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Media Day 3:Kicks An Interview with Bill Forsyth, 22 June 2009. Photograph: ©Margaret Drysdale/EIFF Edinburgh International Film Festival 2009
For more behavioral interview questions, Visit: www.interviewquestions.in/behavioral-interview-questions....
DRS-Sportchef Christoph Sterchi befragt Valon Behrami, Torschütze im Vorbereitungsspiel gegen die Slowakei.
Photo from the VCU vs. Towson men's basketball game at the Siegel Center on 2/8/12. Photo by Will Weaver (WillWeaverRVA Photography).
Photographer: Emma Saloranta
Yuri, a 10 year old boy who participated in the Media and Child Rights course in Cidade de Deus, conducting an interview with the chief of the UPP. UPP, the 'Pacifying Police Unit', is Rio de Janeiro's latest attempt to keep the drug traffickers out of the favelas. The UPP goes into a favela and remains in the community, 'pacifying' it and forcing the traffickers to stay out. Even though the drug trafficking has gone down and the life in Cidade de Deus has changed after the UPP entered, many favela residents still find it hard to trust the police and the government and feel that the traffickers with their guns were just replaced with police officers with guns, and that the situation is not any better now than it was before the UPP. Yuri, along with a group of other children participating in the course, conducted a great interview with the chief of UPP in Cidade de Deus, asking the chief questions ranging from the state of education in Cidade de Deus to his thoughts about children who are selling drugs in the streets. For most of the children in the group, this was the first time they ever actually interacted with the UPP. More of this type of interaction is desperately needed between the UPP officers and the people living in the communities where UPP is present, so that UPP can stop being the enemy and start working together with the residents to build the favelas into better, safer and more stable communities.
CorkStop Studios is an artist's studio in San Luis Obispo County on California's beautiful Central Coast, half way between Los Angeles and San Francisco. It is home to three contemporary artists: Carol Paquet, Anne Stahl and Xenia Madison. All three are abstract painters and printmakers who are schooled, exhibited and collected internationally.
MIKE's DAILY PODCAST effizode 769
Listen to this show at this mp3 link...
media.blubrry.com/mikesdailypodcast/www.dropbox.com/s/dve...
Or here...
www.mixcloud.com/mikesdailypodcast/mikes-daily-podcast-76...
Or...
What the heck?!? I've caught poison oak again! This time it's a little bit
on my left arm. Oh, the perils of living in the East Bay and going hiking
with your dog. The trick is not to scratch it because once you do it
explodes and gets the rest of your skin irritated. I usually try to ignore
it till it goes away. At some point I'll develop a tolerance but till then
I'm fighting the urge to itch. What fun.
Today we hear from Madame Rootabega, Valentino, and Bison Bentley, PLUS
it's the return of the much loved feature DO YOU KNOW DAT? where we look at
some interesting recent news stories.
Tomorrow it's the return of the feature INTO AN INTERVIEW where I speak
with a local band that plays some amazing instrumentals called STRING
QUAKE! Plus we'll hear from Chely Shoehart, Floyd the Floorman, and John
Deer the Engineer!
Email MikesDailyPodcast@gmail.com
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theater of the mind, humor, Mike Matthews, Matt Michaels, Mike's Daily
Podcast, music, Kesha, entertainment, poison oak, Oakland, Alameda County,
dogs
www.youtube.com/watch?v=3yYMqdR1neg
This is a fictional interview based on real interview material :
issuu.com/cesarharada/docs/2016_web_light
issuu.com/cesarharada/docs/2026_web
issuu.com/cesarharada/docs/2066_web
July, 2016
" I live in Cha Kwo Ling. I am getting older. I love being here. I have a lot
of friends, my neighbours look after me, we have shops and restaurants. My parents were born here so I came back to our home. It is very safe here, our doors are always open. Long time ago, we had fishermen, people working in the stone quarry, and later in the oil industry on the docks. All of this is gone now. We have a recycling centre, waste materials everywhere, trucks come and go all day long, it is a good business but some people are complaining about the noise and the dirt ; I don’t mind. I take the minibus everyday in and out. When there is heavy rain, some roofs are leaking. We have mosquitoes, rats running around at night, sometimes even snakes, but we are used to it. We love it here. I don’t have much hope for Cha Kwo ling, I live day by day, trying to live a happy life. We are proud of our beautiful temple and festivals that attract people from all around."
== Exhibitied at ==
Osage Gallery
觀塘興業街二十號
聯合興業工廠大廈四樓
4/F, Union Hing Yip Factory Building,
20 Hing Yip Street, Kwun Tong, Kowloon, Hong Kong
== Authors ==
Documentation: Selina XinYi Zhang William Wong
House 2016: Song Jia Rui, Hao Jia, Li Dai
House 2026: David Tam Bobo Ngai Orlando Chan Pearl Cao Janet Choi Wen Nian
House 2066: Venus Ng TingTing Ng Timothy Lam Ivan Chan Desmond Chang
Mentors: Susanne Trumpf, Georg Hoehne, Cesar Jung-Harada
Director of Program: Tobias Klein
== Brief ==
SUGAR is delicious. And Hong Kong exemplifies our global society’s addiction to the sweet life. Life in Hong Kong is fast-paced, convenient, delicious and glittery. In Hong Kong, you will find people shopping in both luxury goods stores and fast fashion giants, dining in Michelin-starred restaurants, traveling via one of the best public transportation systems in the world and living in beautiful homes in the sky.
As with the gaping cavities that result from over-consumption of sugar, Hong Kong also suffers negative consequences of its sugar addiction. The pursuit of the good life has led society to wilfully turn a blind eye to the cost and consequence of its consumption. Hong Kong is paying the toll of its addiction. Overflowing landfills, polluted air and waterways, hungry children and homeless seniors are the untold parts of Hong Kong’s story. The city that hosts the highest density of millionaires is also the home of caged home dwellers.
The concentration of wealth and power have reached such extent that the whole city landscape manifests how decisions are taken: top down. Big scale investments shape the urban life. The way of financing, the use of resources and targeted clientele for the majority of projects are decided based on the expected revenue. The lack of responsible involvement and intervention is not only an emerging factor in architectural profession. Hong Kong young generation see themselves with little perspective due to unaffordable property prices and question the inequality in the city's population. The aesthetic of the city is for most “business-friendly”, which really is sterile, technocentric, vacant of any form of spontaneity and life.
How can city dwellers move away from pure consumption and reclaim an active advocacy? How can the future population of Hong Kong deal more responsibly with the offer of sugar? Can life come back in the constructed environment? How can we break away from sugar addiction and build together a sustainable city?
Cesar Jung-Harada and Susanne Trumpf, with the support of Georg Hoehne.
This sign has been hanging on the wall for a whole year now, since I made it for last years admissions interview weekend. I guess it solved a problem no one thought about.
i got interviewed for ukranian media. i wonder if they picked me because of the beard. it get's me lots of attention.
Luke Boothroyd and Slava Koulikov share a quick joke before Luke is interviewed by Match Announcer Pete Hagan.
Photo by Richard Allan.
Didn't have anything planned for today (most interesting films were sold out and most non-sold-out films didn't seem interesting), but decided at the last minute to attend the Nagasaki Shunichi interview in the Schouwburg, which inspired me to go and see his Heart, Beating in the Dark (new version), which turned out to be pretty good.