 of Roland Garros 2012.
Stepping further inside she was keen to make a good first impression, walking tall with a confident step. "Hello?" she called out, pleased that despite the serious case of the wiggins she was getting from the view, there was no quaver in her voice...
More of the story blogged on Eclectic Equations here...
In order to have a successful job interview, you should practice answers to those questions that typically pop up.
Interviewing INDEPALM association president.
Photo by Juan Carlos Huayllapuma/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Hazzard Range county Sheriff's Department Sheriff Travis Martin and Lieutenant BUBBA Sanches are seen here interviewing ICR Conductor Fred Garcia Wife and daughter to see if they know any one who would try to kill Fred Garcia and if they know anyone who owns a White pickup truck . Fred Garcia is in critical condition in El Paso TX .
Mingle Media TV's Red Carpet Report and host, Brandi Chang, were invited to come out to to the Husbands The Series, CW Seed Launch for Season 3 with a Screening and Red Carpet at the Paley Center for Media in Beverly Hills.
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About Husbands
For too long newlywed comedy has been defined as a comedy between one man and one woman. Husbands is a story with a classic premise, as told in a marriage equalized-world. Watch every Thursday, Starting August 15th @ CWSeed.com. Starring Brad Bell, Sean Hemeon, featuring Amy Acker, Alessandra Torresani, Seth Green, Beth Grant, Michael Hogan, and Deb Theaker. Written By Brad Bell and Jane Espenson. For more info visit www.HusbandsTheSeries.com @TeamHusbands
www.facebook.com/HusbandsTheSeries
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
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Follow our host, Brandi Chang at twitter.com/BrandiChang
last week i interviewed for a place amongst the ever growing westin empire.. figured since i already work for the man, i might as well work for one that's well dressed.... [ cre, if by some miracle i'm offered the job, perhaps i'll be able to get us a discount at thomas brown next visit :D ] ... we'll see.
~What was your most experienced year in high school and why? ~
"You might think I'm crazy but my junior year was the worst because I didn't make the cheer squad, so I thought my life was over. Instead I joined the swimming team, and I realized I was good at some other things, so I was ready to play. It's like doing something you've never done before, because I was a cheerleader since the fourth grade, I believed my junior year was my hardest and most sad." Kim Powell says.
Fortune Brainstorm TECH 2016
WEDNESDAY, JULY 13TH, 2016: ASPEN, CO
10:00 AM
BEYOND MOBILE
Dan Schulman, CEO, PayPal
Interviewer: Leena Rao, Fortune
PHOTOGRAPH BY KEVIN MOLONEY/Fortune Brainstorm TECH
via Painters' Table - Contemporary Art Magazine: Daily Painting Links on Artist Blogs, Painting Blogs and Art Websites ift.tt/2bGtGwu
One of the first Parisian fans to get a hold of Deathly Hallows is interviewed for French TV.
Harry Potter and the Deathly Hallows launch. WH Smith, rue de Rivoli, Paris. 21-07-07
I guess getting interviewed by Keith Goldman on The Brothers Brick is good for a giant spike in stats. I had 31 views yesterday, and nearly 3000 today.
www.brothers-brick.com/2012/12/16/leigh-holcombe-the-mask...
DC101's Mike Jones interviews Chris Cornell ahead of an acoustic performance at Amp by Strathmore on December 17, 2015
Q1: Why did you start label?
A1: upitup records started out in 2003 as the musical baby of a few guys from rome (italy) and stuttgart (germany) who met each others during a student-exchange. we initially just wanted to make our sounds accessible to the public. the idea was to create an open platform for sharing ideas and staying/getting in contact with people. until now, upitup remains completely uninfected by commercial interests.
Q2: Why is the label called Upitup? What's behind the name of the label?
A2: the slogan "upitup" can be seen as a battlecry of digital culture . unless you "up something up to the network", it stays where it is, unshared (in your brain, on your pc etc.). to "up it up" equally means to "go for it", to "make it hot".
Q3: What tune/genre has label released?
A3: upitup has released mostly electronic music. in terms of genres - phew - many... acid rap, future polka, hobby house/jewish disco, bump 'n' bass... just to name a few...
Q4: What do you think the main difference between Net Label to Real Label?
A4: with a non-commercial netlabel you are not bound to release economically promising stuff. you can virtually put out anything without running the risk of going under. the only thing you have to pay for when running a netlabel is webspace. there are a lot of factors that make you much more flexible than a commercial label.
Q5: What do you think of Radiohead's online album, his experiment, and result?
A5: concerning the band's popularity, it was clear that the concept would work out. this doesn't reflect the situation of musicians that were not massively promoted by labels before. in these dimensions it doesn't make a lot of difference whether people pay a dollar just for one song or for the whole album, so the conclusions that can be drawn by political or economical respects remain exclusive to those that have already been promoted by traditional methods. as far as i know they are now selling the album as a nicely designed digipack with lots of gadgets included. it would be interesting to investigate the importance of such artifacts to the consumer compared to a purely digital product.
Q6: What do you think the music industry become in the future?
A6: if the majors want to stick to selling decomposing digital rights managed compact discs at profit margins that lost touch with reality, we kiss their fat asses goodbye. anyway, they won't be able to keep up their strategies since nowadays the real bucks are made with playback technology - and content of course. obviously in this system the musician will take the last place again…
Q7: What is the most important thing about Net Label?
