View allAll Photos Tagged interview
The Youth Summit is a forum for young people participating in the UN High Level Meeting on HIV/Aids. HRH the Crown Princess attended the Youth Summit on HIV in Mali in April where she met some of the participants at this event.
Photo credit: Norway UN Mission / Martin Fossum
A year ago I organized 60 or so on camera interviews with notable people related to Plymouth State University. Ernest Thomspon, the author of On Golden Pond was one of them.
The subjects were all shot against a green screen, we were going to make it a clean white background in post.
Sadly, all the material was lost due to human error. This photo is nearly all that remains of the project.
An interview I did with Not-paper. Not- paper is an web-site dedicated to collage art. It's great place to go on the web if you are interested in collage and montage art/artists. Well worth a look
www.notpaper.net/cgi-bin/mt/mt-search.cgi?search=jasonans...
15.01.2010
Interview went well today. Not as bad as I thought (a lot like everything). Incredibly tired though from last night, was away this evening so only managed to (just) get this shot before midnight so its still a valid shot :)
A lot of the preparation for these mock interviews involved becoming aware of your body language during an interview scenario. Fortunately though the interviewer wasnt as sensitive to the meticulous details of body language as my carreers teacher had taught us so it was all good. Previously to this I developed an interest in body language and found I had a thing for reading people on a basic level. Really not that interesting but usefull nonetheless.
Apparently 60-70% of a conversation is conveyed non-verbally (subconsicely too if you arent aware of it), so words only account for a small amount of what you're trying to put accross. Making the 'a picture speaks a thousand words' phrase make sense. Even slight changes in eye positioning or posture can add a whole different atmosphere to a portrait. I think its very important, if shooting studio/environmental portraits were you have some level of control, to be aware of what the eyes/hands/lips are doing as well as posture and the level of the nose in relation to the camera. Even slight changes can make a big difference to an image IMO, especially with the eyes.
I would have some others in the comments and actually intended to make a dyptich for different body parts used to convey body language but Im waay to tired for that concept :)
BIG words
Podcast interview with Brandon Smith, Social Entrepreneur and Co-Founder of CauseDate
Listen to the podcast: www.soundcloud.com/innov8social
Follow Innov8social:
Follow CauseDate:
Mingle Media TV Red Carpet Report team were on the red carpet for the World Premiere of Star Wars: The Force Awakens at the El Capitan Theatre, the TCL Chinese and the Dolby Theater in Hollywood.
Star Wars: The Force Awakens, opens in theaters December 18, 2015
For video interviews and other Red Carpet Report coverage, please visit www.redcarpetreporttv.com and follow us on Twitter and Facebook at:
www.facebook.com/RedCarpetReportTV
www.youtube.com/MingleMediaTVNetwork
About Star Wars: The Force Awakens
The May 25, 1977 theatrical debut of Star Wars --- on a scant 32 screens across America -- was destined to change the face of cinema forever. An instant classic and an unparalleled box office success, the rousing "space opera" was equal parts fairy tale, western, 1930s serial and special effects extravaganza, with roots in mythologies from cultures around the world.
From the mind of visionary writer/director George Lucas, the epic space fantasy introduced the mystical Force into the cultural vocabulary and it continues to grow, its lush universe ever-expanding through film, television, publishing, video games and more.
Visit Star Wars at www.starwars.com
Subscribe to Star Wars on YouTube at www.youtube.com/starwars
Like Star Wars on Facebook at www.facebook.com/starwars
Follow Star Wars on Twitter at www.twitter.com/starwars
Follow Star Wars on Instagram at www.instagram.com/starwars
Follow Star Wars on Tumblr at starwars.tumblr.com/
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
www.facebook.com/minglemediatvnetwork
Little PR work-a photo of me taking a photo of Damon, Affleck, Wes Craven, Chris Moore and other PGL winners
Charli XCX Interview
Charli XCX Interview, 1920 x 1080, 190 KB, www.youtube.com/user/officialcharlixcx
Interview
Sanan Aleskerov, the “biophile” photographer
One of the features that make photography particularly interesting is that it is halfway between informative documentary and artistic creation. It is this bivalency that makes it so enriching, in particular when the photographs in question reflect the life of a country such as Azerbaijan.
