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© Ben Heine || Facebook || Twitter || www.benheine.com

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He is one of the best street singers in the world. That old and talented man is playing almost everyday in the centre of Brussels. He has become a living monument in the city, everybody loves him!

 

Please, also have a look at THIS VIDEO showing him playing 2 of his favourite songs (I recorded them yesterday!).

 

The above photo has been shot with the Samsung NX10, which has been provided to me by Samsung Electronics Co., Ltd.

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For more information about my art: info@benheine.com

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Your Songs

 

A poem by Peter S. Quinn

 

Your songs are so beautiful

Like roses and gardens sapphire

With their moments never dull

As days come clearly in desire

The sweetness of your singing

In pomp and circumstance

With every street front bringing

In days of embrace and trance

 

Like love-song of the minions

In silences and tone bend

For the street daughters and sons

That colors mix and blend

In every footstep going

Where everyone once is for all

In the songs and words knowing

That comes in their daily call

 

Your voice rises from sleep

Onto the banquet of its time

For the days onward to keep

From guitar’s strumming rhyme

O love songs of the streets

Among the folks there walking

Of pure instances stepping feet’s

And in all its audibly talking

 

Many town loves have been torn

Inside endless dispute and flow

And each their sound newborn

In beginnings of daybreak's glow

When feelings are low and blending

During endless time and space

And on to the futures commanding

Within your tone blend and grace

 

Like love-song of the minions

In silences and tone bend

For the street daughters and sons

That colors mix and blend

In every footstep going

Where everyone once is for all

In the songs and words knowing

That comes in their daily call

A delightfull grevillea named after Sir Joseph Banks who accompanied Captain Cook to Australia. It is a long lived evergreen shrub growing to about 2.5 metres tall and about 1.5 metres wide. It has a wide distribution in Australia growing from Adelaide and Melbourene in the south to the tropics. It blooms profusely throughout the year. It has erect, cylindrical flower spikes up to about 18 centimetres long, in this instance WHITE.

 

Chiasognathus Granti, Chilean Stag beetle, Darwin's beetle, choose the name! Designed by me. The grid is 64x64

 

Folded instance:

www.flickr.com/photos/133041586@N06/27491264124/in/datepo...

In one of those divine instances that a family so graciously welcomed me into their home, I was able to marvel at her up-close. This beautiful piece of sculpture, with [by my personal preference] the unmatched visage of a grieving mother -with the right age, unlike very youthful looking Dolorosas- is a gem of Philippine Ecclesiastical Art.

 

She is enshrined in her urna, assembled on a separate bust, wearing her pre-war faded cobalt blue ensemble -the sequins made of actual pressed metal plates, not synthetic...

One of those instances where you see something and think to yourself, "I should stop and take a picture of that", and actually do it!

Ever since I became a Flickr member I've enjoyed the gorgeous Bald Eagle pictures of, for instance Imtoootall, Doug LLoyd, Nikographer, Fella-1 and Garnite (to name a few...).

I long to go to the places they live/visit, see the eagles with my own eyes, but it seems that my wishlist of 'must see before I die'-places only grows longer since I'm on Flickr and the time left only becomes shorter.. :-)

But.... there are vague plans to go to Vancouver Island in autumn. I've heard from a friend that there seem to be a lot of these flying beauties around there.....

 

Meanwhile, last sunday I went with friends and their kids to Beekse Bergen in Holland. Apart from it being a lovely day which really lifted the spirits of us sunstarved people in the Netherlands (:-), they had a wonderful show with birds of prey.

So here was my chance to practice a little! You might call it a small miracle that I haven't hit anyone on the head with the camera and lens but I was só eager to get at least one shot right!

Ok, it might not (yet) be the real stuff, and it doesn't come near the quality of the above mentioned gentlemen's shots, but still I've enjoyed seeing this wonderful eagle fly enormously. (and at least it felt real !!! :-) )

 

“But the thing which in eminent instances signalizes so exceptional a nature is this: Though the man's even temper and discreet bearing would seem to intimate a mind peculiarly subject to the law of reason, not the less in heart he would seem to riot in complete exemption from that law, having apparently little to do with reason further than to employ it as an ambidexter implement for effecting the irrational.”

 

― Herman Melville, BILLY BUDD, SAILOR

A surprise and a gamble

 

I’m not usually an “assortment” person. For instance, I know I only want the licorice jelly beans, so why would I buy a bag with multiple flavors. Although, I must admit, my preference works in my favor because licorice is usually all that’s left after a bowl of jelly beans has been sitting a few days.

 

I ordered a four-pack of novelty suspender tights in February and lost the nerve to wear them. In the meantime, I forgot what they looked like. This is the second pair I’ve tried in recent weeks (the ootd pics with the first pair were too scandalous to publish) and I like the surprise of discovering the pattern as I put them on. I’m wearing this pair backwards from the model’s picture, but I think I’ve got it right and she’s got it turned around. So far, this assortment has been a big hit at tango. (Especially the unpublished outfit. I know. I’m a tease.)

 

Dress, H&M (thrifted). Tights, TGD. Earrings, Green Tree Jewelry.

 

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A sotdae is a tall wooden pole or stone pillar with a carved bird on its top, built for the purpose of folk belief in Korea. Like jangseung, wooden totem poles with a sculptured human face, it was usually erected near the entrance of a village to ward off evil spirits as well as to represent villagers' wishes for prosperity and well-being. Later, it was also built as a celebratory or commemorative symbol. For instance, when a son of a family passed a civil service examination called gwageo, a sotdae was set up in the yard.In that case, it was colored in orange and topped with a blue dragon.

- Wikipedia

One of those instances where the practise turns out far better than the shot you actually camp for (Trident 472). Oh well, this means I have a shot of the 486 at least.

 

E243 motors down the Millennium Busway, with a 161, 108 and 132(?) in the background.

The Hamar (or Hamer) is a catlle herder tribe which lives on the Eastern side of the Omo Valley in Southern Ethiopia. Honey collection is their major activity and their cattle is the meaning of their life. There are at least 27 words for the subtle variations of colours and textures of a cattle ! And each man has three names: a human, a goat and a cow name.

The Hamar have very unique rituals such as a bull-leaping ceremony, that a young men has to succeed in order to get married. The cow jumping is an initiation rite of passage for boys coming of age in Hamar tribe. Cows are lined up in a row. The initiate, naked, has to leap on the back of the first cow, then from one bull to another, until he finally reaches the end of the row. He must not fall of the row and must repeat successfully the test four times to have the right to become a husband. While the boys walk on cows, Hamar women accompany him: they jump and sing. Totally committed to their initiated sons, the mothers are whipped to blood, in order to prove their courage and accompany their sons during the test.

The Hamar are very preoccupied with their beauty. They have at times spectular haidresses.

Men use a wooden head rest which prevents the hair from touching the ground. You can see them walking with it everywhere ! It is used as head rest to protect the clay wig that some do on the top of the head, but it is also usefulas a seat ! Even if there is a chair close to them, they prefer to use the head rest !

Women know many ways to do their hair. The most famous hair style is when their hair is in short tufts rolled in ochre and fat or in long twisted strands. These coppery coloured strands are called "goscha", it's a sign of health and welfare.

They also wear bead necklaces, iron bracelets around their arms, and decorate their breast with lots of cowry shells, like a natural bra.

Around married women's necks, you can see "esente": torques made of iron wrapped in leather. These are engagement presents; they are worn for life and indicate their husband's wealth. One of the necklaces catch more especially the attention: it is called the "bignere". It's also an iron and leather ring, which has a phallic-shape end. But this jewelry can only be worn by a man's first wife.

I remember a woman I have met. On her neck, there were three necklaces. According to what I just explained about the bignere, the biggest one at the top means she was "First Wife". This is important, as her statut is the higher one in Hamer society. But as she has two more simple necklaces around her neck: that means her husband took two more wives... The Hamar women who are not first wife have a really hard life and they are more slaves than wives... During my trip, I could see some of these women, working like slaves for the men: their skin were covered with clay, butter and animal fat... So they were a little scary ! Another thing to know about these women: the more scars one has on her back, the higher is her status.

The young unmarried girls, for their part, wear a kind of oval shape plate, in metal. It is used like a sunshield, but it tends to be rare in the tribe. Some of them have fund their future husband, but have to wait in their house until the so-called prentender can provide all the money for the ceremony: he has to pay for all the cows the bride-to-be's family asks for. These girls are called "Uta" and have to wait three months, entirely covered with red clay... And no right to take baths or showers ! They cannot go out of the house, let alone the village.That's why it is very rare to see or take a photo of a Uta. A cruel tradition still has currency for some Hamar: unmarried women can have babies to test their fertility, but some of them are just abandonned in the bush. This tradition tends to disapear but NGO still save abandonned new borns. Abandonments are all the more frequent than some Hamar believe that a child born out of formal marriages has "mingi", as to say something abnormal and unclean. For them, it is the expression of the devil, which may cause disasters such as epidemics or drought in the village. So, illegitimate children are abandoned. This kind of beliefs can also be observed in other Ethiopan tribes: many parents prefer to sacrifice their own child rather than risk being affected by the evil eye.

Something left me a really strong impression in Africa: football is of the highest importance, even in the most remote places !

I remember a boy, who was living several days-walk from the Turmi market. But as most of the young Hamar, he came there to watch football on television ! This guy was wearing a Chelsea tee-shirt, but still had to jump over ten bulls to be able to marry a girl in his tribe: a real culture shock! They are all really into Chelsea, Arsenal... such as many Ethiopians, who are just crazy about English football, because the national TV brodcasts every single match ! So, while I was in deep South Ethiopia, I still could ask “did Arsenal win?”, and always had an accurate answer: the score, the name of the scorers, etc...Strange, but true ! Meantime, the world economic crisis was at its high ! Even if you do not speak their language, you can exchange with those guys with few words like “Ribery, Thierry Henry, Drogba", etc. ! Of course, all the tribes do not go into this village, and only the ones who are not too far have this passion.

Other special feature in these tribes: their relation to the photos. I remember a day, in a restaurant in Dimeka -not to say the only one around there. I made a polaroid of a Hamar couple. The man was angry because, as he said, "the colors were not good" ; he threw the picture away. But the lady finally let him go, and took the picture with her ! It' was not the first time those people, from remote areas, do not have any pictures of themselves and so are very demanding about the quality of the picture they are on! For instance, the Mursi do not understand why the picture do not have their own real size !

Besides, it is not so easy to get smiles in this area. First, because people work really hard and second, because it is very difficult to share anything with them as we are seen as walking wallet with cameras !

 

© Eric Lafforgue

www.ericlafforgue.com

NEW JERSEY 2017 BALD EAGLE PROJECT REPORT

 

ANOTHER PRODUCTIVE YEAR FOR NJ’S EAGLES

by Larissa Smith, CWF Wildlife Biologist

 

The Conserve Wildlife Foundation of NJ in partnership with the NJ Endangered and Nongame Species Program has released the 2017 NJ Bald Eagle Project Report. In 2017, 178 eagle nests were monitored during the nesting season. Of these nests 153 were active (with eggs) and 25 were territorial or housekeeping pairs. One hundred and ninety young were fledged.

