Museums and Galleries - Installing Exhibitions
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Situé au sud de Madère , le Cap Girao offre une vue unique sur les falaises et les cultures en terrasses, à 580 m au-dessus du niveau de la mer .
Site incontournable de l'île , car l'une des attractions du cap est son " skywalk" en verre , une passerelle suspendue avec un plancher en verre qui s'étend au-dessus du bord de la falaise !
On marche littéralement " dans les airs" !!!
Impressionnant et vertigineux .... Mais ne surtout pas avoir le vertige ! Beaucoup de gens n'osent pas s'aventurer sur cette plate-forme transparente !
La seule solution : Ne pas regarder ses pieds !
En se penchant au-dessus du garde-corps , on peut admirer cette vue sur les FAJAS , terres cultivées très fertiles .
Il faut imaginer qu'autrefois , la descente vers ces cultures se faisait à pied , avec une charge sur le dos !
De nos jours , un téléphérique a été installé , utilisé au départ par les agriculteurs ...
I'm making the point of stopping using Adobe software. I'm sick of being held to ransom, to access my edits. (New year's resolution maybe?)
So, I've moved to darktable (www.darktable.org/) on my Linux install, and while I think it's going to take a long time to fully learn this software, I can see it's potential. This is my first edit/export from the software :)
There are some great videos on darktable here:
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Nikon Z6, Petzavl 55 f/1.7 MKII
This ancient fortress had a final military role to play during the Second World War, when an anti-aircraft battery was installed on Dumbarton Rock. Four high-explosive bombs landed on the Rock in May of 1941. There was some damage to its structures (for example, the Magazine was hit, although, fortunately, it had long ceased to be used for its original purpose), but there were no casualties. No traces of the gun emplacements are visible. Quoted from the Geograph website
Macro Mondays #InsideElectronics
7DWF: Anything Goes
Height of the frame: 5,4 cm / 2,1 inches
In the year 2112, Starship Cygnus X-1, Rush category, the flagship of the X-Cans fleet, silently orbits planet Samba on an Amazing Journey through the Musical Fidelity Universe. It is on a five-year mission to explore new musical worlds, to seek out new sounds no woman or man has ever heard before...
The subject was a rather "simple" one, because the only easily accessible "Inside Electronics" parts I had were these old tubes that used to be inside of my headphone amplifier. They are made of glass (of course) so you can see what's inside of them; making it a "double peek", if you like - an inside view of something that used to be inside of an electronic device ;-). I always wanted to use these tubes for a photo. The idea was to make it appear like a spaceship. Ever since the new tubes were installed, the amplifier sounds crappy (so I don't use it anymore; but it's 20 years old, so it's probably time for a new one...). I wasn't aware that the type of tubes can make such a difference in sound...
A Happy Macro Monday, Everyone!
Das Universum der Musik... Unendliche Weiten. Wir schreiben das Jahr 2112. Dies ist das Raumschiff Cygnus X-1, Rush-Klasse, Flagschiff der X-Cans-Flotte. Lautlos umrundet es den Planeten Samba auf einer fünfjährigen "Amazing Journey" durch das "Musical Fidelity" Universum. Viele Klangjahre von der Erde entfernt erforscht es neue musikalische Welten, die nie ein Mensch zuvor gehört hat...
Um nicht etwas aufschrauben und dabei womöglich beschädigen zu müssen (oder den elektrischen Schlag schlechthin zu bekommen), habe ich hier alte Röhren aus meinem Kopfhörer-Verstärker genommen, die ich schon immer mal für ein Foto verwenden wollte. Ein "doppelter Einblick" ins Innere der Elektronik, da die Röhren durch ihren Glasmantel sowohl Einblick in ihr eigenes Inneres erlauben als auch zuvor im Innern eines elektrischen Geräts verbaut waren. Dummerweise klingt der Verstärker nach dem Wechsel der Röhren gar nicht mehr gut (ich hätte nie gedacht, dass die Art der Röhre solch einen Einfluss auf den Klang hat), aber er ist auch schon 20 Jahre alt; vielleicht Zeit für etwas Neues...