Sanan Aleskerov is one of the towering figures of Azerbaijani photography. Here he tells us of his career up until now and gives us his point of view on photographic creation in Azerbaijan and the rest of the world. For Aleskerov, only truth must be predominant in art…
The learning years
Sanan Aleskerov was born in Baku in 1956. With a smile, he adds that he has always lived here and always will. After graduation from the school of journalism, he joined the TASS news agency as a photographer. After a year and a half, he decided to leave this job and give up documentary photography in order to turn to artistic photography. During his brief experience as a photographer-journalist, Aleskerov had been, like all his colleagues, subject to orders from the State. In Soviet society, there were very clear dividing lines between what was “good” and what was “evil”. This made the ever-present censorship oppressive and therefore unbearable for the young photographer.
The famous Azerbaijani photographer says that he has never benefited from any real training, despite his university education. He was given his first camera at the age of 12: it was a birthday gift from his mother. For a long time, the camera was barely every used. He was bitten by the photography bug during his military service. Like many other young conscripts, Sanan Aleskerov read pornographic magazines. The photos of naked women fascinated him because of the aesthetics of the lines, the curves, the colors and the interplay of light and shadow. The young man then chose to pursue his interest in photographic art by reading specialist reviews, many of which came from abroad (Czechoslovakia, United States, etc.). It is for this reason that Aleskerov regards himself as self-taught. Moreover, artistic photography as a discipline was not taught at university and was indeed almost banned in the Soviet Union.
Teacher-photographer
Today, Sanan Aleskerov’s renown is international. He has traveled widely and presented exhibitions all over the world. Having said that, over the last ten years or so, he has been participating steadily less in this kind of international event. He explains that his photos are somewhat out of place when compared to what is currently fashionable. He has taken to getting his pleasure from transmitting his know-how to the younger generations, through a workshop he runs and in which he gives private lessons.
His work method is based on a total freedom of action. For him, the photographer must be guided by spontaneity, must be able to make the most of the little things that life throws up. Aleskerov never plans his work, never functions on the basis of a project. The themes are born of themselves. Often photos taken on the spur of the moment remain something of a mystery for the photographer himself. Then, with time, the artist finds the key to interpret the images, these little vignettes of life.
Nowadays, the University of Baku provides real courses in photography, but they are still somewhat basic and are not very popular, because photographic art is still an expensive pleasure… The training provided by Sanan Aleskerov is classical in nature. He believes that the basics are primordial and that solid technical and historical competence is essential for the budding professional. Even the Soviet period should not be set aside. It gave rise to a tradition, whether good or bad, but which is now an integral part of the contemporary reality and one that must not remain hidden. For some time, there was a photography school, linked to the school of journalism, and a great many photographers were trained there. It is these photographers who provided all the material for the photographic reviews and publications. Even though the general tendency was ideological, and therefore more oriented towards documentary and social aspects, some experimentation went on, and technical advances were made. Aleskerov played a huge part in this non-official reflection.
A quest for truth…
When Aleskerov left the TASS news agency, he soon joined up with artists looking out for a new form of artistic expression. Informal circles were created, and saw the creation of a number of projects that were innovative for Azerbaijan. This type of artistic circle is still in existence and Aleskerov is only too happy to continue to play a part. In particular, he has joined the “Labyrinth” artists’ collective, run by Azerbaijani artist Sabina Shikhlinskaya. He committed himself to this adventure because he felt first of all that “Labyrinth” would act as a channel for the creative inspiration of the upcoming generation of artists and secondly that it would look at subjects that were important to him, such as the environment and refugees. Alongside this, by becoming more involved in local artistic activities and pursuing his own work within the same paradigm, he has come to see the “void” that is so integral to major international events. This meeting of personalities suddenly seemed to him to be nothing but a “bourgeois salon” where he was simply out of place…
During the ten years of perestroika, photography ceased to be of much interest to most people. Political upheaval and wars became the maid fodder for television bulletins and the press. Purely documentary photography did not suffer in the same way, but the photography that had kept closer ties with its artistic tradition struggled to make an impact. Gradually, this tendency was reversed. Weary of the horrors of war, many photographers began to search for another form of truth, something with a broader horizon. That is not to say that the representation of death or misery disappeared completely, simply that the means by which these themes were dealt with changed considerably. This was particularly the case for Sanan Aleskerov who, since the beginning of his career, has been on a quest for Truth. The reality of the world we live in must be represented with emotion and sincerity. Aleskerov recounts how he took many photographs of particularly tragic scenes, the burials of war victims for example. Each time, he looked through both lens and tears.