 

In 2017 the number of active nests was three more than in 2016, but the number young fledged decreased by 27 from a record high of 216 fledged in 2016. The productivity rate this season of 1.25 young/active nest is still above the required range of 0.0 to 1.1 for population maintenance. Productivity could be lower this season for many reasons including weather, predation and disturbance to the nesting area. In 2017 nest monitors reported several instances of “intruder” eagles at nests which did disrupt the nesting attempts of several pairs. One of these “eagle dramas” unfolded at the Duke Farms eagle cam watched by millions of people. An intruder female attempted to replace the current female. This harassment interrupted the pairs bonding and copulation and no eggs were laid.

 

This year’s report includes a section on Resightings of banded eagles. Resightings of NJ (green) banded eagles have increased over the years, as well as eagles seen in NJ that were banded in other states. These resightings are important, as they help us to understand eagle movements during the years between fledging and settling into a territory, as well as adult birds at a nest site.

 

For more info: www.conservewildlifenj.org/blog/2017/12/06/new-jersey-201...

 

New Jersey Bald Eagle Project Report | 2017 may be downloaded here: www.state.nj.us/dep/fgw/ensp/pdf/eglrpt17.pdf

In a rare instance, NS Croxton local K75 performs a daylight switch at A. Zerega's Sons Pasta off NJ Transit's Bergen County Line in Fair Lawn, NJ. This is the site of the infamous 1982 wreck where a group of local teenagers threw the mainline switch in front of an eastbound Conrail commuter train, sending it into the pasta factory and killing its engineer.

Folded instance:

www.flickr.com/photos/133041586@N06/25183215026/in/shares...

 

The horns are hard to make out of it without help in the crease pattern so I thought I would show you guys which flap I point splitted to obtain the long ones, and with it, the rest of the mayor limbs.

Found on today's walk - one instance of many

  

Edgewater

Elgin, Illinois - Near 42.0109, -88.3477

April 18, 2023

 

SOOC - I mean, why bother? ;-)

 

COPYRIGHT 2023 by JimFrazier All Rights Reserved. This may NOT be used for ANY reason without written consent from Jim Frazier.

  

20230418_165310

In one instance I like this and in the other I absolutely don't. Was not sure if I should put this up here but then I thought......let' s see what people have to say :) Opinions please!

WOW...Sometimes you really have to get off the road and take in the history and nature of someplace...

Take Nyack, Ca. for instance...I've zoomed by this place literally hundreds of times, the first that I can remember was in 1960 on our way to visit Squaw Valley after the Olympic Games had pulled outta town...many times followed including driving past in the middle of the night behind the wheel of an Osh-Kosh snowplow...

...but today, after hiding out in the wonders of Snowflower RV park for several weeks, we decided to pull in and get an ice cream cone after breaking camp at 6100'...Nyack sits at 5280' and I was blown away to discover that the original Nyack Lodge, built in the 40's along what was Highway 40, sat on the site of the current rest stop on WB Interstate 80, just a few miles away...the same site where numerous Flickerites such as Patrick Dirden and joe chan have taken pictures of the trains rumbling along...portions of it were dismantled and trucked to it's current site which now houses a small museum with some of the original gas pumps and room numbers...

Next trip up, we're going to drop in at night to see this beauty lit up...

this is a pretty cool video of the area in the winter of 1951-51:

youtu.be/UxOo016WjZo

 

This is an instance where photographic evidence supports the feeling that things aren't as cool as they used to be. I discovered recently that I have a more recent shot of this church in Brownsville twenty years ago. Now it has no ivy, the slate on the roof is replaced with asphalt and most of the stained glass is gone. Oh well.

  

I work with some pretty creative people. One of them, for instance, has recently took it upon himself to figure out how to color process old C-22 film. For those unfamiliar with C-22, it was the precursor to the modern C-41 process which is used to develop present day color negative film. C-22 was discontinued as a process between 1972-1973. Unfortunately you cannot process all that leftover C-22 film in today's C-41 chemistry as bad things will happen to both the film and the machine that is developing it (take my word for it, don't try it). There are ways to work around this though and people have done it. There are a couple of labs out there that offer C-22 color processing as a service but you can count them on one hand.

 

Well, one of my co-workers has made the case for bigger hands I guess. He is our darkroom tech at work (one of them at least) and he has been putting a lot of effort in these past couple of years specializing a developer for old b&w films to help minimize base fogging caused by age. He has carried that over now to old color films. Then during a recent attic cleanout at work we found this bag of Kodak Ektacolor Type S film in 220. Who knows when this stuff expired, sometime between 1960 and the early 70s. Plus it has been stored in Blue Moon's non-air conditioned attic for years. Seems like a great candidate for some test film, so I took a roll out and shot through it. The film was originally ISO 80, so I rated it at ISO 4 (roughly a stop per decade expired) and had at it then handed it over to our dark wizard to see what he could do with it. I wasn't expecting much so it is safe to say what he produced really blew me away. I wish I had a picture of the negatives because they actually look close to a healthy orange color in the film base. The images themselves have some pretty stupendous color shifts (this is slightly corrected, mind you). But wow, there is a color image off film over 40 years old. I was and am impressed.

 

And now he has amassed the chemicals to actually fully recreate the C-22 process along with a few other goodies he plans to throw in. I can sort of follow along chemically with what he is doing but certainly not all the way and it is fun to see him make leaps of deduction into areas that are dark to me.

 

There is a lot that goes on at my job in terms of the behind-the-scenes effort and investment. I am lucky to work with such a passionate and creative crew. I am sure that not everyone can say the same, so I try to appreciate how fortunate I am in that regard. I think it is also noteworthy that I have been with Blue Moon for almost 16 years now and I can still see stuff that blows my mind and widens my scope of the world of photography.

 

Yashica Mat-124 G

Kodak Ektacolor Type S

Rare instance of elevation changes on a path in the Netherlands

I really respect the work of the landscape photogs because it usually involves a lot of hassle getting to the obscure locations at unearthly hours, you risk damage to gear and injury to self over jagged and slippery rocks for instance.

 

I ought to shoot more, have only been scratching at the surface of this genre thus far.

 

So much anticipation over the upcoming Nikon FF mirrorless!

 

Nikon’s FF mirrorless competitive advantage over others will be the “NOCT” f0.95 standard focal length Primes and supertele PF lenses.

 

My wish for the Nikon FF mirrorless given that I shoot both Nikon and Sony:

1) Good DSLR to mirrorless adapter allowing outputs from Nikon G lenses including zooms to be as good as those I can get out of equivalent DSLRs.

 

2) Quality Primes in 18mm f2.8 and 35mm f1.8 as good as the AF-S 24mm f1.8 G. Maybe a little further along a 15mm f4.0 Prime that can use screw-on filters. It’s clear that Nikon will update their lenses under their new mirrorless mount in their 35mm, 50mm, 85mm and 135mm Primes.

 

3) AF 58mm f0.95

Leica’s legendary 50mm f0.95 Noctilux goes for $11k, hopefully Nikon’s version will be under $3k and sharp wide open 😂!

 

4) 600mm f5.6 PF VR.

 

Under the existing Sony mirrorless system;

1) The precedence in the Sony LA-EA4 adapter for Sony A mount lenses on E mount bodies has unfortunately been largely suboptimal.

 

2) In the Sony E mount, Batis 18mm f2.8 exists but like most Batis lenses, it’s overpriced plus it’s not materially better than the FE16-35mm f2.8 GM. Also Voigtländer has a manual focus E mount 15mm f4.5 but subsequently the FE 12-24mm f4.0 G surpassed its quality. There is no quality fast reliable native 35mm solution currently for Sony.

 

3) Sony E mount has no native AF f0.95 lenses, closest is the manual focus Voigtländer FE 40mm f1.2, lovely lens but I prefer AF for such shallow DOF.

 

4) Fresnel superteles does not exist in the Sony system at the moment however the 15 year older Nikon AF-S 300mm f4.0 D is optically superior to the 300mm f4.0 PF VR released in 2015 and I sold this PF lens off when it was clear to me that it was inferior to my FE 100-400mm f4.5-5.6 GM. A Nikon 600mm f5.6 PF VR will pair well with my Sony 100-400mm GM!

 

I think that AF 58mm f0.95 is what Nikon needs to draw attention to their FF mirrorless and I might even buy this ahead of their mirrorless camera!

 

With CaNikon's FF mirrorless on the way, it won't be long for Sony to finally bring out their long rumored A9R or whatever it'll be called, that will be the body to get!

 

Postscript 2021

==============

That Sony A9R mentioned 2 years ago has finally materialized in the form of the A1 (α1)!

Por momentos pensé que perdìa a mi amiguito, las espinas.... duras y afiladas estaban en su camino-

 

For moments I thought that I could loose my little friend, the thorns. ... hard and sharp were in it road-

  

How much patience you have, for instance.

-Franklin P. Jones EXPLORE 8/22/09

 

It has been a very difficult week with my children. I have learned that they are my greatest joy and my deepest heart ache.

I'm sure you can relate to this. We walk about with our camera, just 'looking'. Then something catches our eye. In this instance, it was the white flower with the yellow centre, with a nice background of yellow buds.

 

Thanks for looking, etc.:)

As my wife and I mosey about the countryside several times a week at this stage of our lives, I often remark to her there are things I don’t understand anymore. For instance, the size of farm equipment is about astounding as the cost. Meeting a farmer pulling a piece of machinery to a field on a narrow gravel road is akin to sleeping with a giant in a single bed.

 

And, to make things worse for an old man, I don’t even know what much of the machinery does that is trailing an enormous tractor. Long gone are the days of my youth when jumping up to a 3 bottom plow from a 2 bottom was a significant move for my dad.

 

I spent a lot of long, hot June days aiming a 4-row cultivator down corn rows and maneuvering a U-turn at the end trying to avoid hitting the fence that enclosed the field. But I haven’t seen a corn and bean cultivator in years.

 

Now I see corn and bean rows that extend a full half mile and there is no fence at the end to complicate turns for the operator.

 

I thought I was pretty safe on animals though. A calf is a calf, right? That may be true in general terms but this breed of a calf was the first time in my life that I have seen it.

 

I had to do some research to even know what it was and found they are called British Whites. The first written registry of these polled white cattle was established in 1765. Historians inform us they came from the lineage of the Ancient white cattle of Great Britain present when the Romans ruled England.

 

In 1941 when the British feared a German invasion, five cows and one bull of this breed were sent to a Pennsylvania prison farm in the US to ensure preservation of the breed. After the war they were sold to a cattleman from Indiana and the estimated several thousand British Whites in the US today are descendants of that herd although some claim there were some imported earlier and established in Louisiana.

 

They are well known for being a dual use cow, as they are quality beef cows but often used as milking cows.

 

Interestingly for Minnesotans, the British White Cattle Association of America is headquartered in Pequot Lakes.

