View allAll Photos Tagged intervention
The Eurofighter Typhoon is a highly agile aircraft, designed to be a supremely effective dogfighter in combat. Later production aircraft have been increasingly better equipped to undertake air-to-surface strike missions and to be compatible with an increasing number of different armaments and equipment, including Storm Shadow and Brimstone missiles. The Typhoon had its combat debut during the 2011 military intervention in Libya with the UK's Royal Air Force (RAF) and the Italian Air Force, performing aerial reconnaissance and ground-strike missions.
The aircraft is waiting on the thresold for permission to line up on the runway.
Reflect what will still be vegetation in 5 10 years...
* I'm grateful for visit, favs and comments of my photo.
This was made out of the monsoon setting in Kundapur, India. Lying deep in my archives ;-).
The sky comes of 2 exposures, blended together.
I recently finished short prose/essays by Elena Ferrante where she wrote about a subject each week for a year for The Guardian and rather enjoyed her musings on being an author, mother, human, lover of films, admirer of Daniel Day Lewis, and being Italian,
readingintranslation.com/2019/11/11/self-construction-by-...
**All photos are copyrighted**
Digital remix of a single exposure of a drab interior concrete floor. Came out rather well, I thought.
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Once again, I know not what kind of wildflower this is. If anyone can help me I would greatly appreciate it! It was growing by the roadside in the deep part where it would be more moist, and they grew in clusters. I thought maybe it was joe-pye weed, but it doesn't seem big enough.
Created with fd's Flickr Toys
www.youtube.com/watch?v=fqLvbpcsPj4&feature=related
Why Does My Soul feel so Bad ... Moby
Need divine intervention
Need to C the light
God Bless
Guy
Even though I have an unlisted number, God called me early this morning and told me to go to Detroit. I always listen to God. If you want to see more, please visit my Zenfolio gallery. A direct link is in messages.
In the summer of 1864, tens of thousands of Union POWs were dying of thirst at the military prison in Andersonville, Georgia. Suddenly, a spring erupted from the ground within the stockade. The POWs credited its appearance to divine intervention, and "Providence Spring" became part of the established lore of the Civil War.
„K“ and „D“ Towers, Klaipėda, Lithuania.
Design (2007): Edgaras Neniškis, Arūnas Liola, Eugenijus Januškevičius, Rūsna Vaineikytė, Vaida Sasnauskaitė, Design buro „Arches“.
Les sculptures de Laurent Trezegnies sont en grande partie conditionnées par une prise en considération des lieux d’intervention et par une volonté de modifier la façon dont ils peuvent être appréhendés. Pour Art Public Liège, il a développé une installation au moyen de sangles d’arrimage tendues entre la base des deux piles de la passerelle Saucy et la structure de son tablier. Les traits rouges définissent ainsi deux faisceaux qui rayonnent vers le haut. Il y a des jeux avec la présence du fleuve : d’oppositions avec la noirceur de ses eaux ; de reflets avec sa surface ; de résonances avec le mouvement des vagues. « Je travaille sur la richesse expressive du trait, sur ses interprétations. Avec une pièce comme celle-là, je questionne en quoi le dessin peut être appliqué à des formes environnementales pour élargir, renouveler, enrichir la perception du lieu et en proposer une nouvelle vibration. Comme dans la plupart de mes interventions, les matériaux sont industriels, de ceux dont la puissance expressive est généralement tenue pour inexistante. En outre, les sangles modifient la fréquence du vent et apporte une dimension sonore. »
Laurent Trezegnies’s sculptures are largely conditioned by a consideration of places of intervention and by a desire to modify the way in which they may be understood. For Art Public Liège, he developed an installation using lashing straps stretched between the base of the two piers of the Saucy footbridge and the structure of its deck. The red lines thus define two beams which radiate upwards. There are games with the presence of the river: oppositions with the blackness of its waters; reflections with its surface; of resonances with the movement of waves. “I work on the expressive richness of the line, on its interpretations. With a piece like this, I question how drawing can be applied to environmental forms to expand, renew, enrich the perception of the place and offer a new vibration. As in most of my interventions, the materials are industrial, those whose expressive power is generally held to be non-existent. In addition, the straps modify the frequency of the wind and bring a sound dimension. "
Ferrari Enzo
I would REALLY appreciate some feedback on this picture because I am really proud of it. Thanks!
Thank you to Dave Toussaint (www.flickr.com/photos/davetoussaint) for the cloud layering.
I haven't Felt like playing with the elves like I had in the past years, poor Menace is ignored to death with all the crappy stress at work.
It's funny I don't feel like playing elves when this is the most I have ever had hah :) Darn their Adorable Faces <3
The trophy room at the Driehaus Museum.
The most dramatic intervention to the interior of the Nickerson House was made during the Fisher period of occupancy. In 1900–1901, Lucius Fisher engaged architect George Washington Maher (1864–1926) to redesign the Nickerson Art Gallery at the northwest corner of the main floor. Fisher re-envisioned the space as a Trophy Room to display his collection of game animals, weaponry, and rare books. The crowning achievement of Maher’s new decorative scheme was the installation of a striking stained glass dome that replaced the original Nickerson period clear glass skylight.
The stained glass dome design depicts four trees, the trunks of which arch towards the oculus of the dome, while their leaves, rendered in autumnal colored drapery glass, form a canopy against a turquoise sky. Each lay-light panel features a central area of green and white striated glass, framed by a band of drapery glass leaves, in turn framed by a border of emerald green drapery glass.
While shooting an abandoned farm house in the Caroline, Alberta, area, this small herd of cattle came to see what I was doing.