The quest for the True or more precisely the authentic is something that Aleskerov feels is missing in so-called “Western creation”. This is a tradition with a strong interest in the macabre, so much so that it has become a dominant theme of reflection. Aleskerov combats both this taste for “necrophilia” and the system that seeks to standardize art. In his view, the “biophile” approach is the only productive one, because it is a true reflection of life, it transmits the very essence of human existence. The photo may represent a corpse, but this image must give off a pure sense of authenticity by being a part of human reality. Against the standardization, and therefore the globalization of art, Aleskerov proposes a “sideways look” at the world. To do so means being free and aware of one’s choices and desires. This required the development of an inner strength. This artist-photographer has found his by burning towards religion, or more precisely towards God, because he claims not to belong to any church.
1TASS is pretty much the equivalent of the French AFP (Agence France Presse), or Reuters.
Jennifer is definitely a great Blythe collector! Her collection is really impressive by numbers as well as by the beauty of her customs, which come from some of the best artists. In less than 2 years, her dolly family has grown to nearly 90 dolls, which is one of the highest speed collecting rate in the Blythe community! Jennifer is a lucky and happy collector, and Mademoiselle Blythe's blog is very pleased to welcome her and get to know more about her.
Read the interview here:
www.blythe-doll-fashions.com/2010/10/29/great-collector-i...
Cantori Del Westeros at San Giorgio Di Mantova Fantasy 2012, with Daniele Giuliani (dubber of Jon Snow)
www.youtube.com/watch?v=3yYMqdR1neg
This is a fictional interview based on real interview material :
issuu.com/cesarharada/docs/2016_web_light
issuu.com/cesarharada/docs/2026_web
issuu.com/cesarharada/docs/2066_web
July, 2016
" I live in Cha Kwo Ling. I am getting older. I love being here. I have a lot
of friends, my neighbours look after me, we have shops and restaurants. My parents were born here so I came back to our home. It is very safe here, our doors are always open. Long time ago, we had fishermen, people working in the stone quarry, and later in the oil industry on the docks. All of this is gone now. We have a recycling centre, waste materials everywhere, trucks come and go all day long, it is a good business but some people are complaining about the noise and the dirt ; I don’t mind. I take the minibus everyday in and out. When there is heavy rain, some roofs are leaking. We have mosquitoes, rats running around at night, sometimes even snakes, but we are used to it. We love it here. I don’t have much hope for Cha Kwo ling, I live day by day, trying to live a happy life. We are proud of our beautiful temple and festivals that attract people from all around."
== Exhibitied at ==
Osage Gallery
觀塘興業街二十號
聯合興業工廠大廈四樓
4/F, Union Hing Yip Factory Building,
20 Hing Yip Street, Kwun Tong, Kowloon, Hong Kong
== Authors ==
Documentation: Selina XinYi Zhang William Wong
House 2016: Song Jia Rui, Hao Jia, Li Dai
House 2026: David Tam Bobo Ngai Orlando Chan Pearl Cao Janet Choi Wen Nian
House 2066: Venus Ng TingTing Ng Timothy Lam Ivan Chan Desmond Chang
Mentors: Susanne Trumpf, Georg Hoehne, Cesar Jung-Harada
Director of Program: Tobias Klein
== Brief ==
SUGAR is delicious. And Hong Kong exemplifies our global society’s addiction to the sweet life. Life in Hong Kong is fast-paced, convenient, delicious and glittery. In Hong Kong, you will find people shopping in both luxury goods stores and fast fashion giants, dining in Michelin-starred restaurants, traveling via one of the best public transportation systems in the world and living in beautiful homes in the sky.