  

(Photographed near Dalbo, MN)

 

Colosseum

Following, a text, in english, from the Wikipedia the Free Encyclopedia:

The Colosseum, or the Coliseum, originally the Flavian Amphitheatre (Latin: Amphitheatrum Flavium, Italian Anfiteatro Flavio or Colosseo), is an elliptical amphitheatre in the centre of the city of Rome, Italy, the largest ever built in the Roman Empire. It is considered one of the greatest works of Roman architecture and Roman engineering.

Occupying a site just east of the Roman Forum, its construction started between 70 and 72 AD[1] under the emperor Vespasian and was completed in 80 AD under Titus,[2] with further modifications being made during Domitian's reign (81–96).[3] The name "Amphitheatrum Flavium" derives from both Vespasian's and Titus's family name (Flavius, from the gens Flavia).

Capable of seating 50,000 spectators,[1][4][5] the Colosseum was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It was later reused for such purposes as housing, workshops, quarters for a religious order, a fortress, a quarry, and a Christian shrine.

Although in the 21st century it stays partially ruined because of damage caused by devastating earthquakes and stone-robbers, the Colosseum is an iconic symbol of Imperial Rome. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torchlit "Way of the Cross" procession that starts in the area around the Colosseum.[6]

The Colosseum is also depicted on the Italian version of the five-cent euro coin.

The Colosseum's original Latin name was Amphitheatrum Flavium, often anglicized as Flavian Amphitheater. The building was constructed by emperors of the Flavian dynasty, hence its original name, after the reign of Emperor Nero.[7] This name is still used in modern English, but generally the structure is better known as the Colosseum. In antiquity, Romans may have referred to the Colosseum by the unofficial name Amphitheatrum Caesareum; this name could have been strictly poetic.[8][9] This name was not exclusive to the Colosseum; Vespasian and Titus, builders of the Colosseum, also constructed an amphitheater of the same name in Puteoli (modern Pozzuoli).[10]

The name Colosseum has long been believed to be derived from a colossal statue of Nero nearby.[3] (the statue of Nero itself being named after one of the original ancient wonders, the Colossus of Rhodes[citation needed]. This statue was later remodeled by Nero's successors into the likeness of Helios (Sol) or Apollo, the sun god, by adding the appropriate solar crown. Nero's head was also replaced several times with the heads of succeeding emperors. Despite its pagan links, the statue remained standing well into the medieval era and was credited with magical powers. It came to be seen as an iconic symbol of the permanence of Rome.

In the 8th century, a famous epigram attributed to the Venerable Bede celebrated the symbolic significance of the statue in a prophecy that is variously quoted: Quamdiu stat Colisæus, stat et Roma; quando cadet colisæus, cadet et Roma; quando cadet Roma, cadet et mundus ("as long as the Colossus stands, so shall Rome; when the Colossus falls, Rome shall fall; when Rome falls, so falls the world").[11] This is often mistranslated to refer to the Colosseum rather than the Colossus (as in, for instance, Byron's poem Childe Harold's Pilgrimage). However, at the time that the Pseudo-Bede wrote, the masculine noun coliseus was applied to the statue rather than to what was still known as the Flavian amphitheatre.

The Colossus did eventually fall, possibly being pulled down to reuse its bronze. By the year 1000 the name "Colosseum" had been coined to refer to the amphitheatre. The statue itself was largely forgotten and only its base survives, situated between the Colosseum and the nearby Temple of Venus and Roma.[12]

The name further evolved to Coliseum during the Middle Ages. In Italy, the amphitheatre is still known as il Colosseo, and other Romance languages have come to use similar forms such as le Colisée (French), el Coliseo (Spanish) and o Coliseu (Portuguese).

Construction of the Colosseum began under the rule of the Emperor Vespasian[3] in around 70–72AD. The site chosen was a flat area on the floor of a low valley between the Caelian, Esquiline and Palatine Hills, through which a canalised stream ran. By the 2nd century BC the area was densely inhabited. It was devastated by the Great Fire of Rome in AD 64, following which Nero seized much of the area to add to his personal domain. He built the grandiose Domus Aurea on the site, in front of which he created an artificial lake surrounded by pavilions, gardens and porticoes. The existing Aqua Claudia aqueduct was extended to supply water to the area and the gigantic bronze Colossus of Nero was set up nearby at the entrance to the Domus Aurea.[12]

Although the Colossus was preserved, much of the Domus Aurea was torn down. The lake was filled in and the land reused as the location for the new Flavian Amphitheatre. Gladiatorial schools and other support buildings were constructed nearby within the former grounds of the Domus Aurea. According to a reconstructed inscription found on the site, "the emperor Vespasian ordered this new amphitheatre to be erected from his general's share of the booty." This is thought to refer to the vast quantity of treasure seized by the Romans following their victory in the Great Jewish Revolt in 70AD. The Colosseum can be thus interpreted as a great triumphal monument built in the Roman tradition of celebrating great victories[12], placating the Roman people instead of returning soldiers. Vespasian's decision to build the Colosseum on the site of Nero's lake can also be seen as a populist gesture of returning to the people an area of the city which Nero had appropriated for his own use. In contrast to many other amphitheatres, which were located on the outskirts of a city, the Colosseum was constructed in the city centre; in effect, placing it both literally and symbolically at the heart of Rome.

The Colosseum had been completed up to the third story by the time of Vespasian's death in 79. The top level was finished and the building inaugurated by his son, Titus, in 80.[3] Dio Cassius recounts that over 9,000 wild animals were killed during the inaugural games of the amphitheatre. The building was remodelled further under Vespasian's younger son, the newly designated Emperor Domitian, who constructed the hypogeum, a series of underground tunnels used to house animals and slaves. He also added a gallery to the top of the Colosseum to increase its seating capacity.

In 217, the Colosseum was badly damaged by a major fire (caused by lightning, according to Dio Cassius[13]) which destroyed the wooden upper levels of the amphitheatre's interior. It was not fully repaired until about 240 and underwent further repairs in 250 or 252 and again in 320. An inscription records the restoration of various parts of the Colosseum under Theodosius II and Valentinian III (reigned 425–455), possibly to repair damage caused by a major earthquake in 443; more work followed in 484[14] and 508. The arena continued to be used for contests well into the 6th century, with gladiatorial fights last mentioned around 435. Animal hunts continued until at least 523, when Anicius Maximus celebrated his consulship with some venationes, criticised by King Theodoric the Great for their high cost.

The Colosseum underwent several radical changes of use during the medieval period. By the late 6th century a small church had been built into the structure of the amphitheatre, though this apparently did not confer any particular religious significance on the building as a whole. The arena was converted into a cemetery. The numerous vaulted spaces in the arcades under the seating were converted into housing and workshops, and are recorded as still being rented out as late as the 12th century. Around 1200 the Frangipani family took over the Colosseum and fortified it, apparently using it as a castle.

Severe damage was inflicted on the Colosseum by the great earthquake in 1349, causing the outer south side, lying on a less stable alluvional terrain, to collapse. Much of the tumbled stone was reused to build palaces, churches, hospitals and other buildings elsewhere in Rome. A religious order moved into the northern third of the Colosseum in the mid-14th century and continued to inhabit it until as late as the early 19th century. The interior of the amphitheatre was extensively stripped of stone, which was reused elsewhere, or (in the case of the marble façade) was burned to make quicklime.[12] The bronze clamps which held the stonework together were pried or hacked out of the walls, leaving numerous pockmarks which still scar the building today.

During the 16th and 17th century, Church officials sought a productive role for the vast derelict hulk of the Colosseum. Pope Sixtus V (1585–1590) planned to turn the building into a wool factory to provide employment for Rome's prostitutes, though this proposal fell through with his premature death.[15] In 1671 Cardinal Altieri authorized its use for bullfights; a public outcry caused the idea to be hastily abandoned.

In 1749, Pope Benedict XIV endorsed as official Church policy the view that the Colosseum was a sacred site where early Christians had been martyred. He forbade the use of the Colosseum as a quarry and consecrated the building to the Passion of Christ and installed Stations of the Cross, declaring it sanctified by the blood of the Christian martyrs who perished there (see Christians and the Colosseum). However there is no historical evidence to support Benedict's claim, nor is there even any evidence that anyone prior to the 16th century suggested this might be the case; the Catholic Encyclopedia concludes that there are no historical grounds for the supposition. Later popes initiated various stabilization and restoration projects, removing the extensive vegetation which had overgrown the structure and threatened to damage it further. The façade was reinforced with triangular brick wedges in 1807 and 1827, and the interior was repaired in 1831, 1846 and in the 1930s. The arena substructure was partly excavated in 1810–1814 and 1874 and was fully exposed under Benito Mussolini in the 1930s.

The Colosseum is today one of Rome's most popular tourist attractions, receiving millions of visitors annually. The effects of pollution and general deterioration over time prompted a major restoration programme carried out between 1993 and 2000, at a cost of 40 billion Italian lire ($19.3m / €20.6m at 2000 prices). In recent years it has become a symbol of the international campaign against capital punishment, which was abolished in Italy in 1948. Several anti–death penalty demonstrations took place in front of the Colosseum in 2000. Since that time, as a gesture against the death penalty, the local authorities of Rome change the color of the Colosseum's night time illumination from white to gold whenever a person condemned to the death penalty anywhere in the world gets their sentence commuted or is released,[16] or if a jurisdiction abolishes the death penalty. Most recently, the Colosseum was illuminated in gold when capital punishment was abolished in the American state of New Mexico in April 2009.

Because of the ruined state of the interior, it is impractical to use the Colosseum to host large events; only a few hundred spectators can be accommodated in temporary seating. However, much larger concerts have been held just outside, using the Colosseum as a backdrop. Performers who have played at the Colosseum in recent years have included Ray Charles (May 2002),[18] Paul McCartney (May 2003),[19] Elton John (September 2005),[20] and Billy Joel (July 2006).

Exterior

Unlike earlier Greek theatres that were built into hillsides, the Colosseum is an entirely free-standing structure. It derives its basic exterior and interior architecture from that of two Roman theatres back to back. It is elliptical in plan and is 189 meters (615 ft / 640 Roman feet) long, and 156 meters (510 ft / 528 Roman feet) wide, with a base area of 6 acres (24,000 m2). The height of the outer wall is 48 meters (157 ft / 165 Roman feet). The perimeter originally measured 545 meters (1,788 ft / 1,835 Roman feet). The central arena is an oval 87 m (287 ft) long and 55 m (180 ft) wide, surrounded by a wall 5 m (15 ft) high, above which rose tiers of seating.

The outer wall is estimated to have required over 100,000 cubic meters (131,000 cu yd) of travertine stone which were set without mortar held together by 300 tons of iron clamps.[12] However, it has suffered extensive damage over the centuries, with large segments having collapsed following earthquakes. The north side of the perimeter wall is still standing; the distinctive triangular brick wedges at each end are modern additions, having been constructed in the early 19th century to shore up the wall. The remainder of the present-day exterior of the Colosseum is in fact the original interior wall.

