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Happy I could frame this moment with Luce spreading her wings, just about to take off. This is the conclusive photo of my shooting as, after this frame, the entire Family decided the posing was concluded and begun to fly around in my studio.
By clicking twice the zoom function, you will see them about twice their actual size. Advise: to rate a macro as well as a close-up in all its details, the photo should be attentively watched and magnified from a PC desktop, never from small screens of tablets nor from even tinier screens as smartphones...And, oh boys, if you don't watch a picture from a large monitor, you will never notice nor realize how many errors there can be in an apparently fine pic, included editing mistakes!
Notice for the viewers: there is a technical misunderstanding I think on photos that are surrounded by a solid colour space, like, in my case, the black background. This does definitely NOT prevent the photo to be a close-up or a macro* (*even if Not academically meant). In this, for instance, the parrots appear double their real size and, although I humbly tend to define it as a close-up, it is by all means a macro, no matter if the subjects don't completely fill the space. Surrounding them with black (true existing background, no cropping) is my original way to naturally obtain a more balanced image for the eyes and to avoid to frame my photos with inelegant thick black or white frames.
Furthermore, since my parrots belong to the Nature, I tend to rarely photograph them close to man-made objects preferring, instead, natural displays like trunks or branches that are those where my parrots usually rest and play, free in situ in their usual environment!
Ref.PAPPAGALLI 2022\Pappagalli up-dates\La famigliola 087 okkk VM DEF
©WhiteAngel Photography. All rights reserved.
Coracles are light boats shaped like a bowl, typically with a frame of woven grass or reeds, or strong saplings covered with animal hides. The keel-less, flat bottom evenly spreads the weight across the structure reducing the required depth of water often to only a few inches. Coracles have been used, and to a degree are still used, in India, Vietnam, Iraq, Tibet, North America and Britain.
Coracles in Iraq are called quffa. Their history goes back to antiquity where they appear on sculptured panels in Assyrian palaces constructed between 700 and 900 BC. These panels are now in the British Museum. Herodotus visited Babylon in the 5th century BC, and wrote a long description of the coracles he encountered there. Traditionally, quffa were framed with willow or juniper and covered with hides. The outside was coated with hot bitumen for waterproofing. These coracles have been in use, at least until recently, around Baghdad and on the Tigris. Some of the Iraq coracles are very large.
Coracles are known to have been in use in Britain in 49BC when Julius Caesar encountered them. They are still used in Wales, where they were traditionally framed with split and interwoven willow rods, tied with willow bark. The outer layer was an animal skin, such as horse or bullock hide, with a thin layer of tar for waterproofing. Today tarred calico or canvas, or simply fibreglass can be used. Different Welsh rivers have their own designs, tailored to the flow of the river. The Teifi coracle, for instance, is flat bottomed, as it is designed to negotiate shallow rapids, common on the river in the summer, while the Carmarthen coracle is rounder and deeper, because it is used in tidal waters on the Tywi, where there are no rapids.
Coracles can be effective fishing vessels. When operated skilfully, they hardly disturb the water or the fish. Welsh coracle fishing is performed by two men, each seated in his coracle and with one hand holding the net while with the other he plies his paddle. When a fish is caught, each hauls up his end of the net until the two coracles touch and the fish are secured. Many coracles are so light and portable that they can easily be carried on the fisherman's shoulders.
This is one of those photographic instances when you wish the sun was not out and it is a bright but cloudy day. The sunshine and long autumn shadows caused some awkward lighting conditions on the initial colour result. However, after a number of attempts and iterations with todays technology and conversion to black and white I have managed to achieve an acceptable image.
Northern 158869 stands in the single remaining platform at Bishop Auckland having just arrived working 2D07. 10:57 Saltburn – Bishop Auckland, 7th November 2021.
At its height after its 1905 rebuild Bishop Auckland was an extensive station with platforms on all three sides of the triangle of lines and substantial station buildings in the middle of the triangle. The current single platform is on the site of the original platform 1 which had an overall roof.
That was a pretty unique instance, the location, weather, the light and there is always the chance that panoramas of that sort don't work out as planned, so I'm pretty ok with the outcome.
It was the last day of a high pressure system and just a few fluffy picturesque clouds were showing up, next day it was already hazy and overcast past noon. I started my hike in the morning and I'm so glad I 'wasted' a lot of time somewhere else, otherwise I would not have been there in this nice afternoon light.
Also the IR response from the vegetation at this altitude appears to be rather different, sparse in a way, so the development was challenging but this also led to a somewhat novel outcome that's quite fitting I think. I did three panoramas at the lake and they all worked out surprisingly, offering something different each so I did my best to also develop them in distinct ways. Maybe you'll see..
Source for this is a mercator projection consisting of 30 individual photos, 20355 x 15538px, ~316,3MP, then chopped down to 8:5 and ~34,4MP.
Nikon D90 (APS-C, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
Hoya R72 (720nm infrared pass-filter)
ISO200, 24mm, f/6.3, 0,4sec
(therefore 36mm full frame equivalent)
tripod, panorama head, remote (ML-L3)
yet another instance of this pedestrian passage in Edinburgh, which is find utterly wonderful and scifiesque.
Savannah Sparrow SAVS* (Passerculus sandwichensis)
'the famous fence'
North of Blenkinsop Lake
Saanich BC
This species is a local breeder , with a few wintering over.
DSCN3394
'the famous fence'
so called for serving up uncommon birds... Western Kingbird Mountain Bluebird & Western Bluebird for instance
DSCN3393
Balsams make really nice, and fragrant, Christmas trees... string together some of those berries from the mountain ash to get a head start on decorations!
I may be preaching to the choir here as I point out that Joyce and I are always quite busy this time of year. I’ll be scrambling around today for last minute ingredients for meals I’m preparing for a Christmas gathering of international students from Duke University with International Students, Inc tomorrow evening at our church’s fellowship hall. The meal is potluck-style, with many members of our church pitching in, as we may be feeding 150+ people. We must be concerned about dietary restrictions of some the students, Muslims for instance, so I’m making a huge pot of gluten-free rotini pasta with Bolognese sauce and southern-style chicken and dumplings… comfort food. Others will be making vegan dishes and desserts. I will be there early to coordinate the kitchen and the food… Joyce will be there to help with finishing touches on holiday decorations.... after she returns from Boydton, Virginia, where she's also setting up decorations at the historic Boyd Tavern along with the mayor's wife... she knows how to hobnob.
At this gathering last year, I sat at a table with a few first-year engineering students from China. Engineering is something I understand, so we had a pretty good conversation going on. That conversation led to issues of regionalism and colloquialism that we found quite funny. "Regionalism" eventually reached across the world when they asked me what I thought of them. I'm sitting there with science-minded young adults brilliant enough to attend one of the most elite schools in the world from a country that insists communism is their only God... and yet, I was able to explain God to them and why we celebrate His birth at Christmas. In doing so, I explained how God tells me that I can't say that I love Him without also loving them... that's much of the theme of the Book of James. They sat silent for a bit after that, though I could see something was whirling around in their heads. As I gathered my stuff to leave that evening, they were lined up at the door to thank me and hug me for talking to them... and one of them now attends church with us. Time spent with God never returns void.