As with the gaping cavities that result from over-consumption of sugar, Hong Kong also suffers negative consequences of its sugar addiction. The pursuit of the good life has led society to wilfully turn a blind eye to the cost and consequence of its consumption. Hong Kong is paying the toll of its addiction. Overflowing landfills, polluted air and waterways, hungry children and homeless seniors are the untold parts of Hong Kong’s story. The city that hosts the highest density of millionaires is also the home of caged home dwellers.
The concentration of wealth and power have reached such extent that the whole city landscape manifests how decisions are taken: top down. Big scale investments shape the urban life. The way of financing, the use of resources and targeted clientele for the majority of projects are decided based on the expected revenue. The lack of responsible involvement and intervention is not only an emerging factor in architectural profession. Hong Kong young generation see themselves with little perspective due to unaffordable property prices and question the inequality in the city's population. The aesthetic of the city is for most “business-friendly”, which really is sterile, technocentric, vacant of any form of spontaneity and life.
How can city dwellers move away from pure consumption and reclaim an active advocacy? How can the future population of Hong Kong deal more responsibly with the offer of sugar? Can life come back in the constructed environment? How can we break away from sugar addiction and build together a sustainable city?
Cesar Jung-Harada and Susanne Trumpf, with the support of Georg Hoehne.
Podcast interview with Preeti Vissa, COO of The Greenlining Institute
Listen to the podcast: www.soundcloud.com/innov8social
Follow Innov8social:
Follow The Greenlining Institute
1 - Como foi a sua infância?
Tsuki: Hum... Foi divertida... O Sebastian-nii-chan sempre cuidou de mim, a Yuki-nee também, apesar de que eu nunca tive muitos amigos e até hoje algumas pessoas da minha classe judiam de mim, mas a Miku-chan sempre resolve o problema mesmo que seja com um pouco de ... violência hehe ^w^
acho que é isso...
2 - Se você pudesse voltar no tempo e mudar alguma coisa, o que seria?
Tsuki: O dia que eu tomei 15 milk-shakes de manga.... Eu preferia ter tomado o de morango... ;~;
Eu: hehe *pensa* "Todos aqui em casa são medonhos de alguma forma...*
3 - Quanto você pesa?
Tsuki: acho que 45Kg
Eu: Hehe ^~^' *pensa* "come que nem um monstro e só pesa isso?"
4 - Alguma vez você já amou e perdeu?
Tsuki: Huum... Acho que não *pensa mais um pouco* Huuu... ah, uma vez eu tive um hamster... *interrompida*
Eu: Hamsters não contam...
Tsuki: Mas eu gostava dele.... Ç^Ç
5 - O que você faz para ganhar a vida e por quê?
Tsuki: O Sebastian-nii-chan não deixa eu trabalhar... ele disse que eu sou muito pequena... Mas eu não sou mais criança.... ¬^¬
Eu: Acho que ele tava falando da sua altura mesmo... Tampinha kkkkkkk
6 - Que tipo de música você gosta?
Tsuki: Clássica e musicas fofinhas
Eu: Fofinhas? tipo o que?
Tsuki: Eu gosto da Kyary pamyu pamyu <3
Eu: Nossa.... muito fofinha... nos clipes dela.... as cebolas falam... e.e''''
7 - Quantos anos você tem?
Tsuki: 14 anos :3
8 - Qual é a coisa mais irritante do mundo?
Tsuki: É difícil eu ficar irritada... Mas eu não gosto quando falam da minha altura ou quando ficam olhando pros meus peitos... Ç^Ç
9 - Qual é a sua palavra favorita?
Tsuki: Pudim 8D É tão divertido falar pudim ^w^
10 - Você tem algum hobby interessante?
Tsuki: Posso dizer que... destruir a cozinha é um hobby muito interessante...
11 - Qual é a coisa mais romântica que alguém já fez por você?
Tsuki: Uma vez, tava eu e o Keiko em casa *começa a corar* ai... não sei de onde começou a tocar uma musica lenta muito bonita... ai... ele pegou na minha mão e disse "Dança comigo".... ai KYAAAAA >/////////////////////////////<
Andy: Ah.... Bom saber disso... eu pensei que você ia pensar no seu namorado... mas tudo bem... eu não ligo.... *se encolhe no cantinho mais escuro e empoeirado da casa*
Tsuki: Andy-kun! Desculpa.... eu... aiaiaiai, droga.... *vai até ele* Calminha hehe, só passou pela minha cabeça...