A7: netlabels helped to put a different view on sharing digital files and music distribution. most netlabels don't provide solutions for the future of the music industry, but all of them are aware that digital sound and the internet are having a huge impact on society, art and economy. netlabels are just anarchically surfing on the wave of this power.
Q8: What is the pleasure of the management of Net Label? A8: see above
Q9: What's the next step for you and label?
A9: make the djs happy and release some funky ass vinyl records.
Q10: Please send a message for Japanese Music Fans!
A10: こんにちは日本! if you make electronic music, send us your demo - if you like electronic music, visit our page and drop us a message! 会う希望 @ upitup.com
TheBJDPlace was kind enough to do an interview with me! Be sure to read it at their website www.thebjdplace.com They are very supportive of artists and do an amazing job!
Pacific Northwest National Laboratory scientist John Hubbe is interviewed by a local reporter about the Burning Biomass Observation Project (BBOP) campaign. Hubbe manages the G-1 payload and other aircraft payloads used by the ARM Aerial Facility (AAF) for airborne research.
From June to October 2013, the U.S. Department of Energy’s Atmospheric Radiation Measurement (ARM) user facility deployed the G-1 research aircraft above wildfires in the U.S. Pacific Northwest region, near Little Rock, Arkansas and in the vicinity of Memphis, Tennessee, as part of the Biomass Burning Observation Project (BBOP). The aircraft flew through smoke plumes from forest fires and agricultural field burns—types of “burning biomasses”—to measure various properties of aerosol particles soon after they form and as they change over time.
Terms of Use: Our images are freely and publicly available for use with the credit line, “Image courtesy of the U.S. Department of Energy Atmospheric Radiation Measurement (ARM) user facility.”
Image courtesy of Eric Francavilla, Pacific Northwest National Laboratory.
...do you think Coulrophobia should have been named after you? Stop clowning around and answer me please...sighs... you are a mime aren't you...
Canal+ getuige van Marcel in actie
Rijssen – Het wereldwijd bekende Franse tv-station Canal+ benaderde hem in januari voor het maken van een reportage. Het werden twee volle draaidagen waarbij de interviewster, samen met camaraman, mee konden kijken naar de werkzaamheden van Marcel Zwoferink.
Mensenhandel, voornamelijk de loverboy problematiek, neemt in Frankrijk steeds grotere en grilligere vormen aan. De georganiseerde misdaad is verdeeld in diverse etnische afkomsten en richt zich op kinderhandel, kinderuitbuiting op seksueel vlak en gedwongen prostitutie. Naast de vele slachtoffers van minder- en meerderjarigen is er een gewelddadige concurrentie tussen deze organisaties. Dit met de nodige afrekeningen. Noch de politiek, noch de politie zijn in staat deze mensonterende problematiek het hoofd te bieden.
Canal+ heeft een programma met wereldwijd miljoenen kijkers, genaamd: L’effet Papillon. De redactie heeft diverse partijen in Nederland gevraagd voor een interview, waaronder Henk Werson, expert mensenhandel bij de KLPD van de Politie. Marcel; “Ik gaf aan dat een zoveelste interview wat mij betrof niet zo interessant meer was. Een dagje met mij op stap, zodat ze zelf konden zien wat Politie niet doet voor jonge meisjes in de problemen en/of ouders die door zware gasten met de dood zijn bedreigt… Iets wat ik dus wel voor mijn rekening neem. Ik werd behangen met een bodycam en we zaten te wachten op een van mijn geïnfiltreerde ‘contacten’, toen uiteindelijk rond 20.00 uur een melding binnenkwam. Een loverboy (met een strafblad van 3 A4’tjes) ging op pad om waarschijnlijk een drugsdeal te sluiten. Gelijk hebben we het volgsysteem geactiveerd - die een week eerder onder het voertuig was geplaatst – en werd het een race tegen de klok. Op een parkeerplaats van een riant hotel hebben we ze kunnen spotten. Marcel: “het was mijn bedoeling om even met deze loverboy (30) een babbeltje te maken. Maar toen ik ‘m bekeek wist ik al dat ik wel wat meer uit de kast moest halen om toch maar duidelijk en vooral indringend te zijn”. De ploeg van Canal+ kreeg de schrik zelf goed te pakken, ook al had ik ze onderweg al aangegeven met welk soort caliber we te maken zouden krijgen’.
De volgende dag waren we wederom op kantoor waarbij ik uitleg gaf over de wijze waarop hulpaanvragen in kaart werden gebracht. Dit hadden ze noch bij de politie, noch bij instanties zo gezien. Marcel: ‘hetgeen mij van de tv-ploeg is bijgebleven is, is dat ze zeiden dat veel organisaties veel mooie verhalen konden vertellen. Dat terwijl ik ze in alle oprechtheid kijkje in de keuken liet nemen, ze betrok in een actuele hulpaanvraag en liet zien hoe ik hier actief op anticipeerde’.
Canal+, programma L’effet Papillon – uitzending 24 maart a.s. Eind maart hoop ik een Youtube te kunnen plaatsen op mijn website; www.marcelzwoferink.nl