After church this Sunday, we're both headed back to Boydton, a little over an hour away on the far side of Kerr Lake, to participate in the open house Christmas activities there. I will be taking photos of kids with Santa Claus... which should up my ante on the naughty or nice quotient. Time will tell.
+++UPDATE+++ This image is part of a series of four shots from this location that has won me the title Nature Photographer Of The Year at the prestigious International Photography Awards.
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I just returned from this year's Namibia workshop - great as always. Even though this was already our 9th or 10th visit, I still consider it a huge privilege to be able to walk around in the incredibly stunning landscapes this amazing country has to offer.
What surprises me every time, is that even though I know most of the locations we visit by heart, and have taken thousands of images there, I still see new compositions that I missed on previous visits. This changes from year to year. Last year for instance, I suddenly saw way more possibilities than the years before, and I still wonder what caused that. One day you're really struggling to get anything decent, the next you see nothing but great shots to be taken all around you.
Anyway, this is one from last year's visit to Namibia's most iconic location: Deadvlei. Shot early morning during pre-glow.
If you're interested in joining me on this spectacular trip, please check out my website for more information, pictures and tour impression video clips:
Squiver Photo Tours & Workshops
Hope to see you there!
Marsel
From my set entitled “Roses”
www.flickr.com/photos/21861018@N00/sets/72157607214064416/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
A rose is a perennial flowering shrub or vine of the genus Rosa, within the family Rosaceae, that contains over 100 species. The species form a group of erect shrubs, and climbing or trailing plants, with stems that are often armed with sharp thorns. Most are native to Asia, with smaller numbers of species native to Europe, North America, and northwest Africa. Natives, cultivars and hybrids are all widely grown for their beauty and fragrance. [1]
The leaves are alternate and pinnately compound, with sharply toothed oval-shaped leaflets. The plants fleshy edible fruit is called a rose hip. Rose plants range in size from tiny, miniature roses, to climbers that can reach 20 metres in height. Species from different parts of the world easily hybridize, which has given rise to the many types of garden roses.
The name originates from Latin rosa, borrowed through Oscan from colonial Greek in southern Italy: rhodon (Aeolic form: wrodon), from Aramaic wurrdā, from Assyrian wurtinnu, from Old Iranian *warda (cf. Armenian vard, Avestan warda, Sogdian ward, Parthian wâr).[2][3]
Attar of rose is the steam-extracted essential oil from rose flowers that has been used in perfumes for centuries. Rose water, made from the rose oil, is widely used in Asian and Middle Eastern cuisine. Rose hips are occasionally made into jam, jelly, and marmalade, or are brewed for tea, primarily for their high Vitamin C content. They are also pressed and filtered to make rose hip syrup. Rose hips are also used to produce Rose hip seed oil, which is used in skin products.
The leaves of most species are 5–15 centimetres long, pinnate, with (3–) 5–9 (–13) leaflets and basal stipules; the leaflets usually have a serrated margin, and often a few small prickles on the underside of the stem. The vast majority of roses are deciduous, but a few (particularly in Southeast Asia) are evergreen or nearly so.
The flowers of most species roses have five petals, with the exception of Rosa sericea, which usually has only four. Each petal is divided into two distinct lobes and is usually white or pink, though in a few species yellow or red. Beneath the petals are five sepals (or in the case of some Rosa sericea, four). These may be long enough to be visible when viewed from above and appear as green points alternating with the rounded petals. The ovary is inferior, developing below the petals and sepals.
The aggregate fruit of the rose is a berry-like structure called a rose hip. Rose species that produce open-faced flowers are attractive to pollinating bees and other insects, thus more apt to produce hips. Many of the domestic cultivars are so tightly petalled that they do not provide access for pollination. The hips of most species are red, but a few (e.g. Rosa pimpinellifolia) have dark purple to black hips. Each hip comprises an outer fleshy layer, the hypanthium, which contains 5–160 "seeds" (technically dry single-seeded fruits called achenes) embedded in a matrix of fine, but stiff, hairs. Rose hips of some species, especially the Dog Rose (Rosa canina) and Rugosa Rose (Rosa rugosa), are very rich in vitamin C, among the richest sources of any plant. The hips are eaten by fruit-eating birds such as thrushes and waxwings, which then disperse the seeds in their droppings. Some birds, particularly finches, also eat the seeds.
While the sharp objects along a rose stem are commonly called "thorns", they are actually prickles — outgrowths of the epidermis (the outer layer of tissue of the stem). True thorns, as produced by e.g. Citrus or Pyracantha, are modified stems, which always originate at a node and which have nodes and internodes along the length of the thorn itself. Rose prickles are typically sickle-shaped hooks, which aid the rose in hanging onto other vegetation when growing over it. Some species such as Rosa rugosa and R. pimpinellifolia have densely packed straight spines, probably an adaptation to reduce browsing by animals, but also possibly an adaptation to trap wind-blown sand and so reduce erosion and protect their roots (both of these species grow naturally on coastal sand dunes). Despite the presence of prickles, roses are frequently browsed by deer. A few species of roses only have vestigial prickles that have no points.
Roses are popular garden shrubs, as well as the most popular and commonly sold florists' flowers. In addition to their great economic importance as a florists crop, roses are also of great value to the perfume industry.
Many thousands of rose hybrids and cultivars have been bred and selected for garden use; most are double-flowered with many or all of the stamens having mutated into additional petals. As long ago as 1840 a collection numbering over one thousand different cultivars, varieties and species was possible when a rosarium was planted by Loddiges nursery for Abney Park Cemetery, an early Victorian garden cemetery and arboretum in England.
Twentieth-century rose breeders generally emphasized size and colour, producing large, attractive blooms with little or no scent. Many wild and "old-fashioned" roses, by contrast, have a strong sweet scent.
Roses thrive in temperate climates, though certain species and cultivars can flourish in sub-tropical and even tropical climates, especially when grafted onto appropriate rootstock.
Rose pruning, sometimes regarded as a horticultural art form, is largely dependent on the type of rose to be pruned, the reason for pruning, and the time of year it is at the time of the desired pruning.
Most Old Garden Roses of strict European heritage (albas, damasks, gallicas, etc.) are shrubs that bloom once yearly, in late spring or early summer, on two-year-old (or older) canes. As such, their pruning requirements are quite minimal, and are overall similar to any other analogous shrub, such as lilac or forsythia. Generally, only old, spindly canes should be pruned away, to make room for new canes. One-year-old canes should never be pruned because doing so will remove next year's flower buds. The shrubs can also be pruned back lightly, immediately after the blooms fade, to reduce the overall height or width of the plant. In general, pruning requirements for OGRs are much less laborious and regimented than for Modern hybrids.
