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CBC National TV van; reporter Melissa Fung along with camera man Aldo Columpsi shot a segement to be aired on December 6 at 10:00 p.m. Interviews included: Larry Turgeon and his Flax Manufacturing business, Mayor Rod Haugerud and the CSLP project focusing on the Eco-Centre, Shelley Rogers and students from the Craik School (no photos) to do with recycling, and Rod Haugerud and the straw bale home he is in the process of building (no photos).
The nice people at Lomography interviewed me after I wrote an article for the BBC on Instagram (read it here)
This could be the start of a beautiful friendship...
My friend Edolf (Railrodder66) to the left of the picture, was having a photo exhibition this weekend.Here, interviewed by a guy from the local newspaper
Zachary Fabri’s Black Tape Ebony Frame celebrates the living moments of Fabri’s African American family and friends by creating a reel-to-reel analog audio recording of one-on-one conversations. Originally, the project was created to record his father’s stories as a political refugee from Hungary in 1956, but soon expanded to provide space to contemplate the heightened culture of police violence against Black people. Through these conversations, Fabri’s Session examines mortality and immortality as they relate to both remembrance and refusal.
After each conversation is recorded, Fabri will wind the audiotape around an ebony frame, sealing it and thereby preventing access to the conversation. The only information revealed from the conversation will be the name of the participants, date, and time. By intentionally complicating this accessibility to the conversations, Fabri invites viewers to consider the future problems of technological obsolescence, as well as possible ways to safeguard Black cultural content against commodification.
How do black people create and control their own content? What is the role and responsibility of cultural organizations to facilitate critical discourse? How are “Black Futures” protected? While these are valuable queries, the goal of Black Tape Ebony Frame is not data collection or in-depth interviews. For Fabri priority is placed on having organic, pedestrian, and meandering “stoop chats” where guests can discuss these questions openly. As such, the Session gallery will be transformed into a live recording studio influenced by the portrait studio photography practice of Seydou Keïta and Malick Sidibé.
Learn all about the one and only Star Wars hoarder here!
eurobricksstarwarsforum.com/2012/05/06/blog-interview-mut...
This week is a bit too much. Parent teacher interviews tonight and 'dance-off' tomorrow mean that in 36 hours I'm spending 26 hours on school property. But, the night was successful. As often happens, only the parents of my good students came for a reaffirmation of their children's excellence.
Dave Harries from CommunicateTV.co.uk being interviewed at the Four Pillars Hotel, Cotswold Water Park.
Blanca Torres' husband, Albert, and her parents, are interviewed after the Senate adopted Senate Resolution 8652 honoring the life of Blanca Torres.
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Check out the New Source Interview with Trey Miller (Musician and Event Coordinator)
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I don't know who this guy is, but he was being interviewed at opening day of Seattle Art Museum's new Olympic Sculpture Park.
i shot some band portraits yesterday for consequence of sound and this lil guy crashed the interview portion.
Exposition photographique "Souvenirs"
10 novembre - 17 décembre 2011
Organisée par la Galerie 5 de l'université d'Angers en partenariat avec la Galerie Pierre Brullé
Bernice Dapaah, Executive Director, Ghana Bamboo Bikes.
Photo by Kelvin Francis Oseina/GLF
news.globallandscapesforum.org
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Zachary Fabri’s Black Tape Ebony Frame celebrates the living moments of Fabri’s African American family and friends by creating a reel-to-reel analog audio recording of one-on-one conversations. Originally, the project was created to record his father’s stories as a political refugee from Hungary in 1956, but soon expanded to provide space to contemplate the heightened culture of police violence against Black people. Through these conversations, Fabri’s Session examines mortality and immortality as they relate to both remembrance and refusal.
After each conversation is recorded, Fabri will wind the audiotape around an ebony frame, sealing it and thereby preventing access to the conversation. The only information revealed from the conversation will be the name of the participants, date, and time. By intentionally complicating this accessibility to the conversations, Fabri invites viewers to consider the future problems of technological obsolescence, as well as possible ways to safeguard Black cultural content against commodification.
How do black people create and control their own content? What is the role and responsibility of cultural organizations to facilitate critical discourse? How are “Black Futures” protected? While these are valuable queries, the goal of Black Tape Ebony Frame is not data collection or in-depth interviews. For Fabri priority is placed on having organic, pedestrian, and meandering “stoop chats” where guests can discuss these questions openly. As such, the Session gallery will be transformed into a live recording studio influenced by the portrait studio photography practice of Seydou Keïta and Malick Sidibé.