Andy: Tudo bem... eu entendo... *sai rolando* Ç^Ç
12 - Como você relaxar no final de um longo dia?
Tsuki: Tomando chá e comendo bolo!!
13 - Você tem obsessões?
Tsuki: Não são obsessões, e sim costumes...
Eu: Ok, fala...
Tsuki: Quando eu vou cozinhar alguma coisa, eu sempre queimo a comida, o fogão, os panos de prato... *interrompida
Eu: Resumindo... A cozinha inteira...
Tsuki: Sim ;-;
14 - Qual é a sua nacionalidade?
Tsuki: Por incrível que pareça eu sou inglesa... A minha mãe é meio obcecada pelo Japão, e colocou nomes diferentes nos filhos dela =.=''''
15 - Que idiomas você fala?
Tsuki: Inglês, Português e eu estou aprendendo Japonês. O Ryuuji-nii-chan ta me ensinando ^w^
16 - Se você pudesse ter qualquer animal de estimação no mundo, o que seria?
Tsuki: Coelhos *O*
17 - Qual é a coisa mais aleatória que você se encontrar fazendo todos os dias?
Tsuki: Ficar comendo pudim de morango
ou comendo alguma coisa bem gostosa *u*
18 - Favoritos, rápido, vai! Livro, filme , jogo, bebida, cor?
Tsuki: Não gosto de ler, Os vingadores *o*, Atelier Totori, chá, rosa. :3
19 - Qual é a coisa mais sentimental que você possui e por quê?
Tsuki: O Kunkun, meu cachorrinho de pelúcia... Antes de vir pra cá o Sebastian-nii-chan me deu de presente de "despedida".
20 - Você está em um relacionamento?
Tsuki: Sim, to namorando com o Andy-kun *u*
21 - Qual foi a sua pior lesão?
Tsuki: Eu vivo batendo em qualquer lugar, e não tem como escolher a pior xDD
22 - O que te assusta mais?
Tsuki: Gatos... X.X Odeio gatos... são muito... medonhos...
Eu: Ah... *pensa* "se você soubesse que dorme na mesma cama que um.... teria um treco então..."
23 - Algo que a maioria das pessoas não sabe sobre você?
Tsuki: Huuuuum... que eu odeio matemática?
24 - Você tem algum animal de estimação?
Tsuki: ele não é bem meu... o Aki-chan coelhinho da mamãe :3
25 - O que você acha desta entrevista?
Tsuki: Muito divertida!!
Taggeados:
Na tag do Kaoru AQUI
Senator Mark Warner is interviewed by Peggy McBroom during the news at noon on WDBJ7 on April 15, 2009
This is a project that is very personal to me. With a goal to reflect about things in my life by going beyond my comfort zone and understanding todays world view through the life stories of others.
I will this time not only interview strangers but also people I know to have a larger scope of interviews.
Hope you enjoy it.
--------------------------------------------------------------
Silvia is a 25 year old Brazilian working as a french teacher. Her favorite color is orange and her favorite food is lasagna.
Her dream is to explore all of South America.
Two words to describe herself was "Books and "Kids".
Her best childhood memory is when every saturday she would go to the market in Sao Paulo with her whole family. She remembers the sounds of the merchants, the flavors of the fruits, the colors, the smells, and the feel of different textures. She said she remembers this place so well because the 5 senses where all together in a same place. She also remembers it well because of the mark on her shoulder from the heavy bags she had took back home.
What she would change in today's world would be social inequality, country to country or even people in the same country. "Corruption needs to stop for this to happen."
Her definition of happiness is being in communion with one another.
Ouagadougou, Burkina Faso - October 2011.
--------------------------------------------------------------
Have a family shoot in Paris tomorrow, wish me luck!
Have a great day!
Nathan
Rocky Dawuni, International Artist and Humanitarian.
Photo by Kelvin Francis Oseina/GLF
news.globallandscapesforum.org
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org