The surviving part of the outer wall's monumental façade comprises three stories of superimposed arcades surmounted by a podium on which stands a tall attic, both of which are pierced by windows interspersed at regular intervals. The arcades are framed by half-columns of the Tuscan, Ionic, and Corinthian orders, while the attic is decorated with Corinthian pilasters.[21] Each of the arches in the second- and third-floor arcades framed statues, probably honoring divinities and other figures from Classical mythology.

Two hundred and forty mast corbels were positioned around the top of the attic. They originally supported a retractable awning, known as the velarium, that kept the sun and rain off spectators. This consisted of a canvas-covered, net-like structure made of ropes, with a hole in the center.[3] It covered two-thirds of the arena, and sloped down towards the center to catch the wind and provide a breeze for the audience. Sailors, specially enlisted from the Roman naval headquarters at Misenum and housed in the nearby Castra Misenatium, were used to work the velarium.[22]

The Colosseum's huge crowd capacity made it essential that the venue could be filled or evacuated quickly. Its architects adopted solutions very similar to those used in modern stadiums to deal with the same problem. The amphitheatre was ringed by eighty entrances at ground level, 76 of which were used by ordinary spectators.[3] Each entrance and exit was numbered, as was each staircase. The northern main entrance was reserved for the Roman Emperor and his aides, whilst the other three axial entrances were most likely used by the elite. All four axial entrances were richly decorated with painted stucco reliefs, of which fragments survive. Many of the original outer entrances have disappeared with the collapse of the perimeter wall, but entrances XXIII (23) to LIV (54) still survive.[12]

Spectators were given tickets in the form of numbered pottery shards, which directed them to the appropriate section and row. They accessed their seats via vomitoria (singular vomitorium), passageways that opened into a tier of seats from below or behind. These quickly dispersed people into their seats and, upon conclusion of the event or in an emergency evacuation, could permit their exit within only a few minutes. The name vomitoria derived from the Latin word for a rapid discharge, from which English derives the word vomit.

Interior

According to the Codex-Calendar of 354, the Colosseum could accommodate 87,000 people, although modern estimates put the figure at around 50,000. They were seated in a tiered arrangement that reflected the rigidly stratified nature of Roman society. Special boxes were provided at the north and south ends respectively for the Emperor and the Vestal Virgins, providing the best views of the arena. Flanking them at the same level was a broad platform or podium for the senatorial class, who were allowed to bring their own chairs. The names of some 5th century senators can still be seen carved into the stonework, presumably reserving areas for their use.

The tier above the senators, known as the maenianum primum, was occupied by the non-senatorial noble class or knights (equites). The next level up, the maenianum secundum, was originally reserved for ordinary Roman citizens (plebians) and was divided into two sections. The lower part (the immum) was for wealthy citizens, while the upper part (the summum) was for poor citizens. Specific sectors were provided for other social groups: for instance, boys with their tutors, soldiers on leave, foreign dignitaries, scribes, heralds, priests and so on. Stone (and later marble) seating was provided for the citizens and nobles, who presumably would have brought their own cushions with them. Inscriptions identified the areas reserved for specific groups.

Another level, the maenianum secundum in legneis, was added at the very top of the building during the reign of Domitian. This comprised a gallery for the common poor, slaves and women. It would have been either standing room only, or would have had very steep wooden benches. Some groups were banned altogether from the Colosseum, notably gravediggers, actors and former gladiators.

Each tier was divided into sections (maeniana) by curved passages and low walls (praecinctiones or baltei), and were subdivided into cunei, or wedges, by the steps and aisles from the vomitoria. Each row (gradus) of seats was numbered, permitting each individual seat to be exactly designated by its gradus, cuneus, and number.

The arena itself was 83 meters by 48 meters (272 ft by 157 ft / 280 by 163 Roman feet).[12] It comprised a wooden floor covered by sand (the Latin word for sand is harena or arena), covering an elaborate underground structure called the hypogeum (literally meaning "underground"). Little now remains of the original arena floor, but the hypogeum is still clearly visible. It consisted of a two-level subterranean network of tunnels and cages beneath the arena where gladiators and animals were held before contests began. Eighty vertical shafts provided instant access to the arena for caged animals and scenery pieces concealed underneath; larger hinged platforms, called hegmata, provided access for elephants and the like. It was restructured on numerous occasions; at least twelve different phases of construction can be seen.[12]

The hypogeum was connected by underground tunnels to a number of points outside the Colosseum. Animals and performers were brought through the tunnel from nearby stables, with the gladiators' barracks at the Ludus Magnus to the east also being connected by tunnels. Separate tunnels were provided for the Emperor and the Vestal Virgins to permit them to enter and exit the Colosseum without needing to pass through the crowds.[12]

Substantial quantities of machinery also existed in the hypogeum. Elevators and pulleys raised and lowered scenery and props, as well as lifting caged animals to the surface for release. There is evidence for the existence of major hydraulic mechanisms[12] and according to ancient accounts, it was possible to flood the arena rapidly, presumably via a connection to a nearby aqueduct.

The Colosseum and its activities supported a substantial industry in the area. In addition to the amphitheatre itself, many other buildings nearby were linked to the games. Immediately to the east is the remains of the Ludus Magnus, a training school for gladiators. This was connected to the Colosseum by an underground passage, to allow easy access for the gladiators. The Ludus Magnus had its own miniature training arena, which was itself a popular attraction for Roman spectators. Other training schools were in the same area, including the Ludus Matutinus (Morning School), where fighters of animals were trained, plus the Dacian and Gallic Schools.

Also nearby were the Armamentarium, comprising an armory to store weapons; the Summum Choragium, where machinery was stored; the Sanitarium, which had facilities to treat wounded gladiators; and the Spoliarium, where bodies of dead gladiators were stripped of their armor and disposed of.

Around the perimeter of the Colosseum, at a distance of 18 m (59 ft) from the perimeter, was a series of tall stone posts, with five remaining on the eastern side. Various explanations have been advanced for their presence; they may have been a religious boundary, or an outer boundary for ticket checks, or an anchor for the velarium or awning.

Right next to the Colosseum is also the Arch of Constantine.

he Colosseum was used to host gladiatorial shows as well as a variety of other events. The shows, called munera, were always given by private individuals rather than the state. They had a strong religious element but were also demonstrations of power and family prestige, and were immensely popular with the population. Another popular type of show was the animal hunt, or venatio. This utilized a great variety of wild beasts, mainly imported from Africa and the Middle East, and included creatures such as rhinoceros, hippopotamuses, elephants, giraffes, aurochs, wisents, barbary lions, panthers, leopards, bears, caspian tigers, crocodiles and ostriches. Battles and hunts were often staged amid elaborate sets with movable trees and buildings. Such events were occasionally on a huge scale; Trajan is said to have celebrated his victories in Dacia in 107 with contests involving 11,000 animals and 10,000 gladiators over the course of 123 days.

During the early days of the Colosseum, ancient writers recorded that the building was used for naumachiae (more properly known as navalia proelia) or simulated sea battles. Accounts of the inaugural games held by Titus in AD 80 describe it being filled with water for a display of specially trained swimming horses and bulls. There is also an account of a re-enactment of a famous sea battle between the Corcyrean (Corfiot) Greeks and the Corinthians. This has been the subject of some debate among historians; although providing the water would not have been a problem, it is unclear how the arena could have been waterproofed, nor would there have been enough space in the arena for the warships to move around. It has been suggested that the reports either have the location wrong, or that the Colosseum originally featured a wide floodable channel down its central axis (which would later have been replaced by the hypogeum).[12]

Sylvae or recreations of natural scenes were also held in the arena. Painters, technicians and architects would construct a simulation of a forest with real trees and bushes planted in the arena's floor. Animals would be introduced to populate the scene for the delight of the crowd. Such scenes might be used simply to display a natural environment for the urban population, or could otherwise be used as the backdrop for hunts or dramas depicting episodes from mythology. They were also occasionally used for executions in which the hero of the story — played by a condemned person — was killed in one of various gruesome but mythologically authentic ways, such as being mauled by beasts or burned to death.

The Colosseum today is now a major tourist attraction in Rome with thousands of tourists each year paying to view the interior arena, though entrance for EU citizens is partially subsidised, and under-18 and over-65 EU citizens' entrances are free.[24] There is now a museum dedicated to Eros located in the upper floor of the outer wall of the building. Part of the arena floor has been re-floored. Beneath the Colosseum, a network of subterranean passageways once used to transport wild animals and gladiators to the arena opened to the public in summer 2010.[25]

The Colosseum is also the site of Roman Catholic ceremonies in the 20th and 21st centuries. For instance, Pope Benedict XVI leads the Stations of the Cross called the Scriptural Way of the Cross (which calls for more meditation) at the Colosseum[26][27] on Good Fridays.

In the Middle Ages, the Colosseum was clearly not regarded as a sacred site. Its use as a fortress and then a quarry demonstrates how little spiritual importance was attached to it, at a time when sites associated with martyrs were highly venerated. It was not included in the itineraries compiled for the use of pilgrims nor in works such as the 12th century Mirabilia Urbis Romae ("Marvels of the City of Rome"), which claims the Circus Flaminius — but not the Colosseum — as the site of martyrdoms. Part of the structure was inhabited by a Christian order, but apparently not for any particular religious reason.

It appears to have been only in the 16th and 17th centuries that the Colosseum came to be regarded as a Christian site. Pope Pius V (1566–1572) is said to have recommended that pilgrims gather sand from the arena of the Colosseum to serve as a relic, on the grounds that it was impregnated with the blood of martyrs. This seems to have been a minority view until it was popularised nearly a century later by Fioravante Martinelli, who listed the Colosseum at the head of a list of places sacred to the martyrs in his 1653 book Roma ex ethnica sacra.

Martinelli's book evidently had an effect on public opinion; in response to Cardinal Altieri's proposal some years later to turn the Colosseum into a bullring, Carlo Tomassi published a pamphlet in protest against what he regarded as an act of desecration. The ensuing controversy persuaded Pope Clement X to close the Colosseum's external arcades and declare it a sanctuary, though quarrying continued for some time.

At the instance of St. Leonard of Port Maurice, Pope Benedict XIV (1740–1758) forbade the quarrying of the Colosseum and erected Stations of the Cross around the arena, which remained until February 1874. St. Benedict Joseph Labre spent the later years of his life within the walls of the Colosseum, living on alms, prior to his death in 1783. Several 19th century popes funded repair and restoration work on the Colosseum, and it still retains a Christian connection today. Crosses stand in several points around the arena and every Good Friday the Pope leads a Via Crucis procession to the amphitheatre.

 

Coliseu (Colosseo)

A seguir, um texto, em português, da Wikipédia, a enciclopédia livre:

 

O Coliseu, também conhecido como Anfiteatro Flaviano, deve seu nome à expressão latina Colosseum (ou Coliseus, no latim tardio), devido à estátua colossal de Nero, que ficava perto a edificação. Localizado no centro de Roma, é uma excepção de entre os anfiteatros pelo seu volume e relevo arquitectónico. Originalmente capaz de albergar perto de 50 000 pessoas, e com 48 metros de altura, era usado para variados espetáculos. Foi construído a leste do fórum romano e demorou entre 8 a 10 anos a ser construído.

