View allAll Photos Tagged interpretive
Pitt Meadows, British Columbia, Canada
Widgeon Valley National Wildlife Area is a National Wildlife Area located near the south end of Pitt Lake in British Columbia, Canada. The property was purchased by the Nature Trust of British Columbia in 1973 and declared a National Wildlife Area by the Canadian Wildlife Service in October of that year. The Widgeon Valley National Wildlife Area is a biologically diverse marsh wetland. It is the traditional territory of various First Nations groups. The Widgeon Valley Wildlife Area is a protected wildlife area that is home to a number of sensitive waterfowl and fish species. The public uses the channels through the Widgeon Valley National Wildlife Area for recreational canoeing, anywhere else within the protected area is strictly off-limits to the public. There are future plans to develop interpretive trails through the park and open it to the public.
Per interpretare il titolo…bisogna specchiare questa foto con l’ultima che ho postato in ordine cronologico
www.flickr.com/photos/daniele_sudati/23081234176/in/datep...
RTC e Lokomotion, due aziende, due direttrici per due valichi alpini, anche le livree sono due, ma i legami sono ben evidenti.
“I don't know whether you can look at your past and find, woven like the hidden symbols on a treasure map, the path that will point to your final destination.”
-- Jodi Picoult
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The wooden church of Urnes is a 12th-century stave church at Ornes, Norway, listed as a World Heritage Site by UNESCO. It is the oldest of its kind in the country, bringing together traces of Celtic art, Viking traditions and Romanesque spatial structures, according to whc.unesco.org/en/list/58.
There have been numerous attempts to interpret the iconography of the church's most remarkable part, the old portal in the northern wall, a carved decoration of interlaced, fighting animals. Some believe it portrays the eternal fight between good and evil. Others – that it shows scenes from Norse mythology, with the intertwined snakes and dragons representing the end of the world according to the Norse legend of Ragnarök.
We knew that the church is a must see on our trip to Norway, and it has definitely exceeded my expectations. It is difficult to convey that with photos, but I had to try.
This is #1 (of 3) where you can appreciate the scale of the wooden carvings.
Hairs still wet from playing with the garden hose.
Berlioz interpreted by Friedrich Gulda: "La fille aux cheveux de lin - The Girl with the Flaxen Hair - Das Mädchen mit dem flachsfarbenen Haar" (youtube)
oder doch noch einmal Violine, eine Aufnahme mit Paitina:
Fritz Kreisler: "La fille aux cheveux de lin - The Girl with the Flaxen Hair - Das Mädchen mit dem flachsfarbenen Haar" (youtube)
Part of: "Lotti - Lottchen" an afternoon in the garden // "res noscenda note notiz sketch skizze material sammlung collection entwurf überlegung gedanke brainstorming musterbogen schnittmuster zwischenbilanz bestandsaufnahme rückschau vorschau" Sometimes I take pictures of blossoming flowers
DMC-GH3 - P1380581_2019-06-27 Storyline, Dramaturgie, Verlauf, Ablauf, Querverweise, Parallelen, rote Fäden, die sich durchziehen, nicht abreissen, Fäden die sich kreuzen:....auch an jenem Nachmittag im Garten. Ilvy wieder von hinten - wieder blau und grün - wieder Schachtelhalm: Die Arbeit an den Gestecken schreitet voran (siehe vorvoriges Bild) - die Haare sind noch naß, die Kleider haben sie gewechselt, die nassen hängen zum Trocknen auf der Leine (Leine, Seil: Schnur siehe Assemblage) - wieder Berlioz das Mädchen mit dem flachsfarbenen Haar, diesmal die Originalversion Klavier solo - Gulda spielt - berühmt sowohl für seine Interpretation klassischer Musik als auch als Jazzmusiker....
Perché en surplomb des anciennes carrières de Géromont se niche un bâtiment à l’architecture étrange. Ses murs abritent le Centre de la Chauve-Souris où de manière interactive vous seront révélés les secrets de ces petits mammifères volants.
Perched overlooking the old quarries of Géromont nestles a building of strange architecture. Its walls are home to the Centre of the Bat where interactively will be revealed the secrets of these small flying mammals.