Modern hybrids, including the hybrid teas, floribundas, grandifloras, modern miniatures, and English roses, have a complex genetic background that almost always includes China roses (R. chinensis). China roses were evergrowing, everblooming roses from humid subtropical regions that bloomed constantly on any new vegetative growth produced during the growing season. Their modern hybrid descendants exhibit similar habits: Unlike Old Garden Roses, modern hybrids bloom continuously (until stopped by frost) on any new canes produced during the growing season. They therefore require pruning away of any spent flowering stem, in order to divert the plant's energy into producing new growth and thence new flowers.
Additionally, Modern Hybrids planted in cold-winter climates will almost universally require a "hard" annual pruning (reducing all canes to 8"–12" in height) in early spring. Again, because of their complex China rose background, Modern Hybrids are typically not as cold-hardy as European OGRs, and low winter temperatures often desiccate or kill exposed canes. In spring, if left unpruned, these damanged canes will often die back all the way to the shrub's root zone, resulting in a weakened, disfigured plant. The annual "hard" pruning of hybrid teas, floribundas, etc. should generally be done in early spring; most gardeners coincide this pruning with the blooming of forsythia shrubs. Canes should be cut about 1/2" above a vegetative bud (identifiable as a point on a cane where a leaf once grew).
For both Old Garden Roses and Modern Hybrids, any weak, damaged or diseased growth should be pruned away completely, regardless of the time of year. Any pruning of any rose should also be done so that the cut is made at a forty five degree angle above a vegetative bud. This helps the pruned stem callus over more quickly, and also mitigates moisture buildup over the cut, which can lead to disease problems.
For all general rose pruning (including cutting flowers for arrangements), sharp secateurs (hand-held, sickle-bladed pruners) should be used to cut any growth 1/2" or less in diameter. For canes of a thickness greater than 1/2", pole loppers or a small handsaw are generally more effective; secateurs may be damaged or broken in such instances.
Deadheading is the simple practice of manually removing any spent, faded, withered, or discoloured flowers from rose shrubs over the course of the blooming season. The purpose of deadheading is to encourage the plant to focus its energy and resources on forming new offshoots and blooms, rather than in fruit production. Deadheading may also be perfomed, if spent flowers are unsightly, for aethestic purposes. Roses are particularly responsive to deadheading.
Deadheading causes different effects on different varieties of roses. For continual blooming varieties, whether Old Garden roses or more modern hybrid varieties, deadheading allows the rose plant to continue forming new shoots, leaves, and blooms. For "once-blooming" varieties (that bloom only once each season), deadheading has the effect of causing the plant to form new green growth, even though new blooms will not form until the next blooming season.
For most rose gardeners, deadheading is used to refresh the growth of the rose plants to keep the rose plants strong, vibrant, and productive.
The rose has always been valued for its beauty and has a long history of symbolism. The ancient Greeks and Romans identified the rose with their goddesses of love referred to as Aphrodite and Venus. In Rome a wild rose would be placed on the door of a room where secret or confidential matters were discussed. The phrase sub rosa, or "under the rose", means to keep a secret — derived from this ancient Roman practice.
Early Christians identified the five petals of the rose with the five wounds of Christ. Despite this interpretation, their leaders were hesitant to adopt it because of its association with Roman excesses and pagan ritual. The red rose was eventually adopted as a symbol of the blood of the Christian martyrs. Roses also later came to be associated with the Virgin Mary.
Rose culture came into its own in Europe in the 1800s with the introduction of perpetual blooming roses from China. There are currently thousands of varieties of roses developed for bloom shape, size, fragrance and even for lack of prickles.
Roses are ancient symbols of love and beauty. The rose was sacred to a number of goddesses (including Isis and Aphrodite), and is often used as a symbol of the Virgin Mary. 'Rose' means pink or red in a variety of languages (such as Romance languages, Greek, and Polish).
The rose is the national flower of England and the United States[4], as well as being the symbol of England Rugby, and of the Rugby Football Union. It is also the provincial flower of Yorkshire and Lancashire in England (the white rose and red rose respectively) and of Alberta (the wild rose), and the state flower of four US states: Iowa and North Dakota (R. arkansana), Georgia (R. laevigata), and New York[5] (Rosa generally). Portland, Oregon counts "City of Roses" among its nicknames, and holds an annual Rose Festival.
Roses are occasionally the basis of design for rose windows, such windows comprising five or ten segments (the five petals and five sepals of a rose) or multiples thereof; however most Gothic rose windows are much more elaborate and were probably based originally on the wheel and other symbolism.
A red rose (often held in a hand) is a symbol of socialism or social democracy; it is also used as a symbol by the British and Irish Labour Parties, as well as by the French, Spanish (Spanish Socialist Workers' Party), Portuguese, Norwegian, Danish, Swedish, Finnish, Brazilian, Dutch (Partij van de Arbeid) and European socialist parties. This originated when the red rose was used as a badge by the marchers in the May 1968 street protests in Paris. White Rose was a World War II non violent resistance group in Germany.
Roses are often portrayed by artists. The French artist Pierre-Joseph Redouté produced some of the most detailed paintings of roses.
Henri Fantin-Latour was also a prolific painter of still life, particularly flowers including roses. The Rose 'Fantin-Latour' was named after the artist.
Other impressionists including Claude Monet and Paul Cézanne have paintings of roses among their works.
Rose perfumes are made from attar of roses or rose oil, which is a mixture of volatile essential oils obtained by steam distilling the crushed petals of roses. The technique originated in Persia (the word Rose itself is from Persian) then spread through Arabia and India, but nowadays about 70% to 80% of production is in the Rose Valley near Kazanluk in Bulgaria, with some production in Qamsar in Iran and Germany.[citation needed]
The Kaaba in Mecca is annually washed by the Iranian rose water from Qamsar. In Bulgaria, Iran and Germany, damask roses (Rosa damascena 'Trigintipetala') are used. In the French rose oil industry Rosa centifolia is used. The oil, pale yellow or yellow-grey in color, is sometimes called 'Rose Absolute' oil to distinguish it from diluted versions. The weight of oil extracted is about one three-thousandth to one six-thousandth of the weight of the flowers; for example, about two thousand flowers are required to produce one gram of oil.
The main constituents of attar of roses are the fragrant alcohols geraniol and l-citronellol; and rose camphor, an odourless paraffin. β-Damascenone is also a significant contributor to the scent.
Quotes
What's in a name? That which we call a rose/By any other name would smell as sweet. — William Shakespeare, Romeo and Juliet act II, sc. ii
O, my love's like a red, red rose/That's newly sprung in June — Robert Burns, A Red, Red Rose
Information appears to stew out of me naturally, like the precious ottar of roses out of the otter. Mark Twain, Roughing It
Hearts starve as well as bodies; give us bread, but give us roses. — James Oppenheim, "Bread and Roses"
Rose is a rose is a rose is a rose — Gertrude Stein, Sacred Emily (1913), a poem included in Geography and Plays.