O Coliseu foi utilizado durante aproximadamente 500 anos, tendo sido o último registro efetuado no século VI da nossa era, bastante depois da queda de Roma em 476. O edifício deixou de ser usado para entretenimento no começo da era medieval, mas foi mais tarde usado como habitação, oficina, forte, pedreira, sede de ordens religiosas e templo cristão.

Embora esteja agora em ruínas devido a terremotos e pilhagens, o Coliseu sempre foi visto como símbolo do Império Romano, sendo um dos melhores exemplos da sua arquitectura. Actualmente é uma das maiores atrações turísticas em Roma e em 7 de julho de 2007 foi eleita umas das "Sete maravilhas do mundo moderno". Além disso, o Coliseu ainda tem ligações à igreja, com o Papa a liderar a procissão da Via Sacra até ao Coliseu todas as Sextas-feiras Santas.

O coliseu era um local onde seriam exibidos toda uma série de espectáculos, inseridos nos vários tipos de jogos realizados na urbe. Os combates entre gladiadores, chamados muneras, eram sempre pagos por pessoas individuais em busca de prestígio e poder em vez do estado. A arena (87,5 m por 55 m) possuía um piso de madeira, normalmente coberto de areia para absorver o sangue dos combates (certa vez foi colocada água na representação de uma batalha naval), sob o qual existia um nível subterrâneo com celas e jaulas que tinham acessos diretos para a arena; Alguns detalhes dessa construção, como a cobertura removível que poupava os espectadores do sol, são bastante interessantes, e mostram o refinamento atingido pelos construtores romanos. Formado por cinco anéis concêntricos de arcos e abóbadas, o Coliseu representa bem o avanço introduzido pelos romanos à engenharia de estruturas. Esses arcos são de concreto (de cimento natural) revestidos por alvenaria. Na verdade, a alvenaria era construída simultaneamente e já servia de forma para a concretagem. Outro tipo de espetáculos era a caça de animais, ou venatio, onde eram utilizados animais selvagens importados de África. Os animais mais utilizados eram os grandes felinos como leões, leopardos e panteras, mas animais como rinocerontes, hipopótamos, elefantes, girafas, crocodilos e avestruzes eram também utilizados. As caçadas, tal como as representações de batalhas famosas, eram efetuadas em elaborados cenários onde constavam árvores e edifícios amovíveis.

Estas últimas eram por vezes representadas numa escala gigante; Trajano celebrou a sua vitória em Dácia no ano 107 com concursos envolvendo 11 000 animais e 10 000 gladiadores no decorrer de 123 dias.

Segundo o documentário produzido pelo canal televisivo fechado, History Channel, o Coliseu também era utilizado para a realização de naumaquias, ou batalhas navais. O coliseu era inundado por dutos subterrâneos alimentados pelos aquedutos que traziam água de longe. Passada esta fase, foi construída uma estrutura, que é a que podemos ver hoje nas ruínas do Coliseu, com altura de um prédio de dois andares, onde no passado se concentravam os gladiadores, feras e todo o pessoal que organizava os duelos que ocorreriam na arena. A arena era como um grande palco, feito de madeira, e se chama arena, que em italiano significa areia, porque era jogada areia sob a estrutura de madeira para esconder as imperfeições. Os animais podiam ser inseridos nos duelos a qualquer momento por um esquema de elevadores que surgiam em alguns pontos da arena; o filme "Gladiador" retrata muito bem esta questão dos elevadores. Os estudiosos, há pouco tempo, descobriram uma rede de dutos inundados por baixo da arena do Coliseu. Acredita-se que o Coliseu foi construído onde, outrora, foi o lago do Palácio Dourado de Nero; O imperador Vespasiano escolheu o local da construção para que o mal causado por Nero fosse esquecido por uma construção gloriosa.

Sylvae, ou recreações de cenas naturais eram também realizadas no Coliseu. Pintores, técnicos e arquitectos construiriam simulações de florestas com árvores e arbustos reais plantados no chão da arena. Animais seriam então introduzidos para dar vida à simulação. Esses cenários podiam servir só para agrado do público ou como pano de fundo para caçadas ou dramas representando episódios da mitologia romana, tão autênticos quanto possível, ao ponto de pessoas condenadas fazerem o papel de heróis onde eram mortos de maneiras horríveis mas mitologicamente autênticas, como mutilados por animais ou queimados vivos.

Embora o Coliseu tenha funcionado até ao século VI da nossa Era, foram proibidos os jogos com mortes humanas desde 404, sendo apenas massacrados animais como elefantes, panteras ou leões.

O Coliseu era sobretudo um enorme instrumento de propaganda e difusão da filosofia de toda uma civilização, e tal como era já profetizado pelo monge e historiador inglês Beda na sua obra do século VII "De temporibus liber": "Enquanto o Coliseu se mantiver de pé, Roma permanecerá; quando o Coliseu ruir, Roma ruirá e quando Roma cair, o mundo cairá".

A construção do Coliseu foi iniciada por Vespasiano, nos anos 70 da nossa era. O edifício foi inaugurado por Tito, em 80, embora apenas tivesse sido finalizado poucos anos depois. Empresa colossal, este edifício, inicialmente, poderia sustentar no seu interior cerca de 50 000 espectadores, constando de três andares. Aquando do reinado de Alexandre Severo e Gordiano III, é ampliado com um quarto andar, podendo suster agora cerca de 90 000 espectadores. A grandiosidade deste monumento testemunha verdadeiramente o poder e esplendor de Roma na época dos Flávios.

Os jogos inaugurais do Coliseu tiveram lugar ano 80, sob o mandato de Tito, para celebrar a finalização da construção. Depois do curto reinado de Tito começar com vários meses de desastres, incluindo a erupção do Monte Vesúvio, um incêndio em Roma, e um surto de peste, o mesmo imperador inaugurou o edifício com uns jogos pródigos que duraram mais de cem dias, talvez para tentar apaziguar o público romano e os deuses. Nesses jogos de cem dias terão ocorrido combates de gladiadores, venationes (lutas de animais), execuções, batalhas navais, caçadas e outros divertimentos numa escala sem precedentes.

O Coliseu, como não se encontrava inserido numa zona de encosta, enterrado, tal como normalmente sucede com a generalidade dos teatros e anfiteatros romanos, possuía um “anel” artificial de rocha à sua volta, para garantir sustentação e, ao mesmo tempo, esta substrutura serve como ornamento ao edifício e como condicionador da entrada dos espectadores. Tal como foi referido anteriormente, possuía três pisos, sendo mais tarde adicionado um outro. É construído em mármore, pedra travertina, ladrilho e tufo (pedra calcária com grandes poros). A sua planta elíptica mede dois eixos que se estendem aproximadamente de 190 m por 155 m. A fachada compõe-se de arcadas decoradas com colunas dóricas, jónicas e coríntias, de acordo com o pavimento em que se encontravam. Esta subdivisão deve-se ao facto de ser uma construção essencialmente vertical, criando assim uma diversificação do espaço.

 

Os assentos eram em mármore e a cavea, escadaria ou arquibancada, dividia-se em três partes, correspondentes às diferentes classes sociais: o podium, para as classes altas; as maeniana, sector destinado à classe média; e os portici, ou pórticos, construídos em madeira, para a plebe e as mulheres. O pulvinar, a tribuna imperial, encontrava-se situada no podium e era balizada pelos assentos reservados aos senadores e magistrados. Rampas no interior do edifício facilitavam o acesso às várias zonas de onde podiam visualizar o espectáculo, sendo protegidos por uma barreira e por uma série de arqueiros posicionados numa passagem de madeira, para o caso de algum acidente. Por cima dos muros ainda são visíveis as mísulas, que sustentavam o velarium, enorme cobertura de lona destinada a proteger do sol os espectadores e, nos subterrâneos, ficavam as jaulas dos animais, bem como todas as celas e galerias necessárias aos serviços do anfiteatro.

O monumento permaneceu como sede principal dos espetáculos da urbe romana até ao período do imperador Honorius, no século V. Danificado por um terremoto no começo do mesmo século, foi alvo de uma extensiva restauração na época de Valentinianus III. Em meados do século XIII, a família Frangipani transformou-o em fortaleza e, ao longo dos séculos XV e XVI, foi por diversas vezes saqueado, perdendo grande parte dos materiais nobres com os quais tinha sido construído.

Os relatos romanos referem-se a cristãos sendo martirizados em locais de Roma descritos pouco pormenorizadamente (no anfiteatro, na arena...), quando Roma tinha numerosos anfiteatros e arenas. Apesar de muito provavelmente o Coliseu não ter sido utilizado para martírios, o Papa Bento XIV consagrou-o no século XVII à Paixão de Cristo e declarou-o lugar sagrado. Os trabalhos de consolidação e restauração parcial do monumento, já há muito em ruínas, foram feitos sobretudo pelos pontífices Gregório XVI e Pio IX, no século XIX.

Another instance where I think the Redfield plug-in worked out pretty well. This started out as a photo of an ice storm last winter and now it's laying on a bed of striped carrots.

 

view on black

  

Delicious home cooked Green Curry Chicken. I can cook too!

 

No other culture is as food-conscious as that of the Chinese.

The importance of food in Chinese culture and daily life is reflected in greetings.

For instance, instead of asking “How are you?” (ni hao ma 你好吗), it is quite normal to ask “Have you eaten?” (chi fan le me 吃饭了吗).

The logic behind is that people who have just eaten should feel well and happy.

 

(better view in lightbox)

   

Being a leg man of long standing I usually reserve that description for girls but in this instance I'm willing to expand my horizons a bit ;)

 

I don't know what kind of spider it is, I'm a photographer, not a spiderologist

 

White backgrounds bite

This is another instance of my trying to learn a new kind of lighting using off camera flash. The fact that it involves wine is just a happy coincidence. As I understand it, dark field means that a highly reflective surface, like glass is photographed against a dark background with the subject being wrapped and outlined with the white light from the light source, which is behind the dark background.

 

Strobist info: For this image, I placed the glass on a piece of dark cloth, with a piece of black foam board directly behind it, leaning against the softbox that contained a YN560 flash in manual mode. This was triggered by a Yongnuo RF-603N transceiver.

On June 5, 2012, Hinode captured these stunning views of the transit of Venus -- the last instance of this rare phenomenon until 2117. Hinode is a joint JAXA/NASA mission to study the connections of the sun's surface magnetism, primarily in and around sunspots. NASA's Marshall Space Flight Center in Huntsville, Ala., manages Hinode science operations and oversaw development of the scientific instrumentation provided for the mission by NASA, and industry. The Smithsonian Astrophysical Observatory in Cambridge, Mass., is the lead U.S. investigator for the X-ray Telescope.