Interprétation d'anciens dessins, au stylo-plume et graphite aquarellable ArtGraf Viarco, une technique rapide et efficace.
Sur papier Hahnemühle France Harmony.
Culture varies from one country to another. In India, dragons are interpreted as evil or bad luck whereas its considered auspicious in China. Chinese consider themselves as "Lung Tik Chuan Ren" that means “Descendents of the Dragon”.
There are also nine ways the Chinese have traditionally represented these dragons, each one revealing a different dragon characteristic. There are dragons carved on the tops of bells and gongs, because of the beast's habit of calling loudly when attacked.
A second type is carved on the screws of fiddles, since most dragons are fond of music.
A third is carved on the tops of stone tablets, because of dragons' love of literature.
A fourth is found at the bottom of stone monuments, as dragons can support heavy weights.
A fifth is placed on the eaves of temples, as dragons are ever alert to danger.
A sixth occurs on the beams of bridges, since dragons are fond of water.
A seventh is carved on Buddha's throne, as dragons like to rest.
An eighth is placed on the hilts of swords, since dragons are known to be capable of slaughter.
The ninth is carved on prison gates, as these are dragons that are fond of quarreling and trouble making.
This pic was taken in Guanghua, Hubei.
At the Oregon Trail Interpretive Center in Baker City
A fun fall day at the Oregon Trail Interpretive Center, in Baker City Oregon exploring the Oregon Trail, pioneer and gold rush history. The Center currently open with new Covid 19 precautions in place including social distancing and mask requirements, and redesigned interpretive experiences.
The National Historic Oregon Trail Interpretive Center sits high atop Flagstaff Hill outside Baker City Oregon, overlooking the ruts of the Oregon Trail still visible today in the Baker valley below. Located along the Hells Canyon Scenic Byway, an outdoor wagon encampment is the first sights visitors see when they arrive at the National Historic Oregon Trail Interpretive Center. Other outdoor exhibits include a gold panning exhibit, a recreated Lode Mine, a historic stamp mill, and an operating blacksmith shop.
Costumed narrators from the BLM staff and Trail Tenders volunteer group provide interpretation and narration for the exhibits and activities throughout the center. For more information about the Oregon Trail Interpretive Center including a list of upcoming events and activities visit www.blm.gov/or/oregontrail
For more information about other Baker County heritage sites, attractions and museums, visit the Baker County Tourism website at www.travelbakercounty.com or become a fan at www.facebook.com/travelbakercounty
Interprète et parolier : François Deguelt
LE CIEL, LE SOLEIL ET LA MER
Il y a le ciel, le soleil et la mer
Il y a le ciel, le soleil et la mer
Allongés sur la plage
Les cheveux dans les yeux
Et le nez dans le sable
On est bien tous les deux
C'est l'été les vacances
Oh mon Dieu quelle chance !
Il y a le ciel, le soleil et la mer
Il y a le ciel, le soleil et la mer
Ma cabane est en planches
Et le lit n'est pas grand
Tous les jours c'est Dimanche
Et nous dormons longtemps
A Midi sur la plage
Les amis de notre âge
Chantent tous :
Le ciel, le soleil et la mer
Chantent tous :
Le ciel, le soleil et la mer
Et le soir tous ensemble
Quand nous allons danser
Un air qui te ressemble
Vient toujours te chercher
Il parle de vacances
Et d'amour et de chance
En chantant :
Le ciel, le soleil et la mer
En chantant :
Le ciel, le soleil et la mer
Quelque part en Septembre
Nous nous retrouverons
Et le soir dans ta chambre
Nous le rechanterons
Malgré le vent d'automne
Et les pluies monotones
Nous aurons :
Le ciel, le soleil et la mer
Nous aurons :
Le ciel, le soleil et la mer
Et le soleil et la mer
Nous aurons :
Le ciel, le soleil et la mer
Nous aurons :
Le ciel, le soleil et la mer.
Interpreting Mozart
Interpretando a Mozart
Domplatz 1
5020 Salzburg, Austria
Dank für Ihre Kommentare und Favoriten
Thanks for your comments and faves
Gracias por vuestros comentarios y favoritos
The Pannonian Plain is a large plain in Central Europe that remained when the Pliocene Pannonian Sea dried out. It is a geomorphological subsystem of the Alps-Himalaya system.