May 11th 2024 was one of the biggest Aurora events in recent history. I'm usually to only person at this location in the past but on this night, it was standing room only. Everyone was going crazy and fixated on getting their shots, as was I.
What I didn't realise until everyone started posting, was that I was standing in the company of all my Instagram/Facebook hero's. Other really good astro photographers I had been following for years but never met in person. What a lost opportunity to meet and chat face to face. But I can't blame anyone, it was night for amazing photography, not chatting.
I must also apologise for the age of this post. I'm about a year behind in my Flickr posts at the moment but will try to catch up over the next month or so.
Q is not so difficult as I first imagined. I actually thought of QUITE a number of things beginning with Q. For instance, QUEEN, QUARRY, QUEUE, QUINAG and QUIRAING (The last 2 are Scottish mountains).
Or I could have used a picture (if I had one) of fish and chips, or roast beef and Yorkshire Pudding. Two things which are QUINTESSENTIALLY English!!!!!
Maybe I will post another one later........
But back to the image at hand. (excuse the pun!!! lol) Why quarter to four and not quarter to five or eleven or any other? Well, there are four quarters in a whole so it was a logical choice!! Notice also the position of the second hand!! - I removed the battery to achieve that!! :-))
If you're wondering why not quarter past, well that would have made things a bit crowded on that side, giving a less well balanced image!!! It's all about the composition!!
I have hidden the hand for setting the alarm out of sight behind the minute hand. Maybe I should have set it for half eight as that is also 4!!!!! LOL
The more perceptive among you will also notice that there is something else beginning with Q. I won't spoil the fun. Let's see if you can spot it! I wonder who will be first to add a note to it!!!! :-)))
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Day 17 of a 26 day challenge to post something each day that begins with a different letter of the alphabet, from A through to Z (in order)
My friends Saint-Exupery (www.flickr.com/photos/38025693@N06/) and Cluster One (www.flickr.com/photos/21517311@N06) will endeavour to do the same. But our results should all be very different as they shall do it in Spanish and Italian respectively and I shall do it in English!
We are also joined by Sunrise-sunrise (www.flickr.com/photos/naita29/) who will do the same in French.
I am now joined by my friend Western Dreamer (www.flickr.com/photos/lawanda_wilson-candid_captures_phot...) who will also do it in (American) English!
I returned to this location three times to get this image. The first two instance I managed varieties of double-exposures. This is a fun spot for kids to play in the hot days of summer. The first time I attempted to photograph this fountain the water was running. But I forgot to take the cap off first. (Yes, my pinhole camera has a cap.) As I screwed off the cap the water shut down. :-(
Vermeer 6x17 Panoramic Curved Plane Pinhole Camera | Fujifilm ACROS II 100 B&W | negative developed at home using Cinestill Dƒ96 monobath | negative scanned by Sony ILCEO ⍺6500 - Tamron 35mm ƒ2.8 | Post-processed using Negative Lab Pro.
The Southern Hawker is a big dragonfly with a body up to 70mm in length. It is an inquisitive insect, and can often approach people for a closer look...
but in this instance, I was the one taking a closer look
”He reflected for a while, then said, ’I can’t make anything of the first one. It’s very probable that a displacement is involved, but there’s no way of guessing what the intermediate elements are. For the second I’d venture an interpretation if the person reporting it as his own were not a Frenchman."
The unmistakable outline of Stac Pollaidh dominates this scene. In this instance she is flanked by Cul More, to the left and Ben More Coigach to the right.
Stac Pollaidh is apparently a lovely little hill to climb. Topped by Torridonean sandstone it offers some fine summit scrambling with extensive view inland towards Suilven.
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Thanks for the visits, comments, awards, invitations and favorites. Please don't use my images on websites, blogs or others medias without my explicit permission.
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© All rights reserved
My technique is alway the same:
Three exposures -2EV, 0, +2EV and then temperature adjustement using Lightroom and layering with luminosity mask using photoshop. Removal of distracting stuff with the stamp tool or patch tool. High pass filter to enhance details. Then saturation, contrast selectively control, dodge and burn where need...
DRI stand for Dynamic Range Increase. Three RAW files are used to achieve this. Rather than using a software like Photomatix for instance, I simply use mask to blend, my own way, the light, dark and normal shot with Photoshop and Lightroom.. To me, It looks more natural than the usual HDR treatment that I would normally applied.
Merci pour les visites, commentaires, récompenses, invitations et favoris. S.V.P. n'utilisez pas mes images sur des sites web, blogs ou autres médias sans ma permission.
Merci!
© Tous droits réservés
Ma technique est toujours la même:
Trois prises de vue -2EV, 0, +2EV. Ensuite ajustement de la température de couleur avec Lightroom et usage de calques et masques de luminosités avec Photoshop. Retrait d'éléments de distraction avec l'outil tampon. Filtre High pass pour le rehaussement des détails. Ensuite saturation et contraste ajustés de façon sélectives et locales. Dodge and burn là où requis...
DRI vient de l'anglais Dynmic Range Increase, qui pourrait se traduire par étendue dynamique améliorée. Les même 3 fichiers RAW entrent dans la composition d'un DRI. Plutôt que de se servir d'un logiciel comme Photomatix qui fait tout le travail, je me sers plutôt de masques pour filtrer l'éclairage dans photoshop et Lightroom. De mon point de vue, cette façon de faire donne une image plus naturel que le traitement HDR que j'employais auparavant.
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I've always wanted to do one of these. I know, how original, right? lol. I actually had a lot of fun doing this, and laughing at myself.
well...what can I tell you about me? hmmm....well, I can tell you that I don't mine sharing (smile)....okay, okay...I have to be the most low maintenance woman that you would ever meet. For instance, purses and shoes aren't my thing. I mean what is the purpose in having a ton of purses w/no money to put in it. If I didn't carry so much stuff around I wouldn't even carry a purse. Oh, but I do love hello kitty, earrings and necklaces...See there's a girlie girl in there somewhere;p Other than that, give me a pair of jeans and a t-shirt, oh and flip flops if it's warm and I'm a happy camper....
Happy Towel Day to all my Hoopy Frood Flickr Friends!
“For instance, on the planet Earth, man had always assumed that he was more intelligent than dolphins because he had achieved so much—the wheel, New York, wars and so on—whilst all the dolphins had ever done was muck about in the water having a good time. But conversely, the dolphins had always believed that they were far more intelligent than man—for precisely the same reasons.”
~Hitchhiker's Guide to the Galaxy~
Spaceship background courtesy of the new Adobe PS AI Background Generator.
With their asymmetrical ear openings, Saw-whet Owls (Aegolius acadicus) are among the most attentive of listeners. At a dinner party, for instance, they might hear even the most hushed of rumor-mongering from the corner of the room, and be able to share with you precisely what was said and by whom. In reality, they use this heightened sense of hearing while perched in an opportune branch in the night. With their disc-shaped faces angled downward, they listen for the rustling movement of mice and voles beneath the leaf-litter. So precise is their hearing, that they can accurately strike a prey item without ever seeing it.