 

Image credit: JAXA/NASA/Lockheed Martin

 

Original images: www.nasa.gov/mission_pages/hinode/venus_transit_hinode.html

 

Read more about Hinode:

www.nasa.gov/mission_pages/hinode/index.html

 

p.s. You can see all of our Hinode photos in the Hinode Group in Flickr at: www.flickr.com/photos/28634332@N05/sets/72157606297030945/

 

_____________________________________________

These official NASA photographs are being made available for publication by news organizations and/or for personal use printing by the subject(s) of the photographs. The photographs may not be used in materials, advertisements, products, or promotions that in any way suggest approval or endorsement by NASA. All Images used must be credited. For information on usage rights please visit: www.nasa.gov/audience/formedia/features/MP_Photo_Guidelin...

 

another instance of the dramatic difference of open and shut wings . This is a blue morpho-- you can catch just a glimpse of the blue due to a slightly damaged wing. Normally none is visible when the wings are closed.

 

want to see the full glorious blue of the open wings? That photo is linked here

www.flickr.com/photos/25171569@N02/8911456515/

  

View Awards Count

 

Throughout the rural lands of india there were many instances of beautiful landscapes.

Carried by a bus,

that has multiple stops,

Living in the fuss,

and hitting many nobs,

always getting monitored,

by one of the cops.

acrylic and collage on birch, 2x2 ft

Photo captured via Minolta MD W.Rokkor-X 35mm F/2.8 Lens. Alongside State Route 20. "Methow Valley". Okanogan Valley section within the Columbia Plateau region. Okanogan County, Washington. Mid October 2020.

 

Exposure Time: 1/100 sec. * ISO Speed: ISO-320 * Aperture: F/5.6 * Bracketing: None * Filter: Hoya HMC CIR-PL (⌀49mm) * Color Temperature: 5122 K * Plug-In: Black Magic Preset #46 * Elevation: 1,737 feet above sea-level

To view more of my images of Felixstowe, please click "here"

 

Please, no group invites, thank you!

  

Felixstowe is a seaside town in Suffolk, England. At the 2011 Census, it had a population of 23,689. The Port of Felixstowe is the largest container port in the United Kingdom. The old Felixstowe hamlet was centred on a pub and church, having stood on the site since long before the Norman conquest of England. The early history of Felixstowe, including its Roman, Anglo-Saxon, Norman and medieval defences, is told under the name of Walton, because the name Felixstowe was given retrospectively, during the 13th century, to a place which had expanded to a form beyond the boundaries of Walton alone. In the Doomsday book, for instance, only Walton is shown, and not Felixstowe, which at the time held little more than a few houses scattered over the cliff tops. Walton was a settlement on the River Orwell and in 1844 had a population of 907 compared to the relatively small Felixstowe Parish holding only 502 people. Walton had always preceded Felixstowe as a settlement as seen by the presence of Walton Castle, built by the Romans in the 3rd century, but today Walton is generally considered part of Felixstowe due to modern expansion. The Felixstowe area as a whole provided a linchpin in England's defence, as proved in 1667 when Dutch soldiers landed near the Fludyers area and tried (unsuccessfully) to capture Landguard Fort due to strategic location. The town only became related to a major port in 1886 when the port opened to trade, following the initial construction of the dock basin in 1882. In 1810 or 1811 seven Martello Towers were built along the shore, of which 4 (Manor Road, Q Tower in the town, and two more towards the Deben mouth) survive. Q Tower was the HQ of the Harwich-Ipswich-Martlesham Heath anti-aircraft guns between 1941 and 1945 (earlier it had been in Landguard Fort). On 11 August 1919, the Felixstowe Fury sideslipped and crashed into the sea 500 yards offshore soon after takeoff while on a test flight. It was preparing for an 8,000-mile flight to Cape Town, South Africa. The wireless operator, Lt. MacLeod, was killed, and the 6 passengers were rescued. The wreckage was towed ashore. At the turn of the century, tourism increased, and a pier was constructed in 1905 of which is partially functional to this day as an amusement arcade. Indeed, during the late Victorian period (after circa 1880) it became a fashionable resort, a trend initiated by the opening of Felixstowe railway station, the pier, (see above) and a visit by the German imperial family. It remained so until the late 1930s. Felixstowe played an important role in both world wars--in the first as Royal Naval Air Service and RAF seaplane base, and in the second as the Coastal Forces MTB, MGB and ML base HMS Beehive. It was the first base from which 2nd World War German E-boats and coastal convoys were systematically attacked--by flotilla led by Lt-Commanders Howes, Dickens, Hichens and Trelawney. Felixstowe was also HQ of the Harwich Harbour coast and anti-aircraft defences, and accommodated the RAF's 26th Marine Craft (Air-Sea Rescue) Unit. In 1944 the piers near the Dock were used to load troops, tanks and vehicles onto the British and American landing craft of "Force L", which reinforced the Normandy Invasion on its first and second days. In 1945 the German naval commanders in Occupied Holland arrived in E-boats at Felixstowe Dock to surrender their boats and charts to the Royal Navy. Most of the south-western area of Felixstowe Urban District, between the Dock, Landguard Point, and Manor Road, was occupied by the Navy, RAF and Army. with Landguard Fort and several ruined gun emplacements and bunkers a reminder of that era. Between the wars the seaplane station housed the RAF experimental establishment which tested seaplanes and flying boats. Its sheds and piers were incorporated in the MTB base and later the container port. Landguard Fort, originally known as Langer Fort, is on the site of the last opposed invasion of England in 1667, and the first land battle of the Duke of York and of Albany's (later James II & VII) Marines. The current fort was built in the 18th century, and modified in the 19th century with substantial additional 19th/20th century outside batteries. The Fort hosts regular military re-enactments, including Darell's Day, which is a celebration of the last invasion, children's events and open-air theatre. In the two world wars the Fort was variously the HQ of the Harwich Harbour coast and anti-aircraft defences, the signal/control station for the harbour entrance, and a radio and radar station. Landguard Fort is in the care of English Heritage, and is managed by the Landguard Fort Trust to make it accessible to the public.

Felixstowe Museum A museum telling the story of Felixstowe, with a reference library, historic maps, photo archive and 14 rooms of artefacts from Roman finds, the Martello towers, military social and domestic history through two world wars and into the new millennium is managed by volunteers from the Felixstowe History and Museum Society. It is located in the old submarine mining establishment building at the Landguard Peninsula, between the Fort and Port. The pier was opened in 1906, and was then was rebuilt in late 2017;and re-opened in 2018. During the Second World War the majority of the pier, at the time one of the longest in the country and complete with its own train, was purposely demolished by the Royal Engineers to prevent it from being used as an easy landing point for enemy troops. After the war the damage was not repaired and the pier is never regaining its original length. The sole remaining railway station, called Felixstowe Town, was opened in 1898. The well-preserved station building now houses a supermarket and shops. Felixstowe Radio, the local community radio station that was formerly based in the building, has now moved to the old Coes building at the top of Bent Hill. In its prime the railway station saw more than 20 services a day, and is now served by an hourly service to Ipswich. The station now has only one platform, which has been created from the far end of one of the original platforms. Felixstowe Beach railway station was demolished in 2004, despite a storm of protest from many local people keen on saving the historic building which the council had branded as "unsafe". The station was originally opened in 1877 and was used continuously until 1959, after which it was the site of a small printers for many years until its demolition. From 1877 until 1951 there was also Felixstowe Pier railway station, sited inside the area of the modern day docks at a small pier popular with pleasure boats, and with a paddle steamer link to London. A dock next to the pier was approved in 1879.

 

From Wikipedia, the free encyclopedia

Bit of a trigger warning. This one's dark.

 

Another attack, and another instance of the media using pictures of leaflets asking "Why?" laid down on the street, amidst the candles and plushies in memoriam of the deceased, to symbolize the shock and helplessness of the public in the face of what happened.

 

Frankly, I've grown rather tired of that. And, what's more, I can't help but question if whoever wrote that leaflet, is really asking why, or if it's really more to show helplessness disguised as compassion. Neither of which is the same as asking why. "Why" denotes the question for an explanation, a reason, a meaning, understanding.

 

In the past, I sometimes used to explain "why" someone would do that. Why a person would go and attack a bunch of random people who never did anything to him whatsoever, who he never even spoke a word to. Usually it comes down to mental health issues, to bad company or none at all, often an adverse childhood. The subconscious plays a role. And all that paired with the feeling of having been screwed over big time by modern civilization. It's is one of the golden rules I aim to live by: People don't choose who they grow up to be. They don't even choose who they *hope* to grow up to be, for fuck's sake. Forgive them for they don't know what they do, one could call it - not saying that was easy.

 

But people rarely like to hear that, they'll get emotional and confrontational. Suddenly you're not explaining, but justifying, condoning, endorsing, sympathizing, and other things along those lines. And maybe I did in some cases. I certainly still know in my teenage years, I was another Columbine in the making. Saw the pictures on TV and immediately knew I wanted this to be my way to go. Shoot dead a few schoolmates and then blow my own brains out. And if I hadn't the balls for the latter, then the cops would do it for me. Things just didn't end up unfolding that way.

 

Anyway, to link this into the topic at hand: You've asked a question, and I replied to the best of my knowledge. The thing is just, you asked the wrong person. One who actually can answer your question. The figurative judge who, at least to a degree, knows what it's like to be a murderer, because he knows he could've become one on a different timeline. And who also has had the opportunity to sit down and talk with a few of them.

 

If you don't like the answer - and this assumes that in reality you already knew what the answer was going to be, which might not always be the case - then don't ask. Simple as that. Then don't write "Why?" on your leaflets. Write "Asshole!" instead. Either as an insult to process your anger, or as an Ärzte quote, recognizing the tragedy as the culmination of a chain of events, on which nobody involved would have chosen to embark on, if asked beforehand.

There were not many instances of a route shared between two garages having a different vehicle type from each. But by the time of this picture at Westbury Avenue near Turnpike Lane Station on 26 October 1981, the 144`s were a mix of Metrobuses from Wood Green Garage such as M627 and Titans from Walthamstow Garage though the latter has sent DMS 2198 out on this day.

Whitley Bay is a seaside town in the North Tyneside borough in Tyne and Wear, England. It formerly governed as part of Northumberland and has been part of Tyne and Wear since 1974. It is part of the wider Tyneside built-up area, being around 10 miles (16 km) east of Newcastle upon Tyne. Two notable landmarks are the Spanish City (a domed building on the seafront) and St. Mary's Lighthouse, the latter on a small island near the town.

 

Whitley was first mentioned around 1100 when King Henry I conferred it with other possessions on the Priory of Tynemouth being referred to in ancient documents and maps before that date as Witelei, Wyteley, Hwyteleg, Witelithe, Wheteley, Wytheleye, Whitlaw, Whitlathe and Whitlag. Whitley is also referred to in the charters of King Henry II, King Richard I and King John, confirming to the priors their possessions and liberties.

 

Whitley was connected with the Crusades when Pope Nicholas IV granted to Edward I the first-fruits and tenths of all ecclesiastical possessions for six years to defray the expenses of an expedition to the Holy Land. A valuation was made of the spiritual and temporal goods of the Priory on 26 March 1292, when the yearly rents from Whitley were returned as 20 shillings, and the tithes as 9 marks.