The river Danube divides the plain roughly in half.
The plain is divided among Austria, Bosnia and Herzegovina, Croatia, the Czech Republic, Hungary, Romania, Serbia, Slovakia, Slovenia and Ukraine.
The plain is roughly bounded by the Carpathian mountains, the Alps, the Dinaric Alps and the Balkan mountains.
Although rain is not plentiful, it usually falls when necessary and the plain is a major agricultural area; it is sometimes said that these fields of rich loamy loess soil could feed the whole of Europe. For its early settlers, the plain offered few sources of metals or stone. Thus when archaeologists come upon objects of obsidian or chert, copper or gold, they have almost unparalleled opportunities to interpret ancient pathways of trade.
The precursor to the present plain was a shallow sea that reached its greatest extent during the Pliocene, when three to four kilometres of sediments were deposited.
The plain was named after the Pannonians, a northern Illyrian tribe. Various different peoples inhabited the plain during its history. In the first century BC, the eastern parts of the plain belonged to the Dacian state, and in the first century AD its western parts were subsumed into the Roman Empire. The Roman province named Pannonia was established in the area, and the city of Sirmium, today Sremska Mitrovica, Serbia, became one of the four capital cities of the Roman Empire in the 3rd century.
✨Flamingos Lake interpreting Swans Lake ✨
Photo : www.flickr.com/photos/139259895@N08/52247868188/in/datepo...
Thank you for having choose my photo for your Groups' Cover. I am happy and honored you appreciate my work.
Again thank you.
Soulshine -Lea
Culto
Coreografía y dirección:
Carolina Mirabella
Intérpretes:
Mariana Somma
Sabrina De León
Pilar Vega Lorenzo
Agustina Dezeo
Yesica Di Francesco
En foto:
Pilar Vega Lorenzo
Mariana Somma
Want more interaction on flickr? Join We're Here!
Strobist: AB1600 with gridded 60 X30 softbox camera right. Reflector camera left. Triggered by Cybersync.
One of the joys of a platform such as Flickr is the ability to exercise complete control over the content. In my work as a commercial artist, I am subject to the oversight of clients. It's frustrating at times to see one of my layouts altered to fit the whim of someone else. It's not that constructive criticism is unwelcome. It gets to me most often when sound design principles are discarded with the result is a muddled or confusing outcome. I've developed a thick skin for this sort of thing over the years. And ultimately the person paying for my services does have the final say. You might think those experiences would make me more sensitive to reinterpreting the work off other artists. If do, you'd be mistaken. I do this all the time and think nothing of it. Of course the artists involved are blissfully unaware. As a case in point I happily co-opted this statue of playful kids. I'm quite certain it was intended as a joyful presentation. I just think somewhere along the way it went wrong. Perhaps in the translation of living beings to cast metal. It's not so much that something was lost as it was something undesirable gained. I recall that hideous statue of Lucille Ball that was erected in Celeron New York some years ago. Truly frightful, and at the top of the "what were they thinking" category. I'm drifting a bit here, but the point is metal sculpting people is truly an art form as much as it is a technical skill. In the case of these kids, my overall impression was a rather dystopian feel. I'd studied the sculpture for years (from the perspective of a passing car), and had imagined one day stopping to photograph it. Along came Covid and someone decided it would be appropriate to slap face masks on the kids. I felt that ruined the look I was going for (probably a missed opportunity in retrospect) and so deferred for another year. A couple of weeks ago the masks disappeared and I knew this was my moment. It's always weird, that first close inspection of something you've only driven by. There's always a twist...something you hadn't noticed or imagined. Here it was the viewing angle. The sculpture sits at ground level, intended to be viewed in the way adults might look down at real children. I found the sculpture took on an entirely different dimension viewed from a low angle looking up. Only from here was the true artistry of the sculptor realized. In terms of placement, the sculpture is jammed right up to a brick wall that supports a sign. Another huge mistake as whoever placed the statute failed to comprehend the effect of negative space surrounding it. So here's the sculpture, reinteprrted to reveal its gracefulness, yet preserve the post-apocalyptic feeling that brought me here in the first place. Just like the clients that revise my layouts, I'm convinced my way is superior.