On all our tours I encourage our guests to also shoot verticals, not only horizontals. Magazines for instance, are all based on verticals, so if you ever want your picture to grace the cover or to be published on a full page, you'll need to shoot verticals as well.
A little while back I got an email from British Airways, asking whether I had a vertical version of my famous picture The Edge, of an elephant at Victoria Falls. And as a matter of fact I did, I just never processed it. When I started processing the image, I wondered why I hadn't done it earlier - the vertical version seems to make more sense because you can actually see the height of the falls and you can see all the water falling down.
Anyway, British Airways published the shot and I was happy they had given me a good reason to dive into my image library again.
Here's the background story that I wrote for the horizontal version:
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It's hard enough to make original pictures, but with some subjects it simply borders the impossible.
When I was at Victoria Falls last year, I thought about the billions of photographs that must have been taken there, and I almost decided to just visit the place without my camera. That was until I spoke with some of the local people, who told me that they had seen a bull elephant crossing the Zambezi river the day before. During my research I had not seen any images of the falls with an elephant in it, so I decided to stay a few extra days and try my luck.
The course of the Zambezi is dotted with numerous tree-covered islands, which increase in number as the river approaches the falls. As the dry season takes effect, the islets on the crest become wider and more numerous, and with the water level of the Zambezi dropping, once submerged walkways and fresh foraging possibilities present themselves. This elephant was apparently aware of this.
On the third day I left very early with a small boat to reach my location. On my way to the edge I suddenly saw the lone bull wading through shallow parts of the river, but it was far away and light levels were low, so I decided to continue to the falls. I took some sunrise shots and half an hour later I saw the elephant approaching the falls. I quickly collected my gear and moved carefully towards the edge where the water plummeted into a 360ft chasm - not particularly nice when you're afraid of heights... I set everything up in order to include as much as possible of the falls and made a composition. Luckily the elephant was aware of my preference to shoot into the light, so his position couldn't be better.
After I took the shots, I knew I had just witnessed and captured something very special. Later that day local people confirmed this by telling me that they had never seen an elephant so close to the edge of the falls before - exactly what I wanted to hear!
This image was featured as a double page spread in National Geographic, and won First Prize in the European Wildlife Photographer of the Year Awards.
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If you would like to join me on our next photo tour in Zambia and learn everything about wildlife photography, please check out my website for more information and tour impression video clips:
Squiver Photo Tours & Workshops
Hope to see you there!
Marsel
©2013 Marsel van Oosten, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
Another despicable instance of working on my alliteration and foregoing all that's decent. Tis the season.
If you enjoy this kind of wretched excess, you might not hate my Photoshopped set. www.flickr.com/photos/9422878@N08/sets/72157604211983504/...
Try to tell the truth by taking photographs that lie about it.
- Max Pinckers
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After some days of puzzlement with the instruction, suddenly I thought this could be the easiest 12by12 instruction ever. Actually, telling the truth by lying about it is what almost every photo does on reducing our visual perception to two dimensions. OK, I was wrong, that doesn’t count because the ability is on the medium, and not on the photographer. However a photographer can intentionally do something similar. Think about photographing subjects in motion, for instance. The shutter speed will change the way movement appears in photographs. Short shutter speeds freeze the subject but hide the movement. Long shutter speeds show us the movement, but distort the object in motion. Therefore, we can show the object or we can show its momentum, but not both things on the same photo. Can we square this circle? I dare say yes. One day, an anonymous and genius photographer discovered the panning technique. The moving object is photographed keeping it in the same position of the frame for the duration of the exposure. As a result, the subject remains more or less intact and the background goes blur, suggesting its speed. What is moving is shown frozen, and what is quiet is shown running. So we see the true because a lie is being shown.
I must confess I love the panning technique, especially when its result is imperfect. When imperfect, pannings give us a glimpse of a dimension that it is not exactly space or time, but something in between. A dreamlike dimension. Dreams, so. The stuff that best tells the truth by lying about it. More of the same...
In this instance Tufty was without his trademark tufts which moult during the summer months.
Sadly now despite his road safety campaign in the 60's Tufty is very rare in most of the UK.
Was anyone else a member of the Tufty Club - I still have my badge.
Red Squirrel (Sciurus Vulgaris)
Highland Titles Nature Reserve, Duror - Scotland
Many thanks to all those who take the time to comment on my photos. It is truly appreciated.
DSC_4867 Explore 27 January 2024
Having snapped "Pexford Pic" at Gauxholme, it seemed rude not to wait the extra half-hour and snap the freight behind it, the 8.59am Redcar Bulk Terminal - Fiddlers Ferry PS (6M17), especially seeing as it was a relatively rare coal movement. In this instance GBRf Shed 66701 is doing the honours.
Given the lack of time, I simply opted to drop down Pexford Road (which can be seen on the left of the image) and head up the footpath on the other side to the more traditional overlook.
In the foreground is the Rochdale Canal, which has the dubious honour of being the second highest canal in England at exactly 600' (183m) elevation on the stretch between West Summit and Longlees. That section lies a couple of miles behind me where the canal passes over the shoulder of the hill through which the railway burrows via the more well-known (to railfans at least) Summit Tunnel. With around 19 locks between the summit and Todmorden, visible in the distance, anyone navigating this stretch can be sure of a decent workout.
2nd November 2017
While my daughter and I were out for a walk to create some shots with toys in the snow we ran into some folks who were looking for a lost cellphone. While out playing in the snow she had lost her phone. My daughter and I helped her and her friends look, but the most help I could give was a memory of losing a camera on a mountain in the past (a point and shoot that fell out of my pocket). The story sparked a few more of their memories and we changed search locations, but no luck.
She asked about my camera and photography and whether she could get a picture made and I was overjoyed as it had been so long since making pictures of people while out and about. The timing worked well to have a beautiful sunset halo.
We parted ways and she and her friends had one last idea of where her phone might have been. We wished them well and took a few more pictures with toys before losing the light.
On the way back we ran into each other again and it turned out they found the phone! It was in the road, but had somehow been safe from the cars (although there seemed to have been some close calls based on tire tracks they said). Perhaps the snow helped in this instance.
Recording that instance before the Deluge.
"Neither do men light a candle, and put it under a bushel, but on a candlestick; and it giveth light unto all that are in the house."
Matthew 5:15
Another instance where the morning light streaming into my flat inspired me to grab a quick photo. Here the shadow frame of the kitchen window provided the perfect opportunity for a silhouette self portrait, complete with my ever growing level of bed hair!
Photographed from a safari vehicle in the Masai Mara, Kenya, Africa
=> Please click on the image to see the largest size. <=
During our first trip to Africa in 2017, we learned from our guides that animals such as impalas and gazelles avoid tall grass because predators such as lions and leopards use it to conceal themselves as they stalk their prey. I was struck by the beauty that the gorgeous light gave this scene.