 

About the beginning of the 14th century, the manor of Whitley was held from the Prior of Tynemouth by a singular feudal service called the Conveyes which seems to have originated from John de Whitley. Richard de Emeldon, eighteen times Mayor of Newcastle and seven times its representative in Parliament, was the Lord of the Manor of Whitley in 1333.

 

On 9 April 1345, Edward III granted Gilbert de Whitley a licence to crenellate his manor house at Whitley. To crenellate a house was to place battlements on it. Before this could be done, the sanction of the Crown was often sought. Although battlements were often largely symbolic, in this instance it is probably an indication of the degree of insecurity felt even this far south during the Edwardian wars with Scotland. The licence and crenellations were an indication of status. Only 2% of the small tower houses of the sort Gilbert built had licences. The 'sanction' of the crown was a sought-after bonus, but not a requirement.

 

After the Dissolution of the Monasteries, Whitley was held under the Crown for a time. By a grant of Edward VI dated 8 December 1551, it came into the hands of Dudley, Earl of Warwick who was created Duke of Northumberland. It remained in the Percy family until 1632 after which time the area appeared to be let at a yearly rental to various holders until it came into the possession of the Duke of Somerset on his marriage in 1682 with Elizabeth, the heiress of Joscelyn, the 11th Earl of Northumberland. Whitley subsequently passed by inheritance to her granddaughter Elizabeth Seymour who had married Sir Hugh Smithson, a Yorkshire baronet, afterwards created Duke of Northumberland. Whitley has since been retained by descendants and the present Duke of Northumberland is the Lord of the Manor and principal landowner.

 

Monkseaton, which forms the greater part of the north west of the district, is also very old and its industries were common with those of Whitley being chiefly coalmining and limestone quarrying.

 

From the late 19th century and into the 20th century, the adverse effects of the decline of local coal mining and dependent industries in the area were ameliorated by the emergence of Whitley as a seaside holiday resort. The opening of the North Tyne Loop railway line in 1882, connecting the coastal villages to Newcastle, benefited the tourism industry. The line, now followed by the present Metro system, included a new railway station in the centre of the town, and another at Monkseaton. Both stations remain in use as Metro stations. Whitley Bay remains a popular holiday resort, with a caravan park operated by Parkdean Resorts for both holidaymakers and holiday home owners.

 

The parish church is St. Paul's Church. It was provided by the Duke of Northumberland when the parish of Tynemouth was divided in 1860 and it was consecrated in 1864.

 

The Whitley and Monkseaton Local Board was established in 1873. The district of the Local Board became the Urban District of Whitley and Monkseaton.

 

The town was known as Whitley until the 1890s, by which time confusion with Whitby, in North Yorkshire, regularly caused mail to be misdirected. The final straw came in September 1901 when a former resident died in Edinburgh and his body was to be buried in St Paul's churchyard, Whitley. Unfortunately, the body was mistakenly transported to Whitby, thereby delaying the funeral. When the council asked residents for suggestions of a new name, the most popular choice was Whitley Bay. Though since known officially as Whitley Bay, many residents still refer to the town as 'Whitley'.

 

On 1 January 1944, the Whitley and Monkseaton Urban District became the Whitley Bay Urban District and on 5 March 1954 it was granted a Royal Charter of Incorporation as the Borough of Whitley Bay. The charter was presented by The Princess Royal at a ceremony in the town on 14 April 1954.

 

The Local Government Act 1972 abolished the borough, with Hartley in the north of the borough becoming a part of Blyth Valley district in Northumberland, and the majority of the town including Whitley Bay and Monkseaton forming part of the Metropolitan Borough of North Tyneside in the Tyne and Wear area. The town is in the constituency of Tynemouth.

 

Whitley Bay is around 10 miles east of Newcastle upon Tyne. It is bounded by the coastline of the North Sea to the east. Tynemouth is 3 miles south.

 

St Mary's Island, a tidal island at the northern tip of the town, is the site of a lighthouse, one of the town's landmarks. Coal seams are exposed in the cliffs next to the beach just North of St Mary's Island and it is possible to pick up coal from the beach at low tide. The coal seams in the cliffs extend all the way to Seaton Sluice.

 

The Tyne and Wear Metro yellow line runs through the town with Whitley Bay, Monkseaton, West Monkseaton and Cullercoats stations serving the town. A Metro journey to Newcastle city centre takes around 25 minutes, via South Gosforth or Wallsend.

 

The main bus operators in the town are Stagecoach North East, Go North East and Arriva Northumbria. Until the late 1990s, Arriva owned and operated a bus station and depot in the town. This closed in 1998, and the Park View Shopping centre sits on the site of both this, and the old Post office building.

 

The local weekly newspaper, The News Guardian, is published by Johnston Press and printed on the presses of the Sunderland Echo in nearby Sunderland. The alternative free weekly paper is the Chronicle Extra, formerly known as the Herald and Post.

 

There are two high schools in the town, Whitley Bay High School and Monkseaton High School. The town is one of the few remaining in the UK that operates on a three-tier system, with first, middle and high schools.

 

On 20 February 2007, North Tyneside Council announced plans to regenerate the Spanish City and Whitley Bay. At the core of the plan was the redevelopment of the Spanish City site with its iconic dome, completed in 1912. For many years it was home to a theme park with rides and attractions, until falling into decay following the closure of the theme park in 2000. The Spanish City was reopened in July 2018.

 

Recent civic improvements include, a skatepark opened in the Panama Dip in 2008, a children's play park on Whitley Park in 2007, refurbishment of the swimming pool and the Playhouse both re-opened in 2009. A new library (behind the main street in the town centre) with a tourist information office, and joint service centre on the site of York Road was completed in 2013.

 

Whitley Bay F.C. play at the town's Hillheads Park, adjacent to the ice rink. The Hillheads stadium in the west of the town and holds approximately 4,500 spectators with 250 seats in the main stand. Now playing in the Northern League Division One, the club won the FA Vase (amateur FA Cup) in 2002, beating Tiptree United at Villa Park, Birmingham.

 

Whitley Bay reached the FA Vase final again in May 2009, when the club beat Glossop North End 2–0 at the new Wembley Stadium. They retained the trophy the following year by beating Wroxham 6–1 at Wembley in the final of the 2009–10 FA Vase. In May 2011 they made it an unprecedented three in a row, and four wins in total this time beating Coalville Town 3–2.

 

Whitley Bay Ice Rink is home of Whitley Warriors Ice Hockey Club. The team enjoyed success together with local rivals Durham Wasps at a national level during the 1980s and early 1990s.

Whitley Bay Rockcliff RFC play at the Lovaine Avenue ground in Hillheads. Founded in 1887 as Rockcliff RFC, and still generally known as "Rockcliff", they were originally based on the seafront in the Rockcliff area of the town, prior to moving along the seafront to the site later occupied by the Spanish City. In 1907 they moved to the present site in Lovaine Avenue. The years immediately after formation and up to the First World War were the most successful in the club's history, when they were one of the strongest sides in England, beating the world-famous Barbarians in 1892, and producing a number of international players including E.W "Little Billy" Taylor, who captained England in the 1890s. The introduction of the league structures in the late 1980s saw the club climb into the north east leagues in the early 1990s. The club now plays in the Durham and Northumberland Division 2.

 

The Rockcliff ground was the home of the short-lived Dirt Track or Speedway venture in the spring of 1929. The first venue on Tyneside, it was not as popular as the sister track at Gosforth Stadium which opened early summer and was closed after only two months, when the operator Tyneside Speedways Ltd went into liquidation.

 

There are a number of Christian denominations and mosques in the town:

Baptist church

Roman Catholic church (Diocese of Hexham and Newcastle)

St Edward's

St Mary's

Church of England (Diocese of Newcastle)

St Alban's, Earsdon

St Mary's, Monkseaton

St Paul's

St Peter's, Monkseaton

Free Church

The Bay

Acorn Community

Methodist church

St John's

United Reformed Church

St Andrew's, Monkseaton

Mosques

Whitley Bay Islamic Cultural Centre[18]

North Tyneside Bangladeshi Community Association.

 

Notable people

Main page: Category:People from Whitley Bay

Gladstone Adams – inventor of the windscreen wiper and former mayor

Kate Adie – News reporter & Chief News Correspondent, BBC News (1989–2003). Presenter, From Our Own Correspondent, BBC Radio 4. Born in Whitley Bay.

David Gilford Armstrong – eminent animal nutritionist who was born and raised here

Michael Bridges – former Newcastle United and Sunderland football player

Ann Cleeves – author

Denis Coe – politician

John Coxon – footballer

L Devine – Singer-songwriter

Sam Fender – Singer/Songwriter, former pupil of Whitley Bay High School Sixth Form

Graham Fenton – footballer

Toby Flood – England rugby union international

John Gilroy – artist of Guinness advertisement fame

Tom Hadaway – playwright

W. E. Johns – author of Biggles (c. 1925)

Ian La Frenais – comedy writer (The Likely Lads, Porridge, Auf Wiedersehen, Pet)

Graham Laws – Football League referee

Will Lenney – YouTuber

John Middleton – actor (Emmerdale)

Tim Palmer - Record Producer

Peter Ramage – Queens Park Rangers and former Newcastle United player – former pupil of Whitley Bay High School

Andrea Riseborough – actor

Laura Spence – Whitley Bay state school student rejected by Oxford University who later attended Harvard University in the USA

Steven Taylor – footballer

Steve Tupling – former footballer

Stephen Tompkinson – actor, lives in Whitley Bay

Hilton Valentine – guitarist, The Animals

Shirley Webb – athlete

Emily Hilda Young – novelist

 

Television

In the 1960s, the BBC television series Come Dancing included regional finals broadcast from the Empress Ballroom, Whitley Bay.

 

Whitley Bay was also featured in the 1980s children's television series Supergran.

 

Scenes in the early 1990s BBC detective series Spender were filmed in the town and one episode was primarily set at the Whitley Bay Ice Rink. The 2006 BBC sitcom Thin Ice was also filmed in the town and at the ice rink.

 

Several episodes of ITV's Vera were filmed in the town, including The Rendezvous Cafe and the sea front.

 

Over the years, scenes from the children's TV series Byker Grove were filmed in the town.

 

Film

Parts of the 1976 film The Likely Lads were filmed in the town.

 

The 2000 film Purely Belter included scenes filmed at the bingo hall adjacent to the Spanish City Dome. Some of the external shots show what remained of the theme park at that time. The town also features in 2013 film The Cullercoats Fishlass, produced by local company ACT 2 CAM, in which Charles Elderton tries to persuade the Spanish City owners to let his troupe perform there, despite the Sunday licensing laws.

 

Whitley Bay Film Festival 2010–present. A community annual event. Patron Ian La Frenais.

 

Radio

The Whitley Bay Municipal Orchestra, conducted by Percival Goffin, was regularly broadcast on radio by the BBC in the 1930s, from the Winter Gardens, Whitley Bay. In 1968, BBC Radio 4's Morning Service, was broadcast from St Paul's Church. In 1992, the Radio 1 Roadshow was broadcast from The Links in the town and in 2001, the Radio 1 Dance Party also came from The Links.