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Grazie a tutti per visite, commenti, fav....
visitate anche il mio sito e lasciate un saluto nel guestbook ;)
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Located in Telegraph Cove and home to one of the best collections of marine mammal skeletons in BC. The bones shown in this particular shot are of a 60 foot Fin Whale which was sadly hit by a cruise ship in early 1999.
Thank you for Explore!
[Rosa-María, intérprete de piano].
Repito con Nyman para la música.
Mil disculpas a todos los que este último mes habéis estado llenando mi sobrecillo con invitaciones, contactos y preocupaciones. Los iré respondiendo poco a poco todos. Mi ausencia, entre otras cosas, fue debida a la idem de internet. Así que si Murphy se va de visita a otra casa, nos vemos por aquí, como siempre.
Gracias a todos los comentarios y favoritos que os llevais. Millones de gracias a todos.
1) Solitario
2) Fatti più in là
3) Il sub "artigianale"
4) Faceva il palo (Vd Enzo Iannacci)
5) C'è nessunoooo?? Per Patrizia
6) Reumatismi riflessi
7) Mi sento solo
8) Punto fermo
Se solo tu potessi davvero voltarti per guardare indietro ti accorgeresti di milioni di persone che non ti hanno mai visto e non ti volteresti più.
Devi guardare avanti per vedere un volto che riconosci e non indietro. Quel che è rimasto indietro ha smesso di riconoscerti, quel che è rimasto indietro non voleva guardarti abbastanza.
Massimo Bisotti
9) Solo ed indifeso
10) "Uno"
foto+brushe+textura.
Manhãs De Setembro
Intérprete: Geisilaine
Composição: Vanusa e Mário Campanha
Fui eu quem se fechou no muro
E se guardou lá fora
Fui eu quem num esforço
Se guardou na indiferença
Fui eu que numa tarde
Se fez tarde de tristezas
Fui eu que consegui
Ficar e ir embora...
E fui esquecida
Fui eu!
Fui eu que em noite fria
Se sentia bem
E na solidão
Sem ter ninguém
Fui eu!
Fui eu que em primavera
Só não viu as flores
E o sol
Nas Manhãs de Setembro...
Eu quero sair
Eu quero falar . . . . .
The photo is part of my photographic exhibition featuring 21 laminated panels. The images of the exhibit represent the symbols of Jewish festivals throughout the year.
The exhibition has been shown in various places.
See on flickr : "Light and Tradition"
www.flickr.com/photos/studiodobs/albums/72157689952244162
Lag Ba-Omer, Hebrew: ל״ג בעומר, also Lag B'Omer, is a Jewish holiday celebrated on the 33rd day of the Counting of the Omer, which occurs on the 18th day of the Hebrew month of Iyar.
This day marks the "hillula" or celebration (interpreted by some as anniversary of death) of Rabbi Shimon bar Yochai, a Mishnaic sage and leading disciple of Rabbi Akiva in the 2nd century, and the day on which he revealed the deepest secrets of kabbalah in the form of the Zohar, the Book of Splendor, a landmark text of Jewish mysticism.
This association has spawned several well-known customs and practices on Lag Ba-Omer, including the lighting of bonfires, pilgrimages to the tomb of Bar Yochai in the northern Israeli town of Meron, and various customs at the tomb itself.
Lag Ba-omer in 2021 falls on Friday, April 30
Venice was the hometown of Antonio Vivaldi. It is also the hometown of Interpreti Veneziani a group dedicated to making the music of Vivaldi and others. During the 2021 summer season, they performed at the Chiesa San Vidal in Venice. They also have dates in the US, UK, Japan, and in various European cities. The Chiesa San Vidal also is a museum of expertly preserved and wonderfully displayed violins.
The place, the food, the music all blend for a wonderful experience. Venice also has contemporary nightclubs which we did not visit since they are not as unique as hearing Vivaldi played by Italian musicians with bloodlines perhaps tapping into the creativity of their ancestors. While it could be said we are too sentimental about history, architecture, and music in the place of its origins, it was beautiful, elegant, and modern too.