Ich wünsche Euch eine schöne Juli-Woche, liebe Flickr-Freunde!
part of installation at exhibition "Now, the future of the past", In Liemers Museum, Zevenaar (NL) 2018
Fuchsias are fragile plants and I had noticed that this particular plant wasn't doing too well in the scorching heat we had recently. Wanting to protect it, I place a large umbrella in front of it every morning, when the sun shines on it. Since we had some good rain the last two days, I removed the umbrella and saw that this pretty Fuchsia had grown a large quantity of beautiful new blooms, a reward for my good care :) /
Les Fuchsias sont des plantes fragiles et j'avais remarque que cette plante, en particulier, ne se portait pas tres bien pendant les grosses chaleurs que nous avons eues recemment. Mon desir de la proteger m'a fait installer un grand parapluie devant cette plante tous les matins, lorsque le soleil darde ses rayons brulants sur elle. Comme nous avons eu de bonnes pluies ces deux derniers jours, j'ai retire le parapluie-ombrelle et constate que ce joli Fuchsia s'etait couvert d'une grande quantite de belles fleurs toutes neuves, en recompense de mes bons soins :)
La Piscine, ou musée d'art et d'industrie André-Diligent, est un musée de Roubaix qui présente des collections composites d'arts appliqués et de beaux-arts constituées à partir du XIXe siècle comprenant des tissus, des pièces d'arts décoratifs, des sculptures, des peintures et dessins.
Il est installé dans une ancienne piscine de style art déco, construite entre 1927 et 1932 par l'architecte lillois Albert Baert, d'où son surnom « La Piscine ». (Wikipedia)
A Palazzo Reale di Milano, nella Sala delle Cariatidi, è stata allestita una installazione. Si tratta di una serie di pali illuminati da luci blu che disegnano una palizzata all'interno della quale diversi monitor trasmettono immagini delle opere d'arte presenti nei musei milanesi. Un'idea suggestiva in un ambiente già suggestivo da sè.
Un véritable cimetière de voitures anciennes, toutes décomposées par le temps en communion avec la nature.
Ce parc original est l’oeuvre de Michael Fröhlich, Mode- puis Autodesigner et désormais propriétaire d’une concession de voitures de collection. Michael Fröhlich a eu l’idée un jour, il y a 20 ans, d’acquérir pour son 50ème anniversaire 50 voitures anciennes du monde entier, toutes datant des années 1950 pour les installer dans le grand jardin boisé entourant sa maison à flanc de colline, tel un parcours artistique exposant sa passion pour les voitures anciennes mais surtout témoignant de la supériorité des éléments naturels sur la technologie, d’une nature qui finit toujours par reprendre ses droits.
Parmi les nombreuses voitures en décomposition, vous pourrez admirer une Jaguar et une Porsche côte à côte, une voiture de l’armée de Berlin-Est faisant face à sa contemporaine de Berlin-Ouest, une limousine 11 CV de gangster ayant appartenu à un policier français, une Mosqvitch à moitié enterrée, une 2CV remplie de bouteilles de champagne vides, une Rolls Royce transportant la reine et le prince Charles mais aussi une Mercedes-Benz, BMW, Opel, Ford, Volkswagen, Buick, Citroën, Fiat, Austin, Morris, Lloyd, Renault, Tatra… chaque véhicule a son histoire !
Et on ne trouve pas que des voitures anciennes dans l’Auto-Skulpturen-Park. Vous croiserez également un avion et son parachutiste suspendu à un arbre , des motos, des scooters, une calèche… une cabine téléphonique, des pneus, des nains de jardin…
A veritable graveyard of old cars, all decomposed by time in communion with nature.
This original park is the work of Michael Fröhlich, Fashion- then Autodesigner and now owner of a collector car dealership. Michael Fröhlich had the idea one day, 20 years ago, to acquire for his 50th birthday 50 vintage cars from all over the world, all dating from the 1950s to install them in the large wooded garden surrounding his house on the hillside , like an artistic journey exposing his passion for old cars but above all testifying to the superiority of natural elements over technology, of a nature that always ends up reclaiming its rights.
Among the many decaying cars, you can admire a Jaguar and a Porsche side by side, an East Berlin army car facing its West Berlin contemporary, a gangster 11 HP limousine that once belonged to a policeman French, a half-buried Mosqvitch, a 2CV filled with empty champagne bottles, a Rolls Royce carrying the Queen and Prince Charles but also a Mercedes-Benz, BMW, Opel, Ford, Volkswagen, Buick, Citroën, Fiat, Austin, Morris, Lloyd, Renault, Tatra… each vehicle has its story!