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From Wikipedia: The impala (Aepyceros melampus) is a medium-sized antelope found in eastern and southern Africa. The sole member of the genus Aepyceros, it was first described to European audiences by German zoologist Hinrich Lichtenstein in 1812. Two subspecies are recognised—the common impala, and the larger and darker black-faced impala. The impala reaches 70–92 centimetres (28–36 inches) at the shoulder and weighs 40–76 kg (88–168 lb). It features a glossy, reddish brown coat. The male's slender, lyre-shaped horns are 45–92 centimetres (18–36 inches) long.
Active mainly during the day, the impala may be gregarious or territorial depending upon the climate and geography. Three distinct social groups can be observed: the territorial males, bachelor herds and female herds. The impala is known for two characteristic leaps that constitute an anti-predator strategy. Browsers as well as grazers, impala feed on monocots, dicots, forbs, fruits and acacia pods (whenever available). An annual, three-week-long rut takes place toward the end of the wet season, typically in May. Rutting males fight over dominance, and the victorious male courts female in oestrus. Gestation lasts six to seven months, following which a single calf is born and immediately concealed in cover. Calves are suckled for four to six months; young males—forced out of the all-female groups—join bachelor herds, while females may stay back.
The impala is found in woodlands and sometimes on the interface (ecotone) between woodlands and savannahs; it inhabits places close to water. While the black-faced impala is confined to southwestern Angola and Kaokoland in northwestern Namibia, the common impala is widespread across its range and has been reintroduced in Gabon and southern Africa. The International Union for Conservation of Nature (IUCN) classifies the impala as a species of least concern; the black-faced subspecies has been classified as a vulnerable species, with less than 1,000 individuals remaining in the wild as of 2008.
Ecology and behaviour:
The impala is diurnal (active mainly during the day), though activity tends to cease during the hot midday hours; they feed and rest at night. Three distinct social groups can be observed – the territorial males, bachelor herds and female herds. The territorial males hold territories where they may form harems of females; territories are demarcated with urine and faeces and defended against juvenile or male intruders. Bachelor herds tend to be small, with less than 30 members. Individuals maintain distances of 2.5–3 metres (8.2–9.8 ft) from one another; while young and old males may interact, middle-aged males generally avoid one another except to spar. Female herds vary in size from 6 to 100; herds occupy home ranges of 80–180 hectares (200–440 acres; 0.31–0.69 sq mi). The mother–calf bond is weak, and breaks soon after weaning; juveniles leave the herds of their mothers to join other herds. Female herds tend to be loose and have no obvious leadership. Allogrooming is an important means of social interaction in bachelor and female herds; in fact, the impala appears to be the only ungulate to display self-grooming as well as allogrooming. In allogrooming, females typically groom related impalas, while males associate with unrelated ones. Each partner grooms the other six to twelve times.
Social behaviour is influenced by the climate and geography; as such, the impala are territorial at certain times of the year and gregarious at other times, and the length of these periods can vary broadly among populations. For instance, populations in southern Africa display territorial behaviour only during the few months of the rut, whereas in eastern African populations, territoriality is relatively minimal despite a protracted mating season. Moreover, territorial males often tolerate bachelors, and may even alternate between bachelorhood and territoriality at different times of the year. A study of impala in the Serengeti National Park showed that in 94% of the males, territoriality was observed for less than four months.
The impala is an important prey species for several carnivores, such as cheetahs, leopards and lions. The antelope displays two characteristic leaps – it can jump up to 3 metres (9.8 ft), over vegetation and even other impala, covering distances of up to 10 metres (33 ft); the other type of leap involves a series of jumps in which the animal lands on its forelegs, moves its hindlegs mid-air in a kicking fashion, lands on all fours and then rebounds. It leaps in either manner in different directions, probably to confuse predators. At times, the impala may also conceal itself in vegetation to escape the eye of the predator. The most prominent vocalisation is the loud roar, delivered through one to three loud snorts with the mouth closed, followed by two to ten deep grunts with the mouth open and the chin and tail raised; a typical roar can be heard up to 2 kilometres (1.2 mi) away. Scent gland secretions identify a territorial male. Impalas are sedentary; adult and middle-aged males, in particular, can hold their territories for years.
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Red stripe Railfreight was one of my favourite liveries of the BR era although in this instance has been slightly sullied by the scratch along the bodyside. The Tinsley allocated Duff ducks under the South Central and South Western mainlines just as a 159 passes overhead.
Probably the most famous and biggest of the Dartmoor clapper bridges is the one at Postbridge which over the years has been the subject for many artists, photographers, writers and film makers. Despite their sturdy construction and weight there have been many instances when various rivers in full spate have washed away the heavy spans as if they were mere twigs in the fierce flood waters.
This clapper bridge over the East Dart River in the centre of Dartmoor was first recorded in the fourteenth century and was said to have been built in the 13th century. However, I believe it is likely to be very much older, and no-one can say for sure when it was constructed.
The actual origin of the word 'clapper' is said to have stemmed from the old Anglo Saxon word cleac which translates as 'stepping stone'. Apparently the Dartmoor dialect then mutated the word into 'clapper'.
Here is an example of the benefits of using a program such as Adobe's Lightroom (v2.5 in this instance). I have only used one type of processing within this picture, which is the Local Adjustment filter. This is an excellent tool, as it allows specific editing of points, for example, brightening the forground, whilst still darkening the sky exposure and adding shadow detail to one specific tree.
Originally when I took this photo, I was amazed at the beauty of the view, the colours, the atmopshere, it was almost magical. Yet this was totally lost within the stock output photo. I also happened to be tripod-less at the time, so a quality HDR was going to be out of the picture. I was going to bin this picture finally as I couldn't get the process I needed to bring it back to life..
I have been using lightroom now for multiple versions, and I have only just stumbled on this feature myself whilst perusing Lightroom tutorial videos on a Lightroom group. Anyway, I hope this is informative to people, and can maybe enlighten others as too how some people seem to get such excellent results from almost nothing, or those that don't see how one D40X puts out a picture like the top, and another puts out a picture like the the second... (PS I'm not blowing any trumpets here, I just think the change in picture is somewhat astonishing when some development of the article is actually taken on - after all, photographers for years have been developing in darkrooms, why shouldn't the PC and technological age give us our own "Lightroom"!)...
Please take the time to view large & on black
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Enjoy.. thanks for any comments, always appreciate those of you that take the time to leave comments or suggestions.. ta people :)
Habitat is a “home ground” or an environment in which an organism or group of species normally lives or occurs. In this sense, a habitat is any particular place that supports animal or plant life. From the habitat is where plants or animals get their survival essentialities such as water, food, shelter, and breeding grounds.
