View allAll Photos Tagged installationart
the woods are watching, installation view showing the tree stand that is part of the work, designed to change the perspective of the viewer. the act of climbing upward among this natural environment is part of what the work is about.
via Instagram www.instagram.com/p/94erE-mGjH/
2002-2003, 1200 hats crocheted by residents of the North Carolina Correctional Institution for Women - one hat for every incarcerated woman. $6000 in donated yarn from members of United Church of Chapel Hill
I wish I can travel now
An outdoors installation art in Taoyuan International Airport
夢想能飛，夢想能和妳出國旅行！
台灣, 桃園國際機場的裝置藝術
藝術家 余燈銓 的「展翼四海行」裝置藝術作品
Taoyuan, Taiwan
2021/4/20
hx03939
dans.photo@gmail.com
Exposition “L'autre côté du miroir, le monde de Charles Matton“ à l'Espace culturel Chapelle Sainte-Anne
#laBaule #laBauleLesPins #ArtContemporain #LesBoîtes #contemporaryart #exhibition #installationart #artinstallation #art #laBauleEscoublac #CharlesMatton
Exposition “L'autre côté du miroir, le monde de Charles Matton“ à l'Espace culturel Chapelle Sainte-Anne
#laBaule #laBauleLesPins #ArtContemporain #LesBoîtes #contemporaryart #exhibition #installationart #artinstallation #art #laBauleEscoublac #CharlesMatton
The Massachusetts Museum of Contemporary Art (MASS MoCA) occupies a converted factory building complex occupying 13-acres in North Adams, Massachusetts. It is one of the largest centers for contemporary visual art in the United States. The complex was originally built by the Arnold Print Works, which operated on the site from 1860 to 1942. MASS MoCA opened in 1999 with 19 galleries and 100,000 sq ft (9,300 m2) of exhibition space. It is large enough to put on exhibitions in individual buildings for extended periods - a Sol Lewitt building has five stories full of work conceived by him (and executed by others) on display until 2033; another building contains three large-scale installations by Anself Keifer on display until 2028.
The Boiler Room is one of the buidlings and when I was there it contained an installation of audio art. And old boiler room stuff that was highly photogenic.
When there is a cloud above you - don't let it go down on you, but let it rain with creativity an fun.
The Massachusetts Museum of Contemporary Art (MASS MoCA) occupies a converted factory building complex occupying 13-acres in North Adams, Massachusetts. It is one of the largest centers for contemporary visual art in the United States. The complex was originally built by the Arnold Print Works, which operated on the site from 1860 to 1942. MASS MoCA opened in 1999 with 19 galleries and 100,000 sq ft (9,300 m2) of exhibition space. It is large enough to put on exhibitions in individual buildings for extended periods - a Sol Lewitt building has five stories full of work conceived by him (and executed by others) on display until 2033; another building contains three large-scale installations by Anself Keifer on display until 2028.
The Boiler Room is one of the buidlings and when I was there it contained an installation of audio art. And old boiler room stuff that was highly photogenic.
Caneta permanente sobre parede, 3 x 7,45 metros.
Caixa Cultural - RJ - Exposição: In Memoriam.
Curadoria de Fernanda Lopes.
Foto: Rafael Pereira.
This is "Big Rusty" an art installation from Danish Artist Thomas Danbo, who is best known for his many giant Trolls he has created from various materials. His Trolls can be found in parks, forests, mountain tops, and just about anywhere that people will find themselves appreciating art in giant forms.
Nikon D850 with Nikkor 14-24mm F2.8 AFS lens @ 14mm, F13, 1/60th second, ISO 64. Oben tripod with Benro 3-way geared head.
森林之歌
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Rosemont-La Petite-Patrie, Parc Jean-Duceppe.
Catégorie : Installation.
Matériaux : Acier inoxydable.
Technique(s) : Assemblé, forgé, soudé.
Description de l’œuvre :
Le parc Jean-Duceppe se transforme en un immense théâtre où cette œuvre tel un rideau de scène, fait écho à la végétation. Elle rend hommage à l’engagement artistique et aux valeurs qui ont guidé Jean Duceppe tout au long de sa vie. Un pan découvre des lattes de métal qui tissent les contours d’un arbre; sur l’autre versant se dessinent des feuilles de laurier en arabesque, couronnant la carrière de l’homme de théâtre. La figure de l’arbre est essentielle au sens de l’œuvre. Elle prend de l’expansion en son centre et s’ouvre, symbolisant ainsi le destin du comédien. L’élévation de l’œuvre se mesure à l’élévation des deux plateaux érigés au nord et au sud du parc. Il ne s’agit pas d’une œuvre à l’effigie de Jean Duceppe, mais bien d’une œuvre en hommage à son action artistique et aux valeurs qui l’ont guidé tout au long de sa vie professionnelle.
« Il y a un peu du Québec dans ce « Je me souviens ». Avec ces rires d’enfants dans le parc. Parmi ces promeneurs. Et dans cette marque tangible, réelle, désormais incontournable, qu’ont tracée les pas accumulés de ce grand comédien qu’a été Jean Duceppe. »
– Louise Viger
Biographie :
Artiste multidisciplinaire, Louise Viger vit et travaille à Montréal. Elle est détentrice d’un baccalauréat en arts visuels de l’Université Laval ainsi que d’une maîtrise en beaux-arts de l’Université Concordia. Depuis 1978, Viger a réalisé plusieurs expositions individuelles au Québec, au Canada et à l’étranger, entre autres au Musée d’art contemporain de Montréal en 2000 et au Musée national des beaux-arts du Québec, en 2010 et 2011. Ses œuvres ont fait partie de nombreuses expositions collectives, parmi lesquelles Seeing in Tongues – Le bout de la langue, en 1995. Elle est l’auteure de plusieurs sculptures publiques.
artpublicmontreal.ca/oeuvre/des-lauriers-pour-memoire-jea...