And you don't just find vintage cars in the Auto-Skulpturen-Park. You will also come across an airplane and its parachutist suspended from a tree, motorcycles, scooters, a horse-drawn carriage… a telephone booth, tires, garden gnomes…
De la visite rare dans le coin, 2 Hiboux moyen-duc qui n'avaient pas choisi le coin le plus tranquille du parc. En effet, ils étaient bien installés chacun dans leur conifère très près du sentier. L'an dernier dans les mêmes dates un individu avait été vu à cet endroit, la nature est surprenante.
A few install images from my upcoming exhibition The Older Industrial Parks Near Newport, Victoria. Opening 17/08/16 launch event 20/08/16 see you there! 69 Smith St Gallery
Because There’s a There, Here’s Just Fine
Acrylic, cedar, cigarette butts, eurocast, fertilizer, foam, found plastic, garbage from Denver parks, insulation, lichen, moss, organic material from Denver, sponge, steel 55 gallon drum, wood lumber.
Installation created for The Nature Of Things at the Biennial of the Americas 2010 in Denver, CO.
Installed in 1990, the bronze End of the Trail statue commemorating Captains Meriwether Lewis and William Clark 4,000-mile, 18-month journey was created by Stanley Wanlass. It stands at the Turnaround in Seaside, Oregon, where Broadway Street ends at the historic Seaside Promenade, a 1.5-mile stretch of paved walkway along the Pacific Ocean that was built in 1920.
The Turnaround is a fitting location for the statue, as it’s considered to be the official end point to the Lewis and Clark Expedition’s journey—the place where they “turned around” to return home.
Grèbe Huppé - Pyrénées-Atlantiques - France
Aujourd’hui, je retourne au bord du lac où j’ai pu photographier les grèbes huppés. Malgré des chemins très fréquentés par les joggers et autres propriétaires de chiens, ce lac est très vivant.
Le réveil à 6h00 est difficile, mais il faut arriver avant le lever du jour pour s’installer dans l’obscurité et ne pas déranger les oiseaux. À peine sorti de la voiture, j’entends les hérons garde-bœufs se chamailler sur leur dortoir. Un chevalier culblanc longe la rive et les grèbes s’appellent dans la pénombre.
C’est parti pour un affût allongé, un roncier dans le dos et le boîtier à la limite de l’eau ; de bonnes douleurs dorsales sont à prévoir, mais c’est le seul moyen d’avoir un angle de vue au ras de l’eau et des images plus esthétiques.
Pendant ces 3 heures, les grèbes s’appellent, se poursuivent, se séduisent et pêchent des écrevisses sur le plan d’eau. Les hérons cendrés veulent aussi leur part du gâteau et les colverts promènent leur ribambelle de petits tout en restant vigilants.
Il n’est pas facile de gérer les réglages, la lumière changeante, la composition à plat ventre sans trop bouger sous le filet, mais quand tout s’aligne correctement, une image se crée.
Installed alongside each other so that they are clearly separate, detailed maps of divided urban spaces depict east and west Beirut. The delicacy of the etches maps and the fragility of the glass form an effective language to speak about the tumultuous social and political climate in Lebanon, following as resurgence of violence in the country in the early 2000s.
Had to reinstall Skyrim cause it crashed for unknown reasons, so I was testing armors after the install, while taking screenshots!
To view more of my images, of Waddesdon Manor, inside and out, including some of the most beautiful artwork, and furniture, please click "here" !
From the Achieves, reprocessed using Photoshop CC 2025,
I would be most grateful if you would refrain from inserting your own images, and/or group invites; thank you!