Different plant or animal species have different necessities for water, shelter, nesting and food. Thus, each and every plant or animal is adapted to survive in a specific kind of habitat. For instance, some turtles live in the seas while others live on land. Some plants grow in the deserts, some in the seas, and some in swampy areas. This shows different species have different needs. Examples of habitats include oceans, streams, or forests.
When a habitat is dramatically altered due to natural or anthropogenic activities such as earthquakes, agriculture, pollution or oil exploration, these places may no longer be able to provide shelter, food, water, or breeding grounds for the living organisms.
Such kind of events lessens the places where plants or animals such as wildlife can live and threatens the survival of various species. That sort of habitat degradation or fragmentation is what is termed as habitat loss and destruction. Habitat loss and destruction are influenced by several drivers which include:
1. Agriculture
Agricultural production has claimed much space of the natural habitat since settlers began converting forests and grasslands to croplands. In the modern world, the pressure to convert lands into resource areas for producing priced foods and crops has increasingly led to habitat loss.
Runoff of agricultural waste, fertilizers, and pesticides into marine and freshwater environments has also transformed streams and water systems. As a result, there has been a tremendous loss of natural crop species, aquatic life, and wildlife habitat.
2. Animal Waste, Sewage, Fertilizer, and Mining Waste Pollution
Marine and freshwater life forms are the most affected by pollution. Pollutants from animal waste, untreated sewage, fertilizers, pesticides, and heavy metals find way into wetlands and water systems and subsequently end up in the food web.
Animal wastes and fertilizers generate nutrients that cause an outburst in algae growth that depletes dissolved oxygen in aquatic systems. Mining wastes may also contain heavy metals that affect the health and breeding of aquatic organisms. Sewage sediments may destroy dwelling grounds of aquatic animals.
3. Industrial and Automobile Pollution
The majority of animal and plant habitats have been destroyed due to the toxic substances and chemicals emitted from industries and automobiles that pose long-term cumulative impacts on the species health. Seriously polluted regions have become dead zones since the conditions have become very harsh for biotic survival. A prime example is an acidic lake which cannot support aquatic life forms. In some areas, only a few organisms can survive owing to the cumulative effects of industrial and automobile pollution.
4. Water Projects
The development of water projects such as hydropower plants, dam construction, and water diversion frequently disconnect or draw off waters thereby altering water chemistry and hydrology. This is because such water projects limit the amount of water and nutrients running downstream.
The downstream section of the river can dry out and the nutrients supporting aquatic life can significantly reduce. As an outcome, gradual habitat loss happens as the water flows downstream.
5. Land Use and Development
The conversion of lands into urban settings, housing developments, office spaces, shopping malls, industrial sites, parking areas, road networks, and so on takes away the naturally occurring land that provided habitat for wildlife and other living organisms. This practice has substantially led to the loss and destruction of millions of acre of natural habitable environments.
6. Global Warming
Global warming is one of the recent leading causes of habitat loss since it changes the physical environmental factors such as temperature and moisture which are essential for a sustainable habitat.
For instance, wildlife that requires cool temperatures of high elevations such as the rock rabbit and mountain gorillas may in the near future run out of habitat due to global warming. Excessive rains, flooding or drought arising out of global warming have also impacted several habitats, contributing to the loss of wildlife and other living organisms.
7. Diversity Loss and Invasive Species
When a certain ecosystem which is home to numerous species collapse, more aggressive species may enter the territory. As the original species struggle to cope in a harsher environment, the invasive species contributes to a further and rapid decline of the habitat and subsequently dominates.
The explosive entry of invasive species into a habitat presents a strong threat to the native species as they struggle to survive in the increasingly changing environment. Invasive species directly competes for food with the native species and can also alter the structure of the habitat.
8. Vegetation Removal and Logging
Vegetation removal and logging destroy the structure of the habitat since it takes away the vital materials and natural systems responsible for replenishing and purifying the habitat. Removal of vegetation cover and logging also creates room for soil erosion and decrease stormwater infiltration which leads to the degradation of water quality, further destroying the habitat.
9. Dredging and Bottom Trawling Fishing
Dredging and bottom trawling fishing gives rise to the physical destruction of the dwelling, feeding and breeding areas for aquatic plants and animals. The displaced sediments may further smother the bottom dwelling organisms. Fish gills can as well become blocked with sediments and plant life activity is reduced due to limited light.
Dredging might also release underground toxic materials into aquatic habitats. Besides, bottom trawling fishing can by-catch unmarketable fish which turns out to be the food for other bigger fish in that particular underwater habitats.
Inframe :
The greater sand plover (Charadrius leschenaultii) is a small wader in the plover family of birds.
It breeds in the semi-deserts of Turkey and eastwards through Central Asia. It nests in a bare ground scrape. This species is strongly migratory, wintering on sandy beaches in East Africa, South Asia and Australasia. It is a rare vagrant in western Europe, where it has been recorded as far west as Great Britain, France and Iceland. It has been spotted twice in North America, the most recent being on May 14, 2009, in Jacksonville, Florida.
This species is fully migratory, and is likely to migrate without stopping on a broad front between breeding and non-breeding areas . Migratory flocks form after the end of breeding between mid-June and early-August, and arrive in the wintering grounds between mid-July and November (adults and immature birds arriving before juveniles. Those birds wintering in South-East Asia start moving northwards to the breeding grounds in late-February (the migration peaking in March to early-April), arriving from mid-March to May; whereas those wintering in East Africa and southern Asia depart for breeding grounds from mid-April to early-May. Most non-adult wintering birds remain in the wintering areas during the breeding season . The species is typically gregarious, feeding in flocks of 2-50, and sometimes congregating in groups of up to 1,000 when roosting (Urban et al. 1986, del Hoyo et al. 1996). Habitat Breeding During the breeding season this species is predominantly found in open, dry, treeless, uncultivated areas up to 3,000 m , including dried mud, silt and clay flats, hard salt-pans overgrown with halophytic plants , and rocky plains near mountains in desert or semi-desert . In Turkey the species frequents heavily grazed saline steppe . The species usually breeds near water but exceptionally it will nest up to 20 km away from it. Non-breeding During the non-breeding season this species shows a preference for littoral habitats with mixed sand and mud substrata . It is found on sheltered sandy, shelly or muddy beaches, large intertidal mudflats, sandbanks, salt-marshes, estuaries, coral reefs, rocky islands, tidal lagoons and dunes near the coast , although it may sometimes feed on coastal grasslands . Whilst on migration the species will occasionally utilise inland habitats such as salt-lakes and brackish swamps, usually roosting on sandbanks and spits . Diet This species is carnivorous: during the breeding season its diet consists mainly of terrestrial insects and their larvae (especially beetles, termites, midges and ants), and occasionally lizards whereas during the non-breeding season its diet contains mainly marine invertebrates such as molluscs (snails), worms and crustaceans (such as shrimps and crabs). Breeding site The nest is a shallow scrape on the ground amongst sand-hills, gravel, or on other barren substrates.