 

Music

The video for Tina Cousins's single "Pray" was filmed at St Mary's Lighthouse, the Spanish City, along the sea front and in an alley behind Whitley Bay Baptist Church. The Spanish City is also referenced in the Dire Straits song "Tunnel of Love". Journey South recorded scenes for the video of their single "The First Time Ever I Saw Your Face" on the seafront and at the Rendezvous Cafe.[citation needed]

 

The rock band Tygers of Pan Tang formed in Whitley Bay in 1978.

 

Literature

Whitley Bay is the main location for Ann Cleeves' crime novel The Seagull.

 

Tyne and Wear is a ceremonial county in North East England. It borders Northumberland to the north and County Durham to the south, and the largest settlement is the city of Newcastle upon Tyne.

 

The county is largely urbanised. It had a population of 1.14 million in 2021. After Newcastle (300,125) the largest settlements are the city of Sunderland (170,134), Gateshead (120,046), and South Shields (75,337). Nearly all of the county's settlements belong to either the Tyneside or Wearside conurbations, the latter of which also extends into County Durham. Tyne and Wear contains five metropolitan boroughs: Gateshead, Newcastle upon Tyne, Sunderland, North Tyneside and South Tyneside, and is covered by two combined authorities, North of Tyne and North East. The county was established in 1974 and was historically part of Northumberland and County Durham, with the River Tyne forming the border between the two.

 

The most notable geographic features of the county are the River Tyne and River Wear, after which it is named and along which its major settlements developed. The county is also notable for its coastline to the North Sea in the east, which is characterised by tall limestone cliffs and wide beaches.

 

In the late 600s and into the 700s Saint Bede lived as a monk at the monastery of St. Peter and of St. Paul writing histories of the Early Middle Ages including the Ecclesiastical History of the English People.

 

Roughly 150 years ago, in the village of Marsden in South Shields, Souter Lighthouse was built, the first electric structure of this type.

 

The Local Government Act 1888 constituted Newcastle upon Tyne, Gateshead and Sunderland as county boroughs (Newcastle had "county corporate" status as the "County and Town of Newcastle upon Tyne" since 1400). Tynemouth joined them in 1904. Between the county boroughs, various other settlements also formed part of the administrative counties of Durham and of Northumberland.

 

The need to reform local government on Tyneside was recognised by the government as early as 1935, when a Royal Commission to Investigate the Conditions of Local Government on Tyneside was appointed. The three commissioners were to examine the system of local government in the areas of local government north and south of the river Tyne from the sea to the boundary of the Rural District of Castle Ward and Hexham in the County of Northumberland and to the Western boundary of the County of Durham, to consider what changes, if any, should be made in the existing arrangements with a view to securing greater economy and efficiency, and to make recommendations.

 

The report of the Royal Commission, published in 1937, recommended the establishment of a Regional Council for Northumberland and Tyneside (to be called the "Northumberland Regional Council") to administer services that needed to be exercised over a wide area, with a second tier of smaller units for other local-government purposes. The second-tier units would form by amalgamating the various existing boroughs and districts. The county boroughs in the area would lose their status. Within this area, a single municipality would be formed covering the four county boroughs of Newcastle, Gateshead, Tynemouth, South Shields and other urban districts and boroughs.

 

A minority report proposed amalgamation of Newcastle, Gateshead, Wallsend, Jarrow, Felling, Gosforth, Hebburn and Newburn into a single "county borough of Newcastle-on-Tyneside". The 1937 proposals never came into operation: local authorities could not agree on a scheme and the legislation of the time did not allow central government to compel one.

 

Tyneside (excluding Sunderland) was a Special Review Area under the Local Government Act 1958. The Local Government Commission for England came back with a recommendation to create a new county of Tyneside based on the review area, divided into four separate boroughs. This was not implemented. The Redcliffe-Maud Report proposed a Tyneside unitary authority, again excluding Sunderland, which would have set up a separate East Durham unitary authority.

 

The White Paper that led to the Local Government Act 1972 proposed as "area 2" a metropolitan county including Newcastle and Sunderland, extending as far south down the coast as Seaham and Easington, and bordering "area 4" (which would become Tees Valley). The Bill as presented in November 1971 pruned back the southern edge of the area, and gave it the name "Tyneside". The name "Tyneside" proved controversial on Wearside, and a government amendment changed the name to "Tyne and Wear" at the request of Sunderland County Borough Council.

 

Tyne and Wear either has or closely borders two official Met Office stations, neither located in one of the major urban centres. The locations for those are in marine Tynemouth where Tyne meets the North Sea east of Newcastle and inland Durham in County Durham around 20 kilometres (12 mi) south-west of Sunderland. There are some clear differences between the stations temperature and precipitation patterns even though both have a cool-summer and mild-winter oceanic climate.

 

Tyne and Wear contains green belt interspersed throughout the county, mainly on the fringes of the Tyneside/Wearside conurbation. There is also an inter-urban line of belt helping to keep the districts of South Tyneside, Gateshead, and Sunderland separated. It was first drawn up from the 1950s. All the county's districts contain some portion of belt.

 

Although Tyne and Wear County Council was abolished in 1986, several joint bodies exist to run certain services on a county-wide basis. Most notable is the Tyne and Wear Passenger Transport Authority, which co-ordinates transport policy. Through its passenger transport executive, known as Nexus, it owns and operates the Tyne and Wear Metro light rail system, and the Shields ferry service and the Tyne Tunnel, linking communities on either side of the River Tyne. Also through Nexus, the authority subsidises socially necessary transport services (including taxis) and operates a concessionary fares scheme for the elderly and disabled. Nexus has been an executive body of the North East Joint Transport Committee since November 2018.

 

Other joint bodies include the Tyne and Wear Fire and Rescue Service and Tyne & Wear Archives & Museums, which was created from the merger of the Tyne and Wear Archives Service and Tyne and Wear Museums. These joint bodies are administered by representatives of all five of the constituent councils. In addition the Northumbria Police force covers Northumberland and Tyne and Wear.

 

There have been occasional calls for Tyne and Wear to be abolished and the traditional border between Northumberland and County Durham to be restored.

 

Tyne and Wear is divided into 12 Parliamentary constituencies. Historically, the area has been a Labour stronghold; South Shields is the only Parliamentary constituency that has never returned a Conservative Member of Parliament (MP) to the House of Commons since the Reform Act of 1832.

 

Newcastle and Sunderland are known for declaring their election results early on election night. Therefore, they frequently give the first indication of nationwide trends. An example of this was at the 2016 European Union referendum. Newcastle was the first large city to declare, and 50.6% of voters voted to Remain; this proportion was far lower than predicted by experts. Sunderland declared soon after and gave a 62% vote to Leave, much higher than expected. These two results were seen as an early sign that the United Kingdom had voted to Leave.

 

Offshore Group Newcastle make oil platforms. Sage Group, who produce accounting software, are based at Hazlerigg at the northern end of the Newcastle bypass. Northern Rock, which became a bank in 1997 and was taken over by Virgin Money in November 2011, and the Newcastle Building Society are based in Gosforth. The Gosforth-based bakery Greggs now has over 1,500 shops. The Balliol Business Park in Longbenton contains Procter & Gamble research and global business centres and a tax credits call centre for HMRC, and is the former home of Findus UK. The Government National Insurance Contributions Office in Longbenton, demolished and replaced in 2000, had a 1 mile (1.6 km) long corridor.

 

Be-Ro and the Go-Ahead Group bus company are in central Newcastle. Nestlé use the former Rowntrees chocolate factory on the east of the A1. BAE Systems Land & Armaments in Scotswood, formerly Vickers-Armstrongs, is the main producer of British Army tanks such as the Challenger 2. A Rolls-Royce apprentice training site is next door.[18] Siemens Energy Service Fossil make steam turbines at the CA Parsons Works in South Heaton. Sir Charles Parsons invented the steam turbine in 1884, and developed an important local company. Domestos, a product whose main ingredient is sodium hypochlorite, was originated in Newcastle in 1929 by William Handley, and was distributed from the area for many years.

 

Clarke Chapman is next to the A167 in Gateshead. The MetroCentre, the largest shopping centre in Europe, is in Dunston. Scottish & Newcastle was the largest UK-owned brewery until it was bought by Heineken and Carlsberg in April 2008, and produced Newcastle Brown Ale at the Newcastle Federation Brewery in Dunston until production moved to Tadcaster in September 2010. At Team Valley are De La Rue, with their largest banknote printing facility, and Myson Radiators, the second largest in the UK market. Petards make surveillance equipment including ANPR cameras, and its Joyce-Loebl division makes electronic warfare systems and countermeasure dispensing systems such as the AN/ALE-47. Sevcon, an international company formed from a part of Smith Electric, is a world leader in electric vehicle controls. AEI Cables and Komatsu UK construction equipment at Birtley.

 

J. Barbour & Sons make outdoor clothing in Simonside, Jarrow. SAFT Batteries make primary lithium batteries on the Tyne in South Shields. Bellway plc houses is in Seaton Burn in North Tyneside. Cobalt Business Park, the largest office park in the UK, is at Wallsend, on the former site of Atmel, and is the home of North Tyneside Council. Swan Hunter until 2006 made ships in Wallsend, and still designs ships. Soil Machine Dynamics in Wallsend on the Tyne makes Remotely operated underwater vehicles, and its Ultra Trencher 1 is the world's largest submersible robot.

 

The car dealership Evans Halshaw is in Sunderland. The car factory owned by Nissan Motor Manufacturing UK between North Hylton and Washington is the largest in the UK. Grundfos, the world's leading pump manufacturer, builds pumps in Sunderland. Calsonic Kansei UK, formerly Magna, make automotive instrument panels and car trim at the Pennywell Industrial Estate. Gestamp UK make automotive components. Smith Electric Vehicles originated in Washington. The LG Electronics microwave oven factory opened in 1989, closed in May 2004, and later became the site of the Tanfield Group. Goodyear Dunlop had their only UK car tyre factory next to the Tanfield site until its 2006 closure. BAE Systems Global Combat Systems moved to a new £75 million factory at the former Goodyear site in 2011, where they make large calibre ammunition for tanks and artillery.

 

The government's child benefit office is in Washington. Liebherr build cranes next to the Wear at Deptford. The outdoor clothing company Berghaus is in Castletown. Vaux Breweries, who owned Swallow Hotels, closed in 1999. ScS Sofas are on Borough Road. There are many call centres in Sunderland, notably EDF Energy at the Doxford International Business Park, which is also the home of the headquarters of the large international transport company Arriva and Nike UK. Rolls-Royce planned to move their production of fan and turbine discs to BAE Systems' new site in 2016.

no wrecking ball is responsible for this mess - just the slow and steady ravages of time. this house is in detroit's once posh neighborhood of brush park. the automobile execs who once lived in this neighborhood have long since left - in many instances just abandoning their homes.

an instance of self reference

An early one. And another instance where we started off doing mostly clothed just simple "model promo" images but ended up here :-)

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