Waddesdon Manor is a country house in the village of Waddesdon, in Buckinghamshire, England. The house was built in the Neo-Renaissance style of a French château between 1874 and 1889 for Baron Ferdinand de Rothschild (1839–1898). Since this was the preferred style of the Rothschild's it became also known as the Goût Rothschild. The house, set in formal gardens and an English landscape park, was built on a barren hilltop overlooking Waddesdon village. The last member of the Rothschild family to own Waddesdon was James de Rothschild. He bequeathed the house and its contents to the National Trust in 1957. Today, following an extensive restoration, it is administered by a Rothschild charitable trust that is overseen by Jacob Rothschild, 4th Baron Rothschild. In 2007–08 it was the National Trust's second most visited paid-entry property, with 386,544 visitors. The Baron wanted a house in the style of the great Renaissance châteaux of the Loire Valley. The Baron, a member of the Viennese branch of the Rothschild banking dynasty, chose as his architect Gabriel-Hippolyte Destailleur. Destailleur was already experienced in working in this style, having overseen the restoration of many châteaux in that region, in particular that of the Château de Mouchy. Through Destailleur's vision, Waddesdon embodied an eclectic style based on the châteaux so admired by his patron, Baron Ferdinand. The towers at Waddesdon were based on those of the Château de Maintenon, and the twin staircase towers, on the north facade, were inspired by the staircase tower at the Château de Chambord. However, following the theme of unparalleled luxury at Waddesdon, the windows of the towers at Waddesdon were glazed, unlike those of the staircase at Chambord. They are also far more ornate. The structural design of Waddesdon, however, was not all retrospective. Hidden from view were the most modern innovations of the late 19th century including a steel frame, which took the strain of walls on the upper floors, which consequently permitted the layout of these floors to differ completely from the lower floors. The house also had hot and cold running water in its bathrooms, central heating, and an electric bell system to summon the numerous servants. The building contractor was Edward Conder & Son. The towers were modelled on the staircase towers of Château de Chambord. One of the twin staircase-towers inspired by those at the Château de Maintenon. Once his château was complete, Baron Ferdinand installed his extensive collections of French 18th-century tapestries, boiseries, furniture and ceramics, English and Dutch paintings and Renaissance works of art. Extensive landscaping was carried out and the gardens enhanced with statuary, pavilions and an aviary. The Proserpina fountain was brought to the manor at the end of the 19th Century from the Palace of the Dukes of Parma in northern Italy: the Ducal Palace of Colorno. The gardens and landscape park were laid out by the French landscape architect Elie Lainé. An attempt was made to transplant full-grown trees by chloroforming their roots, to limit the shock. While this novel idea was unsuccessful, many very large trees were successfully transplanted, causing the grounds to be such a wonder of their day that, in 1890, Queen Victoria invited herself to view them. The Queen was, however, more impressed by the electric lighting in the house than the wonders of the park. Fascinated by the invention she had not seen before, she is reported to have spent ten minutes switching a newly electrified 18th-century chandelier on and off. When Baron Ferdinand died in 1898, the house passed to his sister Alice de Rothschild, who further developed the collections. Baron Ferdinand's collection of Renaissance works and a collection of arms were both bequeathed to the British Museum as the "Waddesdon Bequest". During World War II, children under the age of five were evacuated from London and lived at Waddesdon Manor. Following Alice de Rothschild's death in 1922, the property and collections passed to her great-nephew James A. "Jimmy" de Rothschild of the French branch of the family, who further enriched it with objects from the collections of his late father Baron Edmond James de Rothschild of Paris. When James de Rothschild died in 1957, he bequeathed Waddesdon Manor, 200 acres (0.81 km2) of grounds and its contents to the National Trust, to be preserved for posterity. The Trust also received their largest ever endowment from him: £750,000 (£15,310,270 as of 2014).
From Wikipedia, the free encyclopedia
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Sorry guys, boring shot today. I am worn out, exhausted and going to bed!
I will endeavor for a more interesting shot tomorrow.
On a bright note, I'm getting pretty good and bending my arm around and taking a photo without looking =]
Come to the opening next thurs 2/4! At Manuel Izquierdo Gallery in Sculpture Building at PNCA . Photo by Matt
ok.. ok ok ok.. by dropping the light intensity down to zero, with the new light colours installed, it looks like this. which i think is waaaay better.. I love it when your own project wrinkles your own brain.
This is a new night shot of my Palm Hill Skate Park at night, with updated lighting effects, thanks to the incredible assistance of wrtyler on Flickr. This dude has been paramount in my new understandings of altering Stud.io's new lighting features to make everything better.. what a star!!
Thanks again, wrtyler.
If you dig it, pay him a visit:
www.flickr.com/photos/155024324@N02
and support my LEGO Ideas project: Palm Hill Skate Park.
ideas.lego.com/projects/bef560cc-d464-4c35-bf32-6fd733b58496
Takes a second to sign up for free and throw me a vote!