Ya gotta get to the Dr. Office on time.... but then, when you do, you rarely get to see the doctor for at least a half an hour (or longer). On this instance I was shuffled around to three different rooms while waiting to see my Opthamologist.... one room had this plant in a corner, and our of boredom took some shots with my P&S and then came home and did some photoshopping.
Well, as usual, I screwed up! In this instance I screwed up big time.
First, I did not pay much attention to my wife telling me there will be light. I said not in California and that too in Bay area.
Second, I did not take the tripod ball head and any other lens than a 20mm F1.8. It was a huge struggle to mount my camera on the gimbal head and adjust the tripod legs to get the right angle. So I wasted much precious time.
Third, I did not know anything about how to photograph auroras. So, stupid me used 30s-60s exposure to get the photos. And this last mistake was the absolute blunder. This is unfixable. My stars are long and my Aurora strikes are not that prominent.
But it was worth experiencing what might be once in a while event. I also went to the nearest darkest area that I know too well. Thankfully, most of the Bay area was busy doing what they do.
The naked eye did not see much other than some faint colors. But a 60s exposure did gather a lot of the hue of the Aurora. I am told this hue is not often seen.
From our trip to Greyland. But since it is October and Halloween is looming closer, I thought the description fits....
The vardøger or vardøgr is a spirit predecessor, from Norwegian folklore. Stories typically include instances that are nearly déjà vu in substance, but in reverse, where a spirit with the subject's footsteps, voice, scent, or appearance and overall demeanor precedes them in a location or activity, resulting in witnesses believing they've seen or heard the actual person, before the person physically arrives. This bears a subtle difference from a doppelgänger, with a less sinister connotation. It has been likened to being a phantom double, or form of bilocation.
Earlier this year I was stood amongst these trees when a couple of guys came along and pointed out that this was in fact a shot taken by some famous photographer. As I don't follow Instagram I'm clearly not part of the real world. At the time I put this composition into the back of my head. That was back in the fall, I left the two guys to shoot it in the middle of the day. Step forward a few months and I had a chance to shoot it on my own with good conditions. I got some nice shots with low lying fog at sunrise and then two months later I got this shot in the snow.
I confess to being a bit lazy, I knew this was going to look good in snow, I wasn't sure if some of my other locations in the vicinity would look as good and because slogging around in thigh deep snow is difficult (I also had a sprained ankle) I chose the easy subject that I knew was going to work.
A lot of people assume that we get great snow conditions here in the winter but that's not true. We're quite close to the ocean and not very high up. There's far less snow here than for instance Bariloche. I hiked up here in the late afternoon with a forecast telling me the cloud cover would be thick until the morning. It was quite a tough hike in deep snow. During the hike a puma ran across the trail barely 100 feet in front of me. I had no time to react to it, and thankfully it paid me no attention. As I approached these trees Cerro Torre was still socked in with cloud, I wanted to take a look to see the subject none the less. As luck would have it the clouds began to open up. I began to tear things out of my pack. A lens cap and spare battery were dropped in the deep snow, things that would later require some digging to find. I yanked out my tripod and took a couple of shots exposing first for the mountain as I knew I could worry about the foreground later.
Three 20 second exposures were needed for the foreground, each focussing on a different part of the scene for a focus stack in post.
I would have shot more, but had no more than three minutes to work before it became too dark.
All that effort in the snow had got me soaked in sweat and so I had a rather unpleasant night camped in my tent. I woke the following morning to frozen boots and clothing that needed a lot of agitating before I could get dressed. Sunrise was uneventful and as so often happens snow had began falling from the tree and spoiling the foreground making pockmarks like meteor craters on the moon.
I hiked off trail back to town through a beautiful forest. All in all a good bit of work.
I understand the Dutch photographer Max Rive may well have shot this scene first. It’s a shame I didn’t consider shooting it years ago. I always used to prefer to have the mountains covering the largest percentage of the image, this most recent trip to Patagonia has seen me change my style somewhat and it has certainly opened up some new compositions for me. The mountain looks small, I shot this with a 20mm prime lens. Stood at this spot the main peak of Cerro Torre does look much bigger. I have no problem doing a focal length blend because if done right it creates an image that better represents the scene. I don't however have the skills to pull that off and make it look right.
When I get it on my large monitor I'll look at it again.
Believed to be the first instance of a 5 engine lashup on the SCFE, CSX sending TRRA 3004 (USSC 6327) back and forth through Florida for a week ultimately coincided the delivery of 3004 with the completion of traction motor swaps at Childs for 6322 and 6323, making for a massive power move of 3 SD40s DIT. One of the wackiest consists to date
SCFE SBT-25 w/ USSC 4204, USSC 6325, USSC 6322, TRRA 3004 (USSC 6327), & USSC 6323
On June 5, 2012, Hinode captured this stunning view of the transit of Venus -- the last instance of this rare phenomenon until 2117. Hinode is a joint JAXA/NASA mission to study the connections of the sun's surface magnetism, primarily in and around sunspots. NASA's Marshall Space Flight Center in Huntsville, Ala., manages Hinode science operations and oversaw development of the scientific instrumentation provided for the mission by NASA, and industry. The Smithsonian Astrophysical Observatory in Cambridge, Mass., is the lead U.S. investigator for the X-ray Telescope.
Image credit: JAXA/NASA
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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Part of the pleasure of holidays (in this instance the Easter holidays) is having a bit more time to oneself to go out to the beach with the camera again (the last time was in January to Saltwick Bay).
Being over at the in-laws in Rochdale gave us the opportunity to take a visit to Formby, just north of Liverpool. This was my first visit, so I didn't know quite what to expect.
When I got to the beach I was presented with a length of sand which reminded me of Bamburgh, such was its vastness.
Not having the Nikon I took this with the point-and-shoot Ricoh GX100. Even though the Ricoh doesn't have the ultra-wide aspect of the Tokina 11-16mm I thought it managed to capture the vastness of the this beach quite well, with the dunes captured to the right of the composition being the only other main feature of this beautiful stretch of beach.
Terry Eve Photography Copyright 2018
This is a low resolution watermarked upload, for a full size copyright free image please contact Terry Eve Photography via Flickr mail in the first instance.
Freshly back from my now annual Magee Marsh/Ohio trip, I was pleased to see an increased volume of warblers over last year. While we had one or two of most species last year, this year saw many more of each. For instance, there was one day when four male Blackburnian Warblers (Setophaga fascia) flitted about within feet of me, one coming so close as it foraged for insects that I could have reached out and touched it! Magee is definitely a magical place for a few weeks each spring as the majority of migrants stop to refuel before hopping Lake Erie to their breeding grounds in Canada.
This was one of those rare instance in which I liked the way my camera’s LCD looked better than the view out in front of me. The long exposure, which was made well after sunset, brought out the subtle colors and smoothed the rough water. While not my typical shot, I like the way it turned out and realized once again it pays to experiment.
Large on black is nice for this one
As always, thanks for your input!
Barrett
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